{"title":"Dinámicos","description":"","products":[{"product_id":"shadow-hills-mastering-compressor","title":"Shadow Hills Mastering Compressor","description":"\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/AGI-Essentials.png?v=1496947538\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eEl Mastering Compressor es un sistema híbrido, con dos tipologías corriendo en paralelo: Un agresivo y ultra rápido compresor FET y un sutil y extremadamente musical opto compresor. Después de unas horas de convivir con este monstruo de control, encontrará que alimenta vida y emoción a cualquier pieza musical que se le aviente.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual compression sections for unprecedented dynamic control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shadow Hills Industries Mastering Compressor controls your dynamics in two stages, an optical section and a discrete section. The optical section is mostly program dependent, with just Threshold and Gain settings, and features a two-stage release time reminiscent of a famous audio leveler from the late-'60s. Use the optical section to get your dynamic range under control, and to bring up overall level.\u003c\/p\u003e\n\u003cp\u003eThe discrete section utilizes a VCA design, and takes over where the optical section leaves off. With precise control over ratio, attack, and release, you'll be able to fine-tune the response of the Mastering Compressor to suit any program material, for any project.\u003c\/p\u003e\n\u003cp\u003eEach section can be hardwire-bypassed individually, essentially giving you three exceptional methods of dynamics control in one single compressor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSwitchable output transformers for sonic variety\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou have remarkable control over the tone and vibe of your music with the Shadow Hills Industries Mastering Compressor, thanks to three switchable output transformers. Switching transformers provides a subtle but significant tonal shift, allowing you to choose the right vibe for your material. Choose from steel, nickel, or iron output transformers to get the iconic sound of different styles of analog consoles. The nickel transformer gives you a natural low end with smoothly enhanced high frequencies, outstanding for intimate acoustic recordings. The iron transformer has a natural high end with a slight boost around 110Hz, and has a Class-A output stage that only passes even-ordered harmonic distortion - very musical. The steel transformer sounds very open with a detailed and fast response, with a very subtle boost around 40Hz that helps provide rock-solid low frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePremium signal path throughout\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the custom-designed, gold-plated stepped attenuators for easy settings recall, to the custom output transformers, the Mastering Compressor's signal path is world-class all the way. And each compressor section can be hardwire-bypassed for exceptional sonic integrity when not in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eChoose from optical compression, VCA compression, or both in series, for unprecedented dynamic control with a mastering-grade signal path\u003c\/li\u003e\n\u003cli\u003eOptical section provides smooth, program dependent leveling, just like a classic audio leveler from the late-'60s.\u003c\/li\u003e\n\u003cli\u003eDiscrete section gives you the fast, precise sound of a classic VCA compressor\u003c\/li\u003e\n\u003cli\u003eSidechain frequency filter prevents frequencies below 90Hz from triggering compression for tighter-sounding mixes\u003c\/li\u003e\n\u003cli\u003eThree selectable output transformers each have their own distinctive sonic characteristics, for unparalleled tonal control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Sin Fuente de poder","offer_id":29030242183,"sku":"","price":9985.0,"currency_code":"USD","in_stock":true},{"title":"Con Fuente de Poder","offer_id":29030017543,"sku":"","price":11120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/MasteringCompressor-2.jpg?v=1497458135"},{"product_id":"2264alb-mono-limiter-compressor","title":"Neve 2264ALB Mono Limiter Compressor","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eOfreciendo usos y resultados similares a los del Limitador\/Compresor tipo 2254 anterior, lo hace y muy bien a pesar de estar encapsulado en un factor de forma más compacto. Diseño discreto, de clase A\/B y circuitos acoplados por el transformador utilizados en la entrada, diseño innovador del bridge-driver, el side-chain y las etapas de salida garantizan un sonido totalmente único. Las unidades originales 2264A aún siguen siendo buscadas, décadas después de que su producción se detuvo, y siguen siendo una de las piezas más importantes del equipo de estudio.\u003cbr\u003e\u003cbr\u003eFabricado en Inglaterra por los ingenieros de Neve, el 2264ALB conserva las características sonoras únicas del 2264A original empleando la misma arquitectura, componentes y los transformadores originales devanados a mano; agregando nuevas características: un LED para indicar la presencia de una señal y una opción de ataque lento. Su diseño moderno y portátil cumple con las exigencias de los productores e ingenieros profesionales.\u003cbr\u003e\u003cbr\u003eSimplemente instálalo en un slot vacía de tu rack compatible con la serie 500, conecta tus señales de nivel de línea e inyecta el legendario sonido dinámico de Neve en tus producciones de audio. Además, es la combinación perfecta para el increíble módulo de preamplificación Neve 1073LB. El módulo 2264ALB se puede insertar entre las etapas de entrada y salida del módulo 1073LB, creando una nueva ruta de audio 1073 clásica.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCaracterísticas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLimitador\/compresor mono clásico, disponible en el formato de serie 500\u003c\/li\u003e\n\u003cli\u003eCircuitos acoplados a transformadores utilizados en las etapas de entrada, bridge-driver, side-chain y salida\u003c\/li\u003e\n\u003cli\u003eSelectores independientes IN\/OUT para limitador y compresor\u003c\/li\u003e\n\u003cli\u003eEl interruptor BYPASS conecta las terminales de entrada directamente a las terminales de salid\u003c\/li\u003e\n\u003cli\u003eEl switch Slow Attack cambia entre los ajustes de ataque clásicos del 2264A y el nuevo ajuste de ataque lento para buss compression\u003c\/li\u003e\n\u003cli\u003eEl medidor digital LED con balísticas PPM aproximadas indica 0dB a 20dB de reducción de ganancia\u003c\/li\u003e\n\u003cli\u003eEl diseño Audio Processing Insert  permite que el audio de\/desde el módulo 2264ALB sea insertado en el flujo de señal de un módulo 1073LB existente (los módulos deben estar instalados en la misma LunchboxTM)\u003c\/li\u003e\n\u003cli\u003eMódulo totalmente cubierto, su empaquetado en una caja de Mu-metal ayuda a eliminar fugas en los campos electromagnéticos de la LunchboxTM PSU u otros tipos de módulos\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/9x2mKCIxSew\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"margin-left: -84px; padding-left: 84px; padding-right: 84px; visibility: visible; width: 100%; margin-right: 0px;\" class=\"vc_row wpb_row vc_row-fluid vc_custom_1456417268285 full-width-section \"\u003e\n\u003cdiv class=\"vc_span6 wpb_column vc_column_container \"\u003e\n\u003cdiv class=\"vc_column-inner \"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  \"\u003e\n\u003cdiv class=\"wpb_wrapper\" id=\"ct_b3nla6o1poh0x9qtjkv5\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"vc_span6 wpb_column vc_column_container \"\u003e\n\u003cdiv class=\"vc_column-inner \"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  \"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":22212566599,"sku":"","price":1495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/2264ALB.jpg?v=1492871752"},{"product_id":"33609","title":"Neve 33609 N Stereo Compressor","description":"\u003cdiv class=\"wpb_wrapper\" id=\"ct_6mypx9p8669kic15myf3\"\u003e\n\u003cdiv class=\"vc_span6 wpb_column vc_column_container\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element\"\u003e\n\u003cdiv class=\"wpb_wrapper\" id=\"ct_e2hypnbsrzcu9epgctr7\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\nJunto con su incomparable facilidad de uso, esta inimitable calidad de sonido ha convertido al 33609 en un estándar mundial de estudios por tres décadas.\u003cbr\u003e\u003cbr\u003eEl sello sonoro de compresión 33609 es muy suave, y las configuraciones extremas pueden ser utilizadas con la compresión o limitación, manteniendo un sonido relativamente transparente. Después de varias versiones de este compresor clásico de Neve con el paso de los años, el 33609 de hoy ofrece lo mejor de ambos mundos: el sonido original de Neve 33609, switching mejorado de I\/O internos y externos comparados con el modelo original. El 33609 también utiliza una etapa de salida discreta como el modelo original, entregando un sonido ligeramente más cálido que es preferido por muchos profesionales sobre versiones anteriores. Múltiples unidades pueden conectarse fácilmente para una uso multicanal.\u003cbr\u003e\u003cbr\u003eEl 33609 cuenta con sidechains independientes para las secciones de compresor y limitador, con controles independientes de threshold, recovery y attack similares. El compresor ofrece una selección de ratios de 1.5:1 a 6:1 y un make-up gain antes del limitador. La reducción de la ganancia total se indica en un medidor de bobina móvil.\u003cbr\u003e\u003cbr\u003eAl igual que nuestros preamplificadores de micrófono clásicos 1073 y 1081, el Compresor Stereo 33609 es referido a menudo como un compresor de “la isla desierta\", uno que los mejores ingenieros y productores del mundo elegiría por encima de todos los demás.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCaracterísticas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Stereo Compressor\/Limiter diseñado para cumplir con las especificaciones de los modelos de los años 1970\u003c\/li\u003e\n\u003cli\u003eFabricados a mano con transformadores Neve en Burnley, Inglaterra\u003c\/li\u003e\n\u003cli\u003eCircuito de compresión de retroalimentación (feedback) clásica 2254\u003c\/li\u003e\n\u003cli\u003eBrick Wall Limiting\u003c\/li\u003e\n\u003cli\u003eControl de nivel transparente\u003c\/li\u003e\n\u003cli\u003ePerfecto para mezcla, radiodifusión y masterización\u003c\/li\u003e\n\u003cli\u003eFunción Hard Limit para grabación digital\u003c\/li\u003e\n\u003cli\u003eLimitador in\/out. Compresión in\/out\u003c\/li\u003e\n\u003cli\u003eEtapa de salida discreta para un sonido ligeramente más cálido\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":22255810759,"sku":"","price":4380.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/400372997_1053133216027324_1508602734268660836_n.png?v=1700674698"},{"product_id":"2254-r-mono-limiter-compressor","title":"Neve 2254\/R Mono Limiter Compressor","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eTambién hay ajuste manual para un tiempo de ataque rápido, continuamente variable entre 100μS y 2mS. Además de la mejora LED para indicar la presencia de una señal, que cambia de verde a rojo para advertir de un clipping inminente.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCaracterísticas\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLimitador\/compresor mono clásico con diseño exacto al de finales de los años 60\u003c\/li\u003e\n\u003cli\u003eHecho a mano en Burnley, Inglaterra usando los transformadores originales Neve de la hoja de especificaciones\u003c\/li\u003e\n\u003cli\u003eDiseño de circuito discreto de clase A del Neve 2254 original\u003c\/li\u003e\n\u003cli\u003eCircuitos acoplados por el transformador utilizados en las etapas de entrada, bridge-driver, sidechain y salida\u003c\/li\u003e\n\u003cli\u003eAjuste manual para tiempo de ataque rápido y control de nivel transparente\u003c\/li\u003e\n\u003cli\u003eSelección independiente de In\/Out del limitador e In\/Out del compresor\u003c\/li\u003e\n\u003cli\u003eSwitch de bypass total\u003c\/li\u003e\n\u003cli\u003eSe pueden unir varias unidades para proporcionar un control side-chain multi-unidad desde una sola unidad\u003c\/li\u003e\n\u003cli\u003eCompatible con el software Neve Total RecallTM, simplemente conecta el 2254\/R utilizando USB a una Mac o PC corriendo Neve Recall software\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":22257268039,"sku":"","price":3085.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/2254R.png?v=1465314449"},{"product_id":"8051-surround-compressor","title":"Neve 8051 Surround Compressor","description":"\u003cdiv class=\"vc_span6 wpb_column vc_column_container \"\u003e\n\u003cdiv style=\"margin-left: -84px; padding-left: 84px; padding-right: 84px; visibility: visible; width: 100%; margin-right: 0px;\" class=\"vc_row wpb_row vc_row-fluid vc_custom_1456417268285 full-width-section \"\u003e\n\u003cdiv class=\"vc_span12 wpb_column vc_column_container \"\u003e\n\u003cdiv class=\"vc_column-inner \"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  \"\u003e\n\u003cdiv class=\"wpb_wrapper\" id=\"ct_cl5y5785ebyu4p2dkjdv\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\nBasado en seis circuitos de compresión 2254 - utilizando la misma topología de retroalimentación (feedback) de nuestro legendario compresor estéreo 33609 - el 8051 ofrece el famoso sonido Neve en esteroides. Enrutamiento flexible para side-chain, trimming y el filtrado lo convierten en una herramienta potente y y de alto rendimiento para la mezcla y masterización surround.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCaracterísticas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCompresor análogo construido y cableado a mano para la mezcla surround\u003c\/li\u003e\n\u003cli\u003eSeis canales de audio balanceados por el transformador\u003c\/li\u003e\n\u003cli\u003eCompresor ideal para radiodifusión o masterización surround\u003c\/li\u003e\n\u003cli\u003eControles de trim para side chain y control bias A\/B para side-chain\u003c\/li\u003e\n\u003cli\u003eFiltros de paso alto y bajo\u003c\/li\u003e\n\u003cli\u003eEntradas key y de filtro LFE electrónicamente balanceadas\u003c\/li\u003e\n\u003cli\u003eTodas las demás entradas están balanceadas por el transformador con impedancias de entrada de 3.6kOhms\u003c\/li\u003e\n\u003cli\u003eTodas las salidas están electrónicamente balanceadas, transformadores post salida\u003c\/li\u003e\n\u003cli\u003eSalida máxima: + 26dBu en 600 ohms\u003c\/li\u003e\n\u003cli\u003eControl de voltaje en I\/O para la conexión de múltiples unidades, o enlazar a un 33609\u003c\/li\u003e\n\u003cli\u003eEIN (banda de 20 kHz): \u0026lt;-78 dBu\u003c\/li\u003e\n\u003cli\u003eTHD + N (para entrada de 20dBu @ 1kHz): \u0026lt;0.03%\u003c\/li\u003e\n\u003cli\u003eNivel de salida máximo:\u0026gt; 26dBu en 600 ohms\u003c\/li\u003e\n\u003cli\u003eCrostalk Intercanal : \u0026lt;-80dB a 15kHz\u003c\/li\u003e\n\u003cli\u003eRespuesta en frecuencia ± 0.5dB 20Hz a 20kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AMS Neve","offers":[{"title":"Default Title","offer_id":22290262535,"sku":"","price":6250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/8051.png?v=1465345354"},{"product_id":"vt-737sp","title":"Avalon VT-737SP","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\" alt=\"\" width=\"75\" height=\"75\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/coloratura-aural\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/M-SemiColoreado40.jpg?v=1490374180\" alt=\"\" width=\"114\" height=\"75\"\u003e\u003c\/a\u003e\n\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDESCRIPCIÓN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cstrong\u003eEl Avalon VT-737SP es un Channel Strip que combina un Preamp de bulbos, un compresor óptico, y un ecualizador variable, nivel de salida y medición VU en 2 unidades de espacio de rack.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePREAMPLIFICADOR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEl VT-737SP cuenta con tres selecciones de entrada:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eEntrada de micrófono de mayor rendimiento con opción de + 48V de Phantom Power\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eEntrada de instrumento DI de Alta Impedancia con jack ubicado en el panel frontal\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eEntrada de línea balanceada, discreta Clase A\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eEl preamplificador Clase A utiliza dos bulbos de triodo dual en cascada, configurados con un feedback negativo mínimo.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eCOMPRESOR ÓPTICO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEl compresor óptico presenta un ruteo de señal con bulbos de triodo clase A para el matching de ganancia. El atenuador óptico actúa como un controlador pasivo de nivel. Se puede lograr un control dinámico completo desde una suave compresión hasta una limitación agresiva. La sección de ecualización se puede cambiar de posición pre o post el compresor óptico a través de un interruptor en el panel frontal. \u003cbr\u003e \u003cbr\u003e Dos VT-737SP se pueden enlazar a través de un cable de enlace en el panel trasero para la operación en stereo.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eECUALIZADOR VARIABLE Y NIVEL DE SALIDA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEl ecualizador VT-737SP utiliza transistores 100% discretos de clase A de alto voltaje para un rendimiento sonoro óptimo. Las bandas de alta y baja frecuencia proporcionan las características de un diseño completamente pasivo, mientras que las dos bandas medias incluyen Q variable y frecuencia variable. El rango mejorado de las bandas medias se extiende a las bandas alta y baja mediante los multiplicadores de frecuencia X10. \u003cbr\u003e \u003cbr\u003e El amplificador de salida utiliza otro bulbo de doble triodo que conduce un amplificador de salida de baja impedancia, equilibrado, de alto nivel de corriente, clase A y acoplado en DC con un bajísimo nivel de ruido.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eCARACTERÍSTICAS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRuta de señal con bulbos de triodo\u003c\/li\u003e\n\u003cli\u003eEntrada de micrófono balanceada\u003c\/li\u003e\n\u003cli\u003eCircuitos de alto voltaje para un máximo headroom de +30 dB\u003c\/li\u003e\n\u003cli\u003eBajo nivel de ruido (-92 dB)\u003c\/li\u003e\n\u003cli\u003eFuente de alimentación discreta interna con transformador toroidal\u003c\/li\u003e\n\u003cli\u003eExtensor de vida útil Soft-Start para los bulbos\u003c\/li\u003e\n\u003cli\u003eEnlace estéreo para compresores\u003c\/li\u003e\n\u003cli\u003eEcualizador discreto de clase A filtro pasivo, muy musical\u003c\/li\u003e\n\u003cli\u003eMedidor VU para monitoreo de nivel de salida y reducción de ganancia de compresor\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avalon Design","offers":[{"title":"Default Title","offer_id":22768604807,"sku":"","price":3866.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/VT-737SP.png?v=1465953849"},{"product_id":"compressor","title":"Dangerous COMPRESSOR","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eActive sidechain: your secret weapon for achieving pro results\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt's no secret that sidechaining is your key to achieving amazing results with a compressor. The passive sidechain of most compressors, however, leaves something to be desired. In true Dangerous fashion, the Compressor gives you a better solution: active sidechain send\/return circuitry that gives you tons of control, with no loading or impedance issues. You also get a sidechain monitor that lets you monitor the signal, as well as Sibilance Boost - which shaves shrillness with no post-compression hangover, and a 60Hz Bass Cut that tightens your track without damaging your low end.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCool features that take the guesswork out of dynamics control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Dangerous Compressor is packed with smart features that let you get great results, quickly. One of these is Auto Attack\/Release, which intelligently sets - you guessed it - the attack and release of the compressor. And the algorithms employed here do this far better than you could yourself by relying on guesswork enlightened by years of professional experience. Another cool feature is Smart Dyn Dual Slope Detection, which automatically limits peaks while stealthily compressing the average. And then there's the True Stereo Dual Detector that preserves your stereo image far better than traditional linking ever could. The proof of all this is in the high-quality, pro results - and how quickly you can achieve them. Looks like Dangerous Music has another winner on their hands with their Compressor.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDangerous Music Compressor Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAmazingly powerful and easy to use\u003c\/li\u003e\n\u003cli\u003eAuto Attack\/Release eliminates the guesswork\u003c\/li\u003e\n\u003cli\u003eAudiophile-clean: performs like an automated fader\u003c\/li\u003e\n\u003cli\u003eActive sidechain send\/return circuitry gives you tons of control, with no loading or impedance issues\u003c\/li\u003e\n\u003cli\u003eSidechain monitor lets you monitor your sidechain signal, plus Sibilance Boost and Bass Cut\u003c\/li\u003e\n\u003cli\u003eSibilance Boost shaves sibilance and shrillness with no post-compression hangover\u003c\/li\u003e\n\u003cli\u003eBass Cut (60Hz) tightens the track without sacrificing the low end\u003c\/li\u003e\n\u003cli\u003eImmaculate VCA: virtually no distortion, even with 20dB of gain reduction\u003c\/li\u003e\n\u003cli\u003eTrue Stereo Dual Detector preserves your stereo image better than traditional linking\u003c\/li\u003e\n\u003cli\u003eAuto Attack\/Release: replace \"guess\" with \"yes\" for rapid-fire results\u003c\/li\u003e\n\u003cli\u003eSmart Dyn Dual Slope Detection automatically limits peaks while stealthily compressing the average\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLoLfX3vP1svNuSH0YZMSRvNHIV_aYh-MJ\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":25026205959,"sku":"","price":3199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/COMPRESSOR-001.jpg?v=1493480810"},{"product_id":"alpha-compressor","title":"Elysia Alpha Compressor","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eRocking innovative features and uncompromising sonic quality, the elysia alpha compressor gives you a potent tool for controlling dynamics. With onboard M\/S processing, parallel compression, and limiters, as well as sidechain and audio filters, the two-channel alpha compressor is, in fact, so powerful, we'd say it sets new standards for enhancing any kind of audio material, whether you're tracking, mixing, or mastering. When it comes to compression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eelysia alpha compressor at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnimagined options for mastering and mixing\u003c\/li\u003e\n\u003cli\u003eAmazing feature set gives you unprecedented sound-sculpting capabilities\u003c\/li\u003e\n\u003cli\u003e100% discrete analog circuitry for optimum signal quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUnimagined options for mastering and mixing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere's a often a fine line between dynamics \"correction\" (however euphonic) and the creative sound shaping offered by full-featured devices that give you more extensive sound-sculpting options. The elysia alpha compressor not only has eat-it-with-a-spoon sonics that rival the very best vintage and modern compressors we've used, but it offers control that goes way beyond just about any compressor that's come through our studios. Its enhanced functions exceed the potential of \"mere-mortal\" compressors by far and give you unimagined options for mastering and mixing. The alpha compressor achieves perfect processing results across all genres of music and provides the \"glue\" that is a halmark of radio-ready hits.