{"title":"Micrófonos","description":"Audio Gate cuenta con más de 12 marcas de micrófonos que representan los instrumentos más finos de captura. En nuestra selección encontrará aquella pieza perfecta, para complementar su colección.","products":[{"product_id":"c700s","title":"Josephson C700S","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003ex\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eLos micrófonos de la Serie Seven brindan una flexibilidad sin precedentes, ya que el patrón direccional del micrófono se puede ajustar durante el uso, durante o después de la grabación. Los micrófonos Josephson C700 incluyen cápsulas omnidireccionales\/de presión y de figura de 8\/gradiente, cada una con una salida discreta. Las señales se pueden grabar en pistas separadas, por lo que el patrón se puede seleccionar en la mezcla. El control de patrones es sólo una de las ventajas de esta técnica. La aplicación de una ecualización o un control dinámico diferente a las señales de la cápsula genera características de micrófono completamente diferentes; por ejemplo, la calidez de un micrófono de gradiente utilizado en primer plano para las voces podría combinarse con la transparencia de un micrófono de presión en los agudos, eliminando las frecuencias altas en la señal de gradiente y los mínimos en la señal de presión antes de que se combinen.\u003c\/p\u003e\n\u003cdiv\u003eEl micrófono Josephson C700S tiene tres cápsulas; Se agrega una cápsula adicional en forma de 8 orientada hacia un lado a las dos del C700A. Se puede obtener cualquier captación estéreo coincidente mezclando estas tres señales y, al igual que el C700A, las señales se pueden grabar individualmente y todos los aspectos del ancho de la imagen y el control del patrón se pueden ajustar en la mezcla. Con las tres señales de cápsula, se puede crear cualquier número de salidas de micrófono, cada una apuntando a cualquier parte del plano alrededor del micrófono. El conjunto de cápsula de la Serie Seven está montado internamente contra golpes, de modo que el micrófono se puede conectar directamente a un soporte a través de su soporte de yugo sin ningún accesorio externo.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eLas salidas del micrófono C700A están designadas como W para omni\/presión, X para figura de 8 frontal\/degradado; el C700S también tiene una salida Y para figura de 8\/gradiente lateral. Estas señales de salida nativas del micrófono son equivalentes al “formato B” de Soundfield, excepto que el canal de altura o “Z” está ausente. Se puede obtener cualquier patrón deseado mezclando estas señales y con el C700S la salida resultante puede apuntar en cualquier dirección. Se puede obtener cualquier número de canales de salida mezclando copias adicionales de W, X e Y en diferentes proporciones.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePattern selection\u003c\/strong\u003e (C700A and S)\u003cbr\u003eOmni: all W\u003cbr\u003eSubcardioid\/hypocardioid: W with X mixed in about –6 dB\u003cbr\u003eCardioid: equal amounts of W and X\u003cbr\u003eSupercardioid\/hypercardioid: X with W mixed in about –6 dB\u003cbr\u003eFigure 8: all X\u003cbr\u003eTo reverse direction (unidirectional patterns favoring the rear of the mic) invert phase of the X signal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMS Stereo\u003c\/strong\u003e (C700S)La señal M o media se forma mezclando W y X. Si las señales están al mismo nivel, se producirá un patrón cardioide. La señal Y es equivalente a la señal S o lateral en MS Stereo.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eXY Stereo\u003c\/strong\u003e (C700S)\u003cbr\u003eMS se puede convertir a izquierda\/derecha usando la matriz habitual, M+S=izquierda, M-S=derecha. En un mezclador, esto se logra conectando las señales W y X a las entradas del mezclador con panorama central. Se necesita un cable en Y para dividir la salida del canal Y en dos entradas más del mezclador. El primero de ellos tiene una panorámica hacia la izquierda, el segundo tiene una fase invertida y una panorámica hacia la derecha. El patrón se ajusta controlando la proporción de W y X; elevar el nivel de las señales Y y Y invertida panorámicamente hacia la izquierda y hacia la derecha controla el ancho.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSurround format\u003c\/strong\u003es (C700S)\u003cbr\u003eLos cinco canales envolventes principales se pueden derivar usando la receta estéreo XY anterior para el frente y haciendo un conjunto duplicado (con la señal X invertida) para la parte trasera.\u003cbr\u003e\u003cbr\u003eLeft front: W+X+Y\u003cbr\u003eCenter front: W+X\u003cbr\u003eRight front: W+X-Y\u003cbr\u003eLeft rear: W-X+Y\u003cbr\u003eRight rear: W-X-Y\u003cbr\u003e\u003cbr\u003eLa señal W tiene una respuesta plana por debajo de 20 Hz y se puede usar sola, con un filtrado de paso bajo adecuado, como canal 0.1 o LFE.\u003c\/p\u003e\n\u003cp\u003eLos canales laterales se pueden derivar usando las señales W e Y del mismo modo que hacia adelante. -Los canales enfrentados se realizan con W y X.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":25814371143,"sku":"","price":8850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/C700S.png?v=1469567980"},{"product_id":"c700a","title":"Josephson C700A","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eLos micrófonos de la Serie Seven brindan una flexibilidad sin precedentes, ya que el patrón direccional del micrófono se puede ajustar durante el uso, durante o después de la grabación. Los micrófonos Josephson C700 incluyen cápsulas omnidireccionales\/de presión y de figura de 8\/gradiente, cada una con una salida discreta. Las señales se pueden grabar en pistas separadas, por lo que el patrón se puede seleccionar en la mezcla. El control de patrones es sólo una de las ventajas de esta técnica. La aplicación de una ecualización o un control dinámico diferente a las señales de la cápsula genera características de micrófono completamente diferentes; por ejemplo, la calidez de un micrófono de gradiente utilizado en primer plano para las voces podría combinarse con la transparencia de un micrófono de presión en los agudos, eliminando las frecuencias altas en la señal de gradiente y los mínimos en la señal de presión antes de que se combinen.\u003c\/p\u003e\n\u003cdiv\u003eEl micrófono Josephson C700S tiene tres cápsulas; Se agrega una cápsula adicional en forma de 8 orientada hacia un lado a las dos del C700A. Se puede obtener cualquier captación estéreo coincidente mezclando estas tres señales y, al igual que el C700A, las señales se pueden grabar individualmente y todos los aspectos del ancho de la imagen y el control del patrón se pueden ajustar en la mezcla. Con las tres señales de cápsula, se puede crear cualquier número de salidas de micrófono, cada una apuntando a cualquier parte del plano alrededor del micrófono. El conjunto de cápsula de la Serie Seven está montado internamente contra golpes, de modo que el micrófono se puede conectar directamente a un soporte a través de su soporte de yugo sin ningún accesorio externo.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eLas salidas del micrófono C700A están designadas como W para omni\/presión, X para figura de 8 frontal\/degradado; el C700S también tiene una salida Y para figura de 8\/gradiente lateral. Estas señales de salida nativas del micrófono son equivalentes al “formato B” de Soundfield, excepto que el canal de altura o “Z” está ausente. Se puede obtener cualquier patrón deseado mezclando estas señales y con el C700S la salida resultante puede apuntar en cualquier dirección. Se puede obtener cualquier número de canales de salida mezclando copias adicionales de W, X e Y en diferentes proporciones.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePattern selection\u003c\/strong\u003e (C700A and S)\u003cbr\u003eOmni: all W\u003cbr\u003eSubcardioid\/hypocardioid: W with X mixed in about –6 dB\u003cbr\u003eCardioid: equal amounts of W and X\u003cbr\u003eSupercardioid\/hypercardioid: X with W mixed in about –6 dB\u003cbr\u003eFigure 8: all X\u003cbr\u003eTo reverse direction (unidirectional patterns favoring the rear of the mic) invert phase of the X signal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMS Stereo\u003c\/strong\u003e (C700S)\u2028La señal M o media se forma mezclando W y X. Si las señales están al mismo nivel, se producirá un patrón cardioide. La señal Y es equivalente a la señal S o lateral en MS Stereo.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eXY Stereo\u003c\/strong\u003e (C700S)\u003cbr\u003eMS se puede convertir a izquierda\/derecha usando la matriz habitual, M+S=izquierda, M-S=derecha. En un mezclador, esto se logra conectando las señales W y X a las entradas del mezclador con panorama central. Se necesita un cable en Y para dividir la salida del canal Y en dos entradas más del mezclador. El primero de ellos tiene una panorámica hacia la izquierda, el segundo tiene una fase invertida y una panorámica hacia la derecha. El patrón se ajusta controlando la proporción de W y X; elevar el nivel de las señales Y y Y invertida panorámicamente hacia la izquierda y hacia la derecha controla el ancho.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSurround format\u003c\/strong\u003es (C700S)\u003cbr\u003eLos cinco canales envolventes principales se pueden derivar usando la receta estéreo XY anterior para el frente y haciendo un conjunto duplicado (con la señal X invertida) para la parte trasera.\u003cbr\u003e\u003cbr\u003eLeft front: W+X+Y\u003cbr\u003eCenter front: W+X\u003cbr\u003eRight front: W+X-Y\u003cbr\u003eLeft rear: W-X+Y\u003cbr\u003eRight rear: W-X-Y\u003cbr\u003e\u003cbr\u003eLa señal W tiene una respuesta plana por debajo de 20 Hz y se puede utilizar sola, con un filtrado de paso bajo adecuado, como canal 0.1 o LFE.\u003cbr\u003e\u003cbr\u003eLos canales laterales se pueden derivar utilizando las señales W e Y del mismo modo que los canales orientados hacia adelante se crean con W y X.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":25887330055,"sku":"","price":6050.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/C700A.png?v=1470089108"},{"product_id":"c715","title":"Josephson C715","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eSeries Seven microphones provide unprecedented flexibility in studio pickups with a variety of directional patterns. The C715 uses a unique single large diaphragm capsule with an adjustable vent allowing cardioid or omni operation, and includes a new, patent-pending metal foam housing for minimum acoustic coloration due to the elimination of many internal reflecting surfaces.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe C715 features the new single-sided capsule with a 5 micron evaporated gold diaphragm. The backplate has an adjustable vent, reached through an opening in the back of the grille, that allows the mic to be adjusted from cardioid to omni. The single diaphragm capsule has a particularly smooth sound, usable for many studio applications where some conventional dual diaphragm mics are too harsh or bright.\u003cbr\u003e\u003cbr\u003eThe internal circuitry uses a class-A cascode FET front end, driving a large nickel core Lundahl output transformer for compatibility with a wide range of preamps and consoles. The internal high voltage linear supply generates capsule polarization voltage without using a switching oscillator, for very low noise.\u003cbr\u003eThe capsule assembly in the C715 is internally shock mounted so that the mic may be attached directly to a stand through its rugged yoke mount, without using any external accessories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressure-gradient condenser microphone transducer\u003c\/li\u003e\n\u003cli\u003eVariable cardioid\/omni directional pattern\u003c\/li\u003e\n\u003cli\u003eFrequency range 20-20,000 Hz\u003c\/li\u003e\n\u003cli\u003eSensitivity -55 dB ref 1V\/Pa (1.8 mV\/Pa)\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level \u0026lt;19 dB S.P.L, A weighted rms\u003c\/li\u003e\n\u003cli\u003eOverload sound level 140 dB S.P.L\u003c\/li\u003e\n\u003cli\u003ePower supply P48 phantom, 2 mA\u003c\/li\u003e\n\u003cli\u003eDiameter 63 mm (100 mm wide at yoke), length 261 mm\u003c\/li\u003e\n\u003cli\u003eWeight 1.2 kg\u003c\/li\u003e\n\u003cli\u003eOutput connector 3-pin XLR\u003c\/li\u003e\n\u003cli\u003eMade in USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":25887941063,"sku":"","price":5800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/C715-2.png?v=1470089145"},{"product_id":"copy-of-c716","title":"Josephson C716","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eSeries Seven microphones provide unprecedented flexibility in studio pickups with a variety of directional patterns. The C716 dual- diaphragm capsule is optimized for cardioid, and is ideal for vocal pickups and instrumentals where a warm, natural sound is needed with minimum acoustic coloration. Off-axis response is particularly smooth, yielding excellent results in a variety of acoustic environments.\u003c\/p\u003e\n\u003cbr\u003eThe C716 features a cardioid version of the large dual-diaphragm capsule used in Josephson’s C700 series, with a 5 micron evaporated gold diaphragm. The head grille\u003cbr\u003euses Josephson’s patent-pending hard metal foam structure welded to the housing tube, instead of wire mesh or perforated metal. No other structure is needed, so internal\u003cbr\u003ereflections are randomized for clean, detailed sound pickup. The entire housing, circuit board, capsule and all its internal parts are made by Josephson in the USA. The microphone features a hard matte black chrome finish for durability in studio use.\u003cbr\u003e\u003cbr\u003eThe internal circuitry uses a class-A FET front end with active balanced transformerless output using discrete large-geometry devices like those in the Josephson C700 and C617. The internal high voltage linear supply generates capsule polarization voltage without using any digital devices or oscillators, for very low noise. \u003cbr\u003e\u003cbr\u003eThe capsule assembly in the C716 is internally shock mounted so that\u003cbr\u003ethe mic may be attached directly to a stand through its rugged yoke mount, without using any external accessories. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePressure-gradient condenser microphone transducer\u003c\/li\u003e\n\u003cli\u003eCardioid directional pattern\u003c\/li\u003e\n\u003cli\u003eFrequency range 20-20,000 Hz\u003c\/li\u003e\n\u003cli\u003eSensitivity -32 dB ref 1V\/Pa (26 mV\/Pa)\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level \u0026lt;15 dB S.P.L, A weighted rms\u003c\/li\u003e\n\u003cli\u003eOverload sound level 136 dB S.P.L\u003c\/li\u003e\n\u003cli\u003ePower supply P48 phantom, 5 mA\u003c\/li\u003e\n\u003cli\u003eDiameter 63 mm (100 mm wide at yoke), length 261 mm\u003c\/li\u003e\n\u003cli\u003eWeight 1.2 kg\u003c\/li\u003e\n\u003cli\u003eOutput connector 3-pin XLR\u003c\/li\u003e\n\u003cli\u003eMade in USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":25890202055,"sku":"","price":6040.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/C716Gold.png?v=1469572201"},{"product_id":"c42","title":"Josephson C42","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Josephson Engineering C42 is an all-purpose cardioid condenser microphone suitable for multiple recording applications including spot miking acoustic and amplified instruments, drums and drum overheads, ensemble and choir pickups, concert recording, sound effects and vocals. Standard C42 microphones are satin machined stainless steel for years of rugged use.\u003cbr\u003e\u003cbr\u003eC42 electronics feature a selected discrete FET driving a fully balanced symmetrical transformer-less discrete class-A output stage. The output impedance is low enough that very long cable runs may be used without signal degradation. Although the microphone is specified for full P48 phantom power, it will function with phantom power as low as 24 volts, with some limitation in maximum S.P.L.\u003cbr\u003e\u003cbr\u003eA stereo kit, the C42MP, includes a matched pair of C42 microphones in matte black chrome finish and a protective hard shell case.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput Level, mV\/Pa: 8.5\u003c\/li\u003e\n\u003cli\u003eFrequency Response (at 60 cm): 40-20,000 Hz ±2 dB from curve\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level, A-weighted: ≤21 dB\u003c\/li\u003e\n\u003cli\u003eMaximum S.P.L (with P48 power): 135 dB\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 50Ω (recommended load ≥1KΩ)\u003c\/li\u003e\n\u003cli\u003ePower Requirements: P48 phantom power, 4.5 mA\u003c\/li\u003e\n\u003cli\u003eTemperature Range: -10 to +50°C\u003c\/li\u003e\n\u003cli\u003eDimensions: 21mm diameter, 98mm long\u003c\/li\u003e\n\u003cli\u003eWeight: 80 grams (\u0026lt; 3 ounces)\u003c\/li\u003e\n\u003cli\u003eConnector: 3 pin XLR type, pin 2 positive polarity\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Josephson Engineering","offers":[{"title":"C42","offer_id":25891061639,"sku":"","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/C42-2.png?v=1470089069"},{"product_id":"c617","title":"Josephson C617","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Josephson C617 is the second generation of our high voltage metal diaphragm omnidirectional microphone, suitable for the most critical sound recording and measurement applications. It operates from standard P48 phantom power yet provides full 200 volt polarize potential for a lab grade standard “half inch” microphone capsule. The C617SET is supplied with a Microtech Gefell MK221 capsule. The dynamic range is dependent on the inherent noise of the microphone capsule and the limits of P48 phantom power. The Josephson cascode FET front end circuitry introduced in the C606 is further refined in the C617, combined with our traditional balanced bipolar class-A symmetrical output stage.\u003cbr\u003e\u003cbr\u003eFor music recording, the Josephson balanced symmetrical circuitry together with a sub-micron thickness metal diaphragm capsule translate to the purest, most open sound possible. Pickup of sound pressure alone results in no proximity effect, very low sensitivity to wind noise, and phase accuracy that cannot be obtained with directional microphones. Spot-miking applications or overall stereo pickups using spaced pairs take on a new level of detail and precision not possible with other types. The small capsule size results in a nearly perfect omnidirectional pattern for accurate pickup of the wholeacoustic environment.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications of C617SET\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response: 10 Hz – 20 kHz ±1 dB\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level: 14 dB S.P.L, A-weighted\u003c\/li\u003e\n\u003cli\u003eSensitivity: 66 mV\/Pa (-24 dB ref 1V\/Pa)\u003c\/li\u003e\n\u003cli\u003eMaximum output level: +7dBV for \u0026lt;1% THD, 1k Ω load (127 dB S.P.L)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50Ω (minimum load impedance 1k Ω)\u003c\/li\u003e\n\u003cli\u003ePower requirements: P48 phantom per IEC 61938, \u0026lt;5 mA\u003c\/li\u003e\n\u003cli\u003eTemperature Range, -10 to +50°C\u003c\/li\u003e\n\u003cli\u003eDimensions: 21mm dia, 176mm long (with capsule)\u003c\/li\u003e\n\u003cli\u003eWeight: 120g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eSpecifications of C617 body alone, for use with other capsules, as above except:\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency Response: 10 Hz – 80 kHz ±1 dB\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level: \u0026lt;2.5μ V A-weighted, \u0026lt;6.5μ V CCIR quasi-peak Gain 2.5 dB (balanced symmetrical direct coupled output)\u003c\/li\u003e\n\u003cli\u003eMaximum output level: +7dBV for \u0026lt;1% THD, 1kΩ load\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50Ω (minimum load impedance 1kΩ)\u003c\/li\u003e\n\u003cli\u003eCapsule polarization: 200V\u003c\/li\u003e\n\u003cli\u003eDimensions: 21mm dia, 165mm long (with capsule)\u003c\/li\u003e\n\u003cli\u003eWeight: 110g\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Josephson Engineering","offers":[{"title":"C617 Cuerpo","offer_id":25892076039,"sku":"","price":1445.0,"currency_code":"USD","in_stock":true},{"title":"C617 Set","offer_id":25892076103,"sku":"","price":2635.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/C617.png?v=1469746031"},{"product_id":"e22s","title":"Josephson E22S","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Josephson e22S side-address cardioid was designed to meet the needs of noted recording engineer Steve Albini. The physical profile allows unobtrusive placement, even with tight percussion layouts. Unique among studio condenser microphones, the e22S capsule geometry is optimized for spot miking performance. The circuit uses a cascode discrete FET front end, combined with a custom Lundahl output transformer. The electronics were designed to interface easily with either transformer or direct coupled mic preamps. The e22S has low self-noise, so it delivers low level detail, and handles high sound pressure levels for minimal distortion on extremely loud passages. The microphone housing is very rugged, with a precision machined, satin black chrome finish. “The specific need addressed by the e22S was drum kit recording, and the mics are used in that capacity nearly every day, but once they were in our hands, they quickly became a favorite mic for many instruments, including acoustic guitar, mandolin, banjo, guitar amplifiers, organ and horns. The e22S is easily the most versatile microphone in our cabinet.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern: Cardioid\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20-20,000 Hz± 2 dB from curve\u003c\/li\u003e\n\u003cli\u003eSensitivity:  3.0 mV\/Pa\u003c\/li\u003e\n\u003cli\u003eRated impedance: 200 ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level: 15 dB S.P.L A-weighted\u003c\/li\u003e\n\u003cli\u003eMaximum S.P.L: 144 dB\u003c\/li\u003e\n\u003cli\u003eWeight: 180 g\u003c\/li\u003e\n\u003cli\u003eDimensions: 21mm diameter, 190mm long, 30mm head\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/E22Sp_large.png?17513814049717590912\" alt=\"\"\u003e\u003c\/p\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":26449915975,"sku":"","price":1765.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/E22S.png?v=1470089183"},{"product_id":"c550","title":"Josephson C550H","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eJosephson Series Five microphones are rugged, stable and cost-effective alternatives to high voltage metal diaphragm lab mics for speaker testing, room acoustics, and general audio measurements between 20 Hz and 20 kHz. The 6mm condenser capsule has a permanently polarized back plate and a 3.5μm polyester diaphragm, metallized with a rugged nickel-chromium alloy. Frequency response is flat ±2 dB from 20 Hz to 20 kHz. Like all Josephson mics, the diaphragm is critically conditioned during manufacture for minimum drift over time. Series Five mics have been in rugged field service for more than twenty years, with little or no change in response. Several versions are available for use with a variety of other equipment.\u003cbr\u003e\u003cbr\u003eThe C550 series is a “half inch” model available in two sensitivity steps, each one covering an operating range of about 100 dB. The C550H provides 10 mV\/Pa output, suitable for microphone level inputs. The F version has lower sensitivity, for use in very high sound level measurements. Frequency response is flat for on-axis sound incidence. All models may be powered with standard 24 to 48 volt phantom supplies, and provide symmetrical active balanced output. They will also operate on phantom power as low as 15 V with some reduction in maximum level. For more critical applications, please refer to model C617 in the Josephson Series Six, which has lower noise and higher overload point than the Series Five, uses lab grade metal diaphragm mic capsules, and standard phantom power rather than the dedicated power supply required for most lab mics.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:                                              C550H                                C550F\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput Level, mV\/Pa:                           10.0                                    0.3\u003c\/li\u003e\n\u003cli\u003eDynamic Range, dB S.P.L \u003cem\u003e2\u003c\/em\u003e:                 35-135                               65-165\u003c\/li\u003e\n\u003cli\u003eFrequency Response \u003cem\u003e1,3\u003c\/em\u003e:                           20 Hz to 20,000 Hz, ±2 dB\u003c\/li\u003e\n\u003cli\u003eOutput Impedance \u003cem\u003e3\u003c\/em\u003e:                            50Ω (recommended load 1kΩ)\u003c\/li\u003e\n\u003cli\u003eOperating Conditions \u003cem\u003e3\u003c\/em\u003e:                                         Free-field\u003c\/li\u003e\n\u003cli\u003eTransducer Type \u003cem\u003e3\u003c\/em\u003e:                Capacitive pressure transducer, prepolarized backplate\u003c\/li\u003e\n\u003cli\u003ePower Requirement \u003cem\u003e3\u003c\/em\u003e:                   Phantom power per IEC61938 P48,\u0026lt;5mA\u003c\/li\u003e\n\u003cli\u003eTemperature Range, °C \u003cem\u003e3\u003c\/em\u003e:                                   -10 to +50\u003c\/li\u003e\n\u003cli\u003eWeight, grams \u003cem\u003e3\u003c\/em\u003e:                                                        140\u003c\/li\u003e\n\u003cli\u003eConnector \u003cem\u003e3\u003c\/em\u003e:                                  3 pin XLR type, pin 2 positive polarity\u003c\/li\u003e\n\u003cli\u003eAccessories Supplied \u003cem\u003e3\u003c\/em\u003e:                          Stand clamp, padded case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1\u003c\/em\u003e- Individually calibrated at the factory\u003cbr\u003e\u003cem\u003e2\u003c\/em\u003e- Per IEC 61672, with 48 V phantom power. 5 dB above noise floor, to 5% THD\u003cbr\u003e\u003cem\u003e3\u003c\/em\u003e- Specifications common to all Series Five models\u003c\/p\u003e","brand":"Josephson Engineering","offers":[{"title":"Default Title","offer_id":26449982215,"sku":"","price":510.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/C550.png?v=1470089004"},{"product_id":"serie-black-hole","title":"JZ Microphones Serie Black Hole","description":"\u003ch2\u003e\u003c\/h2\u003e\n\u003cbr\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003ch2\u003eBlack Hole BH-1s\u003c\/h2\u003e\n\u003cp\u003eJZ Microphones engineers' and users' opinion is that any Black Hole Series microphone, which is a fantastic vocal mic, is great on every application it is used. Unbelievable clarity and definition, smoothness and feel full transparency is the way industry professionals describe their own thoughts after using the Black Hole Series microphones to record their music. Our Flagship microphone BH1S has lifetime warranty and 0.4% component selection tolerance. -10 \u0026amp; -20dB PAD and 3 polar patterns makes BH1S extremely versatile and perfect for day to day recording in any world-class, project or home studios.