Get the most pristine sound quality possible—and extensive monitoring and routing capabilities—in the most versatile audio interface available for Pro Tools | HDX, HD Native, and other pro audio applications. With Pro Tools | MTRX, you gain the superior sonic quality of DAD’s legendary AD/DA converters, plus flexible routing and monitor control when used standalone or with Avid Pro Mixing surfaces. And because the interface can be customized with the analog and digital I/O you need, you can take on the most demanding music and post-production challenges. Effortlessly.
Achieve exceptional sound

Digital Audio Denmark’s (DAD’s) AD and DA converters are renowned for delivering the cleanest, most transparent, and highly detailed sound. Pro Tools | MTRX is no exception, enabling you to get the best sound quality possible from your Pro Tools | HD system—up to super-high-resolution 384 kHz DSD. And because it does double duty as both an audio I/O and monitor interface, it offers exceptional versatility too.

Expand your monitor control

Take full remote control of all sources, monitors, and speaker sets directly from Pro Tools | S6, other EUCON-enabled control surfaces, and the included DADman software. Pro Tools | MTRX includes Pro | Mon 2, putting complete monitoring, talkback, summing, and fold-down control at your fingertips, whether you’re mixing in mono, stereo, 5.1, 7.1, 9.1, or even a 64-channel immersive audio mix.

Get the I/O you need

Pro Tools | MTRX is fully modular, so you can customize it with a wide variety of I/O and interface options. From analog inputs, outputs, and high-quality mic pres, to Dante, MADI, AES3, 3G-SDI, and more, you have the interface versatility you need to connect with any type of gear and route any signal between the various I/O formats.

Route audio with abandon

Using DADman software, you can route, split, and patch audio quickly, flexibly, and extensively, with a matrix capacity of up to 1,500 x 1,500 cross points. You can feed any input to any output, or even send audio to multiple outputs simultaneously, giving you unlimited workflow possibilities.

SYSTEM REQUIREMENTS
Pro Tools | HDX or Pro Tools | HD Native system running Pro Tools | HD 12 or higher software
SPECIFICATIONS
PRO TOOLS | MTRX BASE UNIT (BUILT INTO THE CHASSIS)

AES/EBU I/O: Eight AES pairs (16 mono) via two D25 connectors
MADI I/O: Coaxial interface with 64 I/O channels via BNC connectors
Option card slots: Eight available for I/O customization (see options below); up to six slots can be used to mix and match analog (AD/DA) cards, providing up to 48 analog channels per MTRX interface
System sync: Word Clock/video black burst (VBB) I/O via BNC connectors; AES11 input
Pro Tools interface: Two 32-channel DigiLink Mini connectors (64 channels total)
Sample rate: Supports 44.1 kHz–384 kHz, as well as DSD 64/DSD 128 with high precision internal clock and PLL
Power: Dual power supplies (internal)
Chassis: 2U 19-inch rack-mountable unit (482.6 mm)

OPTION CARDS
Analog I/O (up to six analog cards can be installed)
Pro Tools | MTRX 8 Line Pristine AD Card (8 analog inputs)
Pro Tools | MTRX 2 Mic/Line Pristine AD Card (2 analog inputs with mic pres)
Pro Tools | MTRX 8 Mic/Line Pristine AD Card (8 analog inputs with mic pres)
Pro Tools | MTRX 8 Pristine DA Card (8 analog outputs)
Digital I/O
Pro Tools | MTRX 8 AES3 I/O Card (8 channels)
Pro Tools | MTRX Dual SDI/HD/3G Card
Pro Tools | MTRX 64-Channel IP Audio Dante Module
Pro Tools | MTRX Dual MADI I/O Card
Pro Tools | MTRX MADI Module for Base Unit

Pro Tools | MTRX 8 Line Pristine AD Option Card
ANALOG INPUTS - 8 LINE-LEVEL
Input gain - Adjustable from -18 to +70 dB, in steps of 0.1 dB, ± 0.25 dB accuracy
Max input level - Adjustable from 9 dBu to 30 dBu in steps of 0.1 dB
Sampling, resolution - 5-bit sigma/delta @ 5.645 or 6.144 MHz, 24-bit PCM
DSD sample rates - 2.8224 and 5.6448 Mhz (64 and 128 fs)
THD+N (A) - < -117 dB @ -3 dB FS / 0.00014%
Crosstalk - < -120 dB
Input Impedance - > 10 k Ohm

Pro Tools | MTRX 2 Mic/Line Pristine AD Option Card
ANALOG INPUTS - 2 LINE-LEVEL
Mix preamps - 2
Input gain - Adjustable from -18 to +70 dB, in steps of 0.1 dB, ± 0.25 dB accuracy
Max input level - Adjustable from 9 dBu to 30 dBu in steps of 0.1 dB
Mic equivalent input noise (A) - < -133 dB
Sampling, resolution - 5-bit sigma/delta @ 5.645 or 6.144 MHz, 24-bit PCM
DSD sample rates - 2.8224 and 5.6448 Mhz (64 and 128 fs)
THD+N (A) - < -117 dB @ -3 dB FS / 0.00014%
Crosstalk - < -120 dB
Input Impedance - > 10 k Ohm

Pro Tools | MTRX 8 Mic/Line Pristine AD Option Card
ANALOG INPUTS - 8 MIC/LINE
Mix preamps - 8
Input gain - Adjustable from -18 to +70 dB, in steps of 0.1 dB, ± 0.25 dB accuracy
Max input level - Adjustable from 9 dBu to 30 dBu in steps of 0.1 dB
Mic equivalent input noise (A) - < -133 dB
Sampling, resolution - 5-bit sigma/delta @ 5.645 or 6.144 MHz, 24-bit PCM
DSD sample rates - 2.8224 and 5.6448 Mhz (64 and 128 fs)
THD+N (A) - < -117 dB @ -3 dB FS / 0.00014%
Crosstalk - < -120 dB
Input Impedance - > 10 k Ohm

Pro Tools | MTRX 8 Pristine DA Option Card
ANALOG OUTPUTS - 8 LINE-LEVEL
Modulator resolution, format - 32x oversampling, 1-bit DSD, 24-bit PCM
PCM (DXD) sample rates - 44.1, 48, 88.2, 96, 174.4, 192, 352.8, 384 kHz
DSD sample rates - 2.8224 and 5.6448 Mhz (64 and 128 fs)
Dynamic range (A) - > 128 dB
THD+N (A) - < -110 dB @ -3dB FS
Crosstalk - < -120 dB
Max output level - Adjustable from -60 dBu to 24 dBu in steps of 0.1 dB

Avid MTRX

$4,499 Dólares