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmazing feature set gives you unprecedented sound-sculpting capabilities\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAmong the alpha compressor's boatload of eminently useable features, is an integrated M\/S matrix that lets you process mid and side signals, opening up completely new processing options. You can also choose between feed-forward or feedback compression for each channel individually. The alpha compressor's sidechain filter lets you avoid complex routings in favor of an efficient workflow. A handy Signal Matrix lets direct and processed signals be monitored individually or together. There's much more - we could go on, but suffice to say that there are so many cool, truly \u003cem\u003euseful\u003c\/em\u003e features onboard the alpha compressor, that it will, without a doubt, become your definitive go-to device for dynamics control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% discrete analog circuitry for optimum signal quality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn true elysia fashion, the circuit design of the museq consists of 100% discrete analog technology that delivers outstanding sonic openness and clarity. No ICs here! All the signal processing is handled by single transistors in permanent Class A mode; even the sidechain and power supply use discrete circuits. All components are of the highest caliber available and hand-picked for their sonic excellence. Such rapt attention to quality and detail is standard operating procedure for elysia; they know the results will be optimum signal quality, even at extreme settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eelysia alpha compressor Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e100% Discrete Class A - all discrete circuitry with no integrated circuits\u003c\/li\u003e\n\u003cli\u003eIntegrated M\/S Matrix - lets you process mid and side signals, opening up completely new options\u003c\/li\u003e\n\u003cli\u003eFeed-forward and Feedback - type of compression can be chosen for each channel individually\u003c\/li\u003e\n\u003cli\u003eAuto Fast - switchable semi-automation that always provides perfect attack and release\u003c\/li\u003e\n\u003cli\u003eNiveau Filter - lets you easily form the tonal characteristics of a track\u003c\/li\u003e\n\u003cli\u003eSidechain Filter - onboard frequency-selective compression, for an effective workflow\u003c\/li\u003e\n\u003cli\u003eParallel Compression - direct and the compressed signal can be blended in any desired relationship\u003c\/li\u003e\n\u003cli\u003eSignal Matrix - direct and processed signals can be monitored individually or together (L\/R or Mid\/Side)\u003c\/li\u003e\n\u003cli\u003eSoft Clip Limiter - tames short and loud transients, smoothens signal peaks; protects your converters from clipping\u003c\/li\u003e\n\u003cli\u003eSwitchable Transformers - want the sound of iron? This option is switchable\u003c\/li\u003e\n\u003cli\u003eAnalog Dynamic LED Meter - GR meter modulates LED brightness to show compressor action\u003c\/li\u003e\n\u003cli\u003ePassive Current Attenuator - custom discrete gain reduction cell provides speed, bandwidth, and superior sound\u003c\/li\u003e\n\u003cli\u003eT16 Heater - keeps sensitive parts of discrete circuitry at stable temperatures, protecting against parameter aberrations\u003c\/li\u003e\n\u003cli\u003eStepped, Matched Potentiometers - 23-step pots, matched in stereo pairs\u003c\/li\u003e\n\u003cli\u003eVOVOX Sound Conductors - solid core internal audio cabling, for vivid, dynamic, punchy sonics\u003c\/li\u003e\n\u003cli\u003eHandcrafted in elysia's factory in Nettetal, Germany\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLBE2A4E139BBC24C5\" width=\"530\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":25039261831,"sku":"","price":13449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Alpha_compressor-001.jpg?v=1508342044"},{"product_id":"mpressor","title":"Elysia Mpressor","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eWhen you need a musical, reliable, and flexible compressor, you want the elysia mpressor. The discrete Class A circuitry keeps your sound intact, just like you want it, without crossover distortion. The mpressor sounds wide, open and punchy and will keep your audio pristine. You'll especially love the Auto Fast feature, a switchable semi-automation that lets you achieve the perfect attack. An extremely useful sidechain filter is great for isolation of used as an effect. Grab the elysia mpressor and discover a whole new way of using compressors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eelysia mpressor Compressor at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA compressor that encourages experimentation\u003c\/li\u003e\n\u003cli\u003eTweak your tone with built-in EQ\u003c\/li\u003e\n\u003cli\u003eFlexible sidechain filter lets you dial in the perfect compression\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eA compressor that encourages experimentation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe elysia mpressor isn't your usual compressor, it was designed to inspire and take you sounds to new sonic heights. The cool Anti Log button lets you add extra thump to your bass with a single switch. An Auto Fast button changes your attack speed to the fastest setting possible for getting great sounds in a flash. Mix the cool functions of the elysia together and you can create cool new uses of this highly musical and tweakable compressor - especially for electronic music. The elysia mpressor is equally suited for compression as it is for an effect. Experiment and enjoy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTweak your tone with built-in EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBesides being a compressor, the elysia mpressor also has a powerful EQ tweaking section. Each channel sports and EQ Gain and EQ Frequency controls. Instead of typical a shelf or parametric filter, the mpressor uses a Niveau Filter. This filter simultaneously boosts and cuts in the selected frequency area giving your track a brighter or darker sound without fiddling with a ton of controls. Depending on the gain setting around the selected frequency, the high frequencies are boosted whereas the low frequencies are attenuated or vice versa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible sidechain filter lets you dial in the perfect compression\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe sidechain filter on the elysia mpressor lets you dial in compression on specific frequencies while avoiding others. For instance: you can compress the bass drum frequencies to your liking without having to compress the entire mix, which would likely lead to over compressing the song. You can really dial in your compression with the mpressor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eelysia mpressor Compressor Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVersatile compressor with discrete Class-A topology\u003c\/li\u003e\n\u003cli\u003eAuto Fast Attack feature\u003c\/li\u003e\n\u003cli\u003eSidechain filter\u003c\/li\u003e\n\u003cli\u003eAnalog dynamic LED meter\u003c\/li\u003e\n\u003cli\u003eNiveau filter for EQ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/VVmhCfFhGek\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":25237552391,"sku":"","price":5269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Mpressor-001.jpg?v=1508342677"},{"product_id":"xpressorneo","title":"Elysia Xpressor Neo","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe xpressor sounds wide, open and punchy and will keep your audio pristine. You'll especially love the Auto Fast feature, a switchable semi-automation that lets you achieve the perfect attack. What's more, the xpressor features stepped pots, so you can always repeat your results.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eelysia xpressor Neo at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eParallel compression\u003c\/li\u003e\n\u003cli\u003eStepped pots\u003c\/li\u003e\n\u003cli\u003eSidechain filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eParallel compression\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eParallel compression lets you dial in a mix of compressed and uncompressed signal. This is a built-in feature on the elysia xpressor. Parallel compression, sometimes called New York Compression, lets you maintain the subtleties of the performance while controlling and taming the dynamics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStepped pots\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe elysia xpressor features stepped pots, each pot has 41 steps. This makes recalling precise settings very easy, and even experimenting with new settings. No more guessing on where the knob was exactly set to, the xpressor makes it simple.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSidechain filter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe sidechain filter on the elysia xpressor lets you dial in compression on specific frequencies while avoiding others. For instance: you can compress the bass drum frequencies to your liking without having to compress the entire mix, which would likely lead to over compressing the song. You can really dial in your compression with the xpressor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eelysia xpressor|neo Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRe-engineered xpressor stereo analog compressor\u003c\/li\u003e\n\u003cli\u003eClass A topology\u003c\/li\u003e\n\u003cli\u003eParallel processing and Side Chain Out-\/Inputs to save precious converter channels and internal computer processing power\u003c\/li\u003e\n\u003cli\u003eGain reduction limiter with precise and bright LEDs\u003c\/li\u003e\n\u003cli\u003eCreative negative ratios\u003c\/li\u003e\n\u003cli\u003eWarm mode\u003c\/li\u003e\n\u003cli\u003eAuto Fast for compressing very high peaks even with slow attack values automatically\u003c\/li\u003e\n\u003cli\u003eLogarithmic and linear release curves\u003c\/li\u003e\n\u003cli\u003eHigh-quality and light construction in aluminum housing, all made in Germany\u003c\/li\u003e\n\u003cli\u003eLaser-engraved labeling for a more precise display of the parameters\u003c\/li\u003e\n\u003cli\u003eMastering grade world-class stereo processing quality for an incredibly fair price point\u003c\/li\u003e\n\u003cli\u003e41 stepped potentiometers\u003c\/li\u003e\n\u003cli\u003e1U 19\" rack-mount\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":25240579015,"sku":"","price":2019.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/xpressorneo1.png?v=1671231977"},{"product_id":"nvelope","title":"elysia nvelope Dual-channel Transient Shaper","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/AGI-Essentials.png?v=1496947538\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe elysia nvelope stereo compressor\/equalizer is more than a compressor or EQ - it's an impulse shaper that lets you make delicate or radical changes to a sound by giving you control over its attack and sustain characteristics. You'll find nvelope indispensable for reshaping all kinds of individual tracks, as well as for fine-tuning the sound of your overall mix. nvelope works independent of signal level, and unlike a compressor, you won't spend tons of time juggling several interactive controls to get the results you want.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eelysia nvelope Stereo\/Dual Mono EQ and Dynamics Processor at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThree modes of operation\u003c\/li\u003e\n\u003cli\u003eDual mono or stereo linked operation\u003c\/li\u003e\n\u003cli\u003eStepped pots\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThree modes of operation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe functional and flexible elysia nvelope gives you three great modes of operation: full range, dual band, and EQ. Full range mode lets you tweak the attack and sustain of your track. Dual band mode gives you control of the attack and sustain, like full range mode, but adds frequency controls to determine the start and end frequencies that are affected. With EQ mode the nvelope turns into a shelf filter where attack and sustain controls turn into cut\/boost controls to dial in your ideal frequencies. You can also mix the channels of the elysia nvelope to have one full range channel and one dual band channel at the same time!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual mono or stereo linked operation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith dual mono and stereo functions, the elysia nvelope adds even more flexibility. In dual mono mode, you can process the bass drum and snare on separate channels simultaneously. Tweak your synth track in stereo mode for punch and detail while setting a different EQ on each side. For single tracks to sub-mixes and full mixes, the elysia nvelope lets you sculpt your ideal sonic signature each and every time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStepped pots\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe elysia nvelope features 41-step pots, to make recalling precise settings, and even experimenting with new settings quick and easy. No more guessing where the knob was exactly set! The nvelope makes it simple.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eelysia nvelope Stereo\/Dual Mono EQ and Dynamics Processor Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiscrete Class-A Topology gives you pristine audio quality\u003c\/li\u003e\n\u003cli\u003eFull Range Mode, for fast and efficient envelope shaping\u003c\/li\u003e\n\u003cli\u003eDual Band Mode provides enhanced frequency controls\u003c\/li\u003e\n\u003cli\u003eEQ Mode serves up alternative high\/low shelf EQ\u003c\/li\u003e\n\u003cli\u003eMixed Mode lats you use two different processors at the same time\u003c\/li\u003e\n\u003cli\u003eStereo Link\/Dual Mono gives you flexible channel usage\u003c\/li\u003e\n\u003cli\u003eAuto Gain eliminates level peaks and distortion\u003c\/li\u003e\n\u003cli\u003eMade in Germany of high grade components\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/iMS68piYSEQ\" width=\"530\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":25241944327,"sku":"","price":1689.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Nvelope-001.jpg?v=1508343599"},{"product_id":"xpressor-500","title":"Elysia Xpressor Neo 500","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eLots of compressors can do one thing well, but the elysia xpressor Neo 500 brings a new level of versatility to your 500 Series rack. Discrete Class A circuitry keeps your sound intact, and you'll find the two channels of the xpressor Neo 500 can easily handle any compression task. You'll especially love the Auto Fast feature, switchable semi-automation that lets you achieve the perfect attack. What's more, the elysia xpressor Neo 500 features stepped pots, so you can always repeat your results. Great compressor!\u003c\/p\u003e\n\u003cstrong\u003eelysia xpressor Neo 500 Features at a Glance:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e500 Series Stereo Compressor Module (double-wide, takes up two spaces)\u003c\/li\u003e\n\u003cli\u003eStepped potentiometers for repeatable results\u003c\/li\u003e\n\u003cli\u003eVersatile compressor with discrete Class-A topology\u003c\/li\u003e\n\u003cli\u003eAuto Fast feature\u003c\/li\u003e\n\u003cli\u003eSidechain filter\u003c\/li\u003e\n\u003cli\u003eAnalog dynamic LED meter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/Vmg4iPuLVRs\" width=\"530\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":25248691591,"sku":"","price":1349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Capturadepantalla2023-03-03ala_s_13.04.00.png?v=1677871792"},{"product_id":"alpha-compressor-1","title":"Elysia Alpha compressor Plug-in","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/DISPONIBLE002_ce6a5a66-cf81-4f35-8495-3fcfd0d987af.png?v=1497495163\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eGet the elysia alpha compressor plug-in for a spot-on emulation of their famous hardware mastering compressor. And while the alpha compressor plug-in is a powerful tool for full stereo mixes, its amazing sonic flexibility makes it perfect for individual tracks too. The alpha compressor can sound transparent, but you also have a warm mode that adds rich character to your sound. Parallel compression is built right in so you can get that epic New York drum sound, by blending compressed and dry signals to taste. Consider you also get sidechain capability and both stereo and mid-side modes, and you'll see that the elysia alpha compressor plug-in is ready to be your go-to dynamics processor.\u003c\/p\u003e\n\u003cstrong\u003eElysia alpha compressor Stereo and Mid-side Compressor Plug-in at a Glance:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThis workhorse compressor is ready for both mixing and mastering\u003c\/li\u003e\n\u003cli\u003eIncredible array of sonic options lets you add just the right character, or none at all\u003c\/li\u003e\n\u003cli\u003eMid-side matrix makes this a powerful mastering tool\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eThis workhorse compressor is ready for both mixing and mastering\u003c\/strong\u003e\n\u003cp\u003eThe elysia alpha compressor plug-in is so versatile, elysia actually gives you two slightly different plug-ins with different interfaces. The alpha compressor's full interface gives you the powerful control you need when mastering, with full access to all parameters. You also get a streamlined plug-in with a simpler interface that's perfect when you're mixing - you have access to the parameters you need on a track-by-track basis, without the clutter of more esoteric parameters.\u003c\/p\u003e\n\u003cstrong\u003eIncredible array of sonic options lets you add just the right character, or none at all\u003c\/strong\u003e\n\u003cp\u003eOne of the reasons the elysia alpha compressor plug-in is so versatile is because you have a lot of different options for how the compressor responds and sounds. There's a feed forward\/feed back toggle that can switch between a smooth and even sound, or a harder and more aggressive sound. An included Niveau Filter lets you alter the tonal balance of a track by changing the proportion of high frequencies to low frequencies. Factor in parallel compression, a soft clip limiter, and a switchable warm mode for coloration, and you can use the elysia alpha compressor for much more than basic dynamics processing.\u003c\/p\u003e\n\u003cstrong\u003eMid-side matrix makes this a powerful mastering tool\u003c\/strong\u003e\n\u003cp\u003eBased on elysia's beloved mastering compressor, it's natural that the alpha compressor plug-in is perfect for fine-tuning full mixes. The mid-side matrix in the alpha compressor lets you compress the center components of a mix like vocals, while leaving the stereo image untouched. Or use it the other way around - compress the stereo components of your mix for extra width, while leaving the center untouched for a more natural sound.\u003c\/p\u003e\n\u003cstrong\u003eElysia alpha compressor Stereo and Mid-side Compressor Plug-in Features:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ePowerful compressor plug-in with two different interface options (mixing\/mastering)\u003c\/li\u003e\n\u003cli\u003eSidechain with variable filter lets you achieve frequency-dependent compression\u003c\/li\u003e\n\u003cli\u003eMid-side mode is perfect for mastering, with individual control over middle and side mix elements\u003c\/li\u003e\n\u003cli\u003eAuto Fast mode optimizes attack and release times based on your audio\u003c\/li\u003e\n\u003cli\u003eNiveau filter lets you shape the balance of low and high frequencies for sound shaping\u003c\/li\u003e\n\u003cli\u003eParallel compression lets you blend compressed and dry signals to maintain dynamic interest\u003c\/li\u003e\n\u003cli\u003eBased on elysia's hardware mastering compressor\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":25250728007,"sku":"","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/templete_micros-Recuperado55555444.png?v=1770920068"},{"product_id":"mpressor-plu","title":"Elysia Mpressor - Plug-in","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/DISPONIBLE002_ce6a5a66-cf81-4f35-8495-3fcfd0d987af.png?v=1497495163\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eBased on elysia's famous creative compressor, the mpressor plug-in offers everything from subtle dynamics control to wild special effects. It's effortless to achieve the pumping sound that's popular in electronic music, or even create completely new signal envelopes for incredibly animated effects. The mpressor also sports elysia's Niveau Filter which lets you enhance the brightness or darkness of track, faster and easier than turning to another EQ plug-in.\u003c\/p\u003e\n\u003cstrong\u003eElysia mpressor Compressor Plug-in at a Glance:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eRhythmic compression effects are incredibly easy to achieve\u003c\/li\u003e\n\u003cli\u003eNiveau Filter gives you powerful sonic control\u003c\/li\u003e\n\u003cli\u003eDial in settings fast with your mousewheel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eRhythmic compression effects are incredibly easy to achieve\u003c\/strong\u003e\n\u003cp\u003eIf you like to use compressors as effects to add rhythm and life to your tracks, you'll love working with the elysia mpressor plug-in. The Anti Log control basically turns the traditional compression curve upside down, and makes it effortless to achieve powerful compression effects that sound incredibly smooth. And by selecting negative ratio values, you can quickly create all manner of heavy pumping and backwards sounds. If you regularly push your compressor to the max, you need to hear what the elysia mpressor plug-in can do for you.\u003c\/p\u003e\n\u003cstrong\u003eNiveau Filter gives you powerful sonic control\u003c\/strong\u003e\n\u003cp\u003eThe elysia mpressor plug-in has elysia's beloved Niveau Filter to give you fast access to powerful tone shaping. This EQ is designed to let you adjust the frequency balance of your audio, making it easy to make your tracks brighter or darker. This gives the elysia mpressor the control you need when normal shelving filters won't give you enough, and where a parametric EQ would be overkill.\u003c\/p\u003e\n\u003cstrong\u003eDial in settings fast with your mousewheel\u003c\/strong\u003e\n\u003cp\u003eWhen you're being creative, you want to be able to dial in your sounds fast. The elysia mpressor plug-in lets you adjust parameters with your mousewheel, eliminating the frustrations that can come with adjusting virtual knobs with your mouse pointer. It may not seem like a big deal, but once you try it you'll wish you could tweak every one of your plug-ins with your mousewheel.