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2\u003eBlack Hole BH-2\u003c\/h2\u003e\n\u003cdiv\u003eJZ Microphones engineers' and users' opinion is that any Black Hole Series microphone, which is a fantastic vocal mic, is great on every application it is used. Unbelievable clarity and definition, smoothness and feel full transparency is the way industry professionals describe their own thoughts after using the Black Hole Series microphones to record their music. BH 2 is a fixed cardioid condenser microphone with one large, true electrostatic capsule inside the compact head made by new golden drops technology. The new special capsule has single, less centre tap diaphragm and patterned variable sputtering, using specially mixed alloy for coating. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/XnMvivsKR68\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/37342821\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/35320866\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137855931\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137855730\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e","brand":"JZ Microphones","offers":[{"title":"BH2 Cardioide","offer_id":26595630599,"sku":"","price":999.0,"currency_code":"USD","in_stock":true},{"title":"BH1S Multi-Patron","offer_id":26595630535,"sku":"","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/BH-2.png?v=1470264203"},{"product_id":"hh1","title":"JZ HH1","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cdiv class=\"item-text\"\u003e\n\u003cp\u003eHH1 is the first product with dynamic capsule from JZ Microphones. Professional dynamic microphone developed in best tradiotions of JZ Microphones provides users with extended frequency range to suite most vocal and instrumental micing needs. Neodymium magnet equiped cardioid capsule housed in a handcrafted all metal body with highly advanced shockmounting technology. Pouch and microphone clamp is included in the package.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHH1 Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDimensons                                             58 x 172 mm\u003c\/p\u003e\n\u003cp\u003eConnector                                                           XLR-3\u003c\/p\u003e\n\u003cp\u003eFrequency response                         50 Hz – 18 kHz\u003c\/p\u003e\n\u003cp\u003eTransducer principle                                    dynamic\u003c\/p\u003e\n\u003cp\u003eWight                                                                    280 g\u003c\/p\u003e\n\u003cp\u003ePick-up pattern                                              Cardioid\u003c\/p\u003e\n\u003cp\u003eSensitivity                                             -74dB +\/- 3dB\u003c\/p\u003e\n\u003cp\u003eNominal impedance                                    300 Ohm\u003c\/p\u003e\n\u003cp\u003eMagnet type                                            Neodymium\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/hh_pattern_large.png?16427842623866559568\" alt=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/6Sn_FlOXx7o\" width=\"530\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/24080986\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\"\u003e\u003c\/iframe\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":26664221191,"sku":"","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/templete_micros_1.png?v=1770917158"},{"product_id":"j1","title":"JZ Microphones J1","description":"\u003cdiv class=\"item-text\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"item-text\"\u003e\n\u003cspan\u003eAfter the huge success of Vintage V11 microphone, JZ Microphones decided to expand product range with a budget series named simply J and it's first product being J1. Although targeted to more budget oriented bedroom studios, J1 is still completely handcrafted in Latvia, EU under the supervision of Juris Zarins. J1 will be housed in a flat shaped and grey coloured body with a shockmount already included in the set. Wire mesh grill will be covering the capsule with active diaphrragm of 21MM. This brand new capsule is produced using JZ Microphones patented Golden Drop technology.\u003c\/span\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/EBpUr1vz3BM\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/103381412\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/103380900\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":26664363783,"sku":"","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/templete_micros-Recuperado3333.png?v=1770919973"},{"product_id":"serie-bat","title":"JZ Microphones Serie BAT","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003ch2\u003eBT201|1\u003c\/h2\u003e\n\u003cdiv class=\"item-text\"\u003e\n\u003cp\u003e\u003cspan\u003eBT201|1 is a small diaphragm cardioid condenser microphone, offering optional choice of 3 capsules that satisfy the demands of all common studio and live applications - omni, open cardioid and open cardioid -20db option capsules. Matched pair is available to provide balanced stereo recordings. Also optional accessories JZI|7 and JZ|HLDR are recommended for BT201 series microphones.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eBT201|1s\u003c\/h2\u003e\n\u003cdiv class=\"item-text\"\u003e\n\u003cp\u003e\u003cspan\u003eBT201|1 is a stero pair of two small diaphragm cardioid condenser microphone, offering optional choice of 3 capsules that satisfy the demands of all common studio and live applications - omni, open cardioid and open cardioid -20db option capsules. Matched pair is available to provide balanced stereo recordings. Also optional accessories JZI|7 and JZ|HLDR are recommended for BT201 series microphones.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eBT201|3\u003c\/h2\u003e\n\u003cdiv class=\"item-text\"\u003e\n\u003cp\u003e\u003cspan\u003eBT201|3 is a small diaphragm condenser microphone, offering choice of 3 capsules that satisfy the demands of all common studio and live applications - cardioid, open cardioid and open cardioid -20db option capsules. Matched pair is available to provide balanced stereo recordings. Also optional accessories JZI|7 and JZ|HLDR are recommended for BT201 series microphones.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eBT201|3s\u003c\/h2\u003e\n\u003cdiv class=\"item-text\"\u003e\n\u003cp\u003e\u003cspan\u003eBT201|3s is a matched pair of BT201|3 series microphones, offering choice of 3 capsules that satisfy the demands of all common studio and live applications - cardioid, open cardioid and open cardioid -20db option capsules. Matched pair is available to provide balanced stereo recordings. Also optional accessories JZI|7 and JZ|HLDR are recommended for BT201 series microphones.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/zf-kchyLuEM\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eBT|301\u003c\/h2\u003e\n\u003cdiv class=\"item-text\"\u003e\n\u003cp\u003e\u003cspan\u003eJZ BT301 mic is unusually shaped cardoid, mid-sized capsule microphone which gives great results in almost any application it is used. BT301 is the ideal for strummed string instruments, upright piano, cello, contrabass, violin, hand percussion and similar chores, finding its place any higher end mic locker.JZ BT301 is a perfect microphone for serious acoustic applications. Its GDC3 capsule provides the user with clear, powerful capture of most arco and plucked string instruments, amplified or naturally. Its clever body shape ensures minimal rear axis interference to the cardiod polar response.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/I3qabaOTBJg\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/121953174\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/37342821\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/37342820\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e","brand":"JZ Microphones","offers":[{"title":"BT201|1","offer_id":26667736967,"sku":"","price":299.0,"currency_code":"USD","in_stock":true},{"title":"BT201|1s","offer_id":26667737031,"sku":"","price":429.0,"currency_code":"USD","in_stock":true},{"title":"BT201|3","offer_id":26667737095,"sku":"","price":329.0,"currency_code":"USD","in_stock":true},{"title":"BT201|3S","offer_id":38989735431,"sku":"","price":649.0,"currency_code":"USD","in_stock":true},{"title":"BT301","offer_id":26670464199,"sku":"","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/111111111111_2cff9bfe-04c7-40d9-b2b4-5b5c23376c53.png?v=1770919252"},{"product_id":"vintage-11","title":"JZ Microphones Vintage 11","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe V11 is turning point for the praised Vintage series with absolutely new microphone design which follows the same vintage traditions and qualities as all JZ Microphones products and it is not a version or replica of classic and legendary microphones like U47, U67 or C12. The number 11 stands for a 2011 as reference year when a new classic microphone has been created. Vintage 11 is dedicated for everyone who loves recording in highest quality possible and wants something better than all known studio standards.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/4pE0GFTNUNw\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2873941\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2873851\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2873798\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2873715\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2873610\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2873544\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2873357\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2854316\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2854143\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1651253\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1650848\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"340\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1590721\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"340\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1575938\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"310\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1562503\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1481369\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1467598\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"450\" frameborder=\"no\"\u003e\u003c\/iframe\u003e","brand":"JZ Microphones","offers":[{"title":"Vintage 11","offer_id":26950080135,"sku":"","price":599.0,"currency_code":"USD","in_stock":true},{"title":"Vintage 11 Estéreo","offer_id":38989162183,"sku":"","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/Vintage11-1.png?v=1470665748"},{"product_id":"vintage-12","title":"JZ Microphones Vintage 12","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAKG C12 is considered one of the best tube condenser microphones ever, it has been a inspiration for many other manufacturers and its CK12 capsule still is one the best microphone capsule built. JZ Microphones now offers our version of C12 ‰ÛÒ the new Vintage 12 follows the success of V47 \u0026amp; V67. JZ Microphones have adopted best qualities of C12 and added their signature by using Golden Drop Technology for GDC12 capsule and replacing transistors instrad of tubes. Vintage 12 still has the same design of Vintage series, the inner shock-mounting system, adjustable swivel mount and two layer mesh instead of three layer mesh.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/yq-rgzS-nuE\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/138014413\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137855930\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137855729\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/124138049\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/37351283\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/37351280\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/37342822\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/29530599\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":26951183495,"sku":"","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/1-Vintage12-47-67_78e5439a-10f3-4895-a190-5020b58a7760.png?v=1489770026"},{"product_id":"vintage-47","title":"JZ Microphones Vintage 47","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eU 47 is still considered to be one of the finest microphones ever made, therefore JZ Microphones brought to life several great ideas of improvements to add and implement into own JZ Vintage 47 series microphones.The heart of Vintage 47 microphone is Golden Drop 47 Capsule (GDC47) and equiped with innovative inner shock-mounting system and adjustable swivel mount, Vintage 47 microphone has perfect functionality and legendary U 47 feel at amazing price point and availability for a handcrafted and tested microphone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/63gotjr-S2E\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137855929\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137855725\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/32475916\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/29530600\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":26953715655,"sku":"","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/1-Vintage12-47-67.png?v=1489769964"},{"product_id":"vintage-67","title":"JZ Microphones Vintage 67","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eU 67 is still considered to be one of the finest microphone ever made, therefore JZ Microphones brought to life several great ideas of improvements to add and implement into own JZ Vintage 67 series microphones. The heart of Vintage 67 microphone is Golden Drop 67 Capsule (GDC67) and equiped with innovative inner shock-mounting system and adjustable swivel mount, Vintage 67 microphone has perfect functionality and legendary U 67 feel at amazing price point and availability for a handcrafted and tested microphone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/63gotjr-S2E\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e   \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/29530601\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137855727\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/137855927\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e \u003ciframe scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/216859078\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":26954110151,"sku":"","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/1-Vintage12-47-67_873028bb-35e5-4ab6-af64-d4afd2ddd515.png?v=1470666166"},{"product_id":"pop-filter","title":"JZ Pop Filter","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 class=\"product-name title\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan class=\"Fliess1\"\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"Fliess1\"\u003e\u003cspan lang=\"EN-US\"\u003eJZ|PF is universal pop filter for use with any microphone JZ|PF specific industrial design keeps the frequencies unaffected. The compact shape and unique waveform of the mesh reduces unwanted reverberations, and kills the pops and blows effectively like no other pop filter on the market for the price. JZ|PF has 45 cm long gooseneck for easy positioning and ergonomic attachment to attach the pop filter to a mic stand fast and easily.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Fliess1\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/JLASib0ZHPI\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JZ Microphones","offers":[{"title":"negro","offer_id":26955914375,"sku":"","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/11111111.png?v=1770928492"},{"product_id":"tlm-102","title":"Neumann TLM 102 Nickel","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\"\u003e\u003c\/a\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/audiogate.mx\/pages\/contactenos\" target=\"_blank\"\u003e \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e  \u003cimg height=\"75\" width=\"75\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe TLM 102 defines a new generation of Neumann studio microphones. This applies not only to the design of the microphone but also to the price.\u003c\/p\u003e\n\u003cdiv class=\"leftRow\"\u003e\n\u003cdiv class=\"textBlock\"\u003eThe reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention.\u003cbr\u003e\u003cbr\u003eThe TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. \u003cbr\u003e\u003cbr\u003eDue to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003eThe TLM 102 is available in black and nickel; a stand mount is included.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\u003cbr\u003e\u003c\/div\u003e\n*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eLarge-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer)\u003c\/li\u003e\n\u003cli\u003eCompact, characteristic but smaller-scale Neumann design\u003c\/li\u003e\n\u003cli\u003eVery high maximum sound pressure level\u003c\/li\u003e\n\u003cli\u003eSlight presence boost above 6 kHz\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv class=\"textBlock\"\u003eThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eVocals and speech\u003c\/li\u003e\n\u003cli\u003eIn particular, pickup of especially loud instruments: Drums, percussion, wind instruments and amps\u003c\/li\u003e\n\u003cli\u003eHome recording, project and broadcasting studios\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Data\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" height=\"445\" class=\"rowTable\" style=\"width: 614px;\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e11 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e21 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e12 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e73 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e82 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eMaximum S.P.L for THD 0.5%\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e144 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e13 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e48 V ± 4 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e3.5 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eMatching connector\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003eXLR3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003eapprox. 210 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eDiameter\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e52 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 333.217px;\"\u003eLength\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 272.783px;\"\u003e116 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/TLM102MP_large.png?11495716284765699599\"\u003e\n\u003cdiv class=\"leftRow\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"leftRow\"\u003e\u003ciframe height=\"315\" width=\"530\" src=\"https:\/\/www.youtube.com\/embed\/NjLsBbf7HcY\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":42103519559,"sku":"","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/2222_9ea3597f-50bc-43ea-b2f4-ea5096ce8919.png?v=1770758276"},{"product_id":"tlm-103","title":"Neumann TLM 103 Nickel","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\"\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/contactenos\" target=\"_blank\"\u003e \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e  \u003cimg height=\"75\" width=\"75\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise.\u003c\/p\u003e\n\u003cdiv class=\"leftRow\"\u003e\n\u003cdiv class=\"textBlock\"\u003eThe TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.\u003cbr\u003e\u003cbr\u003eBy utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. \u003cbr\u003e\u003cbr\u003eThe TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003eApplications\u003c\/div\u003e\nDue to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003ePolar pattern\u003c\/div\u003e\nThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003eAcoustic features\u003c\/div\u003e\nThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 \/ U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. \u003cbr\u003e\u003cbr\u003eThe large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.\u003cbr\u003e\u003cbr\u003eTherefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003eElectrical features\u003c\/div\u003e\nWith just 7 dB-A \/ 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.\u003cbr\u003e\u003cbr\u003eThe letters TLM stand for \"transformerless microphone\". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003eOperational safety\u003c\/div\u003e\nThe entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration.\u003cbr\u003e\u003cbr\u003eDue to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\u003cbr\u003e\u003c\/div\u003e\n*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eLarge diaphragm cardioid microphone\u003c\/li\u003e\n\u003cli\u003ePressure gradient transducer with with one-diaphragm capsule\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003cli\u003eExtremely low noise: 7 dB-A\u003c\/li\u003e\n\u003cli\u003eIncludes swivel mount\u003c\/li\u003e\n\u003cli\u003eStraightforward handling for homerecording and professional studios\u003c\/li\u003e\n\u003cli\u003eHigh-quality professional equipment for limited budgets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003eThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA universal cardioid mic\u003c\/li\u003e\n\u003cli\u003eVocalist recording\u003c\/li\u003e\n\u003cli\u003eAnnouncer's mic for broadcasting\/voice over\u003c\/li\u003e\n\u003cli\u003eDue to minimal self-noise: on-air mic for radio\/broadcast, very low amplitude signals, radio drama, sampling, foley\/sound effects\u003c\/li\u003e\n\u003cli\u003eHome recording and project studios\u003c\/li\u003e\n\u003cli\u003eSpot mic for: wind instruments, strings, percussion, guitar amps, drum overhead\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\" class=\"rowTable\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd class=\"text\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd class=\"text\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e23 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e17.5 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e7 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e76.5 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e87 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eMaximum .S.P.L for THD 0.5%\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e138 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e13 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e48 V ± 4 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e3 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eMatching connector\u003c\/td\u003e\n\u003ctd class=\"text\"\u003eXLR3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"text\"\u003eapprox. 450 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eDiameter\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e60 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eLength\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e132 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e ______________________________________________\u003cbr\u003e\u003csup\u003e1)\u003c\/sup\u003e according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e measured as equivalent el. input signal\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/TLM103MP_large.png?14197552849891254638\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe height=\"315\" width=\"530\" src=\"https:\/\/www.youtube.com\/embed\/KB4DeBG6LI4\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"Color Nickel","offer_id":27340790727,"sku":"","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/TLM103-1.png?v=1535659308"},{"product_id":"tlm-107","title":"Neumann TLM 107","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eMulti-faceted versatility, no-compromise sound and innovative operation: With five directional characteristics and a novel operating concept, the TLM 107 provides sound without any coloration. Featuring equally impressive level handling and low self-noise, it captures everything from the softest whisper to thundering drums.\u003c\/p\u003e\n\u003cdiv class=\"textBlock\"\u003eClassic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eNeumann Engineering\u003c\/strong\u003e\n\u003c\/div\u003e\nThe newly developed sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical “s” sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eNo-Compromise Sound Design\u003c\/strong\u003e\n\u003c\/div\u003e\nTransformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level handling. The maximum sound pressure level of 141 dB S.P.L can be increased to 153 dB S.P.L via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eInnovative Operating Concept\u003c\/strong\u003e\n\u003c\/div\u003e\nFor the first time, all of the microphone switch functions are controlled intuitively via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers, the switch and display are located on the back of the microphone. After ten seconds, the displays are turned off automatically.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eFeautures:\u003c\/strong\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eMultipattern large diaphragm microphone with 5 polar patterns (omni, wide cardioid, cardioid, hypercardioid, figure-eight)\u003c\/li\u003e\n\u003cli\u003eNavigation switch with LED illuminated display for polar pattern, PAD and low cut\u003c\/li\u003e\n\u003cli\u003eSound characteristics: transparent, natural reproduction of human voice, outstanding transient response\u003c\/li\u003e\n\u003cli\u003eBalanced sound in all 5 polar pattern settings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\nThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\n\u003cul\u003e\n\u003cli\u003eVocals and speech with optimized handling of sibilant sound\u003c\/li\u003e\n\u003cli\u003eMain microphone in orchestral recordings or spot microphone particularly suggested for string, woodwind and brass instruments\u003c\/li\u003e\n\u003cli\u003eRecording of extreme S.P.Ls (drum and percussion, guitar amp etc.)