Dangerous CONVERT-8

Whether you’re tracking, mixing or mastering, the Dangerous CONVERT-8 will deliver powerful low-end, articulate mids and transcendent highs to every channel in your analog rig. Patched into one of our award-winning analog summing units like the 2-BUS+ or the D-BOX – or to your favorite analog console – the CONVERT-8 will empower you to create the spacious, three-dimensional soundscapes that only real analog summing can deliver. Compatible with all of today’s digital signals (including the ubiquitous ADAT format) the CONVERT-8 is ready to take on any mixing or monitoring job from standard stereo and 2.1 to 5.1 and the increasingly popular 7.1 surround format. Recognizing the needs of those who don’t need more analog inputs, the CONVERT-8 brings today’s very best digital-to-analog conversion within reach of any studio.

It’s All About Implementation

While in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter’s components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart – for better or worse. The Dangerous CONVERT-2 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.

Fine Tuning The Analog Side

A legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 80s, and via Dangerous his designs have become essential components in the best modern DAW-based mixing and mastering studios. When Dangerous set out to develop a new dedicated stereo DAC, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT’s analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.

Perfecting The Digital Side

Dangerous brought in digital guru Paul Messick to make sure the digital side of the CONVERT-2 would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT’s JetPLL ultra-low jitter clocking technology until it surpassed the JET’s stated specs, resulting in the virtual elimination of jitter throughout the audio band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-2’s superbly implemented digital technology delivers such a natural, open and non-irritating sound that you’ll forget you’re even listening to converted 0s and 1s.

Detailed Information & Delightful Inspiration

Reaching beyond transparency and accuracy, the sound of the CONVERT-2 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they’ve ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated stereo DAC, you’re choosing the unit you’ll trust to make all your sonic judgments, from choosing a mic to deciding how much limiting to use in mastering. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration.

Features

• Instant Input Calibration
• Automatic Sample Rate Detection
• On The Fly Input Switching
• Essential 8-Channel Metering
• Monitor ST Connectivity

Specifications

Note: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers derived from data sheets published by chip manufacturers. 

• Signal to Noise Ratio A-weighted, 20Hz to 20KHz: < 114dB
• Signal to Noise Ratio unweighted, 20Hz to 20KHz: < 113dB
• Dynamic Range A-weighted, 20Hz to 20KHz: < 114dB
• Dynamic Range unweighted, 20Hz to 20KHz: < 113dB
• THD+N:
  • THD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: < 94.5dB (0.00188%)
  • THD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: < 106.5dB (0.00048%)
• Frequency Response @ 96KHz sample rate:
  • DC to 20KHz: +0, -0.25dB
  • DC to 30KHz: +0, -0.5dB
  • DC to 40KHz: +0, -1.0dB
• Jitter: 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)
• Crosstalk rejection: > 114dBu @ 1kHz
• Replacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240V