\u003c\/p\u003e\n\u003cstrong\u003eElysia mpressor Compressor Plug-in Features:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eCompressor plug-in with unique, effects-focused controls\u003c\/li\u003e\n\u003cli\u003eCan be used transparently, or to add extreme compression effects\u003c\/li\u003e\n\u003cli\u003eAnti Log control inverts the compression curve for exaggerated effects\u003c\/li\u003e\n\u003cli\u003eNegative ratio values lower output volume while compressing for unique rhythmic effects\u003c\/li\u003e\n\u003cli\u003eNiveau filter gives you fast, powerful tone shaping\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":25251227975,"sku":"","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/templete_micros1.png?v=1770917351"},{"product_id":"el8x-distressor","title":"Empirical Labs EL8X Distressor","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\"All buttons in\"\u003c\/b\u003e\u003cbr\u003eThe original concept of the \"British Mode\" came from an unusual setting on the classic UREI LN1176 limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more \"over the top\", found that you could make all four buttons stay \"in\" if you pressed them just right. What resulted was a very, very aggressive sound that had some elements of the units 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it a \"British Mode\" and the name has stuck. It is also called \"all buttons in\" and some other intuitive names.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAs aggressive as you want it to be\u003c\/b\u003e\u003cbr\u003eThe Distressor has the advantage of being able to apply this \"aggressive\" nature not only to the new British ratio (1:1) but also to all the ratios since a separate switch is installed, which can be enabled with any ratio. One should keep in mind however, that an attack below 3 or 4 is required to maintain the LN1176 character. If you go above an attack of 3 you will also incur a rise in some grunge (distortion) and see the THD indicator lites come on a lot more. The Distressor will no longer behave smoothly, nor like an 1176.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUsing the British Mode\u003c\/b\u003e\u003cbr\u003ePut the unit in the 1:1 ratio and turn on the British Mode Switch (flip it up and the LED should be lit). That enables it. To sound like the 1176 the only constraint is to keep the attack well under 4 on the Distressors - their attack can go much longer than the 1176. Now you will find that the unit has a new attitude! The attack and release will generally be more aggressive and the unit will get in and out of the way very quickly. Interestingly, the unit will be slightly less colored when not compressing. Use this ratio to \"skim\" peaks. This means that most of the time it may not be doing anything, but when it does \"hit\" the signal, it will smoothly push back the signal and then get right out of the way again. If you are hitting the Gain Reduction all the time with the British mode on, you are going to be really \"squashing\" the signal. On the other hand, the Distressor will sound fairly subtle when compressing all the time in 2:1 mode, especially with a slower attack (\u0026gt;6).\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Distressor\u003c\/b\u003e\u003cbr\u003eThe Emprical Labs Distressor is a unique analog compressor that allows the user to add 2nd or 3rd order harmonic distortion to the signal, emulating tape saturation and the classic tube compressor sound of the '60's and '70's. The Distressor also offers advanced sidechain EQ, eight unique curves and Empirical Labs' exclusive \"Binary Stepped Interface\" providing hundreds of options with just a few control settings.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBritish Mode Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\"All buttons in\" British Mode switch with LED\u003c\/li\u003e\n\u003cli\u003eFrequency response: 2Hz to 160kHz in clean audio mode (+0, -3 dB). Response is shaped in distortion modes (Dist 2, Dist 3)\u003c\/li\u003e\n\u003cli\u003eDynamic range: 110 dB from max. output to min. output in 1:1 mode.\u003c\/li\u003e\n\u003cli\u003eDistortion ranges between .02% and 20% depending on distortion mode and release times set on front panel.\u003c\/li\u003e\n\u003cli\u003eDC coupled output - High quality input caps.\u003c\/li\u003e\n\u003cli\u003eInput impedance: 20K ohms\u003c\/li\u003e\n\u003cli\u003eOutput impedance: \u0026lt; 75 ohms\u003c\/li\u003e\n\u003cli\u003eTime constants: Attack range 50uS - 50mS\u003c\/li\u003e\n\u003cli\u003eRelease range: .05 sec to 3.5 seconds, normal modes and up to 20 seconds in 10:1 opto mode. Time constants are dependant on ratio.\u003c\/li\u003e\n\u003cli\u003eMetal chassis\u003c\/li\u003e\n\u003cli\u003eDimensions: 1.75\" H x 10\" D x 19\" W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/CM5B19s544k\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/nl-rBXmQJpU\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/8wkVVc9IF_E\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/AgZNziUa7-U\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/L6MM1Bg5Giw\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/lqLxQlHJ3EE\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/R_hkxHeWLXk\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/A2K8yavapb0\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Empirical Lab","offers":[{"title":"Sencillo","offer_id":25330275463,"sku":"","price":1799.0,"currency_code":"USD","in_stock":true},{"title":"Par Estéreo","offer_id":25330490311,"sku":"","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/EL8XDistressor.png?v=1761262609"},{"product_id":"el8-distressor","title":"Empirical Labs EL8 Distressor","description":"\u003cdiv class=\"std\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"twelve columns\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/AGI-Essentials.png?v=1496947538\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Knee Sound\u003c\/strong\u003e\u003cbr\u003eHelpful in the pristine but unforgiving digital world.  Three audio modes provide user programmable, warm harmonic distortion.  Emphasized tube-like 2nd harmonic in clean and Distort 2 mode.  In Distort 3 mode the distortion becomes dominated by 3rd harmonic (similar to tape).\u003cbr\u003e\u003cbr\u003e The \u003cstrong\u003eEmpirical Labs Distressor\u003c\/strong\u003e is an automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio (music) applications.  Basically, it electronically controls the volume of just about any source in a very pleasing, and \"musical\" manner - adding fullness, intelligibility, and especially in the Distressor's case - excitement.  This type of device is often called a \"limiter\" or \"compressor\" by audio industry people.  Its most probable uses will be in recording studios, live sound situations, movie sound production, and radio broadcast production. \u003cbr\u003e\u003cbr\u003e Unlike most analog compressor\/limiters the Distressor is a digitally controlled audio device and actually incorporates several products into one by utilizing digital controls to switch totally different circuits in and out.  Years of beta testing and redesign went into the Distressor as will be the case with all Empirical Labs products. \u003cbr\u003e\u003cbr\u003e Besides offering a wide range of control and unique features, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit.  This \"warmth\" or vintage sound has become an important issue in the last 15 years, as the super clear and linear digital technology does very little (or nothing) to soften \"harsh\" sounds nor emphasize the bass frequencies in music sources.  Older analog tape, vinyl records and tube equipment on the other hand, could not be prevented from coloring the sound, often to the frustration of recording engineers.  However, many people have now realized that this coloring can be extremely pleasant and \"musical.\"  The current digital technology is often referred to as \"cold\" and \"brittle\" among other terms, although we prefer the term \"unforgiving\" to describe the negative side of the \"linearity.\"  The Distressor offers several modes that color the signal, even without compression (or gain control).  These extended modes were designed to allow emulation of some very old and some very expensive vintage gain control units (compressors \u0026amp; limiters) and deliver a classic \"knee\" sound all its own.\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"first\"\u003eFreq. response is 2 Hz to 160 kHz in clean audio mode (+0, -3 dB)\u003c\/li\u003e\n\u003cli\u003eResponse is shaped in distortion modes (Dist 2, Dist 3)\u003c\/li\u003e\n\u003cli\u003eDynamic range 110 dB from max. output to min. output in 1:1 mode\u003c\/li\u003e\n\u003cli\u003eGreater than 100 dB signal to noise in distort 3 mode\u003c\/li\u003e\n\u003cli\u003eDistortion ranges between .02% and 20% depending on distortion mode and release times set on front panel\u003c\/li\u003e\n\u003cli\u003eDC coupled output - high-quality input caps\u003c\/li\u003e\n\u003cli\u003eInput impedance is 20K Ohms, output impedance is \u0026lt; 75 ohms\u003c\/li\u003e\n\u003cli\u003eTime constants - attack range 50uS - 50mS\u003c\/li\u003e\n\u003cli\u003eRelease range .05 sec to 3.5 seconds, normal modes and up to 20 seconds in 10:1 opto mode\u003c\/li\u003e\n\u003cli\u003eTime constants are dependant on ratio\u003c\/li\u003e\n\u003cli class=\"last\"\u003eMetal chassis - single height 1.75\" high, 10\" deep, 19\" wide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/CM5B19s544k\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Empirical Lab","offers":[{"title":"Default Title","offer_id":25420465287,"sku":"","price":1549.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Sin_titulo-1_4bc51800-72f2-4024-bad1-4ff071e6c433.png?v=1760126442"},{"product_id":"fatso-el7x","title":"Empirical Labs Fatso EL7x","description":"\u003cdiv class=\"std\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"twelve columns\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eNo longer the \"Jr\", The new Fatso introduces a new compressor ratio, as well as enhanced interface and display functions and overall reliability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Fatso Goes to Eleven\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eELEVEN is a new compressor for the Fatso, replacing the old GP Ratio, and emulates the famous UREI 1176LN in 20:1, with the slowest attack, and fastest release. This 1176 setting has been used on countless hit records through the decades. With the slower “1176” attack, the transients keep the dynamics present, while the high ratio, can radically limit the dynamic range of any source, making it present and sitting in a nice little place in your mix. One can slam it, or just touch it with a few dB of compression. You will find it great on Vocals, Bass, acoustic guitars, drum room mikes, pianos etc.\u003c\/p\u003e\n\u003cp\u003eThe ELEVEN ratio took several months of experimentation, and required a rather radical attack mod to get close. It was one of those projects that Dave Derr, the designer, thought would only take a few days, but upon initial research and listening tests, subtleties emerged which required starting over several times. “I got in one of these design loops, where you would get one thing right, then change another parameter or component, and find that it changed the first thing you thought you had right. It was actually a long frustrating series of changes, that slowly spiraled towards the desired result. Any kind of math calculations or scaling seemed useless. In addition, while testing 1176’s, I discovered issues that I’m quite sure were not intended by the original designers, and probably things of which they were not even aware. But using modern digital oscilloscopes and analyzers, along with digital workstations, and our good old ears, we could see artifacts that the original designers couldn’t.” “Heck, they may have even tried to fix the little imperfections that gave the 1176 its unique character, had they the tools to see them. Thank gosh they didn’t, right?\u003c\/p\u003e\n\u003cp\u003eAnyway, the design loop was frustrating, but like anything that takes you to unexpected places, hopefully you come out a little bit wiser, and with a great product. I hope our customers find the new ELEVEN ratio fun to use, and discover it can add some more magic to your music.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew Logic and Interface Operation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original Fatso Jr could operate quite warm. Since heat is the enemy of reliability, we decided to do what we could to cool the unit down in this re-design. By replacing discrete logic with a microprocessor, and eliminating warm running and often unreliable display circuitry, the current draw was dropped over 20%, allowing the power supply and analog circuitry to benefit from a cooler running product.\u003c\/p\u003e\n\u003cp\u003eThe new FATSO also has greatly improved interface operation. Holding any button in for a second will make the control step backwards, so the user doesn’t have to cycle around to go back one step in setting one parameter. In addition, the Stereo Link is improved and offers a second link method by holding in both COMP buttons. It locks the compressors and Bypass logic together, and allows either channels’ buttons to control the settings. Much more foolproof.\u003c\/p\u003e\n\u003cp\u003eThere is now a separate LED for the TRACK (Tracking) compressor, so that two LEDs do not have to be used, and interpreted by the user. SPANK is now a Blue LED delineated from the other compressors off to the side, to indicate that it is different and can be used in conjunction with the other ratios. Customers will find compressor selection more obvious and FUN.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFatso's Four Types of Processing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"first\"\u003eHarmonic Generation and Soft Clipper (Distortion Generation) - this class A circuit gently rounds the peaks like saturated tubes or tape.\u003c\/li\u003e\n\u003cli\u003eHigh Frequency Saturation (Warmth) - a one-of-a-kind dynamic low pass filter which softens high frequencies when they “pile up” on a source.\u003c\/li\u003e\n\u003cli\u003eTransformer \u0026amp; Tape Head Emulation - a simulation of the effect of input and output transformers of older devices, which adds the low frequency harmonics that characterize them, as well as analog tape..\u003c\/li\u003e\n\u003cli class=\"last\"\u003eClassic Knee Compression - your typical automatic leveling device found on just about every instrument and vocal track as well as on the overall buss, done Empirical Labs compression – smooth and sweet, but in your face!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eArguably the coolest and most unique device in the Empirical Labs arsenal, the FATSO (Full Analog Tape Simulator and Optimizer) is a digitally controlled analog device that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels.\u003c\/p\u003e\n\u003cp\u003eWith the FATSO, recording studios and audio production facilities can enhance and soften the sound of Hardware Digital Recorders (HDRs) and Digital Audio Workstations (DAWs). Mix engineers will have the option not to have to use bulky, expensive analog tape recorders to get the warmth and sweet high end they’ve come to rely on for so many decades. Owners of DAWs and HDRs can finally put a stop to complaints about the coldness and brittle edge of their mixes and instruments. Even audiophiles can benefit from the FATSO, bringing back the warmth and ambience of LP’s and tapes to their CD players and other digital reproduction mediums.\u003c\/p\u003e\n\u003cp\u003eAs with most Empirical Labs products, the unit is incredibly easy and fun to use. Large Distressor-style knobs control the input and output levels. Four meticulously tweaked compression modes - including the extremely popular “Buss” setting and the legendary “Spank”, a subtle knee followed by hard limiting resembling the SSL talkback compressor - can be selected (and combined!) with the push of a button. Seven different high frequency saturation “Warmth” settings are accessed just as easily. The FATSO also features switchable transformer circuits, which can add the musical artifacts generated by classic devices like NEVE, API, etc such as low order clipping and inter-modular distortion, transient clipping... and some other very musical non-linearities. True to its name, the FATSO is rather sturdily constructed - you’ll be impressed with how well built it feels when you first lift it out of the box.\u003c\/p\u003e\n\u003cp\u003eThe FATSO has been the “secret weapon” of studio and live engineers for many years, allowing them to add the elusive magic of vintage gear to their sound.\u003c\/p\u003e\n\u003cp\u003eOnce you start using it, you’ll never want to be without it!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/qz81YZqMtfo\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Empirical Lab","offers":[{"title":"Default Title","offer_id":25421615495,"sku":"","price":2449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/FatsoEL7x.png?v=1469065723"},{"product_id":"el-9-mike-e","title":"Empirical Labs EL-9 Mike-e","description":"\u003cdiv class=\"std\"\u003e\n\u003cdiv class=\"std\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"twelve columns\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/coloratura-aural\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/M-Color_Variable.jpg?v=1490894316\" alt=\"\" width=\"129\" height=\"75\"\u003e\u003c\/a\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/AGI-Essentials.png?v=1496947538\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eEmpirical Labs Mike-E™\u003c\/span\u003e is a modern digitally controlled Microphone Preamplifier chocked with unusual features to warm and soften the source, along with an excellent compressor\/limiter.\u003cbr\u003e\u003cbr\u003eMike-E offers an incredible performance transformer-coupled mic preamp, whose noise floor is far below any microphone’s self noise.  The one-of-a-kind ‘CompSat’ section is an uncompromising compressor and saturator circuit that offers versatile ‘coloring’, and classic knee compression. \u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMic Preamp Section\u003c\/span\u003e\u003cbr\u003eThis is a super low noise transformer input amplifier section, with the gain digitally controlled.  This section comes standard with a shielded Lundahl transformer, but provides for a Jensen transformer also.\u003cbr\u003e\u003cbr\u003eThe signal to noise far exceeds any microphone in existence, typically over 130 dB with the input shorted and 40dB of gain.  Having used many mic preamps over the years, we have implemented a unique stepped gain control that should be impervious to the normal flakiness that age causes to pots and detented switches. \u003cbr\u003e\u003cbr\u003eCounting the output gain of 14 dB, a total 74 dB of gain is available to the user with the CompSat section bypassed.  A 48 Volt Phantom power is provided for condenser mikes.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eExclusive CompSat™ Section\u003c\/span\u003e\u003cbr\u003eThis unique circuitry sets the Mike-E apart from all other mic preamplifiers.  It has four sections:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"first\"\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eSaturator\u003c\/span\u003e – This is a multi-stage soft clipping circuit.  At lower levels, a triode type saturation affects the signal.  As the level increases, a second unique clip circuit that includes Germanium semiconductors starts to more severely flatten out the peaks.  An LED named “BAD!” indicates harder un-musical clipping.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eCompressor\u003c\/span\u003e – This is an uncompromising compressor\/limiter circuit that allows detented control of attack and release for easy repeatability.  You adjust the amount of compression with the DRIVE knob, which adjusts the level going into the compressor.  In ways it is Distressor-like, but has other differing characteristics including a much longer available attack time, and additional circuitry.  Four ratios are provided, 2:1 being the gentlest with a long 20dB knee, good for subtle compression such as while tracking or on the Buss.  Ratios 4:1 and 8:1 are steeper but still very smooth with long knees. Nuke is very steep (limiter like) and has a different attack \u0026amp; release shape.\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eEmphasis\u003c\/span\u003e - The Emphasis is actually two circuits that surround the compressor and saturator, as shown in the block diagram.  The Pre-emphasis boosts the high frequencies before the compressor and saturator (CompSat), soft clipping them sooner than normal, while a de-emphasis cuts the frequencies complementary after the CompSat.  Emphasis has the added perk of improving signal to noise, and is the reason analog tape decks used emphasis to begin with.\u003c\/li\u003e\n\u003cli class=\"last\"\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eMix Control\u003c\/span\u003e - The modern recording engineer often employs the technique of mixing between the compressed and the dry (or uncompressed) signal.  This can often help maintain transients and a sense of dynamic range while enhancing the low level nuances.  Mike-E has a built in mix control to submix in the uncompressed signal to the compressed signal.  As the user rotates the MIX control from full right to full left, he goes from the full compressed signal to the full dry signal (absent of any compression or saturation).