\u003c\/li\u003e\n\u003cli\u003eBroadcast (radio drama, ADR), film \u0026amp; game sound production, professional recording studios, \u003cbr\u003ehome recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"width: 76.2175%;\" class=\"rowTable\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003eOmni, wide angle cardioid, cardioid, hypercardioid, figure-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eSensitivity at 1 kHz into 1 kohms\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e11 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e1000 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e22 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e10 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e72 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e84 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eMaximum S.P.L for THD \u0026lt; 0.5%\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e141 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eMaximum S.P.L for THD \u0026lt; 0.5%\u003csup\u003e2)\u003c\/sup\u003e with pre-attenuation -6 dB\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e147 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eMaximum S.P.L for THD \u0026lt; 0.5%\u003csup\u003e2)\u003c\/sup\u003e with pre-attenuation -12 dB\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e153 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e10 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e48 V ± 4 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e3.2 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eMatching connectors\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003eXLR3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e445 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eDiameter\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e64 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 43%;\" class=\"text\"\u003eLength\u003c\/td\u003e\n\u003ctd style=\"width: 39.5665%;\" class=\"text\"\u003e145 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e_________________________________________________________________\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e1)\u003c\/sup\u003e according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e measured as equivalent el. input signal\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/rnf9aCrwcgE\" width=\"530\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \n\u003cp\u003e \u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Nickel","offer_id":27594035399,"sku":"","price":1595.0,"currency_code":"USD","in_stock":true},{"title":"Negro","offer_id":27594035463,"sku":"","price":1595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/TLM107-1.png?v=1535659720"},{"product_id":"tlm-67","title":"Neumann TLM 67 Set-Z","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eA contemporary development of the legendary U 67. K 67 capsule, new circuit design, which closely reproduces the U 67 sound characteristics, three directional pattern, pre-attenuation and high-pass filter. Novel Neumann dual-color design.\u003c\/p\u003e\n\u003cdiv class=\"textBlock\"\u003eIn the world of studio microphones, the numbers “47”, “67” and “87” have associations that inspire enthusiasm among professionals in the field. It is of course no coincidence that the name of the new TLM 67* contains the number “67”. In many respects, the TLM 67 is based on the “workhorse” of the 1960s, the legendary U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the special new circuit design closely reproduces the sound characteristics of the classic U 67, without the use of tubes. Similar Neumann circuit technology has already proved very successful in the TLM 49.\u003cbr\u003e\u003cbr\u003eThe TLM 67 is extremely versatile. Its three switchable directional characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB pre-attenuation and high-pass filter permit detailed adjustments to be made, depending upon the specific recording situation.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003eExterior design\u003c\/div\u003e\nThe TLM 67 is a large-diaphragm condenser microphone in the classic Neumann style, with a unique dual-color design. The stylish pearl-gray of the microphone body combined with the classic Neumann nickel lends the microphone a touch of distinctive individuality.\u003cbr\u003e\u003cbr\u003eThe legendary, frequently imitated design of the Neumann U 67 was the first to be developed by Neumann employees in collaboration with the famous German designer, Wilhelm Braun-Feldweg. The design of the TLM 67 represents a contemporary development of that of the U 67, transferring its positive impact to the present era. The enhanced exterior design thus links past and future microphone design trends.\u003cbr\u003e\u003cbr\u003eOn the occasion of its 80th anniversary, the Neumann company is honoring its founder, Georg Neumann, with a three-dimensional metal emblem on the front of the TLM 67. The distinctive Neumann attraction is conveyed in every detail of the microphone.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003eApplications\u003c\/div\u003e\nDue to its extensive control features, the TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone for all types of music and spoken voice, in orchestral recordings the TLM 67 can be used as a main microphone and as a spot microphone for individual instruments.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003eAcoustic features\u003c\/div\u003e\nThe microphone is addressed from the side on which the Neumann logo is located.\u003cbr\u003e\u003cbr\u003eA large wire mesh grille encloses the elastically mounted double diaphragm capsule. The directional characteristics omnidirectional, cardioid or figure-8 can be selected via a switch below the grille. The selected setting is indicated by a symbol shown in a window above the switch.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eElectrical features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe letters “TLM” stand for “transformerless microphone”. In the TLM 67, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the pre-attenuation switch.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eFilter and pre-attenuation\u003c\/strong\u003e\n\u003c\/div\u003e\nThe pre-attenuation switch on the back of the microphone can be used to reduce transmission levels by approx. 10 dB. It should be used only when there is a risk of overloading following devices due to very high sound pressure levels. Use of the switch does not increase the dynamic range of the microphone, but rather shifts it by 10 dB, to higher sound pressure levels. The other switch on the back of the microphone can be used to change the cutoff frequency of the built-in high-pass filter, so as to suppress the effects of impact sound and wind noise, or to compensate for the proximity effect.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eOperational reliability\u003c\/strong\u003e\n\u003c\/div\u003e\nElastic mounting of the capsule supplies protection from the transmission of structure-borne noise. If required, the EA 87 elastic suspension and WS 87 windscreen are available as accessories, for further suppression of structure-borne and wind noise. The PS 15 or PS 20 a popscreen can be used if the microphone is to be addressed at close range.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eFeatures:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSound characteristics based on the legendary U 67\u003c\/li\u003e\n\u003cli\u003eThree switchable directional characteristics (omnidirectional, cardioid and figure-8)\u003c\/li\u003e\n\u003cli\u003eSwitchable high-pass filter and pre-attenuation\u003c\/li\u003e\n\u003cli\u003eTransformerless circuit technology\u003c\/li\u003e\n\u003cli\u003eNew dual-color exterior design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtremely versatile\u003c\/li\u003e\n\u003cli\u003eVocal microphone (soloists and background choir)\u003c\/li\u003e\n\u003cli\u003eBroadcasting, dubbing and voiceovers\u003c\/li\u003e\n\u003cli\u003eOverhead microphone\u003c\/li\u003e\n\u003cli\u003eSpot microphone, and suitable e.g. for strings, especially cello and double bass, as well as piano\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"rowsBlock\"\u003e\n\u003ctable style=\"width: 82.9953%;\" class=\"rowTable\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003eOmni\/cardioid\/figure-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e10\/18\/9 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e29\/24\/30 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e16\/11\/17 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e65\/70\/64 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e78\/83\/77 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eMaximum S.P.L (tube characteristic) for THD \u0026lt; 0.5 %\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e110\/105\/111 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eMaximum S.P.L (tube characteristic) for THD \u0026lt; 5 %\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e130\/125\/131 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e-1 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003ePower supply\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003eP48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eMatching connector\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003eXLR 3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e490 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eDiameter\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e56 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 49.3276%;\" class=\"text\"\u003eLength\u003c\/td\u003e\n\u003ctd style=\"width: 28.6724%;\" class=\"text\"\u003e200 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ctable class=\"textImageBlockTable\" width=\"661\" height=\"18\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 701px;\" class=\"textImageBlockLeft\" valign=\"top\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e__________________________________________________\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e1)\u003c\/sup\u003e according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e measured as equivalent el. input signal, k\u003csub\u003e2\u003c\/sub\u003e dominant\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":27723096455,"sku":"","price":2695.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/TLM67-1.png?v=1535659757"},{"product_id":"m-149","title":"Neumann M 149","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e  \u003cimg height=\"75\" width=\"75\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe universal high-end tube microphone with a unique sound and a comprehensive selection of settings, including 9 directional characteristics and a 7-level low-cut filter! The capsule is derived from that of the legendary U 47 and M 49.\u003c\/p\u003e\n\u003cdiv class=\"textBlock\"\u003eThe M 149 Tube* is a variable dual-diaphragm microphone. The K 49 capsule – well-known from the legendary U 47 and M 49 microphones – is followed by a tube functioning as an impedance converter. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration.\u003cbr\u003e\u003cbr\u003eTwo slide switches are located below the large, acoustically very open headgrille. The switch at the front allows selection one of nine directional patterns. The slide switch at the rear operates a seven-step high pass filter. It allows a very fine adjustment of the cut-off frequency.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003eApplications\u003c\/div\u003e\nThere are nine polar patterns to choose from, making this microphone an ideal choice for a wide range of recording situations.\u003cbr\u003e\u003cbr\u003eAs its ancestors, the M 149 Tube is a superb vocalist microphone, not only because of the capsule, but also due to its modern circuitry, characterized by extremely low noise level.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe M 149 Tube is addressed from the front, marked with the Neumann logo. Also on the front is the switch for the selection of the polar patterns.\u003cbr\u003e\u003cbr\u003eThe capsule is mounted elastically inside the headgrille to eliminate structure borne noise. The surface below the capsule is shaped like a cone to disperse any reflected sound from the acoustic upper half space. This avoids any interference with the primary sound arriving at the capsule directly. \u003cbr\u003e\u003cbr\u003eA large headgrille surrounds the capsule. It is acoustically very open and therefore increases the sonic realism.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\n\u003c\/div\u003e\nThe polar pattern switch selects one of nine directional patterns: omnidirectional, wide-angle-cardioid, cardioid, hypercardioid, figure-8, and one additional intermediate pattern between each major position.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eElectrical features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe circuit of the M 149 Tube microphone has been developed to exceed traditional designs. We have selected a modern tube (triode) and combined its exceptional transmission characteristics with the advantages of our proven transformerless output circuit.\u003cbr\u003e\u003cbr\u003eThe aim was to provide a more controlled environment for the audio signal on its path from the capsule to the output section. \u003cbr\u003e\u003cbr\u003eThe final stage is an integrated amplifier, especially designed for such applications. It features very low distortion (THD \u0026lt; 0.002 % at ± 10 V), very low self-noise, and high output current capability. \u003cbr\u003e\u003cbr\u003eAs a result, the tube circuit is completely decoupled from the microphone output and its characteristic response curve will be unaffected by very high signal levels or varying load conditions. \u003cbr\u003e\u003cbr\u003eThe lower output impedance and higher output current capability allow cable lengths up to 300 m (1000 feet) without any degradation of the audio signal.\u003cbr\u003e\u003cbr\u003eThe tube amplifier changes the high impedance of the capsule and adds 10 dB of gain to the audio signal, providing optimum operating specifications. The wide dynamic range is impressive, as peak output can be ±10 V, at 20 mA.\u003cbr\u003e\u003cbr\u003eThe ideal operating point of the tube is maintained throughout its entire life expectancy. Plate current and filament voltage are constantly regulated. A sensor circuit monitors and compensates for any voltage drop across the microphone cable. The tube is heated up slowly through inverse current limiting to guarantee long life. Optimum operating conditions are reached within a very short time.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eFilter\u003c\/strong\u003e\n\u003c\/div\u003e\nA seven-position slide switch is located on the back of the microphone. It selects a high-pass filter, advancing in half-octave steps between 20 Hz and 160 Hz (-3dB). This filter is useful to suppress rumble from air-conditioning and in windy situations. \u003cbr\u003e\u003cbr\u003eIn addition, the filter provides an effective tool to control the audio signal when the microphone is used at close distance and therefore proximity effect alters the program material.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eDelivery Range\u003c\/strong\u003e\n\u003c\/div\u003e\nThe specifically designed N 149 A power supply unit feeds the M 149 Tube through an 8-core cable. The output connector for the audio signal is a 3-pin XLR. The output signal is balanced. \u003cbr\u003e\u003cbr\u003eThe microphone comes as a set in an attractive aluminium case, together with the 8-core microphone connecting cable, the N 149 A power supply with plug-in mains unit, the EA 170 full elastic microphone suspension and a dust cover.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSwitchable tube microphone\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003cli\u003eHigh output level\u003c\/li\u003e\n\u003cli\u003ePressure gradient transducer with the M 49 capsule\u003c\/li\u003e\n\u003cli\u003eAcoustically very open wire mesh cage\u003c\/li\u003e\n\u003cli\u003eNine directional characteristics: omni, wide angle cardioid, cardioid, hypercardioid, figure 8, and one intermediate position each\u003c\/li\u003e\n\u003cli\u003e7fold switchable low frequency roll-off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUniversal tube mic\u003c\/li\u003e\n\u003cli\u003eIts warm and yet transparent sound gives volume and presence to a vocalist\u003c\/li\u003e\n\u003cli\u003eA wide range of adjustments provide the most subtle differentiation of sound, especially in the range of proximity effect\u003c\/li\u003e\n\u003cli\u003eMic for broadcasting, dubbing, and voice-over\u003c\/li\u003e\n\u003cli\u003eSpot mic for close miking of solo instruments, especially strings, wind instruments, and piano\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"rowTable\" style=\"width: 85.844%;\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003eOmnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e34\/47\/62 mV\/Pa\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eEquivalent noise level, CCIR\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e28\/25\/23 dB\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eEquivalent noise level, A-weighted\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e16\/13\/11 dB-A\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e2)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e66\/69\/71 dB\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e2)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e78\/81\/83 dB\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eTypical S.P.L (tube characteristic)\u003csup\u003e3)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003eK \u0026lt; 0,5 %: 120 dB, K \u0026lt; 5 %: 136 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e18 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003ePowering\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003ePower supply N 149 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eMatching connectors\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003eMicrophone DIN8F, Power supply XLR3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e730 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eDiameter\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e70 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 46.0799%;\"\u003eLength\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 46.9201%;\"\u003e201 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e________________________________________________\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e1)\u003c\/sup\u003e Omnidirectional \/ cardioid \/ figure-8\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e3)\u003c\/sup\u003e measured as equivalent el. input signal\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"530\" src=\"https:\/\/www.youtube.com\/embed\/7D_k2ChSTzE\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ypm-extension\" id=\"ypm-extension\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ypm-extension\" id=\"ypm-extension\"\u003e\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":27728249991,"sku":"","price":5995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/M149-1.png?v=1535659341"},{"product_id":"m-147","title":"Neumann M 147","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eNeumann tube sound with a cardioid directional characteristic and a classic design. The double diaphragm capsule is derived from that of its legendary predecessors, the U 47 and M 49.\u003c\/p\u003e\n\u003cdiv class=\"leftRow\"\u003e\n\u003cdiv class=\"textBlock\"\u003eThe M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. \u003cbr\u003e\u003cbr\u003eFollowing the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic. \u003cbr\u003e\u003cbr\u003eThe M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish. \u003cbr\u003e\u003cbr\u003eThe microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets. Our modern manufacturing methods makes it possible to offer this complete set at a very attractive price.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eApplications\u003c\/strong\u003e\n\u003c\/div\u003e\nThe famous capsule, together with complimenting tube characteristics, makes the M 147 Tube especially well suited as a vocal mic. In addition, it is a superb spot mic for all types of musical instruments. The extremely low self-noise of its tube circuitry makes the mic perfectly suited for use in modern recording chains, analog and digital.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe M 147 Tube is addressed from the side, where the microphone body has the diamond-shaped Neumann company logo. The black color identifies tube microphones. The capsule is equivalent to the one used in the U 47, and is the deciding factor in determining the sound characteristic. It has a flat frequency response to the upper midrange, and a boost of up to 3 dB above 2 kHz. The headgrille design is a smaller version of the U 47. It protects the capsule effectively against popping and wind noise.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\n\u003c\/div\u003e\nThe M147 Tube has a cardioid characteristic, leaning more toward super-cardioid due to its distinctive capsule design. At higher frequencies the pattern becomes more directional. This is very similar to the model after which this new tube microphone was patterned, the U 47 and the successor, the U 47 fet.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eElectrical features\u003c\/strong\u003e\n\u003c\/div\u003e\nWhen compared to other microphones, the impedance converter used in the M 147 Tube is distinguished by its extremely low self-noise level of only 12 dB-A \/ 24 dB CCIR weighted.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSimilar to the recently introduced M 149 Tube, the new M 147 Tube combines a specifically selected vacuum tube (triode) with modern circuitry. This technique takes full advantage of the special transfer characteristics of the tube and passes the processed audio signal of the capsule to the microphone output, without any coloration or unwanted side effects.\u003cbr\u003e\u003cbr\u003eThe tube amplifies the capsule's signal by approximately 10 dB, thus preventing any possible influences from subsequent electronics. The M 147 Tube delivers a high output voltage, and therefore can feed microphone cables up to 300 m length without signal degradation. \u003cbr\u003e\u003cbr\u003eThe ideal operating conditions (anode current, heater voltage) of the tube are maintained throughout its life expectancy. A sensor lead detects any voltage drop that occurs through the microphone cable and compensates for it in the N 149 A power supply. The tube warms up gradually using inverse current limiting to guarantee long life.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eFilter\u003c\/strong\u003e\n\u003c\/div\u003e\nThe electronic circuitry of the M 147 Tube mic has a flat frequency response from 20 Hz to well above 20 kHz. Only the attributes of the capsule determine the typical sound characteristics of the microphone.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eOperational Stability\u003c\/strong\u003e\n\u003c\/div\u003e\nBoth, the capsule and the entire circuitry are shock mounted to prevent any structure-borne noise. Because of its wide operating range, the M 147 Tube can reproduce extremely low frequency signals without distortion. \u003cbr\u003e\u003cbr\u003eThis implies that the microphone may also be sensitive to unwanted LF interference by structure-borne noise, or wind noise. To avoid possible signal degradation, we offer the EA 1 elastic suspension and the WS 87 windscreen as accessories. During close miking of vocals we recommend using the PS 15 or PS 20a pop screen.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eN 149 A Power Supply\u003c\/strong\u003e\n\u003c\/div\u003e\nThe N 149 A universal power supply works with all mains AC voltages from 100 V to 240 V, 50 or 60 Hz. Mains power is connected through a standard IEC 320 mains socket. The only difference between the three available versions of the M 147 Tube set is the power cord supplied. Note: The N 149 V power supply is fully compatible with the M 147 Tube microphone.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eUniversal tube microphone\u003c\/li\u003e\n\u003cli\u003ePressure gradient transducer with the large diaphragm capsule from the legendary U 47 and M 49\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003cli\u003eLow self noise level\u003c\/li\u003e\n\u003cli\u003eComes with swivel stand mount made of metal, universal power supply, and cable in an attractive aluminium case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVocalist mic: its warm and yet transparent sound gives volume and presence\u003c\/li\u003e\n\u003cli\u003eAnnouncer's mic for broadcasting dubbing, and voice-over\u003c\/li\u003e\n\u003cli\u003eSpot mic for close miking of solo instruments, especially strings, wind instruments, piano\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"width: 84.6525%;\" class=\"rowTable\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e20 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e24 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e12 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e70 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e82 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eTypical S.P.L (tube characteristic)\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e114 dB for THD \u0026lt; 0.5 %, 134 dB for THD \u0026lt; 5 %\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e8 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003ePowering\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003ePower supply N 149 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eMatching connector\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003eMicrophone: DIN 8F, Power Supply: XLR3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e460 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eDiameter\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e57 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 50.922%;\" class=\"text\"\u003eLength\u003c\/td\u003e\n\u003ctd style=\"width: 32.7376%;\" class=\"text\"\u003e142 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e _______________________________________________\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e1)\u003c\/sup\u003e according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e measured as equivalent el. input signal\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"ypm-extension\" class=\"ypm-extension\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"ypm-extension\" class=\"ypm-extension\"\u003e\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":27729130055,"sku":"","price":3495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/M147-1.png?v=1535658792"},{"product_id":"u87-ai","title":"Neumann U87 Ai","description":"\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\"\u003e\u003c\/a\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e  \u003cimg height=\"75\" width=\"75\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eIn a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications.\u003c\/p\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cb\u003eThe Neumann U 87 Ai - voted as THE best microphone \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe readers of the SOUND ON SOUND magazine have voted: U 87 Ai - the BEST MICROPHONE, announced during the Winter NAMM show 2012 in Anaheim, California. \u003cbr\u003e\u003cbr\u003eThe SOS award went to products, that \"have made our lives in the studio all the more enjoyable\". It is a further evidence for the reputation of the U 87 Ai as the world famous, professional standard studio condenser microphone. Until today the U 87 sets the mark in the microphone industry by which all others are measured. \u003cbr\u003e\u003cbr\u003eThe U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television. \u003cbr\u003e\u003cbr\u003eThe U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille. \u003cbr\u003e\u003cbr\u003eA 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. \u003cbr\u003e\u003cbr\u003eFurthermore, the low frequency response can be reduced to compensate for proximity effect.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\n\u003c\/div\u003e\nThe U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. \u003cbr\u003e\u003cbr\u003eUsers recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television. \u003cbr\u003e\u003cbr\u003eThe U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003ePolar patterns\u003c\/strong\u003e\n\u003c\/div\u003e\nThe dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eElectrical features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged. \u003cbr\u003e\u003cbr\u003eThe present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S\/N ratio of 3 dB.