\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eMike-E's Seven circuits\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"first\"\u003eMic Preamplifier with super low noise \u0026amp; stepped gain switching\u003c\/li\u003e\n\u003cli\u003eBuilt in ‘Direct Box’, called the ‘Inst In’, offers unparalleled distortion, noise, and frequency response when pre-amping instruments\u003c\/li\u003e\n\u003cli\u003e‘Colored’ 80Hz High pass filter emulates the warm low frequency cut of our favorite vintage equalizers\u003c\/li\u003e\n\u003cli\u003ePhase Switch to invert the audio signal 180 degrees\u003c\/li\u003e\n\u003cli\u003eCompSat offers both a musical Compressor\/Limiter and a unique tape-like saturation circuit\u003c\/li\u003e\n\u003cli\u003eEmphasis high-frequency emphasis system softens high\u003c\/li\u003e\n\u003cli\u003efrequency ‘pile-ups’ and further the creamy color of the Mike-E\u003c\/li\u003e\n\u003cli class=\"last\"\u003eMix Control allows the blending of the Compressed\/Saturated signal with the clean unprocessed “Dry” signal\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"first\"\u003eFreq. Response is 3 Hz to 200 kHz on (No CompSat). CompSat is 3Hz – 150Khz. Optional Transformer output is 6Hz–80kHz\u003c\/li\u003e\n\u003cli\u003eSignal to Noise - 130 dB signal to Noise.at 40dB gain. Maximum output is +28dBu\u003c\/li\u003e\n\u003cli\u003eDistortion Ranges between .0006% and 15% depending on mode and settings\u003c\/li\u003e\n\u003cli\u003eTransformer coupled Input, Active and Transformer Outputs available - high quality audio caps used internally\u003c\/li\u003e\n\u003cli\u003eInput Impedance is 600 Ohms. Output impedance is less than 38 ohms\u003c\/li\u003e\n\u003cli\u003eAttack\/Decay Ranges - .9 – 100mS attack. .15 – 1 Sec\u003c\/li\u003e\n\u003cli class=\"last\"\u003ePower Consumption – 15 Watts Max\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"std\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/HiUdgEkYrSM\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"Empirical Lab","offers":[{"title":"Default Title","offer_id":25421900871,"sku":"","price":1699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/EL-9Mike-e.jpg?v=1499440939"},{"product_id":"176","title":"Retro 176 Limiting Amplifier","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe Retro 176 is based on a Bill Putnam classic, the UA 176. The Retro 176 faithfully reproduces the sound of the 1960s original with new features for the modern recording studio. The Retro 176 provides one of the most desirable compression signatures in recording history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthentic variable-mu tube design\u003c\/li\u003e\n\u003cli\u003ePrecision Knob scales for easy recallability\u003c\/li\u003e\n\u003cli\u003eContinuously variable attack and release time\u003c\/li\u003e\n\u003cli\u003eFour settings of compression ratio from soft compression to limiting (2:1, 4:1, 8:1, 12:1)\u003c\/li\u003e\n\u003cli\u003eWide-Range Sidechain Highpass Filter\u003c\/li\u003e\n\u003cli\u003eVocal Asymmetry Tool\u003c\/li\u003e\n\u003cli\u003eHard-wire Bypass Switch\u003c\/li\u003e\n\u003cli\u003eInterstage Transformer Bypass Switch\u003c\/li\u003e\n\u003cli\u003eHigh Quality VU Meter switchable between Input, Output and Gain Reduction\u003c\/li\u003e\n\u003cli\u003eXLR input and output connections\u003c\/li\u003e\n\u003cli\u003eIEC power connector\u003c\/li\u003e\n\u003cli\u003e115\/230V AC Mains\u003c\/li\u003e\n\u003cli\u003eIntegral tube balance test\u003c\/li\u003e\n\u003cli\u003eEasy stereo strapping of two or more units\u003c\/li\u003e\n\u003cli\u003eSelected NOS tubes and components\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e20 dB of available gain reduction\u003c\/li\u003e\n\u003cli\u003eSignal to noise ratio of greater than 76dB\u003c\/li\u003e\n\u003cli\u003eFlat frequency response within 0.5dB from 20-20,000Hz\u003c\/li\u003e\n\u003cli\u003eHarmonic Distortion of less than 1% from 0-15dB gain reduction\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Retro Instruments","offers":[{"title":"Default Title","offer_id":27904438407,"sku":"","price":3695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/176-1.png?v=1471552517"},{"product_id":"sta-level","title":"Retro STA-Level Tube Compressor","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe Retro Sta-Level is a recreation of the legendary 1956 Gates Sta-Level. The Sta-Level dominated the sound of hit radio in the 1960’s. Now these super musical sounding compressors have found their way into today’s hits. The Retro Gold Edition celebrates fifty years of the products existence. The Retro Sta-Level improves on the original with six settings of recovery (release) time and three different modes of operation. Single is super smooth for bass tracks. Double is perfect for most every source you throw at it. The Triple mode allows the Sta-Level to clamp down on fast transient waveforms while still retaining great musicality. These new adjustments give you wide flexibility to find the perfect dynamics control for your specific application\u003c\/p\u003e\n\u003cp\u003eThe Sta-Level utilizes a novel program controlled release circuit. The Sta-Level implementation creates density and consistency while minimizing typical compressor side-effects at up to 40dB of gain reduction! The program path is transformer balanced throughout to cancel control-induced distortion. Push pull circuitry with 6V6 output stage provides wide voltage swing for gain control and line output. The result is that the Sta-Level brings a uniquely familiar intimacy, air and warmth to your tracks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRevisions to the original design include:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTube balance can be instantly aligned without test equipment\u003c\/li\u003e\n\u003cli\u003eUses a pair of easily-obtainable 6BA6 gain reduction tubes. The 6386 socket is still provided..\u003c\/li\u003e\n\u003cli\u003eTwo or more Sta-Levels can be coupled together for stereo, surround or sidechain operation\u003c\/li\u003e\n\u003cli\u003eXLR transformer balanced input and output\u003c\/li\u003e\n\u003cli\u003eIEC Power Connector\u003c\/li\u003e\n\u003cli\u003eHand matched audiophile-grade coupling capacitors\u003c\/li\u003e\n\u003cli\u003eHigh quality, custom wound transformers used throughout\u003c\/li\u003e\n\u003cli\u003eInternal component safety cover\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain Reduction Threshold: Continuously adjustable from +24dBm to -20dBm\u003c\/li\u003e\n\u003cli\u003eAvailable Gain Reduction: 40dB\u003c\/li\u003e\n\u003cli\u003eTotal System Gain: 35dB (with standard input and output pads)\u003c\/li\u003e\n\u003cli\u003eDistortion: 1 percent or less from 0-30 dB gain reduction\u003c\/li\u003e\n\u003cli\u003eFrequency Response: ± .25dB from 20-20,000 Hz\u003c\/li\u003e\n\u003cli\u003eNoise: -70dB or better referenced to gain reduction threshold\u003c\/li\u003e\n\u003cli\u003eOutput Level: Continuously adjustable from -40 dBm to +18 dBm\u003c\/li\u003e\n\u003cli\u003eInput Impedance: Accepts low impedance active or transformer balanced 0-600 Ohms\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 600 Ohm transformer balanced, terminated and resistive pad coupled\u003c\/li\u003e\n\u003cli\u003eTube Complement: 2-6BA6, 1-12AT7, 2-6V6GT, 1-6AL5, 1-OB2, 1-5Y3GT\u003c\/li\u003e\n\u003cli\u003ePower Requirements: Three prong IEC - Switchable 115-230 VAC - 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003eMounting Requirements: 3U metal rack 5.25\" high, 19\" wide, 8\" deep\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Retro Instruments","offers":[{"title":"Default Title","offer_id":27905925895,"sku":"","price":3295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/STA-LEVEL-1.png?v=1471553048"},{"product_id":"doublewide","title":"Retro Doublewide Tube Compressor (bulbo 6BJ6)","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEste compressor, incluye bulbos \"vintage\" modelo 6BJ6, que por su limitada existencia hacen que sea un producto de edición limitada.\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eThe Retro Doublewide is a mono tube compressor unit designed from the ground up for the 500 series format. It’s authentic tube compression in a go-anywhere package! So now, whether you’re in the studio, on location, or on the road, you can enjoy classic Retro compression without compromise.\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cp\u003eThe Retro Doublewide takes its cue from the legendary Sta-Level compressor but is ultimately its own design. Under the hood there are four NOS 6BJ6 variable-mu tubes doing the actual compression work configured in a fully complementary push-pull design, delivering the sonic characteristics typical of a full-sized Retro compressor.\u003c\/p\u003e\n\u003cp\u003eThe Doublewide’s tubes are arranged in two gain stages, working in delicate combination alongside two high-quality Cinemag transformers. Input and output are fully floating and transformer balanced for use with line level signals, while a hard-wire bypass switch allows for quick evaluation of the compression signature. Compression attack and recovery times are continuously variable.\u003c\/p\u003e\n\u003cp\u003eThe Doublewide is a small tube compressor with a big sound. It excels at processing all manner of sources like bass, vocals, even whole mixes (but for that you’ll probably need two!), adding a luxurious compression signature to your audio that’s unmistakably analog. Like the Sta-Level and 176 before it, the Doublewide has two timing modes; Single and Double. ‘Single’ is slower: perfect for taming things like harsh vocals and unruly bass; while ‘Double’ provides a dynamic program-controlled attack and recovery timing that’s arguably better for drums and other fast transients. Between these two modes you won’t want for anything else.\u003c\/p\u003e\n\u003cp\u003eThe Doublewide is designed to provide the user with years of reliable service. Special circuitry eliminates excess current inrush and component stress when power is applied. Power required is 180 milliamps (6 watts), which is well within a two-slot power allowance. The tubes are self-biased and balanced without the need for user adjustments and there are no internal controls. A meter-zero adjustment is accessible from the side of the unit to compensate for tube variations. Tube replacement is straightforward and the tubes are readily available.\u003c\/p\u003e\n\u003cp\u003eLike all our gear, we’re very proud of the Doublewide. It might be small but there’s nothing small about its sound. It’s the perfect antidote to the stark world of digital technology.\u003c\/p\u003e\n\u003cdiv class=\"features\"\u003e\n\u003cstrong\u003eFeatures\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSingle channel tube compression in a two-slot 500 series module\u003c\/li\u003e\n\u003cli\u003eContinuously variable input and output levels with fixed threshold\u003c\/li\u003e\n\u003cli\u003eContinuously variable attack and recovery time\u003c\/li\u003e\n\u003cli\u003eSingle and Double time-constants\u003c\/li\u003e\n\u003cli\u003eFully complementary push-pull signal path\u003c\/li\u003e\n\u003cli\u003eCinemag transformer balanced, fully-floating Input and Output\u003c\/li\u003e\n\u003cli\u003eHard wire bypass switch with gold-plated contacts\u003c\/li\u003e\n\u003cli\u003eGold-plated edge card connections\u003c\/li\u003e\n\u003cli\u003eStainless steel chassis construction\u003c\/li\u003e\n\u003cli\u003eSide-accessible meter zero trim\u003c\/li\u003e\n\u003cli\u003eUses new-old-stock U.S. Tubes\u003c\/li\u003e\n\u003cli\u003eAuthentic U.S.-made Simpson gain reduction meter\u003c\/li\u003e\n\u003cli\u003eHand built and tested in the U.S.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Retro Instruments","offers":[{"title":"Default Title","offer_id":27906024391,"sku":"","price":1429.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Doublewide-1.png?v=1471553205"},{"product_id":"dual-vandergraph","title":"Shadow Hills Dual Vandergraph","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Shadow Hills Industries Dual Vandergraph stereo compressor is a direct descendant of the Shadow Hills Mastering Compressor - in API 500 Series format. Packing discrete, fully Class A VCAs, the Dual Vandergraph carries forth its big sibling's sterling reputation for exceptional sound quality and performance. With its pristine sonics, the Dual Vandergraph makes an ideal bus compressor, and its four compression ratios make it easy to teach even the rowdiest signals good manners.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEasy to operate\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Shadow Hills Industries Dual Vandergraph operates in stereo, however you control it with a single set of variable attenuators, rather than having to juggle two sets of controls. Nice! Even cooler, it will function normally with just a a single channel connected. Perhaps best of all, the Dual Vandergraph takes up very little of your precious studio real estate - just two spaces in your 500 Series chassis.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll the control you need\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Dual Vandergraph sports all the amenities you'd expect in a world-class compressor: four compression ratios, sidechain filters, hardwire bypass, and a vintage-flavored engraved front panel with a VU meter, tophat switch caps, and big classic knobs for compression and output level. No matter how gnarly or mild-mannered your input signal, compression ratios of 2:1, 2.5:1, 4:1, and 8:1 let you tailor your dynamics exactly the way you want them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeriously built to sound great\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe uncompromising build of the Shadow Hills Industries Dual Vandergraph is, of course, to a large degree responsible for its amazing performance. Packed with top-drawer components such as discrete, fully Class-A VCAs and Swiss-made discrete rotary attenuators, every component was painstakingly selected based on its contribution to the overall design objective: stunning sound quality. With its impressive sound and performance, ease of operation, and weapons-grade build quality, the Shadow Hills Industries Dual Vandergraph belongs in \u003cem\u003eyour\u003c\/em\u003e 500 Series arsenal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePremium Class-A Stereo compressor for your 500 Series rack\u003c\/li\u003e\n\u003cli\u003eDiscrete audio path\u003c\/li\u003e\n\u003cli\u003eFour compression ratios (2:1, 2.5:1, 4:1, and 8:1)\u003c\/li\u003e\n\u003cli\u003eControl the dynamics of any program material\u003c\/li\u003e\n\u003cli\u003eDiscrete gain cells from the Shadow Hills Mastering Compressor\u003c\/li\u003e\n\u003cli\u003eSelectable sidechain filters: 90Hz, 150Hz, 250Hz, bandpass\u003c\/li\u003e\n\u003cli\u003eSwiss-made discrete rotary attenuators\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":29028963527,"sku":"","price":2895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/DualVandergraph-1.jpg?v=1490060310"},{"product_id":"wa-2a","title":"Warm Audio WA-2A","description":"\u003cp\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/always-in-stock\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/warmALWAYS-IN-STOCKverdeTextura2.png?v=1583262290\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear.  When you hear the bottom-end presence and top-end detail of quality analog gear, the difference can be astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware. \u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic '2A-style optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003c\/p\u003e\n\u003cp\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e'2A Style, Transformer balanced, high voltage, opto tube compressor\u003c\/li\u003e\n\u003cli\u003eUtilizes premium grade input and output CineMag USA Transformers.\u003c\/li\u003e\n\u003cli\u003eUtilizes USA made Kenetek opto attenuator.\u003c\/li\u003e\n\u003cli\u003ePremium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5\u003c\/li\u003e\n\u003cli\u003eFully discrete signal path\u003c\/li\u003e\n\u003cli\u003eSocketed to allow for retro-fitting with other opto-cells\u003c\/li\u003e\n\u003cli\u003eVariable Pre-emphasis, allows for compression hipass filtering\u003c\/li\u003e\n\u003cli\u003eStereo-link capability\u003c\/li\u003e\n\u003cli\u003eXLR and TRS balanced line level inputs - 600 ohms impedance\u003c\/li\u003e\n\u003cli\u003eXLR and TRS balanced line level outputs - 600 ohms impedance\u003c\/li\u003e\n\u003cli\u003eFrequency Response +\/- 1 dB, 15 Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eGain 40 dB ±1dB\u003c\/li\u003e\n\u003cli\u003eInput Level +16 dB maximum\u003c\/li\u003e\n\u003cli\u003eOutput Level +10 dB nominal, +16 dB maximum\u003c\/li\u003e\n\u003cli\u003eDistortion Less than 0.1% THD at ±10 dBm\u003c\/li\u003e\n\u003cli\u003eNoise  = -74dB\u003c\/li\u003e\n\u003cli\u003eAttack Time - 10 milliseconds\u003c\/li\u003e\n\u003cli\u003eRelease Time - 0.06 seconds for 50% release\u003c\/li\u003e\n\u003cli\u003e0.5 to 5 seconds for complete release\u003c\/li\u003e\n\u003cli\u003eMeter shows both dB gain reduction and dB output\u003c\/li\u003e\n\u003cli\u003ePower - 115\/230 volts (switchable), 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003eDimensions - 19\" Rackmount chassis, 2U. 19\" x 7\" x 3.5\"W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/7tWFlIAUZhE\" width=\"530\" height=\"315\"\u003e\u003c\/iframe\u003e    \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":30417381959,"sku":"","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/2A_bd06e50f-e230-4cea-b13f-96ce45ae1cc1.png?v=1715802654"},{"product_id":"dragon","title":"Slate Dragon","description":"\u003cdiv class=\"std\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"twelve columns\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlate Pro Audio Dragon Specifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"first\"\u003e1176-style FET Gain Reduction Circuit\u003c\/li\u003e\n\u003cli\u003e1073 Class A Discrete Amplifier\u003c\/li\u003e\n\u003cli\u003e3 EQ-Emphasis Character Filters\u003c\/li\u003e\n\u003cli\u003eParallel Compression Mix Knob\u003c\/li\u003e\n\u003cli\u003eVintage and Normal Modes\u003c\/li\u003e\n\u003cli\u003eAnalog Tape-style Saturation Modes\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter Side Chain\u003c\/li\u003e\n\u003cli class=\"last\"\u003eRatios 2:1 to Squash\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eSlate Pro Audio Dragon\u003c\/span\u003e is unlike any dynamic audio processor you‘ve heard before. Simply put, the Dragon was created to be the most versatile compressor, limiter, and sound shaping tool that the pro audio industry has ever seen.\u003c\/p\u003e\n\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eThe Concept\u003c\/span\u003e\u003cbr\u003eThe Dragon starts with a classic FET compressor circuit, reminiscent of vintage units from the 60’s and 70’s. But the Slate Pro Audio engineers enhanced the circuitry of the unit with a mastering grade signal path, Jensen input transformer, and a CLASS A output section based around a custom-made output transformer. The result is a compression quality that is so rich and warm, but is also capable of sharp and aggressive tones. But this is only the start of what the Dragon can do.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAdd Some Character\u003c\/span\u003e\u003cbr\u003eThe Dragon includes three ‘character’ settings that change the way the unit sounds and responds. The first setting is BOOM. This setting adds sub bass harmonics in a unique way that when combined with some compression, can make basses sound massive and kick drums pound like you’ve never heard before. The second setting is BITE, which adds a gentle ‘forward’ character that makes the source more defined and clear. BITE is superb on bass, snare, vocals, and guitars. Last, is SHEEN. This character setting adds an airy gloss to the source, reminiscent of classic opto tube compressors. This setting is absolutely stunning on vocals, acoustics, and overheads. Full mixes can gain new clarity and excitement from the sheen setting. All character settings can be used simultaneously!\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eGo Vintage\u003c\/span\u003e\u003cbr\u003eThe Dragon's \"Vintage\" button enables circuitry that emulates a more vintage sound from a classic age of compression. The result is more harmonics, a bit of ‘grit’, and an overall more aggressive sound with tons of attitude that is amazing on electric guitars, bass, and a must-hear on drums.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSaturate\u003c\/span\u003e\u003cbr\u003eThe Dragon has a three setting saturation selector. This saturation can add warm and rich harmonics or even gritty distortion. On setting 1, it can add just the right of “life” to a dull vocal. On setting 2, it can add presence and warmth to a bass or make guitars sound like they are hitting tape. On setting 3, it can add some rich harmonics to a snare to bring out the sustain and make it come alive in the mix.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eWait, There’s MORE\u003c\/span\u003e\u003cbr\u003eThe Dragon includes a hi pass filter so you have the option to control the amount of low end that feeds the compressor detection. This is useful when stereo linking two DRAGONS together for transparent mixbuss compression, or for grouped drum compression where you don’t want the drums to ‘pump’.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFET Your Mixbuss\u003c\/span\u003e\u003cbr\u003eClassic FET compressors have not been common mixbuss choices due to their excessive color and aggressive nature. However, the Dragon includes a gentle 2:1 setting that sounds amazing on full mixes. With the character, vintage, and saturate options disabled, the signal path is quiet and clean with just the right amount of rich tone. Of course if you need more color or saturation on your buss, it’s just a button or switch away. With settings 2:1, character SHEEN, Saturate 1, and slow attack and fast release, your mix will come alive in an incredible way.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSquash It\u003c\/span\u003e\u003cbr\u003eThe Dragon is one of the finest drum compressors to ever hit the analog market, and is complete with the famous overcompression “all buttons in” mode called ‘Squash’. This setting is simply stunning on drum room mics, or any other source that you want to explode out of the mix. Due to its extremely hifi signal path, the Dragon’s ‘Squash’ setting can create that larger then life effect without causing a harsh or brittle high end.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eMix It Up\u003c\/span\u003e\u003cbr\u003eLast and certainly not least, the Dragon includes a ‘Mix” knob to control the wet\/dry ratio of the source. This amazing feature allows you to add some heavy compression, and then back it off gently until it creates the perfect balance for your mix. The ‘Mix’ knob also allows you to parallel compress sources, such as drum busses, without having to mult or buss the drums to additional faders! You’ll find the ‘mix’ knob to be one of the most useful tools in modern analog compression. It works especially well with the saturation and squash features. Overcompressing a vocal and then mixing back the wet signal is the ultimate way to make a vocal pop without losing the subtle nuances.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eStyle\u003c\/span\u003e\u003cbr\u003eThe Dragon’s faceplate has a subtle black-gloss-on-satin-black design that placed the Dragon in the top ten of Gearslutz Best-Looking Gear poll.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePresets\u003c\/span\u003e\u003cbr\u003eNormally compressors don’t need presets, but with so many options (there is literally thousands of combinations), the Dragon ships with a huge listing of presets made by Steven Slate and some of the world’s top producers, mixers, and even mastering engineers. But once you experience the many possibilities and sounds of the Dragon, you’ll soon enjoy making your own!\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eEngineers using the Dragon\u003c\/span\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli class=\"first\"\u003eChris Lord-Alge\u003c\/li\u003e\n\u003cli\u003eMichael Brauer\u003c\/li\u003e\n\u003cli\u003eJustin Neibank\u003c\/li\u003e\n\u003cli\u003eJay Baumgardner\u003c\/li\u003e\n\u003cli class=\"last\"\u003eBrett Chassen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eArtists using the Dragon\u003c\/span\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli class=\"first\"\u003eTaylor Swift\u003c\/li\u003e\n\u003cli\u003eColbie Caillat\u003c\/li\u003e\n\u003cli\u003eReba McEntire\u003c\/li\u003e\n\u003cli class=\"last\"\u003eBush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Slate Digital","offers":[{"title":"Default Title","offer_id":37751722631,"sku":"","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Dragon.png?v=1485809553"},{"product_id":"hg-2","title":"Black Box HG-2","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/AGI-Essentials.png?v=1496947538\" alt=\"\" width=\"76\" height=\"76\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMix bus, meet your new best friend.\u003c\/strong\u003e\u003cbr\u003eThe Black Box Analog Design HG-2 is a line level, stereo unit designed to add saturation, harmonics, natural compression, increased RMS and enhancement during mixing and mastering. It is designed to easily and naturally do what usually requires multiple pieces of gear and do it better!\u003cbr\u003eTubes, transformers \u0026amp; tone!\u003cbr\u003eThe HG-2 uses custom input transformers to feed two paths: The main signal path travels through a 6U8A Pentode tube stage that then drives into the Triode stage that follows, resulting in everything from subtle harmonics to full on saturation.\u003cbr\u003eAlso fed from the input transformer is a parallel signal path that utilizes a set of 12AX7 tubes, voiced specifically for harmonics and saturation. This parallel saturation circuit is outfitted with a 3 way “Freq. Select” switch that allows the user to choose the frequency content of the signal feeding the circuit. The “low position saturates just the low mids and sub frequencies, the “flat” position saturates full bandwidth and the “high” position saturates only the high mids and high frequencies. The result is the ability to add top end to dull tracks, enhance low end or enhance and add energy to the entire signal. The “harmonics” knob allows the user to control how much of the processed, parallel signal is fed into the main signal before hitting the Pentode stage. Finally, both stages reach the passive output attenuation before a pair of custom output transformers.\u003cbr\u003eIn addition to the saturation stages, an “air” switch adds a subtle top end lift and the “alt” tube button switches between two different 12AX7 tubes in the parallel circuit. Switching between tubes allows the user to swap tubes for different types of saturation and switch back and forth instantly.\u003cbr\u003eThe meter select chooses whether the meter is fed from the input or output, and the “bypass” switch is a true bypass that shorts the input directly to the output with no additional circuitry in line.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh voltage Pentode \u0026amp; Triode tube stages\u003c\/li\u003e\n\u003cli\u003eParallel saturation with mix control\u003c\/li\u003e\n\u003cli\u003e3 way frequency control over parallel saturation\u003c\/li\u003e\n\u003cli\u003eInstantly selectable\/swappable saturation tubes\u003c\/li\u003e\n\u003cli\u003e“Air” lift\u003c\/li\u003e\n\u003cli\u003eUltra fine L\/R trim adjust\u003c\/li\u003e\n\u003cli\u003eCustom input and output transformers\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003eSelectable 30 segment meter (3 modes)\u003c\/li\u003e\n\u003cli\u003eIlluminated push button switches \u0026amp; sealed relays\u003c\/li\u003e\n\u003cli\u003eHeavy duty steel chassis\u003c\/li\u003e\n\u003cli\u003eInternally modular design for easy servicing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Stereo-HG-signal-flow-2.0-768x321.jpg?v=1489443196\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Black Box","offers":[{"title":"Default Title","offer_id":40400566919,"sku":"","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/HG-2-001_copy.jpg?v=1498495612"},{"product_id":"gtq-c-channel-strip","title":"Aurora GTQC Channel Strip","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/coloratura-aural\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/M-Coloreado80.jpg?v=1490373348\" alt=\"\" width=\"123\" height=\"75\"\u003e\u003c\/a\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe Aurora Audio GTQC is quite literally one channel of the GTQ2 Preamp and one channel of the GTC2 Compressor. It all conveniently fits into a one rack space package that gives you Class A discrete amplification, 3 band eq, DI, and compression (opto circuit, FET circuit, and COMB mode are all featured).\u003cbr\u003e\u003cbr\u003eAll of the features of the GTQ2 and GTQC are here in the GTQC as well. One feature unique to the GTQC is the ability to independently use the preamp or the compressor. Balanced XLR in and out allows the user to patch in the pre or compressor on different sources if needed. To use the GTQC as an “all in one” channel strip, all you need to do is press one button. This enables the signal to go in through the preamp and come out the compressor. This makes the compressor output gain your final control for volume and lets you use the VU meter (in output mode) to make sure you have optimum levels.\u003cbr\u003e\u003cbr\u003eIf you have a pair of GTQC channel strips at your disposal, the user has access to some pretty serious power in stereo. Ideal for any stereo recording and compression, you can link the compressors with ease. All you need is a single TRS cable. Just like the GTC2, the stereo link follows which ever unit is compressing more. If you are looking to beef up your entire mix by having a stereo channel strip on the insert, look no further!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePreamp Input impedance = 1,200 ohms or 300 ohms (switch selectable on rear panel) transformer balanced and floating\u003c\/li\u003e\n\u003cli\u003eCompressor Input impedance = 10k ohms transformer balanced and floating\u003c\/li\u003e\n\u003cli\u003eBoth devices have transformer balanced and floating outputs that will drive any impedance from 600 ohms upwards\u003c\/li\u003e\n\u003cli\u003eD.I. Input impedance = 10Megohms\u003c\/li\u003e\n\u003cli\u003eFrequency response \u0026lt;20Hz to\u0026gt;50KHz + 1dB\u003c\/li\u003e\n\u003cli\u003eDistortion \u0026lt;0.075% @ 1KHz\u003c\/li\u003e\n\u003cli\u003ePreamp EIN \u0026lt;-125dB @ 80dB gain\u003c\/li\u003e\n\u003cli\u003eCompressor Noise \u0026lt;-75dB (20 to 22KHz)\u003c\/li\u003e\n\u003cli\u003eDimensions 19″ x 1U x 11″ (482.6mm x 44.45mm x 279.4mm)\u003c\/li\u003e\n\u003cli\u003eWeight = 20lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eGTQC Preamp\/EQ Section:\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe same transformer balanced Class A mic preamp\/ EQ from the GTQ2\u003c\/li\u003e\n\u003cli\u003eDirect input with 10dB gain and 10Mohm input impedance\u003c\/li\u003e\n\u003cli\u003eThree band EQ provides + 15dB adjustment at 80Hz (Bass), 12KHz (Treble) and mid frequencies of 400Hz, 1,600Hz and 3,200Hz\u003c\/li\u003e\n\u003cli\u003e80Hz 18dB\/octave High Pass Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eGTQC Compressor Section:\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold = -10dBu to +30dBu\u003c\/li\u003e\n\u003cli\u003eRatio = 1.5:1 to 10:1\u003c\/li\u003e\n\u003cli\u003eAttack Time = 500uS to 5mS\u003c\/li\u003e\n\u003cli\u003eRelease Time = 100mS to 3 Seconds\u003c\/li\u003e\n\u003cli\u003eGain Make up = 0dB to +20dB\u003c\/li\u003e\n\u003cli\u003eBoth Fet and Opto compression\u003c\/li\u003e\n\u003cli\u003eAuto Release\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":41128684487,"sku":"","price":3300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/GTQC-001_b1bdaf16-b379-4ac9-93ae-4e7fee106788.jpg?v=1494084684"},{"product_id":"gtc-2","title":"Aurora GTC2","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Aurora Audio GTC2 is a Class A discrete dual-channel compressor that features balanced input and output transformers. These are the same transformers featured in the Aurora GTQ2 and are made in the United Kingdom to Geoff Tanner's exacting specifications by the old Marinair crew.\u003cbr\u003e\u003cbr\u003eWhat makes the GTC2 unique is that it features two separate and selectable compression circuits. The GTC2 features a FET circuit, a classic Opto circuit, and the ability to combine both in something we call “COMB” mode. The FET circuit is the slightly more aggressive of the two, but still incredibly musical. It has a harder knee that makes it suitable for more audible compression. The Opto circuit can be set to be extremely transparent, or the user can set it to get more of the classic pumping Opto sounds. The COMB mode chains the two together to get more compression and gives you the best of both worlds. Many experienced engineers know the magic of double compression, and you can get it here without having to purchase the unit you don’t have.\u003cbr\u003e\u003cbr\u003eLike most stereo compressors, you can stereo link the channels so they react the same. One major difference found in the GTC2 is that the stereo link does not make one side the master. Both channels follow one another. If the right is getting more compression, the left follows, and if the left is getting more compression, the right follows. As a result, your stereo image holds steady and your low end sits rock solid. This is very helpful when using the GTC2 on the stereo buss.\u003cbr\u003e\u003cbr\u003eOne more thing you will find on the GTC2 is an AUTO mode that is actually useable! The AUTO mode on the GTC2 follows your program source, smoothing things out along way. The AUTO mode can reveal some amazing results when used on background vocals, guitars, keyboards, and the stereo buss.\u003cbr\u003e\u003cbr\u003eJust remember, the GTC2 is not an “Emulator” or “Distortion Generator.” It is a classic compressor that retains your low end, warms up your signal, and helps get you that classic punch while still sounding absolutely contemporary.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput impedance = 10Kohms, transformer balanced and floating\u003c\/li\u003e\n\u003cli\u003eBalanced and floating output will drive any impedance from 600 ohms upwards\u003c\/li\u003e\n\u003cli\u003eFrequency response = 20Hz to \u0026gt;20KHz +\/- 1dB\u003c\/li\u003e\n\u003cli\u003eTotal Harmonic Distortion = \u0026lt;0.1% @ 1KHz @ +20dBu\u003c\/li\u003e\n\u003cli\u003eNoise = \u0026lt;-75dBu filtered 22Hz to 22KHz at unity gain\u003c\/li\u003e\n\u003cli\u003eThreshold = -10dBu to +30dBu\u003c\/li\u003e\n\u003cli\u003eRatio = 1.5:1 to 10:1\u003c\/li\u003e\n\u003cli\u003eAttack Time = 500uS to 5mS\u003c\/li\u003e\n\u003cli\u003eRelease Time = 100mS to 3 Seconds\u003c\/li\u003e\n\u003cli\u003eGain Make up = 0dB to +20dB\u003c\/li\u003e\n\u003cli\u003eDimensions = 19” x 2U x 11” deep (482.6mm x 88.9mm x 280mm)\u003c\/li\u003e\n\u003cli\u003eWeight = 16lbs (7.25Kg)\u003c\/li\u003e\n\u003cli\u003eTransformer balanced inputs and outputs\u003c\/li\u003e\n\u003cli\u003eAll Class A discrete transistor circuitry\u003c\/li\u003e\n\u003cli\u003eOpto, FET and Combined (Opto and FET at same time) control elements\u003c\/li\u003e\n\u003cli\u003eControls for Threshold, Ratio, Attack, Release and Gain make up\u003c\/li\u003e\n\u003cli\u003eAuto release varies release time in relation to nature of the signal\u003c\/li\u003e\n\u003cli\u003eIlluminated analog VU\/Gain reduction meter\u003c\/li\u003e\n\u003cli\u003eAuto-sensing integral regulated power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/11248519\u0026amp;color=ff5500\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/11054710\u0026amp;color=ff5500\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/11005241\u0026amp;color=ff5500\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/17731001\u0026amp;color=ff5500\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":41233137415,"sku":"","price":3444.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/GTC2-001_ea1896e7-42bb-4426-bad2-3e178d7a7957.jpg?v=1494084639"},{"product_id":"magnum-k","title":"Maag Magnum-k","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Maag Audio MAGNUM-K™ is a single channel Compressor built to complement the audio engineer’s craft in a very big and impactful way. The MAGNUM-K is comprised of two compressor sections (MAGNUM COMP and K COMP), a very musical Parallel EQ (with LMF and AIR BAND®), and a Soft Limit (soft limiter).\u003cbr\u003eWhether putting the finishing touches on a 2-mix or making a vocal sound bigger than life without taking your head off; the MAGNUM-K will help elevate your craft to a whole new level. Welcome to compession nirvana and sonic bliss. Welcome to the Maag Audio MAGNUM-K Compressor where BIGGER SOUND, QUICKER WORKFLOW, and OUTSTANDING CONTROL were desinged to elevate your craft.\u003cbr\u003eBIGGER SOUND\u2028The MAGNUM-K Compressor helps quieter sonic signatures become as big as you want them to be while simultaneously reigning in those louder, more dominant tones.\u003cbr\u003eQUICKER WORKFLOW\u2028Tuning a MAGNUM-K Compressor is quick and easy, reducing your overall workflow time.\u003cbr\u003eOUTSTANDING CONTROL\u2028The MAGNUM-K offers outstanding control from its transparent INPUT ATTN (attenuator) and INPUT GAIN controls, to its SIDECHAIN capabilities and MAKE UP GAIN. Controls are stepped (detented) to allow for easy recallable settings and channel matching.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response: +\/-1 dB 20 Hz to 40 kHz\u003c\/li\u003e\n\u003cli\u003eNominal Input Impedance XLR): 48 K Ohms, balanced\u003c\/li\u003e\n\u003cli\u003eNominal Output Impedance (XLR): 50 Ohms, balanced\u003c\/li\u003e\n\u003cli\u003eHeadroom: +28 dBu @ 10 K Ohms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/RV83a4LnRGQ\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e","brand":"Maag Audio","offers":[{"title":"Default Title","offer_id":41371910023,"sku":"","price":1995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/MAGNUM-K-001.jpg?v=1494085178"},{"product_id":"falcon","title":"Crane Song Falcon 500","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Nominado29th.jpg?v=1491496350\" alt=\"\" width=\"74\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eFALCON is a classic sounding tube compressor in a 500 series package.\u003cbr\u003eFALCON features 3 attack and 3 release time settings, hard and soft knee choices for compression or limiting, two different audio path sounds, wet-dry mixing for parallel compression, and is linkable.\u003cbr\u003e\u003cbr\u003eThe audio path color is changed by modifying the tube circuit so it has negative feedback or does not have negative feedback.  This along with the optical like quality of the compressor allows for a colored vintage sound or a much cleaner sound with optical characteristics.\u003cbr\u003e\u003cbr\u003eWhen linked the master unit controls all functions on the slave except for wet-dry and make up gain.  The link system is capable of doing 5.1\u003c\/p\u003e","brand":"Crane Song","offers":[{"title":"Default Title","offer_id":41724984135,"sku":"","price":1449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SERIE_500_TEMPLETE_1.png?v=1771438420"},{"product_id":"mpressor-500","title":"Elysia Mpressor 500","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Elysia Mpressor 500 brings the heritage of the extremely powerful rack mount mpressor into the 500 series format. Like its bigger brother, the mpressor 500 combines serious punch with a full and detailed class-A sound. Its great tone and flexibility make it an excellent choice for recording and mixing, while its remarkable special features take it far beyond the borders of what normal compressors can do.\u003cbr\u003eExtreme time constants, negative ratios, “antilog” release and Elysia’s innovative gain reduction limiter provide a whole spectrum of unique dynamics shaping options. A new feature of the 500 series module is its switchable THD boost allowing on-the-fly signal coloration and saturation effects capable of delivering a grittier flavor.\u003cbr\u003eIts massive sound, next generation features and its creative approach make the mpressor 500 a truly outstanding tool in the world of dynamics processing – the compressor from the future.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e100% Class-A Topology - Expensive boutique sound made affordable\u003c\/li\u003e\n\u003cli\u003eTHD Boost - Harmonics for a grittier flavor\u003c\/li\u003e\n\u003cli\u003eAuto Fast - Perfect attack in any situation\u003c\/li\u003e\n\u003cli\u003eAnti Log - Instant pumping \u0026amp; breathing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":41862752199,"sku":"","price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SERIE500TEMPLETE11111111.png?v=1772655110"},{"product_id":"obsidian-stereo-compressor","title":"Dramastic Obsidian Stereo Compressor","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThrough the use of several proprietary methods the Dramastic Audio Obsidian performs a range of tasks unheard of from the average SSL or SSL-esque unit.  The fist difference the user will notice is that the unit suffers no ‘shrinkage’ to the audio sound field.  The highs stay brilliant and clear and the bottom will continue to thunder (especially with the unit’s internal High Pass Filter engaged on the unit’s detection circuit).\u003c\/p\u003e\n\u003cp\u003e\u2028\u2028The second thing the user will notice is that when the \"auto\" release time is employed the audio has a smooth, rich texture without any pumping or breathing.  From there, if the user has decided that the audio is a little too smooth for their application a simple click of the release switch to the \"lofi\" setting will net all the \"in your face\" aggression a user may desire.  Overall the clarity and performance of this unit is unparalleled by any unit based around a Voltage Controlled Amplifier (VCA) gain reduction cell.  At first look it may suggest something from the past, but at first listen the user will understand the future of professional audio.  Transformer balanced input\/output interface which gives the Obsidian its unique sound.  The TXIO Enhanced option produces that \"phat\" classic analog sound making the Obsidian an excellent way to add warmth and character to digital audio workstations.\u2028\u2028\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrecision stepped controls to accurately recall settings\u003c\/li\u003e\n\u003cli\u003eSide-Chain Input XLR\u003c\/li\u003e\n\u003cli\u003eBalanced inputs and outputs Ratio settings: 2:1, 4:1, 8:1, 10:1, 12:1 and SKULL\u003c\/li\u003e\n\u003cli\u003eAttack control range: 0.1, 0.3, 0.6, 10 and 30mSec\u003c\/li\u003e\n\u003cli\u003eRelease control range: 0.1, 0.3, 0., 1.2 sec, AUTO and Lo-Fi\u003c\/li\u003e\n\u003cli\u003eMakeup gain output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dramastic Audio","offers":[{"title":"Default Title","offer_id":53411410759,"sku":"","price":2995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/ObsidianCompressor-001.jpg?v=1505746542"},{"product_id":"obsidian-500","title":"Dramastic Obsidian 500","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTXIO enhanced transformer balanced I\/O\u003c\/li\u003e\n\u003cli\u003ePrecision stepped controls to accurately recall settings\u003c\/li\u003e\n\u003cli\u003eVCA feed-forward compression\u003c\/li\u003e\n\u003cli\u003eSelectable internal high pass filter\u003c\/li\u003e\n\u003cli\u003eExpansion port for additional features\u003c\/li\u003e\n\u003cli\u003eLink multiple modules together\u003c\/li\u003e\n\u003cli\u003eSelectable pad settings\u003c\/li\u003e\n\u003cli\u003eSuperior imaging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRatio settings: 1.5:1, 2:1, 4:1, 8:1, 10:1, 12:1\u003c\/li\u003e\n\u003cli\u003eAttack control range: 0.1, 0.3, 1.0, 3.0, 10, and 30 mSec\u003c\/li\u003e\n\u003cli\u003eRelease control range: 0.1, 0.3, 0.6, 1.2 sec, AUTO and Lo-Fi\u003c\/li\u003e\n\u003cli\u003eHPF settings: 30Hz, 60Hz, 105Hz, 125Hz, 125Hz, 185Hz, 330Hz\u003c\/li\u003e\n\u003cli\u003eMakeup gain output: 12db\u003c\/li\u003e\n\u003cli\u003e1 year limited warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dramastic Audio","offers":[{"title":"Default Title","offer_id":53411454151,"sku":"","price":2495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SERIE_500_TEMPLETE_4558f542-e863-4495-a00c-e4a2c5b32fb5.png?v=1771437740"},{"product_id":"obsidian-500-dual-mono-expansion","title":"Dramastic Obsidian 500 Dual Mono Expansion","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Obsidian 500 Dual Mono Expansion from Dramastic Audio adds Dual Mono Functionality to the Obsidian 500.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDuplicate set of precision stepped controls\u003c\/li\u003e\n\u003cli\u003eIndependant metering of left and right channels\u003c\/li\u003e\n\u003cli\u003eExternal Side-Chain input for left and right channels\u003c\/li\u003e\n\u003cli\u003eExpansion port for linking to the obsidian 500\u003c\/li\u003e\n\u003cli\u003e1 Year Limited Warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dramastic Audio","offers":[{"title":"Default Title","offer_id":53411659847,"sku":"","price":2295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Obsidian500DualMono-001.jpg?v=1505746946"},{"product_id":"unfairchild-670-mii","title":"UTA UnFairchild 670 MII","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eClassic\u003c\/strong\u003e\u003cbr\u003eThe Fairchild circuit could be one of the most coveted and time tested compressors of all time. It has proven its extraordinary universal musicality for over 5 decades on countless genres of music. The beauty of its design is in its simplicity. The audio path, primarily consisting of only 2 transformers and 4 paralleled vari-mu tubes, can provide a gentle smoothing of levels or an explosive, energizing compression that will make any recording leap out of the speakers. The UTA UnFairchild is a painstaking recreation of the classic sound of this circuit.\u003cbr\u003e\u003cstrong\u003eFlexible\u003c\/strong\u003e\u003cbr\u003eThere are a few limitations of the original Fairchild that we set out to address. First, we have made careful adjustments to the circuitry that greatly improve the lifespan and reliability of the tubes. Additionally, we've added a whole host of exciting new features that have never before been available on a Fairchild. The UnFairchild sports 6 original preset Time Constants and 4 variable Time Constants (attack and release), MS function, side chain processing, a true bypass, fine adjustment of left\/right balance, user adjustable \"DC Threshold\", and \"Feed-Back\" vs. \"Feed-Forward\" functionality. With the UnFairchild, we've made this extraordinary circuit flexible enough to handle pretty much every compression task on any style of music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecification:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance - 2.5KΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance - 200Ω\u003c\/li\u003e\n\u003cli\u003eOutput Level - +4dB @ 0Vu (+28dBm clipping point)\u003c\/li\u003e\n\u003cli\u003eGain - 20dB(in 1dB steps)\u003c\/li\u003e\n\u003cli\u003eFrequency Response - 20hz - 20Khz (+0\/-.5dB)\u003c\/li\u003e\n\u003cli\u003eNoise Level - -83dB\u003c\/li\u003e\n\u003cli\u003eHarmonic Distortion - Better 1% at +18dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"UTA UnderTone Audio","offers":[{"title":"Default Title","offer_id":344754618375,"sku":"","price":9995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/670MII.jpg?v=1510159662"},{"product_id":"n90-drc-500","title":"Phoenix N90-DRC 500","description":"\u003cp style=\"padding-left: 30px;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Truly Musical Compressor\/Gate\u2028\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn a world now crowded with compressors—most of them emulating vintage designs, with the rest, it seems, dead set on destroying dynamics—the Phoenix Audio N90-DRC\/500 stands out as a decidedly musical compressor with a refreshingly unique design. Phoenix Audio's lead designer Dave Rees (the \"DR\" in DRC) developed this circuit over 20 years ago, and his thoughtful design reflects the subtler, more tasteful approach to compression from that bygone era. Though the N90 can be pushed to offer up wonderful sonic artifacts, it truly excels at the delicate (and increasingly rare) craft of transparent, musical dynamic control and gating.\u2028\u2028\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Forgiving and Intuitive Class-A Circuit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u2028The N90's 100% Class-A circuit is built around our wide-open sounding transfomerless input stage and beloved DSOP-2 output amplifier with our custom-wound DB694 output transformer. While appearing quite elaborate, using the compressor\/gate functions of the N90 is a forgiving and intuitive experience—especially given that this is a solid-state compressor. The ease of use is due to the gradual and progressive behavior of the N90's unique control circuit. Gain reduction begins well below, and continues beyond, the threshold, so you'll never hear a sudden \"grabby\" change in dynamics. Instead, you'll easily dial in fluid dynamic control while simultaneously picking up the rich, lush tone of the N90's discrete Class-A circuit.\u2028\u2028\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBut You Can Still Push It\u2028\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith ratios ranging from 2:1 to 8:1, the N90 is clearly designed for mellow, transparent compression. However, the higher ratios do offer up a fair amount of \"limiter style\" artifacts, especially when you switch the attack to \"fast\" and begin to manually manipulate the compressor's release time. Further, by driving more signal into the N90, a wide range of tones can be derived from the DSOP-2 output stage—from crystal clean to warm, pure Class-A analog saturation. Perhaps most importantly, the N90 makes a smooth transition from transparent to more obvious compression andoutput stage saturation, meaning that it's never a fussy or sensitive task to dial in your desired sound. From the subtlest gain control to lush Class-A artifacts—not to mention the flexible gate circuit—the N90-DRC\/500 is one of the most versatile dynamic control units ever produced.