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eFilter and attenuation\u003c\/strong\u003e\n\u003c\/div\u003e\nA switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion. \u003cbr\u003e\u003cbr\u003eAn additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. \u003cbr\u003e\u003cbr\u003eThis setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect). \u003cbr\u003e\u003cbr\u003eThe cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eVariable large diaphragm microphone\u003c\/li\u003e\n\u003cli\u003ePressure-gradient transducer with double membrane capsule\u003c\/li\u003e\n\u003cli\u003eThe studio microphone classic\u003c\/li\u003e\n\u003cli\u003eThree directional characteristics: omni, cardioid, figure-8\u003c\/li\u003e\n\u003cli\u003eSwitchable low frequency roll-off\u003c\/li\u003e\n\u003cli\u003eSwitchable 10 dB pre-attenuation\u003c\/li\u003e\n\u003cli\u003eIdeal as main and as support microphone in the most differing recording situations\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFor universal use\u003c\/li\u003e\n\u003cli\u003eThe classical studio mic for vocalists (soloists and background vocalists)\u003c\/li\u003e\n\u003cli\u003eAnnouncer's mic for broadcasting, dubbing, voice-over\u003c\/li\u003e\n\u003cli\u003eOverhead\u003c\/li\u003e\n\u003cli\u003eSpot mic for wind instruments, strings (especially cello and double bass), piano, percussion\u003c\/li\u003e\n\u003cli\u003eNote: To record instruments with very high sound pressure levels we recommend our mics with TLM circuitry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"rowTable\" style=\"width: 83.9669%;\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003eOmnidirectional, cardioid, figure-8 plus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e20\/28\/22 mV\/Pa\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e200 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eEquivalent noise level, CCIR\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e26\/23\/25 dB\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eEquivalent noise level, A-weighted\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e15\/12\/14 dB-A\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e2)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e68\/71\/69 dB\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e2)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e79\/82\/80 dB\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eMaximum S.P.L for THD 0.5%\u003csup\u003e3)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e117 dB (cardioid)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eMaximum S.P.L for THD 0.5% with preattenuation\u003csup\u003e3)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e127 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e390 mV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e48 V ± 4 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e0.8 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eMatching connectors\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003eXLR3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e500 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eDiameter\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e56 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 48.7862%;\"\u003eLength\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 33.2138%;\"\u003e200 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e____________________________________________________\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e1)\u003c\/sup\u003eOmnidirectional \/ cardioid \/ figure-8\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e3)\u003c\/sup\u003e measured as equivalent el. input signal\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ypm-extension\" id=\"ypm-extension\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ypm-extension\" id=\"ypm-extension\"\u003e\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"Nickel","offer_id":27729924743,"sku":"","price":3750.0,"currency_code":"USD","in_stock":true},{"title":"Negro Mate","offer_id":27729924807,"sku":"","price":3750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/U87Ai-1.png?v=1535662080"},{"product_id":"u47-fet-edicion-de-coleccion","title":"Neumann U47 FET Edición de Colección","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e  \u003cimg height=\"75\" width=\"75\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe U 47 fet is back! The U 47 fet Collectors Edition is a new edition of the classic, issued in the year 2014.\u003c\/p\u003e\n\u003cp\u003eThe U 47 fet was first manufactured from 1972 to 1986, and since then has been firmly established in the range of microphones used by many well-known studios. In addition to serving as a soloist microphone, it has become legendary especially for the recording of bass-heavy instruments and for the direct miking of loud amps.\u003cbr\u003e\u003cbr\u003eThe U 47 fet Collectors Edition is a new edition of this classic, issued in the year 2014. For this, Neumann has resumed production of this classic mic, according to the original production documents and schematics. It is supplied with a high-quality wooden case with sophisticated special packaging, and an individual certificate with the serial number of the microphone.\u003cbr\u003e\u003cbr\u003eIn terms of technical design, the U 47 fet is a condenser microphone with a cardioid directional characteristic and fet 80 circuit technology. Among other things this technology, also used in the U 87, is characterized particularly by a wide dynamic range. The K 47 double large-diaphragm capsule was already employed in the U 47, the legendary tube-based predecessor of the U 47 fet. The K 47 provides a slight boost in the range above 2 kHz.\u003cbr\u003e\u003cbr\u003eIf required, a switchable low-cut filter raises the lower cutoff frequency electronically from 40 Hz to 140 Hz, thus suppressing undesirable low frequencies (such as impact sound and wind noise), or serving to compensate for the proximity effect. Switchable attenuation can reduce transmission levels by 10 dB, facilitating the processing of very high sound pressure levels of up to 147 dB. In addition, to prevent overloading of the connected preamp, the output signal can be reduced by 6 dB via a switch on the bottom of the microphone.\u003cbr\u003e\u003cbr\u003eIn order to ensure stable positioning, the microphone is swivel-mounted on an integrated bracket. The bracket stand connector has 5\/8\"-27 internal thread, with an adapter for 1\/2\" and 3\/8\" threads. The microphone cable can be secured at the side of the stand connector, by using the knurled nut to fasten it in the slot (for cable diameters of up to 5 mm). The microphone is available in classic nickel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLinear frequency response with a slight boost in the range between 2 and 5 kHz for more clarity to the human voice\u003c\/li\u003e\n\u003cli\u003eUseful amount of proximity effect, particularly good for thin voices\u003c\/li\u003e\n\u003cli\u003ebass roll-off at 40 Hz, switchable high-pass filter at 140 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVocal and Speech\u003c\/li\u003e\n\u003cli\u003eBass amp, guitar amp, bass drum, kick drum, acoustic guitar, trombone, flute, piano, etc.\u003c\/li\u003e\n\u003cli\u003eRoom microphone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"rowTable\" style=\"width: 80.4846%;\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e40 Hz ... 16 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e8 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e150 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e25 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e18 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eMaximum S.P.L for THD 0.5%\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e137 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eMaximum S.P.L for THD 0.5% with preattenuation\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e147 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e69 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e76 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e-3.3 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e48 V ± 4 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e0.5 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eMatching connector\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003eXLR3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e710 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eDiameter\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e63 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\" style=\"width: 51%;\"\u003eLength\u003c\/td\u003e\n\u003ctd class=\"text\" style=\"width: 26.4846%;\"\u003e160 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e__________________________________________________\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e1)\u003c\/sup\u003e according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e measured as equivalent el. input signal\u003c\/p\u003e\n\u003cp\u003e \u003ciframe height=\"315\" width=\"530\" src=\"https:\/\/www.youtube.com\/embed\/HFKZTdtoUK0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"ypm-extension\" id=\"ypm-extension\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ypm-extension\" id=\"ypm-extension\"\u003e\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":27736539527,"sku":"","price":4395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/U47FET-1.png?v=1535659798"},{"product_id":"kms-105","title":"Neumann KMS 105","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003ch4\u003eEsta es la versión \"hyper-cardioide\" del afamado micrófono vocal, de mano. Especialmente desarrollada para recintos que tengan dificultades con retroalimentaciones acústicas. \u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eActs as reference on the stages of the world. For demanding singers, the microphone for a lifetime!\u003c\/p\u003e\n\u003cdiv class=\"leftRow\"\u003e\n\u003cdiv class=\"textBlock\"\u003eThe KMS 104\/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. \u003cbr\u003eThe KMS series has become the internationally acknowledged standard for first-class stage microphones.\u003cbr\u003eThe high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times. \u003cbr\u003eEspecially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.\u003cbr\u003eThe KMS 104 and the KMS 104 plus have a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The KMS 104 plus features, compared to KMS 104, a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.\u003cbr\u003eThe user can thus select the version that is optimally suited to the specific application.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients. \u003cbr\u003eIn KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. \u003cbr\u003eIn spite of excellent pop protection, sibilants and “S” sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104\/104 plus and KMS 105 vocal microphones when they are used with a stage sound system.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eElectrical features\u003c\/strong\u003e\n\u003c\/div\u003e\nSince vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules. \u003cbr\u003eIn addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The maximum sound pressure level of the KMS microphones is 150 dB. \u003cbr\u003eThe low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.\u003cbr\u003eDue to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eMechanical features\u003c\/strong\u003e\n\u003c\/div\u003e\nMicrophones designed for use on stage require a particularly robust construction. The KMS 104\/104 plus and KMS 105 therefore have thick-walled metal housings, which also provide effective protection against handling noise.\u003cbr\u003eThe microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eDelivery Range\u003c\/strong\u003e\n\u003c\/div\u003e\nThe KMS 104\/104 plus and KMS 105 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cul\u003e\n\u003cli\u003eNeumann sound on stage\u003c\/li\u003e\n\u003cli\u003eExcellent transparency for vocals\/speech\u003c\/li\u003e\n\u003cli\u003eCardioid\/Supercardioid polar pattern with excellent feedback rejection\u003c\/li\u003e\n\u003cli\u003eWithout off-axis coloration\u003c\/li\u003e\n\u003cli\u003eTransformerless output\u003c\/li\u003e\n\u003cli\u003eEffective pop shielding without any side effects\u003c\/li\u003e\n\u003cli\u003eSet includes stand clamp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cbr\u003eThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\n\u003cul\u003e\n\u003cli\u003eVocals and speech on stage\u003c\/li\u003e\n\u003cli\u003eAnnouncer’s mic for broadcasting\/dubbing\u003c\/li\u003e\n\u003cli\u003eEspecially suited for in-ear-monitoring\u003c\/li\u003e\n\u003cli\u003eFor feedback-prone environment\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"width: 78.6761%;\" class=\"rowTable\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003ePressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003eCardioid\/cardioid\/supercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e4.5 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e28 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e18 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e66 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e76 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eMaximum S.P.L for THD 0.5%\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e150 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e12 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eSupply voltage (P48, IEC 1938)\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e48 V ± 4 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eCurrent consumption (P48, IEC 1938)\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e3.5 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eMatching connector\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003eXLR3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003eapprox. 300 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eDiameter\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e48 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 53%;\" class=\"text\"\u003eLength\u003c\/td\u003e\n\u003ctd style=\"width: 21.9631%;\" class=\"text\"\u003e180 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e___________________________________________________\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e1)\u003c\/sup\u003e according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e measured as equivalent el. input signal\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/60C-zeDDLPk\" width=\"530\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"Nickel","offer_id":27737308935,"sku":"","price":849.0,"currency_code":"USD","in_stock":true},{"title":"Negro Mate","offer_id":27737308999,"sku":"","price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/KMS105-1.png?v=1535658735"},{"product_id":"km-184","title":"Neumann KM 184","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe KM 184 (cardioid) in particular has become the classic high-quality miniature microphone. Now also available in attractive stereo sets, with cardioid, hypercardioid or omni directional characteristics. The \"Series 180\" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. \u003c\/p\u003e\n\u003cp\u003eBecause of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the \"Series 180\" is predestined for economy-minded production and home recording studios.\u003c\/p\u003e\n\u003cdiv class=\"leftRow\"\u003e\n\u003cdiv class=\"textBlock\"\u003eThe KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All \"Series 180\" microphones are available with either matte black or nickel finish.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eApplications\u003c\/strong\u003e\n\u003c\/div\u003e\nTheir slender shapes and the transmission characteristics described below make the \"Series 180\" especially suitable for a very wide range of tasks in the radio and television sector.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.\u003cbr\u003eThe KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. \u003cbr\u003e\u003cbr\u003eAlthough the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. \u003cbr\u003eThis difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances. \u003cbr\u003eThe KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eElectrical features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe \"Series 180\" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: \u003cbr\u003eCompared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB. \u003cbr\u003eThe microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. \u003cbr\u003eThe output of the \"Series 180\", as in all Neumann microphones, is balanced and phantom (48V) powered.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cbr\u003e\u003cstrong\u003eEconomy\u003c\/strong\u003e\n\u003c\/div\u003e\nThe \"Series 180\" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. \u003cbr\u003eThe mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the \"Series 180\" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eThree different miniature microphones for all typical studio applications\u003c\/li\u003e\n\u003cli\u003eSuccessor of the worldwide successful KM 83\/84\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\nThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\n\u003cul\u003e\n\u003cli\u003eFor universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.\u003c\/li\u003e\n\u003cli\u003eAs XY and ORTF stereo pair\u003c\/li\u003e\n\u003cli\u003eAnnouncer’s mic for broadcasting\u003c\/li\u003e\n\u003cli\u003eSpot mic, overhead\u003c\/li\u003e\n\u003cli\u003eClose miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003ctable style=\"width: 90.0662%;\" class=\"rowTable\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003eKM 183 \/ 184 \/ 185\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003ePressure\/Pressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003eomnidirectional\/cardioid\/hypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e12\/15\/10 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e24\/22\/24 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e13\/13\/15 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e70\/72\/70 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e81\/81\/79 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eMaximum S.P.L for THD 0.5%\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e140\/138\/142 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e10 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e48 V ± 4 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e3.2 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eMatching connectors\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003eXLR 3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003eapprox. 80 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eDiameter\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e22 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eLength\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e107 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e_________________________________________________\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e1)\u003c\/sup\u003e according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e measured as equivalent el. input signal\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"ypm-extension\" class=\"ypm-extension\"\u003e\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"Nickel","offer_id":27780912455,"sku":"","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/KM184-1.png?v=1755711976"},{"product_id":"km-185","title":"Neumann KM 185","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe KM 184 (cardioid) in particular has become the classic high-quality miniature microphone. Now also available in attractive stereo sets, with cardioid, hypercardioid or omni directional characteristics. The \"Series 180\" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. \u003c\/p\u003e\n\u003cp\u003eBecause of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the \"Series 180\" is predestined for economy-minded production and home recording studios.\u003c\/p\u003e\n\u003cdiv class=\"leftRow\"\u003e\n\u003cdiv class=\"textBlock\"\u003eThe KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All \"Series 180\" microphones are available with either matte black or nickel finish.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eApplications\u003c\/strong\u003e\n\u003c\/div\u003e\nTheir slender shapes and the transmission characteristics described below make the \"Series 180\" especially suitable for a very wide range of tasks in the radio and television sector.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.\u003cbr\u003eThe KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. \u003cbr\u003e\u003cbr\u003eAlthough the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. \u003cbr\u003eThis difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances. \u003cbr\u003eThe KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eElectrical features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe \"Series 180\" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: \u003cbr\u003eCompared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB. \u003cbr\u003eThe microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. \u003cbr\u003eThe output of the \"Series 180\", as in all Neumann microphones, is balanced and phantom (48V) powered.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cbr\u003e\u003cstrong\u003eEconomy\u003c\/strong\u003e\n\u003c\/div\u003e\nThe \"Series 180\" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. \u003cbr\u003eThe mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the \"Series 180\" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eThree different miniature microphones for all typical studio applications\u003c\/li\u003e\n\u003cli\u003eSuccessor of the worldwide successful KM 83\/84\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\nThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\u003c\/div\u003e\n\u003cdiv class=\"leftRow\"\u003e\n\u003cul\u003e\n\u003cli\u003eEspecially for recording situations when it is necessary to attenuate off-axis sound (lateral and rear) from other nearby instruments.\u003c\/li\u003e\n\u003cli\u003eAs XY stereo pair\u003c\/li\u003e\n\u003cli\u003eOverhead, toms\u003c\/li\u003e\n\u003cli\u003eTo attenuate unwanted sound of nearby instruments\u003c\/li\u003e\n\u003cli\u003eRecording of speech, as in TV, movie and video productions, PA systems\u003c\/li\u003e\n\u003cli\u003eProduces especially warm and bass supporting sound for artists who perform in proximity effect range\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003ctable style=\"width: 90.0662%;\" class=\"rowTable\" cellspacing=\"0\" cellpadding=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003eKM 183 \/ 184 \/ 185\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003ePressure\/Pressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003eomnidirectional\/cardioid\/hypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e12\/15\/10 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e24\/22\/24 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e13\/13\/15 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e70\/72\/70 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e (rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e81\/81\/79 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eMaximum S.P.L for THD 0.5%\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e140\/138\/142 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e10 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e48 V ± 4 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e3.2 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eMatching connectors\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003eXLR 3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003eapprox. 80 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eDiameter\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e22 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd style=\"width: 52%;\" class=\"text\"\u003eLength\u003c\/td\u003e\n\u003ctd style=\"width: 36.0662%;\" class=\"text\"\u003e107 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e_________________________________________________\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e1)\u003c\/sup\u003e according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e measured as equivalent el. input signal\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Nickel","offer_id":27784755015,"sku":"","price":899.0,"currency_code":"USD","in_stock":true},{"title":"Negro","offer_id":27784755079,"sku":"","price":899.0,"currency_code":"USD","in_stock":true},{"title":"Nickel Par","offer_id":27784755143,"sku":"","price":1750.0,"currency_code":"USD","in_stock":true},{"title":"Negro Par","offer_id":27784755271,"sku":"","price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/KM184-1_99d76ddb-3dcb-40da-8f87-da7abfe147df.png?v=1535658606"},{"product_id":"km-183","title":"Neumann KM 183","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Envioicono.png?v=1591045279\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe KM 183 Omni has become the classic high-quality miniature microphone. Now also available in attractive stereo sets, with cardioid, hypercardioid or omni directional characteristics. The \"Series 180\" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. \u003c\/p\u003e\n\u003cp\u003eBecause of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the \"Series 180\" is predestined for economy-minded production and home recording studios.\u003c\/p\u003e\n\u003cdiv class=\"leftRow\"\u003e\n\u003cdiv class=\"textBlock\"\u003eThe KM 184 cardioid and KM 185 hypercardioid microphones are based on the tremendously successful KM 183 Omni microphone, which has become a standard within the global studio community in just a very short time. All \"Series 180\" microphones are available with either matte black or nickel finish.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eApplications\u003c\/strong\u003e\n\u003c\/div\u003e\nTheir slender shapes and the transmission characteristics described below make the \"Series 180\" especially suitable for a very wide range of tasks in the radio and television sector.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eAcoustic features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.\u003cbr\u003eThe KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eAlthough the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eThis difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eThe KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstrong\u003eElectrical features\u003c\/strong\u003e\n\u003c\/div\u003e\nThe \"Series 180\" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications:\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eCompared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eThe microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eThe output of the \"Series 180\", as in all Neumann microphones, is balanced and phantom (48V) powered.