\u2028\u2028\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Gate You'll Actually Use\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u2028With the advent of digital's nearly inaudible noise floor, gating is something of a lost art. However, having been designed just before the industry largely abandoned analog tape, the N90 houses one of the most advanced, musical analog gates ever conceived. Similar to the compressor section, the N90's gate is intended to be subtle and musical. Its release function is actually a combination of a \"hold time\" followed by a \"fade time,\" making the N90's gate adept at everything from standard noise gating to even more subtle control of ambience levels relative to main signal. There is also an external key input, allowing you to trigger the gate with an external signal. With the N90's gate at your fingertips, you'll discover (or perhaps rediscover) the subtle art of analog gating.\u2028\u2028Link Up To 8 Units\u2028Up to eight N90-DRC\/500s can be linked together, allowing the compressor and gate functions to be controlled from just one of the units. This link functionality opens up a whole world of possibilities, from simpler stereo set-ups to far more elaborate scenarios where multiple channels are triggered by external key inputs. Almost anything you can dream up can be done with multiple N90s on hand.\u2028\u2028\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompressor Functions at a Glance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold — from +10 to -30, this is an intuitive and predictable threshold setting that never grabs your signal suddenly\u003c\/li\u003e\n\u003cli\u003eRatio — from a mere 1.5:1 up to 8:1, the ratios are mellow and widely variable.\u003c\/li\u003e\n\u003cli\u003eRelease — either gain-dependent auto setting or variable release from ultra-fast 0.1 sec up to 3 sec.\u003c\/li\u003e\n\u003cli\u003eFast — toggles the attack time from normal (15ms) to fast (1ms)\u003c\/li\u003e\n\u003cli\u003eMake-Up Gain — up to +15dB of make-up gain is available (post-gate)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u2028Gate Functions at a Glance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold — from +10 to -40\u003c\/li\u003e\n\u003cli\u003eKey: switches between input signal and an external \"key\" signal to trigger the gate detector\u003c\/li\u003e\n\u003cli\u003eRelease: from 0.1 seconds to 2 seconds with unique hold-then-fade topology\u003c\/li\u003e\n\u003cli\u003e24v built PSU so you can feel the sound of the 'true' unit and not be limited by the limitions of running at 16v which is the standard Lunchbox voltage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnique design allows unit to run at 24v for true-to-form Class-A operation.\u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, electronically balanced buffer amp input stage.\u003c\/li\u003e\n\u003cli\u003eClass-A, DSOP-2 output stage with custom-wound transformer. Frequency response: 20Hz to 20kHz +- 0.5dB.\u003c\/li\u003e\n\u003cli\u003eMaximum Output gain = +15dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz, maximum\u003c\/li\u003e\n\u003cli\u003eTypical Max Headroom: +26dB on output stage\u003c\/li\u003e\n\u003cli\u003eInput connections: XLR input on rear of API compatible rack\u003c\/li\u003e\n\u003cli\u003eAbility to link multiple modules (up to 8)\u003c\/li\u003e\n\u003cli\u003eExternal input for gate section on TT Bantam connector\u003c\/li\u003e\n\u003cli\u003eCompression Meter: LED Metering. (Green = -3dbu, -6dbu -10dbu \u0026amp; -14dBu, Red= -20dBu and doubles as the Gate Active LED)\u003c\/li\u003e\n\u003cli\u003e24v built PSU\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":6060772261926,"sku":"","price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SERIE500TEMPLETE_15a677d0-5704-4fb0-8b36-75dc52b27c64.png?v=1772655332"},{"product_id":"stereo-variable-mu","title":"Manley Stereo Variable MU®","description":"\u003ch3\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eThe Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MANLEY VARIABLE MU® LIMITER COMPRESSOR has been our best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu® is our registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/p\u003e\n\u003cp\u003eThe COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!\u003c\/p\u003e\n\u003cp\u003eYou might notice that the Variable Mu® Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right? The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode, and that’s what our Variable Mu® Limiter Compressor does better than anything else: final mix, 2-track, or mastering limiting and compression. Like one reviewer put it: “It’s like pouring a bowl of sweet cream over the mix.” Mmmmmm. Yummy. Give your music a big hug.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMANLEY input \u0026amp; output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz\u003c\/li\u003e\n\u003cli\u003eBALANCED INPUTS \u0026amp; OUTPUTS (600 Ohms)\u003c\/li\u003e\n\u003cli\u003eFully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), \u0026amp; 12AL5 per channel\u003c\/li\u003e\n\u003cli\u003eIndependently regulated B+ and Heater supplies\u003c\/li\u003e\n\u003cli\u003eHard-wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eStepped switch INPUT attenuator as of 10\/2011. (older units use Silent dual-ganged potentiometer)\u003c\/li\u003e\n\u003cli\u003eRECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec.\u003c\/li\u003e\n\u003cli\u003eVariable ATTACK: 25msec-70msec\u003c\/li\u003e\n\u003cli\u003eContinuously variable THRESHOLD\u003c\/li\u003e\n\u003cli\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)\u003c\/li\u003e\n\u003cli\u003eHP SC: High Pass Side Chain Filter -3dB @ 100Hz\u003c\/li\u003e\n\u003cli\u003eLarge ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12\/2003 use: 26V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12\/2003 use white LED lighting)\u003c\/li\u003e\n\u003cli\u003eSTEREO LINK SWITCH\u003c\/li\u003e\n\u003cli\u003eSeveral units can be linked for Surround (custom order )\u003c\/li\u003e\n\u003cli\u003eMaximum gain: 35dB\u003c\/li\u003e\n\u003cli\u003eMax. output: +30dBu (26Vrms) 26dB Headroom\u003c\/li\u003e\n\u003cli\u003e\u0026lt;0.1% THD @ 1KHz Noise floor: -85dB typical\u003c\/li\u003e\n\u003cli\u003ePower Consumption (120\/240VAC): 80 watts\u003c\/li\u003e\n\u003cli\u003eUnit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage.\u003c\/li\u003e\n\u003cli\u003eOperating Mains Voltage changeable with power transformer changeover switch and fuse value change.\u003c\/li\u003e\n\u003cli\u003eMains Fuse Value for 100~120VAC operation:replace with 1.25A as of 10\/2011\u003c\/li\u003e\n\u003cli\u003eMains Fuse Value for 220~240VAC operation: replace with 0.6A (600mA) as of 10\/2011\u003c\/li\u003e\n\u003cli\u003eMains Fuse Type: MDA or MDL SLO-BLO Time delay 1 1\/4\" x 1\/4\"\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50~60Hz\u003c\/li\u003e\n\u003cli\u003eDimensions: 19” x 3 1\/2” x 10” (chassis occupies 2u) Power transformer protrudes 3.5\" out the back of the chassis.\u003c\/li\u003e\n\u003cli\u003eShipping Weight: 23 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cbr\u003e\u003cstrong\u003eTHE MASTERING VERSION\u003c\/strong\u003e \u003cbr\u003eProudly from our beginning, we at MANLEY LABS have been closely involved with numerous mastering facilities around the world. For these most demanding engineers in our industry, we have created specialized products such as our all-tube tape repro head amps, digital converters, high-powered vacuum tube monitor amplifiers, through to custom monitoring consoles, all the way up to complete facility design and installation.\u003cbr\u003e\u003cbr\u003eThe Mastering Version of our Variable Mu® Limiter Compressor incorporating detented and logable steps built with 1% metal film resistors on sealed gold-contact Grayhill switches is available. NO, we will not mod a \"normal\" unit to the Mastering Version. The Mastering Version of the Variable Mu Limiter Compressor uses expensive Greyhill rotary switches with gold contacts where conductive plastic pots were used. The steps are determined with a large number of 1% precision metal film 1\/2 watt resistors. The best conductive plastic pots only have 10% or 20% tolerance. The ten fold improvement in precision helps a great deal in left-right matching. There is a subtle audible improvement with stepped switches as well. Audiophile HI-FI often uses that technique to wring the last drop of performance out of a preamplifier. And I bet you wanted stepped switches mostly for resets.\u003c\/p\u003e\n\u003cp\u003eThe INPUT LEVEL is a five position switch with a generic optimum setting of “0” in the 12:00 position. Each step in either direction is 2 dB. For reference, Unity Gain is \"0\".\u2028The OUTPUT Attenuators are in half dB steps. Reference Unity is -11.5 or fully counter-clockwise. You might think of these as \"gain makeup\". They are marked technically, in that “0” or fully clockwise has zero attenuation in the circuit. The tube circuit actually has 15.5 dB of gain. The Input attenuator at \"0\" removes 4 dB and the Output attenuator removes the last 11.5 producing \"unity\". With a little compression the \"gain make-up\" available with the Output Attenuator is very handy.\u003c\/p\u003e\n\u003cp\u003eThe Threshold is in half dB steps calibrated to LIMIT mode. In Compress the steps are approximately 1\/4 dB. There are 24 steps so LIMIT gets a 12 dB range and Compress has a 6 dB range of adjustment. In some cases it is common to use the Input Attenuator to find a good starting point. Some Mastering engineers find using the combination of Input, Output and Threshold to achieve a little different \"drive\". Another good reason for stepped gains.\u003c\/p\u003e\n\u003cp\u003eThe Attack Time has been slightly extended in both directions compared to a regular Variable Mu and divided into 11 steps. \u2028The Recovery 5 position switch is exactly the same as a regular Variable Mu.\u003c\/p\u003e\nThe switches specifically are like this:\u003cbr\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eInput: -4 to +4 in 2 dB steps\u2028Output: -11 to 0 in 1\/2 dB steps (24 detents) \u2028Threshold: -11 to +1 in 1\/2 dB steps LIMIT(24 detents) and 24 x 1\/4 dB steps in COMPRESS\u2028Attack: 11 positions CW (fast) 15mS, 20, 25, 30, 35, 40, 50, 60, 70, 80, 90mS (slow) CCW\u2028Release: 5 positions CW (fast) 200mS, 400mS, 600mS, 4S, 8 Seconds (slow) CCW\u003c\/p\u003e","brand":"Manley Laboratories, Inc.","offers":[{"title":"Variable Mu®","offer_id":10608927244331,"sku":"","price":4999.0,"currency_code":"USD","in_stock":true},{"title":"Variable Mu® Mastering","offer_id":10608927277099,"sku":"","price":6599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/VariableMu-001.jpg?v=1519081181"},{"product_id":"numu","title":"Manley NuMu","description":"\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Manley Nu Mu Stereo Limiter Compressor uses the special T-Bar mod tube front end of the legendary Variable Mu® with same super smooth side chain and timing characteristics followed by a high voltage discrete and FET solid-state amplifying and output stage for a faster and punchier audio path. It is like a “clean” version of the Variable Mu, especially suited for modern digital and electronic music where you don’t necessarily need to color or mask the sound like we did in the early days of digital.\u003c\/p\u003e\n\u003cp\u003eFeaturing Manley’s new HIP function, the Manley Nu Mu finesses dynamic control to bring up lower level details without knocking the life out of exciting transients. Smartly engineered to build efficiently and esthetically designed to elicit ravishing compliments from your clients, both visually and ergonomically, the Manley Nu Mu breaks new ground in performance and value, all proudly hand-built in California, of course!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDETAILS\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/NuMu04.jpg?9390560438760721815\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/NuMu04.jpg?v=1519079989\"\u003e\u003c\/a\u003e\u003cstrong\u003e1. OUTPUT CONTROL.\u003c\/strong\u003e The OUTPUT control is available on both the L and R channels. It adjusts the output level of that audio channel. Unity gain is about the ninth marking, or 11 o'clock.\u003cbr\u003e\u003cstrong\u003e2. THRESHOLD CONTROL.\u003c\/strong\u003e The THRESHOLD control is available on both the L and R channels. THRESHOLD or gain reduction sets the necessary amplitude for compression or limiting to take effect. The most extreme effect is when the control knob is set to MIN or fully counter-clockwise.\u003cbr\u003e\u003cstrong\u003e3. COMPRESS \/ LIMIT SWITCH.\u003c\/strong\u003e This switch allows the Nu Mu to use two different compression ratios, offering either Compression at approximately 3:1 when the switch is engaged and illuminated, or Limiting at approximately a 10:1 ratio.\u003cbr\u003e\u003cstrong\u003e4. IN \/ BYPASS SWITCH.\u003c\/strong\u003e The BYPASS switch in the Nu Mu is a ‘Hardwire’ bypass for maximum performance. If the switch is engaged and illuminated to the “IN” position the audio will pass through either the Limiter or Compressor, so all the front panel controls will function. Use this switch to verify that the limiting or compressing is not messing up the original sound but enhancing it or at least leveling the volume.\u003cbr\u003e\u003cstrong\u003e5. VU METER\u003c\/strong\u003e. The Large custom VU meters allow easy tracking of both channels with the Nu Mu. It shows the amount of gain reduction in dB from the 0 dB mark, when the switch (7) is set to REDUCTION. When this switch is selected to O\/P and illuminated, the meter measures the output in decibels.\u003cbr\u003e\u003cstrong\u003e6. HIP CONTROL.\u003c\/strong\u003e The \"Hip\" control allows compression to happen at lower volumes (lower in the dynamic range spectrum) but leaves the louder dynamics alone while still compressing the overall signal. You get louder soft sections and original dynamics of the louder sections. Previously the only way to get around this issue has been parallel compression, where the compressed signal is mixed with the uncompressed signal. Our \"Hip\" control achieves a similar effect while being easier to use, requiring less hardware (no need for extra mixing externally).\u003cbr\u003e\u003cstrong\u003e7. METER SELECT SWITCH.\u003c\/strong\u003e The Meter select switch allows the user to monitor either Gain Reduction or the Output of the unit. When the switch is engaged and illuminated, the output of the particular channel you are monitoring is visible in the corresponding VU Meter.\u003cbr\u003e\u003cstrong\u003e8. ATTACK CONTROL.\u003c\/strong\u003e The ATTACK control determines how long the compressor takes to respond to signals above the threshold. The Attack control is continuously variable and determines the necessary length of a transient to initiate gain reduction.\u2028With 63% gain reduction: SLOW 0.13s, MID 0.07s, FAST 0.013s.\u2028With 90% gain reduction: SLOW 0.64s, MID 0.35s, FAST 0.064s.\u2028Fully counter clockwise at the slowest setting will prevent most percussive signals from causing limiting or compression. It is available on both the left and the right channel.\u003cbr\u003e\u003cstrong\u003e9.  RECOVERY CONTROL.\u003c\/strong\u003e The RECOVERY control determines how long the compressor takes to recover after the signal falls below the threshold level.\u2028With 63% gain reduction recovery, five selections: 0.1s, 0.16, 0.32, 0.64s, 1.7s.\u2028With 90% gain reduction recovery five selections: 0.227s, 0.368s, 0.736s, 1.6s, 3.87s.\u003cbr\u003e\u003cstrong\u003e10.  LINK FUNCTION.\u003c\/strong\u003e When The LINK function is used it links the two Stereo channels together. The Left channel controls become the master linking THRESHOLD, ATTACK \u0026amp; the RECOVERY CONTROLS.\u003cbr\u003e\u003cstrong\u003e11.  INPUT LEVEL SWITCH.\u003c\/strong\u003e The Input Level is controlled by a toggle switch. There is an Input Level control for each cannel. Three levels of attenuation are available. +3dB, 0dB and -3dB.\u003cbr\u003e\u003cstrong\u003e12.  HP SC SWITCH.\u003c\/strong\u003e The High Pass Side Chain filter is factory set a 100Hz. When this switch is engaged and illuminated, everything above 100Hz will have the effect of limiting or compression. Useful if you want the bass to come through with full impact and limit or compress everything else.\u003cbr\u003e\u003cstrong\u003e13.  POWER SWITCH.\u003c\/strong\u003e The Power Switch glows a soft blue color when an IEC power lead is connected to the unit. This indicates that the Nu Mu is in STANDBY mode. Engaging the power switch takes the Nu Mu out of standby mode and into warm-up mode. The power switch will illuminate to a brighter blue and the backlit VU meters will start to flash. This warm-up process last 30 seconds, after which the MUTE relays will lift and the VU meters will stop flashing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eManley IRON® input transformers\u003c\/li\u003e\n\u003cli\u003e4 x hand-matched 6BA6 vacuum tubes\u003c\/li\u003e\n\u003cli\u003eBalanced XLR inputs \u0026amp; outputs\u003c\/li\u003e\n\u003cli\u003eManley HIP function raises soft dynamics without squashing louder passages\u003c\/li\u003e\n\u003cli\u003eHigh Voltage Switched Mode Power Supply custom designed for our vacuum tube audio circuits\u003c\/li\u003e\n\u003cli\u003eINPUT Level Preset 3-way switches -3dB, 0, +3dB\u003c\/li\u003e\n\u003cli\u003eContinuously variable OUTPUT level controls\u003c\/li\u003e\n\u003cli\u003eUnity Gain set INPUT to \"0\" and OUTPUT control to 11 o’clock. (Input source Z= 150 Ohms, Output load Z= 100 kOhms)\u003c\/li\u003e\n\u003cli\u003eMaximum input level: (1 kHz Sine, \u0026lt;0.3% THD+N)\u2028 -3 = +25 dBu\u2028  0 = +21 dBu\u2028+3 = +18 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum GAIN: 13dB\u003c\/li\u003e\n\u003cli\u003eGAIN makeup: 10dB (gain above unity)\u003c\/li\u003e\n\u003cli\u003eOutput Headroom: 23dB (referenced to +4dBu)\u003c\/li\u003e\n\u003cli\u003eVariable ATTACK control: 13msec - 130msec\u003c\/li\u003e\n\u003cli\u003eRECOVERY switch 5 steps: 0.1s, 0.16s, 0.32s, 0.64s, 1.7sec.\u003c\/li\u003e\n\u003cli\u003eContinuously variable THRESHOLD controls\u003c\/li\u003e\n\u003cli\u003eHardwired Relay Bypass Switch\u003c\/li\u003e\n\u003cli\u003eRatio Mode switches between LIMIT (1.5:1 to 12:1) or COMPRESS (1.2:1 to 3:1)\u003c\/li\u003e\n\u003cli\u003eHP SC: High Pass Side Chain Filter -3dB @ 100Hz @ 6dB per Octave\u003c\/li\u003e\n\u003cli\u003eStereo Link establishes Left-Master dynamic control for THRESHOLD, ATTACK, and RECOVERY controls\u003c\/li\u003e\n\u003cli\u003eBeautiful illuminated stereo VU meters read Gain Reduction or Output Level\u003c\/li\u003e\n\u003cli\u003eSidechain INSERT per channel via 1\/4\" TRS jack TIP=SEND, RING=Return, SLEEVE=Ground\u003c\/li\u003e\n\u003cli\u003eMaximum Output: +27dBu (18Vrms) into 100K Ohm load; +24.5dBu (13Vrms) into 600 Ohm load. (1Khz Sine, \u0026lt; 0.3% THD+N, BW 20Hz - 20kHz).\u003c\/li\u003e\n\u003cli\u003eFrequency Response: - 0.8dB @ 20Hz, -0.5dB @ 50kHz\u003c\/li\u003e\n\u003cli\u003eTotal Harmonic Distortion: \u0026lt;0.05% THD+N (1kHz Sine, +4dBu, BW: 20Hz - 22kHz)\u003c\/li\u003e\n\u003cli\u003eNoise floor: -85dB typical (BW: 20Hz - 22kHz)\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 112dB\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio: 89dB (referenced to +4dBu)\u003c\/li\u003e\n\u003cli\u003eCommon-Mode Rejection Ratio (CMRR): 74dB (BW: 20Hz - 22kHz, +4dBu, 1kHz Sine)\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 Ohms\u003c\/li\u003e\n\u003cli\u003eInput Impedance: -3dB= 1 kOhms, 0dB= 2.5 kOhms, +3dB= 4.5 kOhms\u003c\/li\u003e\n\u003cli\u003eAUTOMUTE warmup delay: 30 Seconds\u003c\/li\u003e\n\u003cli\u003ePower consumption: 35 Watts\u003c\/li\u003e\n\u003cli\u003eStandby Power Consumption: ?? Watts\u003c\/li\u003e\n\u003cli\u003eOperating mains voltage: 90 to 254 VAC (internal universal supply)\u003c\/li\u003e\n\u003cli\u003eMains Voltage Frequency: 50-60Hz\u003c\/li\u003e\n\u003cli\u003eDimensions: 19\" x 3 1\/2\" x 7\" (occupies 2u)\u003c\/li\u003e\n\u003cli\u003eUnit Weight: 8.5 lbs.\u003c\/li\u003e\n\u003cli\u003eShipping weight: 11.5 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Manley Laboratories, Inc.","offers":[{"title":"Default Title","offer_id":10667130650667,"sku":"","price":3299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/NuMU001.jpg?v=1519080080"},{"product_id":"g-comp-500","title":"SSL G Comp 500","description":"\u003ch5 dir=\"auto\" class=\"text-content clearfix with-meta\" style=\"text-align: left;\"\u003eAudio Gate International, es distribuidor autorizado y exclusivo en México de Solid State Logic (SSL), en su linea de productos para creación de audio (ACP). Puedes verificar \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca title=\"https:\/\/es.solidstatelogic.com\/where-to-buy\" href=\"https:\/\/es.solidstatelogic.com\/where-to-buy\"\u003eaquí\u003c\/a\u003e.\u003c\/span\u003e\n\u003c\/h5\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":10911496110123,"sku":"","price":1599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/11DC3F9F-10F2-4AED-8ADA-68B5564B6B8A.png?v=1618328151"},{"product_id":"611dyn500","title":"SSL E-DYN 500 Module","description":"\u003ch5 dir=\"auto\" class=\"text-content clearfix with-meta\" style=\"text-align: left;\"\u003eAudio Gate International, es distribuidor autorizado y exclusivo en México de Solid State Logic (SSL), en su linea de productos para creación de audio (ACP). Puedes verificar \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca title=\"https:\/\/es.solidstatelogic.com\/where-to-buy\" href=\"https:\/\/es.solidstatelogic.com\/where-to-buy\"\u003eaquí\u003c\/a\u003e.\u003c\/span\u003e\n\u003c\/h5\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":10937232261163,"sku":"","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/17AD2A0A-25C6-4905-96E3-565D6063E588.png?v=1618328687"},{"product_id":"revolver","title":"Retro Revolver","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe Retro Instruments Revolver is a highly flexible two-channel all-tube compressor, hand built in the USA with that classic British tone. The Revolver is modeled after the legendary Altec 436 compressor but includes some expanded features to further control the compression in any stage from tracking, mixing to mastering.\u003cbr\u003eEach channel has independent controls for Input, Output, Attack, Release and a Side Chain Filter with the options of 90 Hz and 250 Hz. By engaging the “Link” control, the Revolver will function as a true stereo compressor. The Dual Threshold Control is used to adjust the ratio between 1:5 and 5:1 on each channel, but can also be used to add amplifier saturation to thicken up a vocal, drum bus or the entire mix.\u003cbr\u003eThe Revolver is equipped with two beautifully designed and well-lit vintage-style VU meters. A “Meter Zero” control is conveniently located on the front panel to ensure the calibration is spot on every time. Tubes and other components are selected for top performance and proper stereo tracking.