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\n\u003cdiv class=\"headline\"\u003e\n\u003cbr\u003e\u003cstrong\u003eEconomy\u003c\/strong\u003e\n\u003c\/div\u003e\nThe \"Series 180\" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eThe mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the \"Series 180\" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.\u003c\/div\u003e\n\u003cdiv class=\"textBlock\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eThree different miniature microphones for all typical studio applications\u003c\/li\u003e\n\u003cli\u003eSuccessor of the worldwide successful KM 83\/84\u003c\/li\u003e\n\u003cli\u003eTransformerless circuitry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\nThese are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.\n\u003cul\u003e\n\u003cli\u003eFor universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.\u003c\/li\u003e\n\u003cli\u003eAs XY and ORTF stereo pair\u003c\/li\u003e\n\u003cli\u003eAnnouncer’s mic for broadcasting\u003c\/li\u003e\n\u003cli\u003eSpot mic, overhead\u003c\/li\u003e\n\u003cli\u003eClose miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"rowTable\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003e\u003c\/td\u003e\n\u003ctd class=\"text\"\u003eKM 183 \/ 184 \/ 185\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eAcoustical operating principle\u003c\/td\u003e\n\u003ctd class=\"text\"\u003ePressure\/Pressure gradient transducer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eDirectional pattern\u003c\/td\u003e\n\u003ctd class=\"text\"\u003eomnidirectional\/cardioid\/hypercardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eFrequency range\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e20 Hz ... 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eSensitivity at 1 kHz into 1 kohm\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e12\/15\/10 mV\/Pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eRated impedance\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e50 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eRated load impedance\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e1 kohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eEquivalent noise level, CCIR\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e24\/22\/24 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eEquivalent noise level, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e13\/13\/15 dB-A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eSignal-to-noise ratio, CCIR\u003csup\u003e1)\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e(rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e70\/72\/70 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eSignal-to-noise ratio, A-weighted\u003csup\u003e1)\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e(rel. 94 dB S.P.L)\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e81\/81\/79 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eMaximum S.P.L for THD 0.5%\u003csup\u003e2)\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e140\/138\/142 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eMaximum output voltage\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e10 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eSupply voltage (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e48 V ± 4 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eCurrent consumption (P48, IEC 61938)\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e3.2 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eMatching connectors\u003c\/td\u003e\n\u003ctd class=\"text\"\u003eXLR 3F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"text\"\u003eapprox. 80 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"row\"\u003e\n\u003ctd class=\"text\"\u003eDiameter\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e22 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"rowDark\"\u003e\n\u003ctd class=\"text\"\u003eLength\u003c\/td\u003e\n\u003ctd class=\"text\"\u003e107 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e_________________________________________________\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e1)\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eaccording to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS\u003cbr\u003e\u003csup\u003e2)\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003emeasured as equivalent el. input signal\u003c\/p\u003e\n\u003cdiv id=\"ypm-extension\" class=\"ypm-extension\"\u003e\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"Nickel","offer_id":27785199623,"sku":"","price":899.0,"currency_code":"USD","in_stock":true},{"title":"Negro","offer_id":27785199687,"sku":"","price":899.0,"currency_code":"USD","in_stock":true},{"title":"Nickel Par","offer_id":27785199751,"sku":"","price":1750.0,"currency_code":"USD","in_stock":true},{"title":"Negro Par","offer_id":27785199815,"sku":"","price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/KM183-1.png?v=1535658693"},{"product_id":"r-121","title":"Royer R-121","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eReleased in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile \"classic\" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. In its 10+ years in the market, thousands of R-121's have been sold around the world and it's well established as a standard for tracking electric guitar and brass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe R-121 redefined ribbon microphones so completely that Recording Magazine wrote \"...the Royer R-121 is destined to become one of the classic microphones of the 21st century.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLike many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums - you name it, the R-121 will help you record it with realism you have to hear to believe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWe build the R-121 solid enough to give it a lifetime warranty. We expect you to own it for as long as you record, and we'll stand behind it the whole way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003e Patented Offset Ribbon Technology\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e The R-121's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high S.P.L recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWe've always said Royers \"hear like your ears.\" Put one up and you'll know what we mean. The R-121 accurately reproduces what you hear at the sound source. Most microphones add their own characteristics; some have hyped highs and lows with scooped out mids, some are extremely sizzly in the highs, some accentuate midrange, some respond to nothing but low end... They all serve a purpose and have their place in the studio. But if your goal is to capture something the way it really sounds - that unbelievable electric guitar, that wailing trumpet, that full kit - and you've found that recording that sound was next to impossible, put up an R-121 and get ready. The R-121's response is flat and well balanced, with a deep, non-boomy low end, well defined and realistic mids, and a smooth and natural sounding high end response that's never edgy or sibilant.\u003c\/p\u003e\n\u003cp\u003eWhen it's time to mix, push up the faders on your ribbon-recorded tracks and you'll see why so many of today's engineers rely on R-121's. When your tracks sound real, fitting them into the mix is a breeze.\u003c\/p\u003e\n\u003cp\u003eOn playback you'll find the sound is natural and alive, with a panoramic, ambient feel much like what you heard when you were standing in the room with the instruments(s) you were recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecording LOUD! \u003c\/strong\u003e\u003cbr\u003eNeed to record at insane levels? No problem! The R-121's maximum S.P.L rating is 135dB at 20 Hz and it can handle that for years. In practical terms, that means you can put your R-121 directly in front of a souped up 100-watt Marshall and open it up without microphone distortion or damage to the ribbon. We don't recommend trying this with other ribbon mics, but the R-121 was built to take it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Mics In One\u003c\/strong\u003e\u003cbr\u003eAt distances of three feet and closer, the back of the R-121 records slightly brighter than the front side. This can be extremely useful when recording acoustic guitars, vocals, and other sound sources that you may need a slightly brighter response on.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cul\u003e\n\u003cli\u003eHigh S.P.L Capabilities\u003c\/li\u003e\n\u003cli\u003eNo internal active electronics to overload or produce distortion up to maximum S.P.L rating\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon element is not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front or back of element\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cul\u003e\n\u003cli\u003eElectric Guitar Amps\u003c\/li\u003e\n\u003cli\u003eBrass Instruments\u003c\/li\u003e\n\u003cli\u003eHorn Sections\u003c\/li\u003e\n\u003cli\u003eDrum Rooms\u003c\/li\u003e\n\u003cli\u003eKick Drum\u003c\/li\u003e\n\u003cli\u003eWoodwinds\u003c\/li\u003e\n\u003cli\u003ePercussion Instruments\u003c\/li\u003e\n\u003cli\u003eAcoustic Piano\u003c\/li\u003e\n\u003cli\u003eAcoustic Guitar\u003c\/li\u003e\n\u003cli\u003eString Instruments \u0026amp; Sections\u003c\/li\u003e\n\u003cli\u003eChoirs \u0026amp; Orchestras\u003c\/li\u003e\n\u003cli\u003eCommercial Broadcast\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Data:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic Operating Principle: Electrodynamic pressure gradient\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eGenerating Element: 2.5-micron aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eMagnets: Rare Earth Neodymium\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 30 -15,000 Hz +\/- 3dB\u003c\/li\u003e\n\u003cli\u003eSensitivity: -50 dBv Re. 1v\/pa\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 300 Ohms @ 1K (nominal)\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: \u0026gt;1500 Ohms @ 300 Ohms\u003c\/li\u003e\n\u003cli\u003eMaximum S.P.L: \u0026gt;135dB @ 20 Hz\u003c\/li\u003e\n\u003cli\u003eOutput Connector: Male XLR 3 pin (Pin 2 Hot)\u003c\/li\u003e\n\u003cli\u003eDimensions: 155.7mm L, 25mm W (6.13\" L, 1\" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel\/Matte Black Chrome optional\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/mono_pp_2ffec184-671e-41bd-91f0-64b818489058_large.jpg?v=1472601034\" alt=\"\"\u003e        \u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/R-121freq_large.jpg?v=1472601063\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Royer Ribbon Microphones","offers":[{"title":"Nickel","offer_id":28989877703,"sku":"","price":1599.0,"currency_code":"USD","in_stock":true},{"title":"Nickel par","offer_id":28990050439,"sku":"","price":3198.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/R-121-1.png?v=1699034466"},{"product_id":"r-121-mkii","title":"Royer R-122 MKII","description":"\u003cp\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2002 we introduced the R-122, the world's first phantom powered, active ribbon™ microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. It also allowed the mic to be paired to virtually any preamplifier.\u003c\/p\u003e\n\u003cp\u003eThe R-122 MKll takes the R-122 to a whole new level, delivering unprecedented flexibility for ribbons via the addition of a switchable -15 dB pad and a switchable bass-cut filter. The switches are completely out of the circuit when disengaged so when both are off, the microphone is for all purposes an original R-122. The switches are located on the back of the microphone and recessed to prevent accidental activation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Pad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe R-122 MKll’s switchable -15 dB pad is positioned before the microphone’s electronics and, when engaged, eliminates any potential for headroom-related distortion on even the loudest sound sources. Wide open electric guitars are no problem. With the pad in, the R-122 MKll’s output is actually 2 dB\u003cem\u003e lower\u003c\/em\u003e than our flagship R-121.\u003cbr\u003e\u003cbr\u003eThe R-122 MKll’s well-designed pad has no sonic imprint. Once levels are matched, the R-122 MKll reproduces sound exactly the same with the pad in as with the pad out.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Bass Cut\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen switched in, the R-122 MKll’s bass cut starts filtering at 100 Hz, 6 dB per octave, effectively reducing the mic’s bass buildup due to proximity effect. This smooth filter is extremely useful on vocals, many acoustic instruments, and close-miked electric guitars when less bottom end is desired.\u003c\/p\u003e\n\u003cp\u003eThe R-122 MKll’s electronics are hand-wired in our Burbank, CA factory. The microphone utilizes a special Royer-designed toroidal transformer that delivers a faster transient response then traditional ribbons, making it a first call ribbon mic for drum overheads, percussion and all acoustic instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u2028\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConventional ribbon microphones need high-quality, high-gain microphone preamplifiers to record softer sound sources. The R-122 MKll’s output level is much higher, allowing you to use practically any mic preamplifier or board pre's to record even the quietest sounds. The R-122 MKll contains a fully balanced, hand-wired, discrete head amplifier system utilizing a specially wound toroidal transformer and ultra-low noise FET's. This system is extremely quiet and brings the R-122 MKll's sensitivity to 37 dB, all while allowing for high S.P.L recording! Go ahead and plug a MKll into any preamp with average gain - you'll get full Royer performance and enough level to drive any recording medium.\u003c\/p\u003e\n\u003cp\u003eThere is no increase in self-noise in the R-122 MKll's higher sensitivity. All of the mic’s additional output comes from its large, specially wound toroidal transformer - that wonderful thing called \"free gain.\" The phantom powered circuitry provides impedance conversion only, adding no noise of its own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance Matching\u2028\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe R-122 MK's active electronics put a perfect load on the ribbon element at all times, allowing the microphone to deliver its full sonic potential regardless of the input characteristics of the following pre. Due to its low-impedance output, R-122's can be used on extremely long cable runs with minimal signal loss. In addition, the ribbon element can't be damaged by phantom power, miswired cables or electrical glitches.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatented Offset Ribbon Technology\u2028\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe R-122's proprietary offset ribbon transducer (Patent # 6,434,252) positions the ribbon element closer to the front (logo) side of the microphone. This configuration gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high S.P.L recordings. It's an integral piece of the magic of all Royer R-series microphones.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe R-122 MKll is every bit as tough as our R-121. It is a first-call mic for electric and acoustic guitars, drum overheads, brass, percussion, electric and acoustic bass, piano, strings, woodwinds, Foley, and many other applications.\u003c\/p\u003e\n\u003cp\u003eThe R-122 MKll is similar to the R-121, but the faster transient response and larger size of the MKll's audio transformer translates into more open highs and a tighter, more focused low end response. These characteristics make the R-122 MKll an exceptional choice for drum overheads, many acoustic instruments, percussion, strings, piano, standup bass and vocals.\u003c\/p\u003e\n\u003cp\u003eAs with all Royer ribbons, pushing up the faders on your ribbon-recorded tracks at mixdown is a revelation. When your tracks sound natural and real, there's nothing to fight or “fix” and instruments drop into the mix easily.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShould I Use An R-122 MKll or R-121?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBecause of the R-122 MKll's faster transient response and tighter low end, engineers often choose them over R-121's for drum overheads, acoustic instruments and vocals. R-121's sometimes edge out R-122 MKll's on electric guitars and brass, but it's a matter of taste. If you're recording mostly electric guitars and\/or brass, we usually suggest going with the R-121 - it’s less expensive and sounds incredible. The MKll is equally good on these instruments, but you may not need (or want) the additional openness in the highs from the faster transient response, and you certainly won't need the MKll’s higher sensitivity on these high S.P.L applications. If you plan on using the mics primarily for drum overheads, vocals, piano, acoustic instruments, strings, classical music applications and so forth, we highly recommend going with the R-122 MKll, which will also be excellent on electric guitars, percussion and brass.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Mics in One\u003c\/strong\u003e\u003cbr\u003eDue to our patented offset ribbon transducer, the back of the R-122 MKll records slightly brighter than the front side at distances of three feet and closer. This can be extremely useful for recording acoustic guitars, vocals, drum overheads and other sound sources that you may want a slightly brighter response on.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeature:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom powered circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003e-15 dB pad before the mic’s electronics gives more headroom when activated.\u003c\/li\u003e\n\u003cli\u003eBass cut filter reduces proximity effect and bass below 100 Hz when activated\u003c\/li\u003e\n\u003cli\u003eHigh S.P.L Capabilities\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum S.P.L rating\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon element is not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front or back of element\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eRear side of mic records slightly brighter when three feet or closer to sound source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic Guitar\u003c\/li\u003e\n\u003cli\u003eDrum Overheads\u003c\/li\u003e\n\u003cli\u003ePercussion Instruments\u003c\/li\u003e\n\u003cli\u003eBrass and Woodwinds\u003c\/li\u003e\n\u003cli\u003eHorn Sections\u003c\/li\u003e\n\u003cli\u003eAcoustic Piano\u003c\/li\u003e\n\u003cli\u003eAcoustic Guitar\u003c\/li\u003e\n\u003cli\u003eHarp\u003c\/li\u003e\n\u003cli\u003eSolo Strings \u0026amp; String Sections\u003c\/li\u003e\n\u003cli\u003eChoirs and Orchestras\u003c\/li\u003e\n\u003cli\u003eCommercial Broadcast\u003c\/li\u003e\n\u003cli\u003eVoice Over\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Data\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic Operating Principle: Electrodynamic pressure gradient with active\u003cbr\u003eelectronics.\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eGenerating Element: 2.5-micron aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eMagnets: Rare Earth Neodymium\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 30 - 15,000 Hz ±3 dB\u003c\/li\u003e\n\u003cli\u003eSensitivity: -36 dB (re. 1v\/pa ±1 dB)\u003c\/li\u003e\n\u003cli\u003eSwitchable Pad: -15 dB\u003c\/li\u003e\n\u003cli\u003eSwitchable Bass Cut: 100 Hz (6 dB per octave)\u003c\/li\u003e\n\u003cli\u003eSelf-Noise: \u0026lt; 18 dB\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 200 Ohms, balanced\u003c\/li\u003e\n\u003cli\u003eOutput Connector: Male XLR 3-pin (Pin 2 Hot)\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: 1K-Ohm minimum\u003c\/li\u003e\n\u003cli\u003eMaximum S.P.L: 135 dB @ 30 Hz\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 48-Volt Phantom Only\u003c\/li\u003e\n\u003cli\u003eSupply Current: 4 mA\u003c\/li\u003e\n\u003cli\u003eDimensions: 206mm L X 25mm W (8 1\/8” L X 1” W)\u003c\/li\u003e\n\u003cli\u003eWeight: 309 grams (10.9 oz)\u003c\/li\u003e\n\u003cli\u003eFinish: Burnished Satin Nickel \/ Matte Black\u003cbr\u003eChrome (optional)\u003c\/li\u003e\n\u003cli\u003eAccessories: Protective wood case, mic sock \u003cbr\u003eOptional Accessories: Wind screen, shock mount\u003c\/li\u003e\n\u003cli\u003eMicrophone Warranty: Lifetime to original owner (repair or replace\u003cbr\u003eat Royer’s option)\u003c\/li\u003e\n\u003cli\u003eRibbon Element Warranty: One Year\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/mono_pp_31dd7a8c-1a0c-4953-b00b-a048b4e386e7_large.jpg?v=1472603966\" alt=\"\"\u003e      \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/R-122mkiifreq_large.jpg?v=1472603983\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/PAMBGhCpS08\" width=\"530\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Royer Ribbon Microphones","offers":[{"title":"Unitario","offer_id":28990717511,"sku":"","price":1999.0,"currency_code":"USD","in_stock":true},{"title":"Par","offer_id":28990717575,"sku":"","price":3998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/R-122MKII-1.png?v=1472604031"},{"product_id":"sf-2","title":"Royer SF-2","description":"\u003cp\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eEl micrófono de cinta SF-2 es una versión con alimentación fantasma de nuestro micrófono de cinta SF-1 original. Diseñado principalmente para aplicaciones clásicas e instrumentos acústicos, el SF-2 combina un rendimiento de audio de alta calidad con nuestra electrónica activa exclusiva para micrófonos de cinta. La salida del SF-2 de -38 dB pone su sensibilidad a la par con la de los micrófonos de condensador con alimentación fantasma, lo que permite utilizarlo con una amplia variedad de previos de micrófono independientemente de las características de ganancia. La electrónica única y los FET diseñados a medida utilizados en el SF-2 ofrecen un funcionamiento ultrasilencioso, con un ruido propio inferior a 18 dB.\u003c\/p\u003e\n\u003cp\u003eLa estructura del transductor de pieza polar\/imán del SF-2 proporciona una respuesta de frecuencia amplia y uniforme sin picos ni caídas sustanciales, y el elemento de cinta de 1,8 micras ofrece una excelente respuesta transitoria. La respuesta de frecuencia es excelente independientemente del ángulo del sonido que golpea la cinta y la coloración fuera del eje es insignificante.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eNuestros micrófonos de cinta Active Series son tan sensibles como los micrófonos de condensador con alimentación fantasma, lo que le permite utilizar prácticamente cualquier preamplificador de micrófono o preamplificador de placa. Los micrófonos de cinta convencionales son entre 15 y 30 dB menos sensibles que los micrófonos de condensador, lo que requiere el uso de preamplificadores de micrófono de alta calidad y alta ganancia al grabar fuentes de sonido más silenciosas, como instrumentos acústicos, voces, ambiente de sala, etc. El SF-2 contiene un Sistema amplificador de cabeza discreto y equilibrado que utiliza un transformador toroidal especialmente bobinado y FET de ruido ultrabajo para ofrecer una sensibilidad de -38 dB. Incluso con fuentes de sonido extremadamente silenciosas, tendrás suficiente nivel para manejar cualquier medio de grabación.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eLa electrónica del SF-2 no genera ruido propio adicional. Toda la salida más alta del SF-2 proviene de su gran transformador toroidal especialmente enrollado que proporciona 14 dB adicionales de \"ganancia libre\". El sistema de alimentación fantasma funciona a menos de la unidad y no añade ningún ruido propio.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance Matching\u003c\/strong\u003e\u003cbr\u003eLa electrónica del SF-2 proporciona una carga perfecta al elemento de cinta en todo momento, permitiendo que el micrófono entregue el 100% de su potencial sónico total independientemente de las características de entrada del siguiente preamplificador de micrófono. Debido a su salida de baja impedancia, los SF-2 se pueden utilizar en cables extremadamente largos con una pérdida de señal mínima.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eUna coincidencia de impedancia adecuada es fundamental para el rendimiento de los micrófonos de cinta. La falta de coincidencia de impedancia carga un elemento de cinta de manera inadecuada, lo que resulta en una pérdida de graves y cuerpo, menor sensibilidad y una disminución general del rendimiento. Con nuestros micrófonos de cinta Active Series, el elemento de cinta ve una impedancia perfecta en todo momento, independientemente del preamplificador que elija, por lo que su rendimiento nunca se ve comprometido por los efectos de una carga inadecuada. Además, el elemento de cinta no puede resultar dañado por alimentación fantasma, fallos eléctricos o cables mal conectados.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe SF-2 Story\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eVeinte prototipos de SF-2 circularon en los principales estudios y escenarios de música durante años antes del lanzamiento del micrófono. Fueron muy bien recibidos en los círculos clásicos, donde destacan en coro, piano, instrumentos de viento, cuerdas y muchas otras aplicaciones. También fueron bien recibidos en estudios centrados más en instrumentos acústicos, cantautores, etc. No pudimos recuperar la mayoría de los prototipos...\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom powered circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003eHigh S.P.L capabilities (130 dB @ 70 Hz)\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum SPL rating\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon element not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion.\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front and back of microphone\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eHigh efficiency toroidal transformer and gold plated output connector\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003cli\u003eMatte Black finish reduces reflected light for live and on-camera use\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cul\u003e\n\u003cli\u003eChoir\u003c\/li\u003e\n\u003cli\u003eWoodwinds, flute and other reed instruments\u003c\/li\u003e\n\u003cli\u003eViolin, cello and other stringed instruments\u003c\/li\u003e\n\u003cli\u003eBrass, string and woodwind sections\u003c\/li\u003e\n\u003cli\u003ePiano\u003c\/li\u003e\n\u003cli\u003eHarp\u003c\/li\u003e\n\u003cli\u003eOrchestra\u003c\/li\u003e\n\u003cli\u003eAcoustic Guitar, Mandolin, Banjo\u003c\/li\u003e\n\u003cli\u003ePercussion Instruments\u003c\/li\u003e\n\u003cli\u003eVocals\u003c\/li\u003e\n\u003cli\u003eDrum Overheads\u003c\/li\u003e\n\u003cli\u003eAmbiance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Data:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eElectrodynamic pressure gradient with active \u003cbr\u003eelectronics.\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eGenerating Element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 30 HZ - 15,000 HZ +\/-2db\u003c\/li\u003e\n\u003cli\u003eSensitivity: -38 dBv Ref 1 Volt per Pascal\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 200 Ohms @ 1khz\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: \u0026gt; 1500 Ohms\u003c\/li\u003e\n\u003cli\u003eMaximum S.P.L: \u0026gt; 130 dB SPL\u003c\/li\u003e\n\u003cli\u003eOutput Connector: Male XLR 3 pin (Pin 2 Hot)\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 48-Volt Phantom\u003c\/li\u003e\n\u003cli\u003eSupply Current: 4 mA\u003c\/li\u003e\n\u003cli\u003eHigh grade neodymium magnet assembly\u003c\/li\u003e\n\u003cli\u003eStainless steel internal baffle and dampener\u003c\/li\u003e\n\u003cli\u003eWeight: 448 grams (15.8 oz.)\u003c\/li\u003e\n\u003cli\u003eDimensions: 142 mm x 39mm (base) x 25mm (top)\u003c\/li\u003e\n\u003cli\u003eFinish: Matte black\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/roye_sf-2_polar_large.png?v=1472605185\" alt=\"\"\u003e    \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SF-12freq_large.jpg?v=1472605198\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/IqQE2gbMFNQ\" width=\"530\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Royer Ribbon Microphones","offers":[{"title":"Unitario","offer_id":28992399047,"sku":"","price":2099.0,"currency_code":"USD","in_stock":true},{"title":"Par","offer_id":28992399111,"sku":"","price":4198.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/SF-2-1.png?v=1472606978"},{"product_id":"sf-12","title":"Royer SF-12","description":"\u003cp\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.\u003c\/p\u003e\n\u003cp\u003eThe SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1\/3 milligram and producing superb transient response. The two ribbon transducers are magnet\/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled \"Upper\" and \"Lower,\" for the upper and lower capsules of the microphone (when held vertically).\u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cp\u003eThe SF-12 is uncanny for creating \"you-are-there\" stereo recordings that capture not only the instrument being recorded, but, depending on positioning, the acoustic environment as well. If you pay careful attention to the sound of an instrument or ensemble in the recording environment, you will likely find a place where it sounds best to you. Position the SF-12 in that place and you will capture that sound.\u003c\/p\u003e\n\u003cp\u003eA beautiful example can be found in the Orchestra section of the Royer Demonstration CD. An engineer used one well-positioned SF-12 to create a stunning recording of the Ukrainian Radio Television Orchestra. (Initially, the conductor was not happy with the engineer's desire to record with one microphone, but after hearing the results, the engineer has been invited back to record the orchestra a number of times, with the same one microphone, his SF-12.)\u003c\/p\u003e\n\u003cp\u003eThe SF-12 is an excellent choice for drum overheads, where its stereo imaging and realism help to create powerful, dynamic drum tracks. In a jazz setting, recording the kit flat provides extremely natural sounding cymbals, tom-toms and snares. In rock and pop recordings where you'd like to capture the meat of the kit but with more air on the cymbals to help them cut more aggressively, simply open the top end up with EQ. Ribbons take EQ extremely well because they generate virtually no self distortion. When you boost a frequency, even by many dB, you'll bring up only the musical response you're looking for without unpleasant distortion artifacts joining the party.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecording in Mono \u003c\/strong\u003e\u003cbr\u003ePhase compatibility between the two sides of the SF-12 is excellent, allowing you to combine the two channels for mono recording without creating phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the \"sweet spot\" of a mono microphone. Either side of the SF-12 can also be used individually as a mono microphone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cul\u003e\n\u003cli\u003eTrue stereophonic (Blumlein and M-S) recording from one microphone.\u003c\/li\u003e\n\u003cli\u003eHigh S.P.L capabilities.\u003c\/li\u003e\n\u003cli\u003eNo internal active electronics to overload or produce distortion up to maximum S.P.L rating.\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise.\u003c\/li\u003e\n\u003cli\u003eRibbon element not affected by heat or humidity.\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion.\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front or back of elements.\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance.\u003c\/li\u003e\n\u003cli\u003eHigh efficiency, matching toroidal transformers.\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cul\u003e\n\u003cli\u003eDrum Overheads\u003c\/li\u003e\n\u003cli\u003ePercussion Instruments\u003c\/li\u003e\n\u003cli\u003eBrass and Woodwinds\u003c\/li\u003e\n\u003cli\u003eHorn Sections\u003c\/li\u003e\n\u003cli\u003eAcoustic Piano\u003c\/li\u003e\n\u003cli\u003eHarp\u003c\/li\u003e\n\u003cli\u003eChoirs\u003c\/li\u003e\n\u003cli\u003eSolo Strings\u003c\/li\u003e\n\u003cli\u003eString Sections\u003c\/li\u003e\n\u003cli\u003eOrchestra\u003c\/li\u003e\n\u003cli\u003eAcoustic \u0026amp; Electric Guitars\u003c\/li\u003e\n\u003cli\u003eBackground Vocals\u003c\/li\u003e\n\u003cli\u003eAmbiance\u003c\/li\u003e\n\u003cli\u003eStereo to Mono\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Data:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic Operating Principle: Electrodynamic pressure gradient\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Symmetrical figure-8\u003c\/li\u003e\n\u003cli\u003eGenerating Element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 30-15,000 Hz +\/- 3dB\u003c\/li\u003e\n\u003cli\u003eSensitivity: \u0026gt; -52 dBv Re. 1v\/pa\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 300 Ohms @ 1K (nominal)\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: \u0026gt;1500 Ohms @ 300 nominal impedance\u003c\/li\u003e\n\u003cli\u003eMaximum S.P.L: \u0026gt;130dB\u003c\/li\u003e\n\u003cli\u003eOutput Connector: Male XLR 5 pin (stereo*)\u003c\/li\u003e\n\u003cli\u003eDimensions: 206 mm L X 25 mm W (8\" L X 1\" W)\u003cbr\u003eWeight: 369 Grams (13 Oz)\u003c\/li\u003e\n\u003cli\u003eFinish: Matte Black Chrome, Dull Satin Nickel (optional)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SF-12pat_large.png?v=1472605684\" alt=\"\"\u003e   \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SF-12freq_b472e8b0-4953-43bf-aa78-663e029e261e_large.jpg?v=1472605697\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Royer Ribbon Microphones","offers":[{"title":"Default Title","offer_id":28992989127,"sku":"","price":2799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/SF-12-1.png?v=1472605901"},{"product_id":"sf-24","title":"Royer SF-24","description":"\u003cp\u003e \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg height=\"75\" width=\"104\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe SF-24 stereo ribbon microphone is a phantom powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12's high quality audio performance, outstanding stereo separation and imaging with our exclusive active electronics system for ribbon microphones. The SF-24's output of -38 dB is a full 14 dB more sensitive than our non-powered SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom designed FET's used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18 dB.\u003c\/p\u003e\n\u003cp\u003eLike an SF-12, the SF-24 is actually two matched ribbon microphones placed one above the other in a coincident pair, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet\/pole piece structure of each ribbon transducer delivers a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.\u003c\/p\u003e\n\u003cp\u003eThe SF-24's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled \"Upper\" and \"Lower\" for the upper and lower capsules of the microphone (when held vertically).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain \u003c\/strong\u003e\u003cbr\u003eOur active ribbon™ mics (SF-24 and R-122) are as sensitive as phantom powered condenser microphones, allowing you to use virtually any mic preamplifier or board pre. Conventional ribbon microphones are 15 to 30 dB less sensitive than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers when recording softer sound sources like acoustic instruments, vocals and room ambiance. The SF-24 contains two fully balanced, discrete head amplifier systems utilizing specially wound toroidal transformers and ultra-low noise FET's, each delivering a sensitivity of -38 dB. This lets you mate an SF-24 to any preamplifier with average gain characteristics. Even with quiet sound sources, you'll have enough level to drive any recording medium.\u003c\/p\u003e\n\u003cp\u003eIt is important to note that the SF-24's higher sensitivity does not create additional self-noise. All of the SF-24's increased level comes from its large, specially wound toroidal transformers - that wonderful thing called \"free gain.\" The level at the each of the transformers is actually hotter than what comes out of the microphone. The phantom powered system operates at less than unity, adding no noise of its own. This system took years to develop and is in patent pending status.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance Matching\u003c\/strong\u003e\u003cbr\u003eThe electronics in the SF-24 provide a perfect load to the ribbon elements at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, SF-24's can also be used on extremely long cable runs with minimal signal loss.\u003c\/p\u003e\n\u003cp\u003eA good impedance match is critical to ribbon microphones. Impedance mis-matching loads a ribbon improperly, resulting in loss of low end, diminished body, lowered sensitivity and an overall compromised performance. With our Active Series ribbon mics, the ribbon element sees a perfect impedance at all times, regardless of the preamp you use, so its performance will never be compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or miswired cables.\u003c\/p\u003e\n\u003cdiv class=\"TabbedPanelsContent TabbedPanelsContentVisible\" style=\"display: block;\"\u003e\n\u003cp\u003eLike the SF-12, the SF-24 is uncanny for creating \"you-are-there\" stereo recordings that capture not only the instrument(s) being recorded, but, depending on how the microphone is positioned, varying degrees of the acoustical space. In addition, the increased sensitivity and impedance matching circuitry allows for more consistent results in a variety of recording situations and with a wider selection of mic pre's.\u003c\/p\u003e\n\u003cp\u003eFor mono recording, phase compatibility between the two sides of the SF-24 is excellent. This allows you to combine the two channels perfectly in mono without creating undesirable phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the \"sweet spot\" of a mono microphone. Either side of the SF-24 can also be used individually as a mono microphone.\u003c\/p\u003e\n\u003cp\u003eThe SF-24 excels on classical piano, drum overheads, ensemble and orchestral recordings, a wide variety of percussion instruments, virtually all acoustic instruments, small vocal ensembles, large choirs, etc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecording in Mono \u003c\/strong\u003e\u003cbr\u003ePhase compatibility between the two sides of the SF-24 is excellent, allowing you to combine the two channels for mono recording without creating phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the \"sweet spot\" of a mono microphone. Either side of the SF-24 can also be used individually as a mono microphone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"TabbedPanelsContent TabbedPanelsContentVisible\" style=\"display: block;\"\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom powered circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003eTrue stereophonic (Blumlein and M-S) recording from one microphone\u003c\/li\u003e\n\u003cli\u003eHigh S.P.L capabilities\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum SPL rating\u0026lt;\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon elements are not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front or back of elements\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eHigh efficiency, matching toroidal transformers\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"TabbedPanelsContent TabbedPanelsContentVisible\" style=\"display: block;\"\u003e\n\u003cul\u003e\n\u003cli\u003eDrum Overheads\u003c\/li\u003e\n\u003cli\u003ePercussion Instruments\u003c\/li\u003e\n\u003cli\u003eBrass and Woodwinds\u003c\/li\u003e\n\u003cli\u003eAcoustic Piano\u003c\/li\u003e\n\u003cli\u003eHarp\u003c\/li\u003e\n\u003cli\u003eChoirs\u003c\/li\u003e\n\u003cli\u003eSolo Strings\u003c\/li\u003e\n\u003cli\u003eString Sections\u003c\/li\u003e\n\u003cli\u003eOrchestra\u003c\/li\u003e\n\u003cli\u003eAcoustic \u0026amp; Electric Guitars\u003c\/li\u003e\n\u003cli\u003eVocal Groups\u003c\/li\u003e\n\u003cli\u003eAmbiance\u003c\/li\u003e\n\u003cli\u003eStereo to Mono\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Data:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic Operating Principle: Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Crossed figure-8's\u003c\/li\u003e\n\u003cli\u003eGenerating Element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 40-15,000 Hz +\/- 2dB\u003c\/li\u003e\n\u003cli\u003eSensitivity: -38 dB (re. 1v\/pa +\/-1dB)\u003c\/li\u003e\n\u003cli\u003eSelf-Noise: \u0026lt; 18 dB\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 200 Ohms\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: 1K-Ohm\u003c\/li\u003e\n\u003cli\u003eMaximum S.P.L: \u0026gt;130dB\u003c\/li\u003e\n\u003cli\u003eOutput Connector: Male XLR 5 pin (stereo*)\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 48-Volt Phantom Only\u003c\/li\u003e\n\u003cli\u003eSupply Current: 4 mA per channel\u003c\/li\u003e\n\u003cli\u003eDimensions: 270mm X 39mm (base) X 25mm (top) (10 5\/8\" X 1.5\" X 1\")\u003cbr\u003eWeight: 583 grams (20.5 oz)\u003c\/li\u003e\n\u003cli\u003eFinish: Optical Black, 18K Gold (optional)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SF-12pat_0b6415d5-7cfc-4fe9-8e07-0c506e2305e9_large.png?v=1472606783\"\u003e  \u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SF-12freq_f45b99b0-6fc7-4e59-982e-2beb5baacc44_large.jpg?v=1472606795\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"530\" src=\"https:\/\/www.youtube.com\/embed\/EjyB1XDzfCs\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Royer Ribbon Microphones","offers":[{"title":"Default Title","offer_id":28993505735,"sku":"","price":4299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/SF-24-1.png?v=1472606890"},{"product_id":"sf-24v","title":"Royer SF-24V","description":"\u003cp\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe SF-24V vacuum tube stereo ribbon microphone is the pinnacle of our SF-series stereo microphones. The sound pickup is lush, smooth and natural, with outstanding stereo imaging and superb transient response. The tube electronics provide increased midrange reach, unmatched clarity and detail, and an airiness previously unheard of in ribbon mics. Utilizing the same proprietary tube electronics as in our TEC Award winning R-122V ribbon microphones, the SF-24V delivers the ultimate in stereo ribbon miking for the true connoisseur of recorded sound.\u003c\/p\u003e\n\u003cp\u003eThe SF-24V’s independent tube circuits provide an output level of -38 dB, suitable for use with any professional preamplifier. With self-noise of lower than 18 dB, the SF-24V’s ultra-quiet operation is suitable for the most demanding classical and acoustic recording applications.\u003c\/p\u003e\n\u003cp\u003eLike an SF-12, the SF-24V is actually two matched ribbon microphones, placed one above the other in a coincident pair, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet\/pole piece structure of each ribbon transducer delivers a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Electronics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe SF-24V’s twin head amplifiers consist of low-noise, triode-connected military grade 5840 vacuum tubes. Designed for a wide range of applications, the SF-24V delivers -38 dB output and the drive capabilities only vacuum tube head amplifiers can provide. The circuits are devoid of typical vacuum tube coloration.\u003c\/p\u003e\n\u003cp\u003eThe SF-24V’s triode-configured cathode follower circuitry enables the microphone to drive long cable runs without sonic degradation or high-frequency loss. This capability is further enhanced by the SF-24V's dedicated power supply, which provides ample current to the vacuum tube electronics. Induced noise is virtually eliminated by the microphone's fully balanced outputs, which are electrically isolated with special purpose Jensen output transformers.\u003c\/p\u003e\n\u003cp\u003eThe SF-24V has far more level than non-powered ribbon microphones and its impedance matching circuitry places a perfect load on the ribbon element at all times. This allows the use of a wide variety of mic preamps without concern for gain and impedance matches, two critical issues with ribbon microphones. In addition, the microphone’s electronics shield the ribbon elements from any possibility of damage by phantom power, electrical glitches or miswired cables.\u003c\/p\u003e\n\u003cp\u003eIt is important to note that the SF-24V’s higher sensitivity creates no additional self-noise. All of the SF-24V’s increased level comes from its large, specially wound toroidal transformers, so there is no additional noise associated with the microphone's higher output. The tube system operates at less than unity, adding no noise of its own\u003c\/p\u003e\n\u003cp\u003eThe SF-24V excels on full orchestra, choir and ensembles, classical piano, drum overheads, virtually all acoustic instruments, small vocal groups, a wide variety of percussion instruments, as a room mic, etc.\u003c\/p\u003e\n\u003cp\u003eLike the SF-12, the SF-24V is uncanny for creating “you-are-there” stereo recordings that capture not only the instrument(s) being recorded, but, depending on how the microphone is positioned, varying degrees of the acoustical space. In addition, the increased sensitivity and impedance matching circuitry allows for more consistent results in a variety of recording situations and with a wider selection of mic pre’s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecording in Mono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor mono recording, phase compatibility between the two sides of the SF-24V is excellent, allowing you to combine the two channels perfectly in mono with no phase artifacts. This is particularly useful when capturing a wide sound field in mono; for instance, a singer who tends to move off the “sweet spot” of a mono microphone. Each side of the SF-24V can also be used as an independent mono microphone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cul\u003e\n\u003cli\u003eVacuum tube circuitry provides high output and impedance matching\u003c\/li\u003e\n\u003cli\u003eTrue stereophonic (Blumlein and M-S) recording from one coincident microphone\u003c\/li\u003e\n\u003cli\u003eHigh S.P.L capabilities\u003c\/li\u003e\n\u003cli\u003eNo distortion up to maximum SPL rating\u003c\/li\u003e\n\u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n\u003cli\u003eRibbon elements are not affected by heat or humidity\u003c\/li\u003e\n\u003cli\u003eAbsence of high frequency phase distortion\u003c\/li\u003e\n\u003cli\u003eEqual sensitivity from front or back of elements\u003c\/li\u003e\n\u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003cli\u003eHigh efficiency, matching toroidal transformers\u003c\/li\u003e\n\u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: block;\" class=\"TabbedPanelsContent TabbedPanelsContentVisible\"\u003e\n\u003cul\u003e\n\u003cli\u003eOrchestra\u003c\/li\u003e\n\u003cli\u003eString Sections\u003c\/li\u003e\n\u003cli\u003eSolo Strings\u003c\/li\u003e\n\u003cli\u003eBrass and Woodwinds\u003c\/li\u003e\n\u003cli\u003eAcoustic Piano\u003c\/li\u003e\n\u003cli\u003eHarp\u003c\/li\u003e\n\u003cli\u003eChoirs\u003c\/li\u003e\n\u003cli\u003eDrum Overheads\u003c\/li\u003e\n\u003cli\u003ePercussion Instruments\u003c\/li\u003e\n\u003cli\u003eAcoustic Guitars\u003c\/li\u003e\n\u003cli\u003eLarge \u0026amp; Small Ensembles\u003c\/li\u003e\n\u003cli\u003eAmbiance\u003c\/li\u003e\n\u003cli\u003eStereo to Mono\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Data:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic Operating Principle: Electrodynamic pressure gradient with vacuum tube electronics.\u003c\/li\u003e\n\u003cli\u003eVacuum Tube: JAN mil-spec 5840W pentode wired in triode configuration\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Crossed figure-8's\u003c\/li\u003e\n\u003cli\u003eGenerating Element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 30-15,000 Hz +\/- 3dB\u003c\/li\u003e\n\u003cli\u003eSensitivity: -38 dB (re. 1v\/pa +\/-1dB)\u003c\/li\u003e\n\u003cli\u003eSelf-Noise: \u0026lt; 18 dB\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 450 Ohms @ 1K\u003c\/li\u003e\n\u003cli\u003eRecommended Load Impedance: 1500 Ohms or greater\u003c\/li\u003e\n\u003cli\u003eMaximum S.P.L: \u0026gt;130dB\u003c\/li\u003e\n\u003cli\u003eMicrophone Output Connector: Male XLR 7 pin (stereo*)\u003c\/li\u003e\n\u003cli\u003ePower Supply Output Connectors: Two Male XLR-3 pin\u003c\/li\u003e\n\u003cli\u003ePower Requirements: Plate supply: 135 VDC @2ma, Filament supply: 6 VDC@ 150ma from dedicated power supply.\u003c\/li\u003e\n\u003cli\u003eSupply Current: 4 mA per channel\u003c\/li\u003e\n\u003cli\u003eMicrophone Dimensions: 270mm X 39mm (base) X 25mm (top) (10 5\/8\"X 1.5\" X 1\")\u003cbr\u003eWeight: 583 grams (20.5 oz)\u003c\/li\u003e\n\u003cli\u003eFinish: Dull Satin Nickel, Optical Black finish optional\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SF-12pat_0b6415d5-7cfc-4fe9-8e07-0c506e2305e9_large.png?v=1472606783\" alt=\"\"\u003e  \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SF-12freq_f45b99b0-6fc7-4e59-982e-2beb5baacc44_large.jpg?v=1472606795\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Royer Ribbon Microphones","offers":[{"title":"Default Title","offer_id":28993805383,"sku":"","price":5599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/SF-24V-3.png?v=1472607451"},{"product_id":"m80","title":"Telefunken M80","description":"\u003ch4\u003e\n\u003cspan style=\"color: #00aaff;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003ePromising condenser-like performance, the Telefunken M80 dynamic microphone lets you set a new standard for high-quality live performances. Unlike the midrange-heavy tone of many popular handheld mics, the M80 employs a low-mass capsule and ultra-thin membrane to capture every nuance of your performance with amazing balance and detail. And you'll get great results anywhere you go thanks to the custom-wound impedance-matching transformer. You don't need an expensive condenser mic to get studio-quality sound on stage - you need the Telefunken M80.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecially-designed capsule gives the mic a wide, balanced response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTelefunken designed the M80's head and capsule to reduce the proximity effect created by the supercardioid polar pattern. That means your vocals won't get boomy or indistinct, yet you still get the feedback-fighting characteristics of a directional microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemarkably consistent sound no matter what you're plugging into\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're a live performer, you know that it's tough to get a consistent sound every night when you're plugging into a different mixing board each time. Different microphone preamplifiers can operate at different impedance levels, and that affects the sound of your microphone. The Telefunken M80 sports an American made, custom wound transformer that automatically matches impedance, and that means your vocal sound will be consistent no matter what you're plugging into.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClear, detailed sound is perfect for vocals or instruments\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe diaphragm on the Telefunken M80 is super thin, which gives it a fast, un-colored response that captures your sound with incredible detail. Because it's not a midrange-heavy mic like some dynamic mics, it's not just for vocals. You can get great results with the M80 in front of a guitar amp, over a snare drum, or virtually any other instrument that needs a detailed, well-balanced microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic supercardioid microphone vocals, instruments, or percussion\u003c\/li\u003e\n\u003cli\u003eBlack finish, black grille\u003c\/li\u003e\n\u003cli\u003eWide-ranging 50Hz-18kHz frequency response is perfect for both instruments and vocals\u003c\/li\u003e\n\u003cli\u003eLow-mass capsule and diaphragm responds quickly to sound for clear, detailed reproduction\u003c\/li\u003e\n\u003cli\u003eCapsule design reduces proximity effect so your sound doesn't become muddy or indistinct\u003c\/li\u003e\n\u003cli\u003eIncludes microphone clip and carrying bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/hNu1sprRx1w\" width=\"530\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Estándar","offer_id":29557371911,"sku":"","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Negro","offer_id":29557371975,"sku":"","price":299.0,"currency_code":"USD","in_stock":true},{"title":"Blanco","offer_id":46264494751983,"sku":null,"price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/111111111111_747400c0-bf79-4970-ae26-b83d1bf22104.png?v=1770928797"},{"product_id":"m81","title":"Telefunken M81","description":"\u003cdiv class=\"std\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"twelve columns\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/AGI-Essentials.png?v=1496947538\" alt=\"\" width=\"75\" height=\"75\"\u003e\n\u003c\/h2\u003e\n\u003ch4\u003e\u003cspan style=\"color: #2b00ff;\"\u003eIMPORTANTE - Por dificultades de manufactura de electrónicos, dirante la pandemia, este producto tiene una demora extendida, para su entrega. Por favor contáctenos para obtener mayores informes. \u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eTelefunken Elektroakustik M81 \u003c\/strong\u003eis the latest installment in their dynamic microphone range. Designed with the goal to develop a microphone that would not only complement the M80, Telefunken Elektroakustik's first dynamic offering, but to also stand out in a universe filled with dynamic microphone options.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWhen the M80 was first introduced in 2008, it quickly became a favorite in both live and studio environments. Its clear and detailed top end, articulate mid-range, and minimal proximity effect won the hearts (and ears) of thousands of new users, making it a staple for vocal and snare drum applications, as well as the most popular microphone in the Telefunken product line.\u003cbr\u003e\u003cbr\u003eBuilding off many of the strengths of the M80, the Telefunken M81 retains the same minimal proximity effect, superior feedback rejection, and articulate mid-range. However, with the M81, the top end is pulled back a bit, yielding a flatter overall frequency response. This combination results in a microphone with a wealth of body and clarity, making it a great tool for taming brighter vocals and guitar tones and for fattening up percussion, horns and thinner sounding sources.