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA most desired compression signature\u003c\/li\u003e\n\u003cli\u003eIdeal for the stereo bus and excels at tracking, mixing and mastering\u003c\/li\u003e\n\u003cli\u003eIndependent controls with stereo linking, continuously variable input, output, attack, release and threshold\u003c\/li\u003e\n\u003cli\u003eDual Threshold Control allows control of ratio and amplifier saturation\u003c\/li\u003e\n\u003cli\u003eLow noise and high separation\u003c\/li\u003e\n\u003cli\u003eDifferential all-tube signal path\u003c\/li\u003e\n\u003cli\u003eTransformer-balanced inputs and outputs on XLR connectors\u003c\/li\u003e\n\u003cli\u003eIlluminated VU meters\u003c\/li\u003e\n\u003cli\u003eFront panel meter zero controls\u003c\/li\u003e\n\u003cli\u003eInternal tube balancing facility\u003c\/li\u003e\n\u003cli\u003e120 or 240 Volt operation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Retro Instruments","offers":[{"title":"Default Title","offer_id":12127211618347,"sku":"","price":3695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Revolver-01.jpg?v=1526407014"},{"product_id":"hm2-nail","title":"A-Designs HM2 Nail","description":"\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAwarded a “Mix Certified Hit” by Mix magazine, the A-Designs Audio HM2 NAIL Compressor\/Limiter has three unique features that set it apart from ordinary compressors: Hard Threshold, Filter, and Mix. But that’s not where it ends. The NAIL’s tube circuitry and components were specifically chosen and designed to impart the rich, euphonic sound of analog to digital recording—enabling it to confidently “ride” the 2-bus in a place of prominence. And while the NAIL can add character to any sound, it can also work transparently in the background—all at the engineer’s discretion. Not just for the 2-bus, its ability to switch from linked stereo to dual mono makes it a great tracking compressor as well. Better still, on a stereo mix, using dual mono offers the added bonus of making the mix sound wider, as though it extends beyond the left\/right boundaries of the speakers. \u2028\u2028Threshold, Hard Threshold and Variable Sidechain Filter\u2028Upon inspecting the NAIL’s highly attractive custom-milled aluminum knobs and faceplate, you’ll notice the absence of a ratio control. In its place are Threshold and Hard Threshold. With Hard Threshold turned off, Threshold acts much like an LA-2A by increasing gain reduction. Attack and release controls become somewhat irrelevant in this mode and the NAIL becomes a model of simplicity; set its threshold and gain, and let the NAIL work its magic.   \u2028\u2028For those who like to dig deeper, Hard Threshold opens up a world of compression-\/envelope-shaping possibilities. Like the hard knee of a traditional compressor, Hard Threshold works in conjunction with the Filter, which is a variable high-pass filter continuously controllable from 8Hz to 250Hz. Once the Hard Threshold is crossed, the NAIL will apply desired compression above the selected frequency, and less to the frequencies below. This prevents the greater energy of bass from triggering unwanted compression and ducking the entire mix. Filter also lets you enhance bottom end for bass-heavy music without throwing the mix’s entire frequency spectrum out of whack, as a multi-band compressor often does.   \u2028\u2028Put simply, the combination of Threshold, Hard Threshold, and Filter allow you to dial in amount of compression, at what level it will engage, and above which frequencies it will act. Ratio is always self-adjusting in response to program material.   \u2028\u2028Attack, Release, Gain and Metering\u2028The HM2 NAIL’s remaining continuously variable controls include Attack, Release, and Gain, which function as expected. However, Attack and Release are dependent on the settings of the Hard Threshold and also respond dynamically to program material, making for a more forgiving and musical response than traditional “once size fits all” attack\/release circuits. Other functions include compressor In\/Out for quick A\/B comparison; Stereo Link\/Dual Mono; and Gain Reduction\/Level for metering, all controlled via toggle switch. Speaking of meters, the NAIL’s LED meter was chosen for it’s ultra fast response and the ability to see it clearly from across a dark-lit control room. \u2028\u2028Mix Control\u2028The HM2 NAIL’s Mix knob offers continuously variable control between direct (dry) and compressed signal. Particularly useful for DAW mixing, Mix enables you to apply parallel compression to a submix without losing two channels of A\/D\/A for an aux send\/return. And of course, you can also use it on an overall mix to add size and depth, or during tracking.   As its name suggests, when it comes to putting the finishing touches on a final mix, the A-Designs HM2 Compressor Nails it!\u2028\u2028\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSolid state\/tube hybrid design combines high performance with rich sound\u003c\/li\u003e\n\u003cli\u003eDual channel with switchable stereo link or dual mono modes\u003c\/li\u003e\n\u003cli\u003eMix control lets you blend wet\/dry signal for parallel compression\u003c\/li\u003e\n\u003cli\u003eHard Threshold and Filter let you select amount of compression and frequency (to 250Hz) to prevent mix from being “dragged down” by LF energy\u003c\/li\u003e\n\u003cli\u003eAwarded “Mix Certified Hit” by Mix magazine\u003c\/li\u003e\n\u003cli\u003eCustom-milled aluminum knobs\u003c\/li\u003e\n\u003cli\u003eCustom-milled aluminum faceplate\u003c\/li\u003e\n\u003cli\u003eLED Indicators switchable to stereo\u003c\/li\u003e\n\u003cli\u003eGain-reduction switch for meters\u003c\/li\u003e\n\u003cli\u003e2U rack-mount\u003c\/li\u003e\n\u003cli\u003eBalanced XLR outputs\u003c\/li\u003e\n\u003cli\u003eCarling toggle power switch\u003c\/li\u003e\n\u003cli\u003eRed jewel power indicator\u003c\/li\u003e\n\u003cli\u003eIn\/out switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u2028Specifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency response: 3Hz – 50Khz\u003c\/li\u003e\n\u003cli\u003eNoise: -89dbu\u003c\/li\u003e\n\u003cli\u003eBalanced Input: XLR\u003c\/li\u003e\n\u003cli\u003eBalanced Output: XLR\u003c\/li\u003e\n\u003cli\u003eClipping: +20dbu\u003c\/li\u003e\n\u003cli\u003eFilter: Off – 8Hz (starting point) – 250Hz\u003c\/li\u003e\n\u003cli\u003eChannel Isolation @1kHz: 90dB\u003c\/li\u003e\n\u003cli\u003eVariable Ratio: Self adjusting\u003c\/li\u003e\n\u003cli\u003eMix (direct\/compression): Complete bypass to complete compression\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 120\/230VAC – 23 Watts\u003c\/li\u003e\n\u003cli\u003eDimensions: 19” x 3-1\/2” x 10” (W-H-D)\u003c\/li\u003e\n\u003cli\u003eWeight: 10 lb.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element  \"\u003e\n\u003cdiv class=\"wpb_wrapper\" id=\"ct_as7acdco1vrhaojjqxmw\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"A-Designs","offers":[{"title":"Default Title","offer_id":13319886471211,"sku":"","price":2550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Nail001.jpg?v=1533919542"},{"product_id":"fusion","title":"SSL Fusion","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/XZdcD6teROE\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-14\" data-turn-id-container=\"request-WEB:8fc57bc3-0150-4b34-aa1a-af239933ba5f-6\" data-turn-id=\"request-WEB:8fc57bc3-0150-4b34-aa1a-af239933ba5f-6\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5\" dir=\"auto\" data-message-id=\"590a2b3f-0e7d-4d73-95dc-476e879c0478\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003ch1 data-end=\"62\" data-start=\"0\" data-section-id=\"4171hu\"\u003eNuevos colores analógicos creados por los maestros del audio\u003c\/h1\u003e\n\u003cp data-end=\"460\" data-start=\"64\"\u003eFusion es un procesador estéreo analógico de 2U diseñado especialmente para el estudio híbrido moderno. Este poderoso outboard incorpora cinco herramientas de coloración analógica completamente nuevas, creadas para aportar carácter, profundidad, peso y amplitud a tu mix bus o stems estéreo, todo con la calidez, detalle y musicalidad que solamente los circuitos analógicos reales pueden ofrecer.\u003c\/p\u003e\n\u003cp data-end=\"708\" data-start=\"462\"\u003eEl legado sonoro de SSL está construido sobre décadas de herramientas analógicas icónicas: preamps transparentes, EQs legendarios, dinámicas clásicas, el famoso Stereo Bus Compressor, el Listen Mic Compressor y su inconfundible summing analógico.\u003c\/p\u003e\n\u003cp data-end=\"869\" data-start=\"710\"\u003eCon Fusion, SSL entra en una nueva etapa, ofreciendo una nueva generación de procesamiento analógico diseñada específicamente para workflows híbridos modernos.\u003c\/p\u003e\n\u003cp data-end=\"1032\" data-start=\"871\"\u003eFusion es el complemento perfecto para el SSL Stereo Bus Compressor y una herramienta increíblemente poderosa para productores, ingenieros de mezcla y mastering.\u003c\/p\u003e\n\u003chr data-end=\"1037\" data-start=\"1034\"\u003e\n\u003ch1 data-end=\"1089\" data-start=\"1039\" data-section-id=\"1ribvez\"\u003eCinco procesadores analógicos en una sola unidad\u003c\/h1\u003e\n\u003cp data-end=\"1256\" data-start=\"1091\"\u003eFusion integra cinco herramientas de procesamiento analógico que pueden utilizarse individualmente o combinarse para crear una enorme variedad de colores y texturas.\u003c\/p\u003e\n\u003chr data-end=\"1261\" data-start=\"1258\"\u003e\n\u003ch1 data-end=\"1278\" data-start=\"1263\" data-section-id=\"1quc0wc\"\u003eVintage Drive\u003c\/h1\u003e\n\u003cp data-end=\"1402\" data-start=\"1280\"\u003eVintage Drive es un circuito de saturación armónica no lineal diseñado para darle cohesión, densidad y fuerza a tu mezcla.\u003c\/p\u003e\n\u003cp data-end=\"1471\" data-start=\"1404\"\u003eLos controles de Drive y Density interactúan entre sí para generar:\u003c\/p\u003e\n\u003cul data-end=\"1560\" data-start=\"1473\"\u003e\n\u003cli data-end=\"1496\" data-start=\"1473\" data-section-id=\"1qtf5g7\"\u003eSaturación armónica\u003c\/li\u003e\n\u003cli data-end=\"1517\" data-start=\"1497\" data-section-id=\"n28nlp\"\u003eCompresión suave\u003c\/li\u003e\n\u003cli data-end=\"1534\" data-start=\"1518\" data-section-id=\"lj0184\"\u003eMayor grosor\u003c\/li\u003e\n\u003cli data-end=\"1560\" data-start=\"1535\" data-section-id=\"12t9e9p\"\u003eMás energía analógica\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1711\" data-start=\"1562\"\u003ePuedes utilizarlo de forma muy sutil para añadir cuerpo y calidez o empujarlo agresivamente para obtener una saturación mucho más marcada y creativa.\u003c\/p\u003e\n\u003chr data-end=\"1716\" data-start=\"1713\"\u003e\n\u003ch1 data-end=\"1729\" data-start=\"1718\" data-section-id=\"l6ptbz\"\u003eViolet EQ\u003c\/h1\u003e\n\u003cp data-end=\"1814\" data-start=\"1731\"\u003eEl Violet EQ es un nuevo ecualizador shelving estéreo de mínima alteración de fase.\u003c\/p\u003e\n\u003cp data-end=\"1899\" data-start=\"1816\"\u003eEs el primer circuito de EQ analógico completamente nuevo de SSL en más de 25 años.\u003c\/p\u003e\n\u003cp data-end=\"2032\" data-start=\"1901\"\u003eDiseñado con frecuencias cuidadosamente seleccionadas y curvas extremadamente musicales, el Violet EQ permite trabajar rápidamente:\u003c\/p\u003e\n\u003cul data-end=\"2108\" data-start=\"2034\"\u003e\n\u003cli data-end=\"2071\" data-start=\"2034\" data-section-id=\"2u7x71\"\u003eGraves con más peso y profundidad\u003c\/li\u003e\n\u003cli data-end=\"2108\" data-start=\"2072\" data-section-id=\"11quzq5\"\u003eAgudos con brillo y aire musical\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2128\" data-start=\"2110\"\u003eCada banda ofrece:\u003c\/p\u003e\n\u003cul data-end=\"2199\" data-start=\"2130\"\u003e\n\u003cli data-end=\"2171\" data-start=\"2130\" data-section-id=\"lywndj\"\u003e4 puntos de frecuencia seleccionables\u003c\/li\u003e\n\u003cli data-end=\"2199\" data-start=\"2172\" data-section-id=\"1fac2oc\"\u003eHasta +\/-9 dB de ajuste\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2244\" data-start=\"2201\"\u003eMusical, elegante y muy rápido de trabajar.\u003c\/p\u003e\n\u003chr data-end=\"2249\" data-start=\"2246\"\u003e\n\u003ch1 data-end=\"2266\" data-start=\"2251\" data-section-id=\"1iuzsvn\"\u003eHF Compressor\u003c\/h1\u003e\n\u003cp data-end=\"2342\" data-start=\"2268\"\u003eEl HF Compressor es un compresor enfocado únicamente en altas frecuencias.\u003c\/p\u003e\n\u003cp data-end=\"2452\" data-start=\"2344\"\u003eSu función principal es suavizar durezas y controlar frecuencias agresivas de forma completamente analógica.\u003c\/p\u003e\n\u003cp data-end=\"2468\" data-start=\"2454\"\u003ePerfecto para:\u003c\/p\u003e\n\u003cul data-end=\"2596\" data-start=\"2470\"\u003e\n\u003cli data-end=\"2491\" data-start=\"2470\" data-section-id=\"19f88fx\"\u003eReducir harshness\u003c\/li\u003e\n\u003cli data-end=\"2514\" data-start=\"2492\" data-section-id=\"20td45\"\u003eSuavizar platillos\u003c\/li\u003e\n\u003cli data-end=\"2545\" data-start=\"2515\" data-section-id=\"n34n1g\"\u003eControlar voces brillantes\u003c\/li\u003e\n\u003cli data-end=\"2596\" data-start=\"2546\" data-section-id=\"t636ov\"\u003eSimular el roll-off natural de cinta analógica\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2669\" data-start=\"2598\"\u003eEl resultado es mucho más suave y musical que un de-esser convencional.\u003c\/p\u003e\n\u003chr data-end=\"2674\" data-start=\"2671\"\u003e\n\u003ch1 data-end=\"2690\" data-start=\"2676\" data-section-id=\"119vy1n\"\u003eStereo Image\u003c\/h1\u003e\n\u003cp data-end=\"2788\" data-start=\"2692\"\u003eFusion incorpora un procesador Mid-Side completamente analógico para manipular el campo estéreo.\u003c\/p\u003e\n\u003cp data-end=\"2868\" data-start=\"2790\"\u003eEl control Stereo Image trabaja directamente sobre la señal Side, permitiendo:\u003c\/p\u003e\n\u003cul data-end=\"2980\" data-start=\"2870\"\u003e\n\u003cli data-end=\"2889\" data-start=\"2870\" data-section-id=\"8hdjf7\"\u003eAbrir la mezcla\u003c\/li\u003e\n\u003cli data-end=\"2912\" data-start=\"2890\" data-section-id=\"1e8q57v\"\u003eDar mayor amplitud\u003c\/li\u003e\n\u003cli data-end=\"2943\" data-start=\"2913\" data-section-id=\"928q0p\"\u003eMejorar sensación espacial\u003c\/li\u003e\n\u003cli data-end=\"2980\" data-start=\"2944\" data-section-id=\"jypr8e\"\u003eControlar la profundidad estéreo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3027\" data-start=\"2982\"\u003eTodo manteniendo una imagen sólida y natural.\u003c\/p\u003e\n\u003chr data-end=\"3032\" data-start=\"3029\"\u003e\n\u003ch1 data-end=\"3047\" data-start=\"3034\" data-section-id=\"1ryr9zx\"\u003eTransformer\u003c\/h1\u003e\n\u003cp data-end=\"3137\" data-start=\"3049\"\u003eEl circuito Transformer utiliza un transformador SSL diseñado especialmente para Fusion.\u003c\/p\u003e\n\u003cp data-end=\"3150\" data-start=\"3139\"\u003eEste añade:\u003c\/p\u003e\n\u003cul data-end=\"3275\" data-start=\"3152\"\u003e\n\u003cli data-end=\"3182\" data-start=\"3152\" data-section-id=\"51s6t0\"\u003eSaturación suave en graves\u003c\/li\u003e\n\u003cli data-end=\"3215\" data-start=\"3183\" data-section-id=\"hz6w0g\"\u003eLigero phase-shift en agudos\u003c\/li\u003e\n\u003cli data-end=\"3241\" data-start=\"3216\" data-section-id=\"1njv7sk\"\u003eMás cuerpo en low-end\u003c\/li\u003e\n\u003cli data-end=\"3275\" data-start=\"3242\" data-section-id=\"oudjy8\"\u003eMás brillo y “sparkle” arriba\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3352\" data-start=\"3277\"\u003eEl resultado es una sensación mucho más tridimensional y rica en armónicos.\u003c\/p\u003e\n\u003chr data-end=\"3357\" data-start=\"3354\"\u003e\n\u003ch1 data-end=\"3401\" data-start=\"3359\" data-section-id=\"q5r1rz\"\u003eDiseñado para el estudio híbrido moderno\u003c\/h1\u003e\n\u003cp data-end=\"3529\" data-start=\"3403\"\u003eComo todo producto SSL, Fusion no solo ofrece gran sonido, también está diseñado pensando en un workflow rápido y profesional.\u003c\/p\u003e\n\u003cp data-end=\"3539\" data-start=\"3531\"\u003eIncluye:\u003c\/p\u003e\n\u003cul data-end=\"3713\" data-start=\"3541\"\u003e\n\u003cli data-end=\"3578\" data-start=\"3541\" data-section-id=\"13i2wsl\"\u003eTrim de entrada y salida +\/-12 dB\u003c\/li\u003e\n\u003cli data-end=\"3608\" data-start=\"3579\" data-section-id=\"6fsrrx\"\u003eIndicador LED de overload\u003c\/li\u003e\n\u003cli data-end=\"3640\" data-start=\"3609\" data-section-id=\"17yvixj\"\u003eMedidores peak-hold grandes\u003c\/li\u003e\n\u003cli data-end=\"3678\" data-start=\"3641\" data-section-id=\"1234scg\"\u003eFiltro pasa altos de tercer orden\u003c\/li\u003e\n\u003cli data-end=\"3713\" data-start=\"3679\" data-section-id=\"bb6mk4\"\u003eIndicadores de estado tricolor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3805\" data-start=\"3715\"\u003eAdemás, incorpora conexiones insert estéreo y procesamiento Mid-Side externo mediante XLR.\u003c\/p\u003e\n\u003cp data-end=\"3829\" data-start=\"3807\"\u003eEsto permite insertar:\u003c\/p\u003e\n\u003cul data-end=\"3889\" data-start=\"3831\"\u003e\n\u003cli data-end=\"3855\" data-start=\"3831\" data-section-id=\"1cqnmze\"\u003eCompresores externos\u003c\/li\u003e\n\u003cli data-end=\"3863\" data-start=\"3856\" data-section-id=\"1715dm7\"\u003eEQs\u003c\/li\u003e\n\u003cli data-end=\"3889\" data-start=\"3864\" data-section-id=\"1i73j2g\"\u003eProcesadores Mid-Side\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3934\" data-start=\"3891\"\u003eDirectamente dentro de la cadena de Fusion.\u003c\/p\u003e\n\u003chr data-end=\"3939\" data-start=\"3936\"\u003e\n\u003ch1 data-end=\"3985\" data-start=\"3941\" data-section-id=\"1kpxxwi\"\u003eMucho más que un simple procesador estéreo\u003c\/h1\u003e\n\u003cp data-end=\"4048\" data-start=\"3987\"\u003eFusion no intenta reemplazar otras herramientas SSL clásicas.\u003c\/p\u003e\n\u003cp data-end=\"4220\" data-start=\"4050\"\u003eSu objetivo es expandir la paleta tonal del estudio moderno, aportando nuevas texturas, profundidad y dimensión completamente analógicas a producciones híbridas actuales.\u003c\/p\u003e\n\u003cp data-end=\"4420\" data-start=\"4222\"\u003eYa sea en mezcla, mastering o procesamiento de stems, Fusion se ha convertido rápidamente en una herramienta favorita para quienes buscan ese último 5% de profundidad, cohesión y carácter analógico.\u003c\/p\u003e\n\u003chr data-end=\"4425\" data-start=\"4422\"\u003e\n\u003ch1 data-end=\"4456\" data-start=\"4427\" data-section-id=\"k1ohk1\"\u003eCaracterísticas principales\u003c\/h1\u003e\n\u003cul data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"4886\" data-start=\"4458\"\u003e\n\u003cli data-end=\"4493\" data-start=\"4458\" data-section-id=\"v7cvn3\"\u003eProcesador estéreo analógico 2U\u003c\/li\u003e\n\u003cli data-end=\"4547\" data-start=\"4494\" data-section-id=\"1owus6z\"\u003e5 herramientas de coloración analógica integradas\u003c\/li\u003e\n\u003cli data-end=\"4574\" data-start=\"4548\" data-section-id=\"1mzpdj8\"\u003eVintage Drive armónico\u003c\/li\u003e\n\u003cli data-end=\"4617\" data-start=\"4575\" data-section-id=\"1uuz9v7\"\u003eViolet EQ de mínima alteración de fase\u003c\/li\u003e\n\u003cli data-end=\"4645\" data-start=\"4618\" data-section-id=\"10x5n3i\"\u003eHF Compressor analógico\u003c\/li\u003e\n\u003cli data-end=\"4671\" data-start=\"4646\" data-section-id=\"13mfyv7\"\u003eStereo Image Mid-Side\u003c\/li\u003e\n\u003cli data-end=\"4698\" data-start=\"4672\" data-section-id=\"17ulfl8\"\u003eTransformer SSL custom\u003c\/li\u003e\n\u003cli data-end=\"4733\" data-start=\"4699\" data-section-id=\"a72yq4\"\u003eProcesamiento Mid-Side externo\u003c\/li\u003e\n\u003cli data-end=\"4760\" data-start=\"4734\" data-section-id=\"r2as8g\"\u003eInsert estéreo vía XLR\u003c\/li\u003e\n\u003cli data-end=\"4789\" data-start=\"4761\" data-section-id=\"8h3jc9\"\u003eTrim de entrada y salida\u003c\/li\u003e\n\u003cli data-end=\"4813\" data-start=\"4790\" data-section-id=\"1gvnnpb\"\u003eMedidores peak-hold\u003c\/li\u003e\n\u003cli data-end=\"4831\" data-start=\"4814\" data-section-id=\"14344bj\"\u003eHPF integrado\u003c\/li\u003e\n\u003cli data-is-last-node=\"\" data-end=\"4886\" data-start=\"4832\" data-section-id=\"10lxhzm\"\u003eDiseñado para mezcla híbrida y mastering profesional\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\n\u003ch5 dir=\"auto\" class=\"text-content clearfix with-meta\" style=\"text-align: left;\"\u003eAudio Gate International, es distribuidor autorizado y exclusivo en México de Solid State Logic (SSL), en su linea de productos para creación de audio (ACP). Puedes verificar \u003cspan style=\"text-decoration: underline;\"\u003e\u003ca title=\"https:\/\/es.solidstatelogic.com\/where-to-buy\" href=\"https:\/\/es.solidstatelogic.com\/where-to-buy\"\u003eaquí\u003c\/a\u003e.\u003c\/span\u003e\n\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\n\u003cdiv class=\"text-center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv class=\"contents\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":14136322621483,"sku":"","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Fusion-001.jpg?v=1538498072"},{"product_id":"stt-1-origin","title":"Millennia STT-1 Origin","description":"\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTwin Topology Channel Strip\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOver 130 Optimized Signal Topologies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwin Mic Preamps — M-2B vacuum tube or HV-3 discrete solid state\u003c\/li\u003e\n\u003cli\u003eTwin NSEQ-2 Mastering-Grade Parametric EQs — vacuum tube or discrete solid state\u003c\/li\u003e\n\u003cli\u003eThree Opto Compressor\/Limiter Paths — TCL vacuum tube, discrete solid state, passive\u003c\/li\u003e\n\u003cli\u003eTwin Opto De-Esser Paths — vacuum tube or discrete solid state\u003c\/li\u003e\n\u003cli\u003eVacuum tube or discrete solid state line level paths\u003c\/li\u003e\n\u003cli\u003eInput coupling with or without MIT-01 audio transformer\u003c\/li\u003e\n\u003cli\u003e1\/4” vacuum tube DI input — route via tube or solid state gain path\u003c\/li\u003e\n\u003cli\u003eEffortless, lifelike musical performance at all levels\u003c\/li\u003e\n\u003cli\u003eMusically rich vacuum tubes available\u003c\/li\u003e\n\u003cli\u003eGold audio connectors, tube sockets, relays and switches\u003c\/li\u003e\n\u003cli\u003e3\/8“ thick radius extruded aluminum face plate\u003c\/li\u003e\n\u003cli\u003eDurable black mirror-gloss anodized finish\u003c\/li\u003e\n\u003cli\u003eMil spec 16 gauge cold-rolled steel chassis\u003c\/li\u003e\n\u003cli\u003eUltra-clean toroid power supply: internal sub-chassis\u003c\/li\u003e\n\u003cli\u003eHand machined aluminum knobs, illuminated IT\u0026amp;T pushbuttons\u003c\/li\u003e\n\u003cli\u003eMogami Neglex OFC audio wiring\u003c\/li\u003e\n\u003cli\u003eSilver Teflon power wiring\u003c\/li\u003e\n\u003cli\u003eTrue audio VU meter for output level or dynamics gain reduction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMicrophone Preamplifiers \u0026amp; General:\u003c\/strong\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwin Topology Mic Preamplifier Selection: Switchable, Vacuum Tubes or Solid-State\u003c\/li\u003e\n\u003cli\u003eTwin Topology EQ \u0026amp; Compressor: Switchable, Vacuum Tubes or Solid-State\u003c\/li\u003e\n\u003cli\u003eTwin Topology Input Coupling: Switchable, Transformer or Transformerless\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level (Balanced): + 32 dBu\u003c\/li\u003e\n\u003cli\u003eFrequency Response (+0 \/ -3 dB (S\/S)): sub 5 Hz to beyond 300 kHz\u003c\/li\u003e\n\u003cli\u003eEquivalent Input Noise: -131 dBu (SS, Common Source, Direct Out)\u003c\/li\u003e\n\u003cli\u003eTHD + Noise (20 Hz - 22 kHz) (S\/S): \u0026lt; .05 %, typ \u0026lt; .003 %\u003c\/li\u003e\n\u003cli\u003eCommon Mode Rejection Ratio (S\/S): \u0026gt; 40 dB, Typ \u0026gt; 70 dB @ 60 Hz\u003c\/li\u003e\n\u003cli\u003eInput Impedance (Mic): 6,200 ohms\u003c\/li\u003e\n\u003cli\u003eInput Impedance (Line): 2,200 ohms (x2)\u003c\/li\u003e\n\u003cli\u003eInput Impedance (DI - Instrument): \u0026gt; 1 megohm\u003c\/li\u003e\n\u003cli\u003eOutput Impedance (Balanced): 24.3 ohms (x2)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eParametric Equalizer:\u003c\/strong\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaximum EQ Boost\/Cut Range (21 Step Detented):+\/- 15 dB\u003c\/li\u003e\n\u003cli\u003eEQ Frequencies,Low Range Switch (Centers - Peak\/Shelf Selectable): 20, 34, 56, 100, 180, 270\u003c\/li\u003e\n\u003cli\u003eLow Mid Sweep:20 Hz - 220 Hz or 200 Hz - 2.2 kHz. 10X Range switch selectable\u003c\/li\u003e\n\u003cli\u003eHi Mid Sweep: 250 Hz - 2.5 kHz or 2.5 kHz - 25 kHz. 10X Range switch selectable\u003c\/li\u003e\n\u003cli\u003eHigh Range Switch (Centers - Peak\/Shelf Selectable): 4.8 k, 5.8 k, 8.0 k, 10 k, 16 k, 21 k\u003c\/li\u003e\n\u003cli\u003e“Q” Range: Q = 0.4 to 4.0 Adjustable on middle ranges Q = 1.0 Fixed on low \u0026amp; high ranges\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptoelectronic Compressor\/Limiter\u003c\/strong\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold Range: Infinite to +20 dBu\u003c\/li\u003e\n\u003cli\u003eAttack Range: 2 ms to 100 ms\u003c\/li\u003e\n\u003cli\u003eRelease Range: 80 ms to 3.0 s\u003c\/li\u003e\n\u003cli\u003eCompression Ratio Range: minimum 1.4 : 1, maximum 30 : 1\u003c\/li\u003e\n\u003cli\u003eDe-Essing Frequency Switch: OFF, 4.9 k, 6.8 k, 8.2 k, 10.7 k , 12.0 k\u003c\/li\u003e\n\u003cli\u003ePower Consumption: 50 watts maximum\u003c\/li\u003e\n\u003cli\u003ePower Requirements: Selectable: 100-120, 200-240 V ac, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003eDimensions\/Shipping Weight: 19” W x 3.5” H x 15.5” D, 25 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Millennia","offers":[{"title":"Default Title","offer_id":17163058675755,"sku":"","price":4050.