\u003cbr\u003e\u003cbr\u003eThe Telefunken M81's tailored frequency response makes the microphone exceptional on electric guitars, percussion, rack and floor toms, and brass instruments. This microphone's wide range of uses and rugged reliability make it the workhorse for the new generation.\u003cbr\u003e\u003cbr\u003eFinished in the same flint gray body tube and tri-chrome head grill styling as the R-F-T AR-51, the M81 is readily identifiable when reaching for the microphone. The M81 was very much designed with the AR-51 in mind. Great care was taken to tune the M81's overall response to be complimentary to the AR-51 when recording electric guitars.\u003cbr\u003e\u003cbr\u003eBasically, the Telefunken M81 is designed to be used on... well, anything and everything! It truly is a \"Universal Dynamic Microphone.\"\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"first\"\u003eType: Dynamic Moving Coil\u003c\/li\u003e\n\u003cli\u003eCapsule: N\/A\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 30Hz \/ 18kHz\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Cardioid\u003c\/li\u003e\n\u003cli\u003eImpedance 200 ohms\u003c\/li\u003e\n\u003cli\u003eSize: 7.25\" (184mm) length x 1.88\" (48mm) diameter\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin male XLR\u003c\/li\u003e\n\u003cli class=\"last\"\u003eExtras: Wooden box, additional black head grille, mic clip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/hNu1sprRx1w\" width=\"530\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Default Title","offer_id":29557780935,"sku":"","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/m81.png?v=1706891526"},{"product_id":"m80-sh","title":"Telefunken M80-SH","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Telefunken M80-SH dynamic microphone delivers condenser-like performance, with the convenience and robustness of a dynamic mic. Unlike the midrange-heavy tone of many popular handheld mics, the M80-SH employs a low-mass capsule with an ultra-thin membrane to capture every nuance of your performance with amazing balance and detail. And with its compact form factor, you'll find it easy to place the M80-SH on snare drums and other hard-to-get-to sources. You don't need an expensive condenser mic to get studio-quality sound - you need the Telefunken M80-SH.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecially-designed capsule gives the mic a wide, balanced response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTelefunken designed the M80-SH's head and capsule to reduce the proximity effect created by the supercardioid polar pattern. That means your vocals won't get boomy or indistinct, yet you still get the feedback-fighting characteristics of a directional microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemarkably consistent sound no matter what you're plugging into\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're a live performer, you know that it's tough to get a consistent sound every night when you're plugging into a different mixing board each time. Different microphone preamplifiers can operate at different impedance levels, and that affects the sound of your microphone. The Telefunken M80-SH sports an American made, custom wound transformer that automatically matches impedance, and that means your vocal sound will be consistent no matter what you're plugging into.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClear, detailed sound is perfect for vocals or instruments\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe diaphragm on the Telefunken M80-SH is super thin, which gives it a fast, un-colored response that captures your sound with incredible detail. Because it's not a midrange-heavy mic like some dynamics, it's not just for vocals. You can get great results with the M80-SH in front of a guitar amp, over a snare drum, or virtually any other instrument that needs a detailed, well-balanced microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic supercardioid microphone for vocals, instruments, or percussion\u003c\/li\u003e\n\u003cli\u003eCompact form factor makes it easy to place on snare drums and other hard-to-get-to sources\u003c\/li\u003e\n\u003cli\u003eWide-range 50Hz-18kHz frequency response is ideal for both instruments and vocals\u003c\/li\u003e\n\u003cli\u003eLow-mass capsule and diaphragm responds quickly, giving you clear, detailed reproduction\u003c\/li\u003e\n\u003cli\u003eCapsule design reduces proximity effect so your sound doesn't become muddy or indistinct\u003c\/li\u003e\n\u003cli\u003eAmerican made, custom wound transformer automatically matches impedance\u003c\/li\u003e\n\u003cli\u003eMade in America with high-quality components\u003c\/li\u003e\n\u003cli\u003eIncludes microphone clip and carrying bag\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Negro","offer_id":29559042823,"sku":"","price":249.0,"currency_code":"USD","in_stock":true},{"title":"Plata","offer_id":29559234823,"sku":"","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/templete_micros-Recuperado.png?v=1770919131"},{"product_id":"m82","title":"Telefunken M82","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eThe M82 dynamic microphone expands Telefunken's lineup with a purpose-built kick drum mic any live or studio engineer can appreciate. Outfitted with an oversized 1.37\" moving-coil diaphragm, the M82 provides you with superb low-frequency response. But, although Telefunken designed it for kick drums, this fat and punchy mic is also ideal for bass cabinets, voiceover work, and many other applications. On top of that, there's a switchable Kick EQ filter and a separate switchable High Boost function onboard the Telefunken M82, giving you four distinct sounds in one microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for more than just kick drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough Telefunken specifically designed their M82 with kick drum in mind, this large-diaphragm dynamic instrument microphone it great for a wide range of other sources as well. Its large 1.37\" moving coil diaphragm naturally responds smoothly to punchy and dynamic bass-heavy sources. When you stick an M82 on a bass cabinet or organ, you'll instantly hear the full depth of the bottom end, without losing full-range details, and it does absolute wonders with lower-register male vocals and voiceover work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCut out boxiness with flip of a switch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReal professional engineers know that it's always better to get the highest quality sound right at the source than to fix it in post. That's why Telefunken built a special Kick EQ switch into the M82 instrument microphone. This switch lets you instantly notch frequencies around 350Hz out of the M82, removing the flabby and boxy sound that can make your kick drum sound fall flat.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBoost your highs for better beater attack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNeed a little more beater click to fill out your kick sound? Don't reach for the EQ - stitch on the M82's High Boost mode, and you'll get all the top-end definition you need. Not only will this built-in 2kHz shelving boost bring out beater attack, it also provides a noticeable presence boost that adds clarity to vocals, definition to organ percussion, and air to slap bass. Its just one more reason why the Telefunken M82 instrument microphone is such a great addition to any mic locker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLarge-diaphragm cardioid dynamic microphone built to deliver massive kick-drum sound\u003c\/li\u003e\n\u003cli\u003eIdeal for use with kick drums, bass cabinets, deep voiceover\/vocals, and other bass-heavy sources\u003c\/li\u003e\n\u003cli\u003eOversized 1.37\" moving-coil diaphragm provides powerful low-frequency response\u003c\/li\u003e\n\u003cli\u003eKick EQ switch lets you notch filter out frequencies around 350Hz to remove boxiness\u003c\/li\u003e\n\u003cli\u003eHigh Boost switch lets you amplify 2kHz and up by 6dB for added high-end clarity and beater attack\u003c\/li\u003e\n\u003cli\u003eHoused in a super-rugged shell and headgrille for maximum durability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/hNu1sprRx1w\" width=\"530\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Default Title","offer_id":29559587847,"sku":"","price":549.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/M82.png?v=1706891511"},{"product_id":"m60","title":"Telefunken M60 (demora extendida)","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #ff8000;\"\u003ePor cuestiones del COVID19, Telefunken presenta una demora extendida de producción en este producto. Por favor llámenos antes de comprar para que le ofrezcamos la información más reciente, de tiempo de espera. Agradecemos su comprensión. \u003c\/span\u003e\u003c\/h3\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eTelefunken microphones have long been a recording industry standard. Now they fill an even larger space in the studio world with their first non-tube small diaphragm condenser microphones, like the M60 FET! The cardioid pattern and a flat EQ response between 150Hz to 7kHz with an airy peak at 8kHz makes the M60 perfect for applications like overheads, hi-hat cymbals, and acoustic instruments, where a true sound with a clear and glassy top end is what you're after.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTelefunken's first FET solid-state condenser mic\u003c\/li\u003e\n\u003cli\u003eSlight peak at 8kHz give you airy high Frequencies\u003c\/li\u003e\n\u003cli\u003eGreat for drum overheads, hi-hats, and acoustic instruments\u003c\/li\u003e\n\u003cli\u003eFrequency response from 20Hz-20kHz\u003c\/li\u003e\n\u003cli\u003eShips with shockmount and XLR cable\u003c\/li\u003e\n\u003cli\u003eRequires +48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/IYnPqI1bz2w\" width=\"530\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Unitario","offer_id":29562736903,"sku":"","price":799.0,"currency_code":"USD","in_stock":true},{"title":"Sencillo Omni","offer_id":34474453205157,"sku":"","price":809.0,"currency_code":"USD","in_stock":true},{"title":"Sencillo Hyper-Cardioide","offer_id":34474499702949,"sku":"","price":819.0,"currency_code":"USD","in_stock":true},{"title":"Par Estéreo","offer_id":29562946183,"sku":"","price":1598.0,"currency_code":"USD","in_stock":true},{"title":"Master Stereo Set","offer_id":29562946375,"sku":"","price":2195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/M60_8370df24-5386-4985-85e6-559368f768aa.jpg?v=1602765050"},{"product_id":"m62","title":"Telefunken M61","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eTelefunken microphones have long been a recording industry standard. Now they fill an even larger space in the studio world with their first non-tube small diaphragm condenser microphones, like the M61 FET! The omni-directional pattern and a flat EQ response between 20Hz to 5kHz with an airy peak at 8kHz makes the M61 perfect for applications where capturing the ambience around your instrument is what you're after.\u003c\/p\u003e\n\u003cstrong\u003eTelefunken M61 FET omni-directional Condenser Microphone Features:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eTelefunken's first FET solid-state condenser mic\u003c\/li\u003e\n\u003cli\u003eTK61 omni-directional capsule captures ambience\u003c\/li\u003e\n\u003cli\u003eSlight peak at 8kHz give you airy high Frequencies\u003c\/li\u003e\n\u003cli\u003eGreat for hearing the space around your instrument\u003c\/li\u003e\n\u003cli\u003eFrequency response from 20Hz-20kHz\u003c\/li\u003e\n\u003cli\u003eShips with shockmount and XLR cable\u003c\/li\u003e\n\u003cli\u003eRequires +48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Unitario","offer_id":29563088071,"sku":"","price":809.0,"currency_code":"USD","in_stock":true},{"title":"par","offer_id":29563088135,"sku":"","price":1615.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/M61.png?v=1706891591"},{"product_id":"m62-1","title":"Telefunken M62","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eTelefunken microphones have long been a recording industry standard. Now they fill an even larger space in the studio world with their first non-tube small diaphragm condenser microphones, like the M62 FET! The hyper-cardioid pattern and a flat EQ response between 150Hz to 3kHz with a dip at 6kHz and an airy peak at 8kHz makes the M62 perfect for cymbals, percussion, or even recording live performances.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTelefunken's first FET solid-state condenser mic\u003c\/li\u003e\n\u003cli\u003eTK62 hyper-cardioid capsule\u003c\/li\u003e\n\u003cli\u003eSlight dip at 6kHz and peak at 8kHz\u003c\/li\u003e\n\u003cli\u003eGreat for recording live performances\u003c\/li\u003e\n\u003cli\u003eFrequency response from 20Hz-20kHz\u003c\/li\u003e\n\u003cli\u003eShips with shockmount and XLR cable\u003c\/li\u003e\n\u003cli\u003eRequires +48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Unitario","offer_id":29563288839,"sku":"","price":819.0,"currency_code":"USD","in_stock":true},{"title":"par","offer_id":29563289031,"sku":"","price":1635.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/M62.png?v=1706891564"},{"product_id":"ela-m-251e","title":"Telefunken ELA M 251E","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e***IMPORTANTE: Este producto tiene un tiempo de espera de extendido. Es un micrófono increíblemente complejo de fabricar. Por favor llámenos antes de comprar.***\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Telefunken ELA M 251E large-diaphragm tube condenser mic is a faithful rendition of a legend. The original, introduced in 1960, is reverentially considered to be one of the most gorgeous sounding mics ever made. With rare working-condition vintage '251s going for major ducats, this meticulous reissue is a no-brainer if you're after that uniquely smooth, present, and open sound you've heard on countless hits. Sporting three pickup patterns and a max SPL of 138dB, this microphone delivers sumptuous results on any instrument. Stock your mic locker with a classic: the Telefunken ELA M 251E.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAchieve sonic opulence (without a second mortgage)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMade from 1960 to 1965 with an estimated total production run of fewer than 3,700 units, the original Telefunken ELA M 251E is highly coveted. Rare working-condition vintage examples fetch well into the five figures, when you can even find one for sale. So, Telefunken did something very intelligent: a meticulous reissue. But first, as there were no available blueprints or schematics for the original, they had to reverse-engineer from prime vintage samples. The results are jaw-dropping: pure sonic opulence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree polar patterns accommodate any recording task\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith its three pickup patterns, the Telefunken ELA M 251E is ideal for a range of stereo recording techniques if you have two, including Spaced Pair (A\/B), XY (including Blumlein), ORTF array, and Mid-Side (MS). Read on for a few examples to get the creative juices flowing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA few examples of what you can do with this incredible mic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo singers, one mic: grab the Telefunken ELA M 251E, set it to figure-8, and you're good to go. Record a sax solo overdub with natural \"slap\": position the ELA M 251E (again, on figure-8) between the sax player and the control room window and adjust mic position to taste. Ginormous Val Garay-style toms (two racks and a floor): three '251s on cardioid, fairly close-in, just don't let the drummer hit the mics! Full symphony orchestra, Bob Fine's Mercury Living Presence technique: Three '251s, set to omni, across the proscenium arch; record to three tracks panned left, center, and right. Set your levels for peaks, then leave those faders alone and let the conductor balance the orchestra. We could go on, but you can already see how the Telefunken ELA M 251E can be used in any number of ways to produce incredible sounding tracks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA glorious sounding reissue of a glorious sounding classic\u003c\/li\u003e\n\u003cli\u003eMeticulously crafted to historic detail\u003c\/li\u003e\n\u003cli\u003eEdge-terminated, dual backplate CK-12 capsule\u003c\/li\u003e\n\u003cli\u003e1\" dual-sided gold sputtered membrane\u003c\/li\u003e\n\u003cli\u003eExternal power supply (supplied)\u003c\/li\u003e\n\u003cli\u003e3 polar patterns: cardioid, omni, and figure-8\u003c\/li\u003e\n\u003cli\u003e138dB maximum SPL\u003c\/li\u003e\n\u003cli\u003eIncludes locking flight case, lunchbox-style power supply, and wooden microphone box\u003c\/li\u003e\n\u003cli\u003eHandbuilt in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/Rn9hdDWNWmQ\" width=\"530\" height=\"315\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Default Title","offer_id":29564040647,"sku":"","price":12995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/45.png?v=1768860170"},{"product_id":"ela-m-260","title":"Telefunken ELA M 260","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eSince the early 1960s, the Telefunken ELA M 260 small-diaphragm tube condenser microphone has been one of the most widely acclaimed and highly sought-after recording microphones on the planet. You'll be hard pressed to find an engineer who's used an ELA M 260 on any kind of acoustic instrument who didn't instantly fall in love with this mic, plus it sounds absolutely amazing on vocals. And since it comes complete with three interchangeable capsules, you'll be able to use your Telefunken ELA M 260 microphone in any situation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUpdated circuit design with old-school roots for vintage tube tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Telefunken introduced their reissue of the ELA M 260 tube microphone, modern manufacturing standards forced them to juggle historical accuracy with an updated circuit design - and the results were amazing! A premium new-old-stock EF-732 vacuum tube gives the ELA M 260 all the warmth and air that put the original model on the map. At the same time, a custom-wound output transformer supplies your ELA M 260 with the kind of clarity and headroom you seldom get with a vintage-style microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA trio of interchangeable capsules deliver infinite recording possibilities\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you pick up a Telefunken ELA M 260 tube mic, it's like you're getting three killer condenser microphones for the price of one. That's because Telefunken ships each ELA M 260 off with three interchangeable capsules, the classic TK60 cardioid capsule, the wide-open TK61 omnidirectional capsule, and the tightly focussed TK62 hypercardioid capsule. Each of these bayonet-style small-diaphragm capsules gives the ELA M 260 a slightly different tonal quality in addition to its pickup characteristics, making it more versatile than you'd ever imagine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBundled with a complete set of high-quality accessories \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo passe cardboard boxes or vinyl sleeves here! Telefunken ships the ELA M 260 out with a full set of accessories worthy of this iconic condenser mic. In addition to its dedicated power supply and specialty cable, your ELA M 260 comes bundled with a robust shock mount and cradled in an elegant wooden microphone box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA top-notch small diaphragm tube condenser microphone built for professional recording applications\u003c\/li\u003e\n\u003cli\u003eAn excellent choice for acoustic instruments, drum overheads, and even vocals\u003c\/li\u003e\n\u003cli\u003eNew-old-stock EF-732 vacuum tube delivers vintage warmth and vibrant tonal character\u003c\/li\u003e\n\u003cli\u003eCustom-wound output transformer provides exceptional clarity and plenty of headroom\u003c\/li\u003e\n\u003cli\u003eSelect from three interchangeable capsules for cardioid, omnidirectional, or hypercardioid pickup patterns\u003c\/li\u003e\n\u003cli\u003ePower supply, cable, shock mount, and elegant wooden box included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/K3jSj-LMjOo\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Unitario","offer_id":29564415431,"sku":"","price":1495.0,"currency_code":"USD","in_stock":true},{"title":"Par","offer_id":29564584519,"sku":"","price":2895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/ELAM260.png?v=1706891639"},{"product_id":"c-12","title":"Telefunken C12","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003ePerfect for vocals, drum overheads, and acoustic instruments, Telefunken's C12 tube condenser microphone gives you uncompromising performance and stunningly natural-sounding results. This large-diaphragm condenser features omni, cardioid, and figure-8 polar patterns, and you can variably adjust between them. You'll love this mic's clarity, pleasing midrange character, and smooth top end. The dedicated lunchbox-style power supply features an external pattern selector. A locking flight case and a wooden storage box are also included.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt like the original\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLike the classic C12 microphones of yesterday, the Telefunken C12 tube condenser mic is built using the original specifications. The large diaphragm and transformer are made by utilizing the original manufacturer's technical specifications, and the transformer is even made by the same manufacturer as the vintage ones were. Telefunken even uses an NOS microphone-grade tube in the C12 to capture that classic sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal tube-fired tone that will impress\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can't deny the warmth of tube-driven mics. Telefunken's C12 tube condenser microphone sports a new old stock 6072a tube. You'll love the warm and detailed, accurate sound that this mic gives you, thanks to its tube design. Get that elusive tube mic sound with the Telefunken C12 tube condenser microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVariable polar patterns offer recoding flexibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNot just a one-trick-pony, the Telefunken C12 tube condenser microphone's power supply features switchable polar patterns. You get omni, cardioid, figure-8, and six other intermediate stages. In other words, no matter what you're miking, the C12 has a polar pattern to maximize it. Use the omni pattern to catch the sound of a great room or a group of singers, cardioid to reject unwanted sounds, and figure-8 is great for mid-side recording. The versatile and flexible Telefunken C12 tube condenser mic is ready for any session.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eReissue of the classic C12 microphone\u003c\/li\u003e\n\u003cli\u003eThe smooth top end and warm sound that only a tube mic can deliver\u003c\/li\u003e\n\u003cli\u003eSelectable omni, cardioid, figure-8, and 6 other intermediate polar pattern stages\u003c\/li\u003e\n\u003cli\u003eCustom-built transformer is true to the original specs and even built by the original manufacturer\u003c\/li\u003e\n\u003cli\u003eMicrophone grade 6072a tube delivers stellar sound and performance\u003c\/li\u003e\n\u003cli\u003eIncredibly realistic and detailed sound reproduction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/gklZJDqVHHM\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Default Title","offer_id":29564707975,"sku":"","price":9995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/TelefunkenC12.png?v=1706891785"},{"product_id":"u47","title":"Telefunken U47","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/sinintereses\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/SIMPLE3Mesestarjetas.png?v=1592834977\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003eFew microphones are as iconic as Telefunken's U47 tube condenser microphone. This vintage-style tube studio microphone gives you the smooth and sweet sound that made the classic crooners of the 1950s come to life all around the world. In addition to vocals, the U47 is a long-time favorite for classical recordings, where its robust low-frequent handling, airy high end, and switchable cardioid\/omnidirectional pattern make it ideal for Decca tree stereo mic arrangements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA classic studio workhorse condenser for vocals, amps, and instruments alike\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you're recording the soulful crooning of a baritone vocalist or the open and airy sound of a chamber string quartet, the Telefunken U47 will provide you with the commanding midrange, extended low end, and glassy highs that have made this microphone a household name since 1946. From the loudest drums to the subtlest strains of nylon-string guitar, the U47 captures all of the beauty of any source you throw at it in exquisite detail. No matter which tube microphones you've recorded with, until you get your hands on a genuine U47, you'll never know what all the fuss is about.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual pickup pattern modes provide you with ideal recording options\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the things that made the original U47 such a smash hit in the first place was its switchable polar pattern. Loaded with a dual-diaphragm capsule, the Telefunken U47 condenser microphone lets you choose from either cardioid or omnidirectional polar patterns. In addition to shaping the pickup area, these patterns also subtly change the sound of your mic, giving you the ability to fine tune your tone to best match your source.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOld-school engineering and modern electronics deliver timeless U47 tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTechnology has changed quite a bit since the Telefunken U47 first hit the street, and the original M7 capsule, as well as the military surplus VF-14M tubes that formed the heart of the U47 are long gone. But Telefunken has remained steadfastly committed to providing that classic U47 sound. That's why they developed amazing new components, ranging from the plug-and-play VF-14K vacuum tube to the BV8 output transformer. Hold them up side-by-side and you'll be hard pressed to tell a vintage U47 from a modern one. Plug them in and all you'll hear is pure amazing tube-microphone tone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTelefunken U47 Tube Condenser Microphone Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTelefunken's classic large-diaphragm tube studio condenser microphone updated for modern recording\u003c\/li\u003e\n\u003cli\u003eClassic smooth midrange, robust bass, and airy treble make this a real go-to microphone for any source\u003c\/li\u003e\n\u003cli\u003eBased on the microphones used on countless vocal and classical recordings from the 1950s and on\u003c\/li\u003e\n\u003cli\u003eDual-sided M7 capsule provides you with both cardioid and omnidirectional polar patterns\u003c\/li\u003e\n\u003cli\u003eVF14K metal tube and BV8 output transformer provide smooth sound and tons of headroom\u003c\/li\u003e\n\u003cli\u003eLocking Case, NG Style power supply, shockmount, and wooden box included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/DoZfM8nBrJw\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Telefunken Elektroakustik","offers":[{"title":"Default Title","offer_id":29564822215,"sku":"","price":9995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/U47.png?v=1706891334"},{"product_id":"wa-14","title":"Warm Audio WA-14","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/always-in-stock\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/warmALWAYS-IN-STOCKverdeTextura2.png?v=1583262290\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \n\u003cp\u003eIntroducing the WA-14 Large Diaphragm Brass Capsule Condenser Microphone, which is based on the classic condenser microphone from the 70's that has been used on countless hit records. The WA-14 utilizes fully discrete classic circuit topology, including an all-brass CK12 style capsule design by “Lens Kondensator” and a custom premium CineMag USA transformer. The WA-14 can be used on an array of sources, which includes: punchy and warm intimate lead vocals, aggressive guitars and heavy percussion. The WA-14 provides a realism and thickness that is true to the vintage sonics, but now at an affordable price. \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll-brass Capsule Created By Warm\u003c\/strong\u003e\u003cbr\u003eThe LK12-B-60v is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and other sonic qualities of the original CK-12 capsule.  Using the backplate of the more modern CEK-12 variant as a basis, this capsule overcomes many of the manufacturing limitations of the original hand-made capsule which made it prohibitively complex and difficult to manufacture consistently or in high numbers.  The o-ring and housing are all made from brass (no teflon parts), and our capsule diaphragm is 24k gold sputtered and skinned using 6 micron, NOS Japanese PET film (mylar).  The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLarge diaphragm condenser microphone with variable pad and three polar patterns\u2028\u003c\/li\u003e\n\u003cli\u003eFeatures our own “Lens Kondensator” LK-12-B-60V  edge-terminated, dual-backplate, all-brass vintage CK12 style capsule\u003c\/li\u003e\n\u003cli\u003eCustom CineMag USA transformer\u2028\u003c\/li\u003e\n\u003cli\u003eIncludes shock mount and hard mount\u2028\u003c\/li\u003e\n\u003cli\u003eFrequency range: 20Hz to 20kHz \u2028\u003c\/li\u003e\n\u003cli\u003eOutput pad: 0dB, -10dB, -20dB\u2028• Cardioid, figure of eight and omnidirectional patterns\u2028\u003c\/li\u003e\n\u003cli\u003eImpedance: 150 ohms\u2028\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin XLR\u2028\u003c\/li\u003e\n\u003cli\u003eRequires +48V phantom power\u2028\u003c\/li\u003e\n\u003cli\u003eColor: black (painted)\u2028\u003c\/li\u003e\n\u003cli\u003e1- year warranty \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":40202562439,"sku":"","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/WA-414-Previw.png?v=1546897172"},{"product_id":"r88-mk2","title":"AEA R88 MK2","description":"\u003cp\u003e\u003cspan style=\"color: #ffffff;\"\u003e\u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/AGI-Essentials.png?v=1496947538\" alt=\"\" width=\"75\" height=\"75\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePresenciar el stereo\u003c\/strong\u003e\u003cbr\u003eEn la década de 1930, el ingeniero de EMI Alan Blumlein inventó la grabación stereo al demostrar la reproducción natural del sonido en uno de los estudios de Abbey Road (Londres, Reino Unido). Todavía hoy en día, su técnica de grabación coincidente utilizando dos micrófonos de cinta bi-direccionales es un punto de referencia para producir una representación auténtica en un espacio sonoro. El micrófono R88 mk2 stereo cuenta con una verdadera configuración Blumlein, optimizada para la grabación de instrumentos y orquestas en stereo. Utiliza dos de los elementos característicos Big Ribbon™ de AEA, angulados a 90 grados y montados de manera muy próxima entre sí a lo largo del eje vertical del micrófono. El sonido natural y carácter del Blumlein stereo R88 lo convierten en una gran opción para ser el micrófono principal. Como alternativa a la técnica Blumlein (XY), el micrófono también se puede utilizar en una configuración MS stereo, proporcionando una excelente compatibilidad mono y un control total sobre el tamaño de la imagen stereo. Un excelente micrófono de grabación orquestal y coral, también se destaca en aplicaciones como secciones de metales y overheads de batería, gracias al sonido puro de dos cintas largas sin amortiguamiento (undamped) y el circuito pasivo sin las limitaciones de headroom de la electrónica activa. El R88 graba con precisión tonos complejos tales como instrumentos de viento, cuerdas y platillos. Ya sea en Abbey Road o en tu home studio, el R88 mk2 te pondrá a ti y a tu escucha dentro de la sala de grabación, junto a los músicos.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEl paquete ganador de Grammy’s\u003c\/strong\u003e\u003cbr\u003eLa lista de proyectos que han ganado premios Grammy y de la Academia grabados con la ayuda del micrófono R88 mk2 es larga y sigue creciendo: Turtle Island String Quartet, Los Tigres Del Norte, Juanes MTV Unplugged, la banda sonora de Life Of Pi. El par coincidente de micrófonos de cinta Blumlein vienen cubiertos en una elegante funda negra diseñada para una configuración rápida que ofrece un gran sonido, por lo que también es una excelente opción para remote recordings. Como micrófono de overheads para batería o micrófono room, capta de forma instantánea una imagen impresionante, particularmente adecuada para rock, roots, Americana y jazz. Ingenieros experimentados como Joe Chiccarelli, Chuck Ainlay y Vance Powell confían tanto en el AEA R88 mk2 que Blackbird Studios (estudio de clase mundial en Nashville, Tennessee) tiene un R88 disponible para cada estudio de manera individual.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUn micrófono de cinta grande para un sonido grande\u003c\/strong\u003e\u003cbr\u003eEn el corazón del AEA R88 hay dos grandes, 2.35 \"por 0.185\" por 2 micrones de aluminio puro y elementos de baja tensión como el que utilizan los R44 clásicos. Muchos fabricantes de micrófonos de cinta eligen cintas más cortas, pues éstas son mucho más fáciles de instalar, pero el diseño Large Ribbon Geometry™ de AEA ofrece ventajas importantes. Los micrófonos de cinta funcionan de manera lineal por encima de su frecuencia de resonancia, a diferencia de los condensadores o dinámicos, motivo por el cual la frecuencia de resonancia de un buen diseño de micrófono de cinta debe ser lo más baja posible. Cuanto más larga sea la cinta, menor será la frecuencia de resonancia. La cinta tiene que moverse dos veces más por cada descenso de octava, ya que vibra dentro de un espacio magnético, por lo tanto, una cinta más larga permitirá un mayor movimiento de ida y vuelta. Esto hace posible que la cinta maneje fuentes de sonido fuertes y más nivel de presión acústica (SPL). La mayoría de las cintas AEA están afinadas a sólo 16,5 Hz, y debido a que el R88 comparte el mismo Big Ribbon™ que el resto de la línea de productos de AEA, obtendrás un sonido suave, natural y libre de cualquier resonancia incómoda que los micrófonos con cintas más cortas y condensadores pueden presentar. El resultado es un sonido que muchos ingenieros catalogan como “un sonido asombrosamente cerca de lo que tus oídos oyen cuando estás de pie en el estudio”.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCintas de Diseño Minimalista: R88mk2 Stereo Mic \u0026amp; NUVO N8\u003c\/strong\u003e\u003cbr\u003eEl diseño minimalista del micrófono R88mk2 Stereo, y NUVO N8 capturan la tonalidad natural de un instrumento de manera fiel. Interpuesto con lo menos posible entre la fuente y la cinta, el R88mk2 y el N8 alcanzan un sonido asombrosamente abierto y natural que hacen brillar al famoso Big Ribbon™ de AEA. Utilizando materiales de diseño similares, modelo de transductor y la filosofía del popular micrófono R88 stereo, el NUVO N8 con phantom power cuenta con la misma tecnología Big Ribbon™ que le ha ganado una gran reputación a AEA. El eficaz tamaño del N8 facilita su colocación para situaciones donde es necesaria una colocación discreta. Su electrónica JFET alimentada por phantom power ha hecho del N8 un pilar proyectos de scoring y estudio. Con la barra stereo SMS de AEA y el acoplador de micrófono NUVO, es muy fácil montar N8s en una precisa configuración Blumlein.\u003cbr\u003eLa protección de presión interna mínima del R88 y NUVO N8 facilitan captar un sonido más abierto. Una colocación demasiado cerca (up-close) puede resultar en un efecto de proximidad notable, por lo que, para un balance natural de graves y agudos, las fuentes de sonido deben colocarse a pies y no a pulgadas de distancia. Esto también significa que debes tener mucho cuidado para evitar golpes de viento (wind blasts). Se recomienda utilizar un pop filter al colocar el windscreen especial AEA NUVO o R88, a un N8 o R88 para una fuente que esté a menos de 6 pulgadas de distancia, como un amplificador fuerte.\u003cbr\u003eEl R88mk2 no es una versión stereo del R84. A pesar de que el R84 y R88mk2 comparten la misma cinta y transformador, fueron diseñados para tener tonalidades diferentes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEspecificaciones y curvas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrincipio de funcionamiento: Micrófono de gradiente de presión\u003c\/li\u003e\n\u003cli\u003ePatrón Polar: Bidireccional (Figure-of-8)\u003c\/li\u003e\n\u003cli\u003eRango de frecuencia: 20 Hz a 20 kHz\u003c\/li\u003e\n\u003cli\u003eSPL máximo: 165+ dBSPL (1% del tercer armónico\u0026gt; 1 kHz)\u003c\/li\u003e\n\u003cli\u003eSensibilidad de salida: 2.5 mV \/ Pa (-52 dBV) en el circuito descargado\u003c\/li\u003e\n\u003cli\u003eImpedancia de salida: 270 Ω nominal\u003c\/li\u003e\n\u003cli\u003eImpedancia de carga recomendada: 1,2 kΩ o superior\u003c\/li\u003e\n\u003cli\u003eAlimentación: No es necesario o recomendado\u003c\/li\u003e\n\u003cli\u003ePolaridad: Pin 2 y 4 para tensión positiva en la parte frontal del micrófono.\u003c\/li\u003e\n\u003cli\u003eConector: Conector XLR-5M, incluye cable adaptador a 2x XLR-3M\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eRespuesta fuere de eje (off axis)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePatrón polar: Patrón bi-direccional nativo\u003c\/li\u003e\n\u003cli\u003eHorizontal: Nivel cambia con la angulación, la respuesta de frecuencia es consistente, -35 dB nulo a 90 °\/270 °\u003c\/li\u003e\n\u003cli\u003eVertical: Nivel cambia con la angulación, respuesta reducida de agudos por encima y por debajo del eje 0 °\/180 °, -35 dB nulo a 90 ° \/ 270 °\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Screen_Shot_2017-08-11_at_12.58.12_PM.png?v=1502470737\" alt=\"\" width=\"587\" height=\"312\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eElemento del transductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEspesor de la cinta: 1,8 μ (0,0000018 m) de aluminio puro\u003c\/li\u003e\n\u003cli\u003eAncho de la cinta: 0.185 \"(4.7 mm)\u003c\/li\u003e\n\u003cli\u003eLongitud de la cinta: 2.35 \"(59.7 mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eAccesorios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIncluye: Caja\/case de envío, manual, cable de 12 pies, swivel\u003c\/li\u003e\n\u003cli\u003eOpcional: Cualquier longitud del cable, consulta precio y entrega.\u003c\/li\u003e\n\u003cli\u003eGarantía limitada: Un año para piezas y mano de obra, envío no incluido. Tres años de garantía extendida si el producto está registrado.\u003c\/li\u003e\n\u003cli\u003ePeso con cable: 2,36 kg (5 lb 3 oz)\u003c\/li\u003e\n\u003cli\u003eAltura: 15 \"(38.1 cm)\u003c\/li\u003e\n\u003cli\u003eLargo : 3 \"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/WpI5g0od1n0\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/kcJfT9sm7UA\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/mnUmJACr9uw\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEste video cuenta con un A840 de cerca (up-close) en una trompeta y un R88 como room, capturando el ambiente natural del recinto.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AEA Audio Engineering Associates","offers":[{"title":"Default Title","offer_id":40225269127,"sku":"","price":2299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/R88MK2-001copy.jpg?v=1499878331"},{"product_id":"r84","title":"AEA R84","description":"\u003cspan style=\"color: #ffffff;\"\u003e\u003c\/span\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cstrong\u003eEl caballo de batalla\u003c\/strong\u003e\u003cbr\u003eEl R84 es un micrófono de cinta pasiva que comparte muchas características sonoras únicas de su histórico predecesor, el R44. Utilizando todo lo que Wes Dooley y nuestro equipo de AEA aprendieron al re-crear el RCA 44, volvimos para crear algo completamente nuevo. Considéralo como una navaja suiza, tu \"micrófono de la isla desierta\", o simplemente \"el caballo de batalla\" - el R84 fue diseñado para ser flexible y práctico en un numerosas situaciones de grabación. Con las mejoras en tecnología y fabricación desde los años treinta y cuarenta, decidimos reorganizar todo el panorama para que sea más eficiente, más ligero y menos costoso, inspirando a Wes a llamarle de forma cariñosa “el R44 para nosotros, los casados\". El resultado es un micrófono nuevo con un sonido clásico. El R84 produce medios graves grandes y ricos, con agudos suaves, y cuenta con un extraordinario patrón bidireccional. Estos aspectos, combinados con el reducido efecto de proximidad, hacen que el R84 sea increíblemente adecuado tanto para microfonéo cercano como lejano en cuartos medianos. Es tan versátil como un R44, voz halagadora, cuerdas, metales y baterías.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUn micrófono premiado\u003c\/strong\u003e\u003cbr\u003eDesde su lanzamiento en el 2001, el R84 no sólo ha sido nominado para varios premios, sino que también ha ayudado a ingenieros y productores de todo el mundo a hacer grabaciones influyentes. El R84 es tan multifacético, que se ha convertido en un estándar de estudio, siendo utilizado en los siguientes proyectos galardonados: Turtle Island String Quartet, A Love Supreme (Grammy al Mejor Clásico Crossover, 2008); Los Tigres Del Norte, MTV Unplugged (Grammy Latino al Mejor Regional Mexicano y Norteño, 2011); Juanes, MTV Unplugged (Grammy al Mejor Álbum Pop-Latino, 2012); The Zac Brown Band, Uncaged (Grammy al Mejor Álbum Country, 2012). Se ha convertido en un micrófono indispensable en estudios de clase mundial como Blackbird Studios en Nashville y Sear Sound en Nueva York.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUn micrófono de cinta grande para un sonido grande\u003c\/strong\u003e\u003cbr\u003eEl AEA R84 utiliza un gran elemento de aluminio puro y baja tensión de 2.35 \"por 0.185\" por 2 micrones, tal como en los R44 clásicos. Muchos fabricantes de micrófonos de cinta eligen cintas más cortas, pues éstas son mucho más fáciles de instalar, pero el diseño Large Ribbon Geometry™ de AEA ofrece ventajas importantes. Los micrófonos de cinta funcionan de manera lineal por encima de su frecuencia de resonancia, a diferencia de los condensadores o dinámicos, motivo por el cual la frecuencia de resonancia de un buen diseño de micrófono de cinta debe ser lo más baja posible. Cuanto más larga sea la cinta, menor será la frecuencia de resonancia. La cinta tiene que moverse dos veces más por cada descenso de octava, ya que vibra dentro de un espacio magnético, por lo tanto, una cinta más larga permitirá un mayor movimiento de ida y vuelta. Esto hace posible que la cinta maneje fuentes de sonido fuertes y más nivel de presión acústica (SPL). La mayoría de las cintas AEA están afinadas a sólo 16,5 Hz, y debido a que el R84 comparte el mismo Big Ribbon™ que el resto de la línea de productos de AEA, obtendrás un sonido suave, natural y libre de cualquier resonancias incómoda que los micrófonos con cintas más cortas y condensadores pueden presentar. El resultado es un sonido que muchos ingenieros catalogan como “un sonido asombrosamente cerca de lo que tus oídos oyen cuando estás de pie en el estudio”.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEspecificaciones y curvas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePrincipio de funcionamiento: Micrófono de gradiente de presión\u003c\/li\u003e\n\u003cli\u003ePatrón Polar: Bidireccional (Figure-of-8)\u003c\/li\u003e\n\u003cli\u003eRango de frecuencia: 20 Hz a 20 kHz\u003c\/li\u003e\n\u003cli\u003eSPL máximo: 165+ dBSPL (1% del tercer armónico\u0026gt; 1 kHz)\u003c\/li\u003e\n\u003cli\u003eSensibilidad de salida: 2,5 mV \/ Pa (-52 dBv \/ Pa) en el circuito descargado\u003c\/li\u003e\n\u003cli\u003eImpedancia de salida: 270 Ω nominal\u003c\/li\u003e\n\u003cli\u003eImpedancia de carga recomendada: 1,2 kΩ o superior\u003c\/li\u003e\n\u003cli\u003eAlimentación: No es necesaria o recomendada\u003c\/li\u003e\n\u003cli\u003ePolaridad: Pin 2 para la tensión positiva en la parte frontal del micrófono.\u003c\/li\u003e\n\u003cli\u003eConector: XLR-3M cableado a un cable cautivo de 3 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eRespuesta fuera de eje (off-axis):\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePatrón polar: Patrón bi-direccional nativo\u003c\/li\u003e\n\u003cli\u003eHorizontal: Nivel cambia con la angulación, la respuesta de frecuencia es constante, -35 dB nulo a 90 °\/270\u003c\/li\u003e\n\u003cli\u003eVertical: Nivel cambia con la angulación, respuesta reducida de agudos por encima y por debajo del eje 0°\/180°, -35 dB nulo a 90°\/270°\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Polar_ResponseR84.png?v=1489076859\" alt=\"\"\u003e\u003cbr\u003e\u003cstrong\u003eElemento del transductor:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEspesor de la cinta: 1,8 μ (0,0000018 m) de aluminio puro\u003c\/li\u003e\n\u003cli\u003eAncho de la cinta: 0.185 \"(4.7 mm)\u003c\/li\u003e\n\u003cli\u003eLongitud de la cinta: 2.35 \"(59.7 mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eAccesorios:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIncluido: Caja\/case de envío, manual\u003c\/li\u003e\n\u003cli\u003eOpcional: Cualquier longitud del cable, pregunta por el precio y entrega.\u003c\/li\u003e\n\u003cli\u003eGarantía limitada: Un año de piezas y mano de obra, envío no incluido. Tres años de garantía extendida si el producto está registrado.\u003c\/li\u003e\n\u003cli\u003ePeso con cable: 3 libras (1,36 kg)\u003c\/li\u003e\n\u003cli\u003eAlto: 11.6 \" (29.5 cm)\u003c\/li\u003e\n\u003cli\u003eLargo: 3.9 \"(9.9 cm)\u003c\/li\u003e\n\u003cli\u003eAncho: 2.5 \"(6.4 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/h7fgGDKAXic\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/Ie9isQSsGtg\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/9_ozCUn5RB8\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"AEA Audio Engineering Associates","offers":[{"title":"Sencillo","offer_id":40249665543,"sku":"","price":1199.0,"currency_code":"USD","in_stock":true},{"title":"Par Estéreo","offer_id":5543018627110,"sku":"","price":2498.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/R84-001.png?v=1489078149"},{"product_id":"r44ce-british-update","title":"AEA R44CE - British Update","description":"\u003cp\u003e \u003ca href=\"https:\/\/audiogate.mx\/pages\/el-precio-mas-bajo-grarantizado\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/GaranIcono.png?v=1591045276\" alt=\"\" width=\"104\" height=\"75\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cstrong\u003eLa versión económica del mic orignal\u003c\/strong\u003e \u003cbr\u003eYa sea en la sección de metales suaves de una banda sonora de Hollywood, la exuberante voz del jazz, o el enorme sonido de una batería de rock - es muy probable es que se haya utilizado un micrófono 44 de cinta en la mayoría de tus álbumes\/grabaciones favoritas. Usado en estudios por más de 80 años, el micrófono 44 de cinta diseñado por RCA es tan rico en historia como en sonido y carácter. Cuando la división de micrófonos de la compañía fue cerrada en 1976, en AEA comenzamos a dar servicio y mantenimiento a los micrófonos de cinta, y para 1998 fabricábamos el 100% de las piezas en los 44, lo dio vida a nuestra versión propia de este micrófono clásico. Su reconocido sonido produce enormes graves debido al efecto de proximidad, medios llenos y ricos, y agudos  únicos para quitar la aspereza de algunos instrumentos. Este hermoso micrófono con un sonido natural proporciona una autenticidad sin igual de reproducción sonora, particularmente cuando se coloca a cierta distancia en un buen cuarto. La versión CE (económica) ofrece exactamente el mismo sonido que el R44C sin absolutamente excepción alguna. Simplificando el acabado exterior del micrófono y reduciendo la mano de obra en el ensamblado, podemos ofrecer un modelo 44 más accesible para aquellos que no requieran el acabado de “museo” que ofrece la versión 44C.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLa historia se repite\u003c\/strong\u003e\u003cbr\u003eCuarenta años de mantenimiento de micrófonos de cinta le ha dado a AEA un montón de información sobre por qué el RCA 44 aún se sigue usando en los estudios de grabación de clase mundial. Diseñado en la década de 1930, el 44 ocasionó una revolución en la tecnología de grabación. En un momento en que los ingenieros tenían sólo uno, tal vez dos micrófonos para grabar, desde un artista hasta una orquesta entera, los micrófonos de estudio tenían que ofrecer un gran sonido para todas las aplicaciones. Debido a su alcance, confiabilidad y sonido de alta fidelidad, los 44 establecieron un nuevo estándar de calidad para la radiodifusión, grabación, películas y refuerzo de sonoro.\u003cbr\u003eA pesar de que los micrófonos de cinta cayeron de moda en los días de grabación de cinta magnética, muchos estudios como Capitol Records o Warner mantuvieron sus venerados micrófonos 44 a disposición de sus clientes. Desde el advenimiento de la revolución digital, el 44 está en demanda más que nunca. Reencarnado como el AEA R44, este micrófono es un elemento indispensable en los estudios de ingenieros y productores como Bruce Swedien, Kevin Bacon, Shawn Murphy, y John Kurlander, y la mitad de las composiciones musicales para películas en Los Ángeles ahora ocupan un AEA 44 en alguna etapa del scoring.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLa familia de micrófonos R44\u003c\/strong\u003e\u003cbr\u003eLos micrófonos de la serie A44 R44 comparten el sonido, sensación y el aspecto auténtico del RCA 44BX de 1936-38. Los micrófonos de la serie R44 son réplicas detalladas, hechas a mano, utilizando partes intercambiables con un RCA 44 original. Incluso cuentan con material de cinta fabricado originalmente para RCA. Los micrófonos 44 originales se actualizaban constantemente durante sus veinte años de producción, y después de examinar cuidadosamente algunas de las modificaciones técnicas, en AEA decidimos adoptar la ingeniería británica de RCA que reduce el peso del micrófono y la sensibilidad al hum. El R44C fue diseñado para satisfacer o exceder los resultados de un RCA 44 nuevo. Es una réplica de alta calidad, con un yugo fundido en bronce, superior a los yugos originales de zinc de RCA (que tienden a corroerse con el tiempo), un soporte pulido a mano y un cable Accusound Silver Studio Pro cubierto con tela. El R44CX es una versión con mayor nivel de salida (high-output) y logo rojo del R44C, especialmente diseñado para el scoring y otras aplicaciones que exigen una amplio rango dinámico que entregue el sonido clásico del 44. El económico R44CE presenta la misma cinta, el mismo transformador y el gran sonido del R44C, pero con un acabado exterior más sencillo. Esta versión cuenta con un montaje de una sola pieza, un yugo de acero con acabado de níquel satinado y un cable de salida XLR star-quad. Por último, el R44CXE es la versión high-output del R44CE que combina el acabado económico con la salida más grande del R44CX.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEspecificaciones y curvas\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePrincipio de funcionamiento: Micrófono de gradiente de presión\u003c\/li\u003e\n\u003cli\u003ePatrón Polar: Bidireccional (Figure-of-8)\u003c\/li\u003e\n\u003cli\u003eRango de frecuencia: 20 Hz a 15 kHz\u003c\/li\u003e\n\u003cli\u003eSPL máximo: 165+ dBSPL (1% del tercer armónico\u0026gt; 1 kHz)\u003c\/li\u003e\n\u003cli\u003eSensibilidad de salida: 2.25 mV \/ Pa (-53 dBV) en el circuito descargado\u003c\/li\u003e\n\u003cli\u003eImpedancia de salida: 270 Ω nominal\u003c\/li\u003e\n\u003cli\u003eImpedancia de carga recomendada: 1,2 kΩ o superior\u003c\/li\u003e\n\u003cli\u003eAlimentación: No es necesario o recomendado\u003c\/li\u003e\n\u003cli\u003ePolaridad: Pin 2 para la tensión positiva en la parte frontal del micrófono.\u003c\/li\u003e\n\u003cli\u003eConector: XLR-3M cableado a un cable cautivo de 3 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eRespuesta fuera de eje (off-axis):\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePatrón polar: Patrón bi-direccional nativo\u003c\/li\u003e\n\u003cli\u003eHorizontal: Nivel cambia con la angulación, la respuesta de frecuencia es consistente, -35 dB nulo a 90°\/270°\u003c\/li\u003e\n\u003cli\u003eVertical: Nivel cambia con la angulación, respuesta reducida de agudos por encima y por debajo del eje 0°\/180°, -35 dB nulo a 90°\/270°\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/files\/Screen_Shot_2017-08-11_at_12.41.02_PM.png?v=1502469702\" alt=\"\" width=\"672\" height=\"312\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElemento del transductor:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEspesor de la cinta: 1,8 μ (0,0000018 m) de aluminio puro\u003c\/li\u003e\n\u003cli\u003eAncho de la cinta: 0.185 \"(4.7 mm)\u003c\/li\u003e\n\u003cli\u003eLongitud de la cinta: 2.35 \"(59.7 mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eAccesorios:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIncluye: Caja\/case de envío, adaptador de stand, manual\u003c\/li\u003e\n\u003cli\u003eOpcional: Cualquier longitud cable, consultar para precio y entrega.\u003c\/li\u003e\n\u003cli\u003eGarantía limitada: Un año de piezas y mano de obra, envío no incluido. Tres años de garantía extendida si el producto está registrado.\u003c\/li\u003e\n\u003cli\u003ePeso con cable: 7 lb 9 oz (3.43 kg)\u003c\/li\u003e\n\u003cli\u003eAlto: 12.25 \"(31.1 cm)\u003c\/li\u003e\n\u003cli\u003eLargo: 4,62 \"(11,7 cm)\u003c\/li\u003e\n\u003cli\u003eAncho: 3.25 \"(8.3 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/wYNGnSP5Cmk\" allowfullscreen=\"\" width=\"530\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"AEA Audio Engineering Associates","offers":[{"title":"Default Title","offer_id":40251682439,"sku":"","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1293\/5609\/products\/R44CE-001.jpg?v=1489080652"}],"url":"https:\/\/audiogate.mx\/collections\/microfonos.oembed?page=11","provider":"Audio Gate International","version":"1.0","type":"link"}