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/racks_2_espacios.png?v=1770145275"},{"product_id":"doublewide-ii-tube-compressor-nuevo","title":"Retro Doublewide II Tube Compressor (Nuevo)","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEste producto utiliza bulbos modernos de existencia indefinida, a diferencia del Doublewide rev. 1, que usa bulbos de edición limitada. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe DOUBLEWIDE II is a single-channel compressor that installs into two slots of a standard 500 series rack yet it requires only 130-milliamps of current—just like the original Retro DOUBLEWIDE compressor. Also retained from the original are the gray painted front panel, high-quality US-made Simpson gain- reduction meter, and hand wiring throughout (no troublesome ribbon cables). DOUBLEWIDE II’s excellent build-quality is apparent starting with the American-made PC board and extends to the durable and attractive stainless steel case and, don’t forget, we only use Cinemag’s highest-quality input and output transformers for authentic tone and weight plus the complete freedom from external interference and noise. During initial user testing and comparison, the DOUBLEWIDE II immediately exceeded all expectations with increased flexibility and control that many original DOUBLEWIDE users have demanded. With both faster attack and release (recovery) times now possible, the DOUBLEWIDE II excels at energizing vocal tracks as well as controlling bass, guitars and drum tracks in an elegant and transparent way or go extreme and radical—or dial in anywhere in between!\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cdiv class=\"features\"\u003e\n\u003cstrong\u003eFeatures\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSingle channel tube compression in a two-slot 500 series module\u003c\/li\u003e\n\u003cli\u003eContinuously variable input and output levels with fixed threshold\u003c\/li\u003e\n\u003cli\u003eContinuously variable attack and recovery time\u003c\/li\u003e\n\u003cli\u003eSingle and Double time-constants\u003c\/li\u003e\n\u003cli\u003eFully complementary push-pull signal path\u003c\/li\u003e\n\u003cli\u003eCinemag transformer balanced, fully-floating Input and Output\u003c\/li\u003e\n\u003cli\u003eHard wire bypass switch with gold-plated contacts\u003c\/li\u003e\n\u003cli\u003eGold-plated edge card connections\u003c\/li\u003e\n\u003cli\u003eStainless steel chassis construction\u003c\/li\u003e\n\u003cli\u003eSide-accessible meter zero trim\u003c\/li\u003e\n\u003cli\u003eUses readily available 12AT7 and 12AU7 tubes\u003c\/li\u003e\n\u003cli\u003eAuthentic U.S.-made Simpson gain reduction meter\u003c\/li\u003e\n\u003cli\u003eHand built and tested in the U.S.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Retro Instruments","offers":[{"title":"Default Title","offer_id":31621796954243,"sku":"","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Doublewide-1_2e60c196-79c0-4bf9-a711-2ada9b4bb0b8.png?v=1578532728"},{"product_id":"bus-comp","title":"Warm Audio Bus-Comp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"e9837-8 x-container max width\"\u003e\n\u003cdiv class=\"e9837-9 x-column x-sm x-1-1\"\u003e\n\u003cdiv class=\"e9837-10 x-text x-text-headline\"\u003e\n\u003cdiv class=\"x-text-content\"\u003e\n\u003cdiv class=\"x-text-content-text\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 class=\"x-text-content-text-primary\"\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"e9837-12 x-container max width\"\u003e\n\u003cdiv class=\"e9837-13 x-column x-sm x-1-1\"\u003e\n\u003cdiv class=\"e9837-14 x-text\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/always-in-stock\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/warmALWAYS-IN-STOCKverdeTextura2.png?v=1583262290\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003cbr\u003eThe Warm Audio BUS-COMP is an all-analog, 2 channel, stereo VCA bus compressor based on classic circuitry that has provided silky smooth tone for decades.  Stereo VCA bus compressors are masterful at controlling dynamics on many sources, but they have become widely known for their magic touch on stereo mixes.  \u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, voice-overs and an array of other sources.  The BUS-COMP is primarily designed for stereo use, but it can be used just as successfully on individual mono sources. VCA bus compressors of this type have become widely loved for their ability to control dynamics effortlessly but also for the added tone and depth they provide to the audio signal that passes through them, even when no compression is applied.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003eSpecifications\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eALL ANALOG, 2 CHANNEL, STEREO VCA BUS COMPRESSOR\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eBASED ON LEGENDARY VCA BUS COMPRESSOR TECHNOLOGY\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eSELECTABLE DISCRETE OPAMP STAGE WITH CINEMAG USA TRANSFORMERS\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eEXTERNAL SIDE CHAIN SOURCE SELECT\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eSELECTABLE HI-PASS FILTER: 30, 60, 105, 125, 185 HZ\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eCOMPRESSOR ENGAGE SWITCH FOR EASY A\/B COMPRESS VS. NO-COMPRESS COMPARISON\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003ePERFORMS WELL ON STEREO MIXES, DRUM MIXES, DRUM OVERHEADS, ACOUSTIC GUITARS, KEYBOARDS, PIANO, ORCHESTRAL INSTRUMENTS, VOICE-OVERS AND ENDLESS OTHER SOURCES\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eCAN BE USED ON STEREO AS WELL AS INDIVIDUAL MONO SOURCES\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eTHAT 2180 VCAS\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eOPTIMALLY PROVIDES BOTH XLR AND TRS CONNECTIVITY\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eNOISE: \u0026lt; -90DBU\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eDYNAMIC RANGE: \u0026gt; 120DB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eFREQUENCY RESPONSE: 18HZ – 22KHZ\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eTHD + NOISE, 20HZ – 20KHZ, +20DBU INPUT: \u0026lt; .05%\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eINPUT IMPEDANCE: 10K OHMS\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p4\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"li1\" data-mce-fragment=\"1\"\u003e\n\u003cspan class=\"s3\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eOUTPUT IMPEDANCE: 50 OHMS\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"e9837-14 x-text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":31696994566275,"sku":"","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/BUSS.png?v=1706901944"},{"product_id":"opticom-xla-3-mkii","title":"Acme Opticom XLA-3 mkII","description":"\u003cdiv class=\"vc_row wpb_row vc_inner vc_row-fluid\"\u003e\n\u003cdiv class=\"wpb_column vc_column_container vc_col-sm-12\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv id=\"ultimate-heading-84525e3239563c7e5\" class=\"uvc-heading ult-adjust-bottom-margin ultimate-heading-84525e3239563c7e5 uvc-7098 accent-border-color\" data-hspacer=\"line_only\" data-halign=\"left\"\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cdiv class=\"uvc-sub-heading ult-responsive\" data-ultimate-target=\".uvc-heading.ultimate-heading-84525e3239563c7e5 .uvc-sub-heading\" data-responsive-json-new='{\"font-size\":\"desktop:20px;\",\"line-height\":\"desktop:32px;\"}'\u003e\u003cspan\u003eThe Opticom XLA-3 is an all-tube optical limiter inspired by the classic Teletronix LA2A. Loving the la2a’s smooth natural compression characteristics but seeking to improve upon its single compression speed inspired us to develop the XLA-3. The heart of the XLA-3 is a unique triple optoelectronic circuit that combines the best characteristics of 3 separate compression curves into a single unit. The result: a high-speed optical limiter with tones that range from ‘clean’ to ‘harmonically rich’ to ‘dirty.’\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"uvc-sub-heading ult-responsive\" data-ultimate-target=\".uvc-heading.ultimate-heading-84525e3239563c7e5 .uvc-sub-heading\" data-responsive-json-new='{\"font-size\":\"desktop:20px;\",\"line-height\":\"desktop:32px;\"}'\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"uvc-sub-heading ult-responsive\" data-ultimate-target=\".uvc-heading.ultimate-heading-84525e3239563c7e5 .uvc-sub-heading\" data-responsive-json-new='{\"font-size\":\"desktop:20px;\",\"line-height\":\"desktop:32px;\"}'\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"uvc-sub-heading ult-responsive\" data-ultimate-target=\".uvc-heading.ultimate-heading-84525e3239563c7e5 .uvc-sub-heading\" data-responsive-json-new='{\"font-size\":\"desktop:20px;\",\"line-height\":\"desktop:32px;\"}'\u003e\u003ciframe type=\"text\/html\" src=\"https:\/\/www.youtube.com\/embed\/ILUqt-zLrQs?autoplay=0\u0026amp;fs=1\u0026amp;iv_load_policy=3\u0026amp;showinfo=0\u0026amp;rel=0\u0026amp;cc_load_policy=0\u0026amp;start=0\u0026amp;end=0\u0026amp;origin=https:\/\/youtubeembedcode.com\" width=\"788.54\" height=\"443\"\u003e\u0026lt;div\u0026gt;\u0026lt;small\u0026gt;\u0026lt;a href=\"https:\/\/youtubeembedcode.com\/nl\/\"\u0026gt;youtubeembedcode.com\/nl\/\u0026lt;\/a\u0026gt;\u0026lt;\/small\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div\u0026gt;\u0026lt;small\u0026gt;\u0026lt;a href=\"http:\/\/add-link-exchange.com\"\u0026gt;w:\/\/add-link-exchange.com\u0026lt;\/a\u0026gt;\u0026lt;\/small\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div\u0026gt;\u0026lt;small\u0026gt;\u0026lt;a href=\"https:\/\/youtubeembedcode.com\/pl\/\"\u0026gt;youtubeembedcode pl\u0026lt;\/a\u0026gt;\u0026lt;\/small\u0026gt;\u0026lt;\/div\u0026gt;\u0026lt;div\u0026gt;\u0026lt;small\u0026gt;\u0026lt;a href=\"http:\/\/add-link-exchange.com\"\u0026gt;http:\/\/add-link-exchange.com\u0026lt;\/a\u0026gt;\u0026lt;\/small\u0026gt;\u0026lt;\/div\u0026gt;\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Acme Audio","offers":[{"title":"Default Title","offer_id":31906132656259,"sku":"","price":2599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Acme-Opticom.jpg?v=1580411366"},{"product_id":"bluey-fet","title":"Black Lion Bluey FET","description":"\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe “Bluey” is a modified “Blue Stripe” compressor based off of the “golden” unit owned by Chris Lord-Alge. When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind compressor that has been heard on countless hits.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe “Bluey” is a modified “Blue Stripe” compressor based off of the “golden” unit owned by Chris Lord-Alge. When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind compressor that has been heard on countless hits.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAny audio engineer worth their weight in gear will tell you about the special moments that occur on records by chance. We’re talking about the magic you can’t plan. It must occur organically, being comprised of sheer randomness or even flat out mistakes. For instance, the spontaneous banter from a vocalist in between takes that adds character to a track, or a radical new audio effect discovered through a simple routing mistake.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe same good fortune sometimes shines upon a piece in the vintage gear world. Through decades of maintenance and repair, some units, like wine, get better with time. The scarcity of original parts leads technicians to diverge from the original design, creating an improved, one-of-a-kind, modified unit.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArmed with an impeccable ear, decades of experience, and an abundance of coveted gear, legendary mix engineer, Chris Lord-Alge, was able to recognize one of his four 1176 Blue Stripe units as firmly sitting in this distinctive category. The particular unit, dubbed “Bluey,” has a special “mojo” to it that shines on vocal tracks like no other.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eChris desired more channels of this golden unit, and reached out to the guys who know modifications best – the team at Black Lion Audio! Intrigued by Chris’ praise of the unit, head design engineer, Jesus Ortiz, boarded a plane from Chicago to LA to discover what gave this Blue Stripe its edge. He found a series of mods done to the unit over the years to keep it working that miraculously cumulated in a uniquely beast-like 1176! BLA analyzed the unit with pain-staking detail, and has, in conjunction with Chris Lorde-Alge, recreated the monster, now known as the new Black Lion Audio “Bluey!”\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFully discrete design\u003c\/li\u003e\n\u003cli\u003eThrough hole components\u003c\/li\u003e\n\u003cli\u003ePolyester capacitors\u003c\/li\u003e\n\u003cli\u003eVintage inspired one-sided PCB layout\u003c\/li\u003e\n\u003cli\u003eCinemag remake of original UTC transformer\u003c\/li\u003e\n\u003cli\u003eWet\/Dry mix feature\u003c\/li\u003e\n\u003cli\u003eLinear power supply\u003c\/li\u003e\n\u003cli\u003ePrecise meter calibration\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":33541433655427,"sku":"","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Blacklionblue.png?v=1717525000"},{"product_id":"b172a","title":"Black Lion B172A","description":"\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eBlack Lion Audio, having hit the mark with the widely adored Seventeen compressor, has struck again, combining the Seventeen’s F.E.T. circuitry with a worthy optical section in the B172A! This unit combines the two separate ’76 and 2A circuits into a single unit that allows you to route the signal in any order you like to be able to provide this very useful compression technique.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEvery so often, two incredible things, wholly enjoyable on their own, combine to form a pair so sweet and complementary, that it becomes hard to think of one without the other… Sonny \u0026amp; Cher, Lennon \u0026amp; McCartney, Snoop Dogg \u0026amp; Dr Dre and perhaps the greatest and most literal “dynamic duo” of all time – the 1176 and LA-2A!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe 1176 and LA-2A when used together, have become a studio stable for decades, often wired in series with each other so that one catches the audio’s peaks and the other does the heavy compression. Black Lion Audio, having hit the mark with the widely adored Seventeen compressor, has struck again, combining the Seventeen’s F.E.T. circuitry with a worthy optical section in the B172A! This unit combines the two separate ’76 and 2A circuits into a single unit that allows you to route the signal in any order you like to be able to provide this very useful compression technique.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Seventeen’s success put pressure on BLA to pair the already proven F.E.T. side with an equally formidable optical mate. The challenge was met on the B172A through the creation of a custom T4B “opto” element called the “T4BLA”. BLA’s lengthy experience in modifications lent designers the proper patience and mindset to tweak subtleties in the optical element until it was a supreme asset in the design. With a heavy attention to detail and design, the T4BLA is designed to be the single best T4B optocell available today.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFlexibility was a main goal of the B172A since its initial concept. While many engineers agree on the benefits of using both compression types, the order in which to do so is still debated. The AB-BA switch on the B172A allows for quick internal routing of the signal. The two compressors can also be used completely independent of each other when utilizing the 3rd position (link off) on the AB-BA switch. Each circuit also has stereo linking so a pair of B172A’s can be used in stereo.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs always, a painstaking amount of time has been spent on choosing the best possible transformers needed for the circuit. Featuring a Cinemag input transformer on the LA-2A side, BLA’s own Chicago-wound output transformers on both circuits, high-grade signal path and decoupling capacitors, the B172A gives studio owners ultra convenient access to a pair of high quality dynamics processors that have stood the test of time while also providing a tool never before available in a single box.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1176 (Our Seventeen) \u0026amp; LA-2A style compression in a single 2U chassis\u003c\/li\u003e\n\u003cli\u003eA\/B or B\/A signal routing on faceplate\u003c\/li\u003e\n\u003cli\u003eCinemag LA-2A input transformer\u003c\/li\u003e\n\u003cli\u003eChicago-wound 1176 \u0026amp; LA-2A output transformers\u003c\/li\u003e\n\u003cli\u003eCustom designed Black Lion Audio T4B element, a.k.a. the “T4BLA”\u003c\/li\u003e\n\u003cli\u003eHigh grade signal path and power decoupling capacitors\u003c\/li\u003e\n\u003cli\u003eLinkable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":33541619646595,"sku":"","price":1399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/B172A-001.jpg?v=1588170123"},{"product_id":"seventeen","title":"Black Lion Seventeen","description":"\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Seventeen is not the ’76 compressor that your grandfather recorded with. It isn’t even a remake but rather the Black Lion spin on what the ’76 Should have been.\u003c\/p\u003e\n\u003cp\u003eDesigned in conjunction with hitmaker Tobias Lindell and featuring a redesigned and improved IC based front end, the Seventeen shows incredible detail and nuance normally not possible with this style compressor.\u003c\/p\u003e\n\u003cp\u003eThis new front end circuit is coupled with our custom designed, made in Chicago output transformer, designed to give this unit a huge bottom end that balances out the open top end very nicely.\u003c\/p\u003e\n\u003cp\u003eWe also include our proprietary Black Lion style power decoupling for an incredibly low noise floor. The Seventeen also uses high grade nichicon signal capacitors, widely considered some of the highest quality caps available.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNever the ones to settle for “good enough,” we have added features that users normally consider as upgrades or mods including, a frequency adjustable side chain, separate selectable high and low pass filters, a wet\/dry mix knob to allow users to blend in dry signal into their compressed signal, the Seventeen has a palette of tones not available to anything else on the market today. It also includes the all important stereo link function for linking together two units.\u003cbr\u003e\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":33587825574019,"sku":"","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Seventeen-001.jpg?v=1588594665"},{"product_id":"54-f50-500","title":"AML 54 F50 - 500","description":"\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe 54F50 is a Class A, compressor and limiter module which occupies three slots in a 500 series rack. Fully populated with Carnhill transformers to achieve its distinctive classic sound. This high-end hand-built British module provides an affordable solution for the modern cost conscious studio.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic 4 stage (Class A) amplifier, 4 transformer design\u003c\/li\u003e\n\u003cli\u003eAll discrete component (no surface mount devices)\u003c\/li\u003e\n\u003cli\u003eEntirely hand assembled and tested in the England to exacting quality standards.\u003c\/li\u003e\n\u003cli\u003eLine Input: Carnhill transformer balanced (Mu-metal screened Classic VTB9046), 10k Input Impedance\u003c\/li\u003e\n\u003cli\u003eInterstage: Carnhill Mu-metal screened Classic VTB9045 and VTB9046\u003c\/li\u003e\n\u003cli\u003eLine Output: Carnhill transformer balanced (Classic full size output transformer)\u003c\/li\u003e\n\u003cli\u003eCompressor: (Class A) amplifier design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cblockquote\u003e\n\u003cul\u003e\n\u003cli\u003eRatio 1.5:1, 2:1, 3:1, 4:1 \u0026amp; 6:1\u003c\/li\u003e\n\u003cli\u003eDual attack speeds (Fast = 5mS, Slow = 25mS) *\u003c\/li\u003e\n\u003cli\u003eMake-up gain 0dB to 20dB in 2dB steps\u003c\/li\u003e\n\u003cli\u003eRecovery (release) 400mS, 800mS, 1.6S \u0026amp; Auto\u003c\/li\u003e\n\u003cli\u003eThreshold –20dBu to +10dBu\u003c\/li\u003e\n\u003cli\u003eLimiter: (Class A) amplifier design\u003c\/li\u003e\n\u003cli\u003eDual attack speeds (Fast = 100uS, Slow = 5mS) *\u003c\/li\u003e\n\u003cli\u003eRecovery (release) 100mS, 200mS, 800mS \u0026amp; Auto\u003c\/li\u003e\n\u003cli\u003eThreshold +4dBu to +12dBu (in 1dB steps)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/blockquote\u003e\n\u003cul\u003e\n\u003cli\u003eStereo link via either the backplane edge connector, an XLR or both\u003c\/li\u003e\n\u003cli\u003eIlluminated meter selectable for input, output or gain reduction metering.\u003c\/li\u003e\n\u003cli\u003ePower off signal bypass\u003c\/li\u003e\n\u003cli\u003eEntirely stainless steel chassis.\u003c\/li\u003e\n\u003cli\u003eTotal current consumption 150mA (per unit)\u003c\/li\u003e\n\u003cli\u003eAlso available supplied as a pair in a box containing a “mono\/stereo” switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cblockquote\u003e\n\u003ch6\u003e\n\u003cbr\u003e* These are the default factory settings however the;\u003cbr\u003eCompressor “Fast” may be internally jumper selected to 0.5mS\u003cbr\u003eCompressor “Slow” may be internally jumper selected to 50mS\u003cbr\u003eLimiter “Fast” may be internally jumper selected to 1mS\u003cbr\u003eLimiter “Slow” may be internally jumper selected to 25mS\u003c\/h6\u003e\n\u003c\/blockquote\u003e","brand":"AML","offers":[{"title":"Default Title","offer_id":35322069811365,"sku":"","price":1286.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/54F50-500.jpg?v=1595866038"}],"url":"https:\/\/audiogate.mx\/collections\/dinamicos.oembed?page=6","provider":"Audio Gate International","version":"1.0","type":"link"}