Diseñado y fabricado en Inglaterra, el 1073LB conserva las características sonoras únicas del preamplificador de micrófono 1073 clásico utilizando la misma arquitectura, componentes y transformadores originales devanados a mano. Su diseño moderno y portátil cumple con las exigencias de los productores e ingenieros profesionales.

Con nuevas características como un control TRIM, impedancia de entrada de micrófono seleccionable, LED para indicar la presencia de una señal, switch con protección inteligente del conector de entrada combi-XLR y el ingenioso diseño Audio Processing Input de Neve, el 1073LB lleva tu rack de serie 500 al siguiente nivel.

Simplemente instálalo en un slot vacío de tu rack compatible con la serie 500, conecta tu micrófono o señal de línea e inyecta ese sonido legendario en tus producciones de audio.

Características

Preamplificador de micrófono de transformadores clásico (diseño de clase A)
Transformadores devanados a mano diseñados por Neve
Las entradas Mic y Line están balanceadas por el transformador y tierra libre
Perilla de ganancia con LED para indicar la presencia de una señal
Control de nivel Trim + 5 / -20dB  con switch integrado de encendido/apagado para phantom power
Switches para inversión de polaridad, impedancia y entrada frontal
Conector combi-XLR frontal con switching inteligente de phantom power
El diseño Audio Processing Insert permite el procesamiento de módulos Neve adyacentes en la misma LunchboxTM para ser insertados en la etapa pre-salida del 1073LB
Entrada de micrófono: Ganancia -80db a -20dB en pasos de 5dB
Entrada de línea: Impedancia de entrada 4k ohms puenteados, ganancia de -20dB a +10dB en pasos de 5dB
La salida está balanceada por el transformador y tierra libre
Distorsión: No más de 0.07% de 50Hz a 10kHz con salida +20dBu

PRO DUCTO DEMORADO DE PRODUCCION HASTA 8 SEMANAS

Existencias limitadas. Llámenos para verificar inventarios.



Después de largas pruebas y refabricación de nuestro controlador, Auratone finalmente pudo lograr el sonido más puro igualando el sonido del 5C Super Sound Cube original. Todos los componentes del controlador Auratone 5C Super Sound Cube están fabricados con materiales de la más alta calidad en los Estados Unidos. El gabinete está construido con laminado negro y artesanía de calidad. El 5C, que se hizo famoso en las décadas de 1970 y 1980 y se ha utilizado prácticamente en todos los estudios de grabación importantes del mundo, sigue siendo el estándar indiscutible de la industria para referencias del "mundo real" en el estudio de grabación. La durabilidad, la respuesta plana de rango completo, el increíble manejo de potencia y la portabilidad han convertido a AURATONES en los “monitores de mezcla” favoritos de las industrias de grabación, radiodifusión y cine. . . . para comparación y mezclas finales, audiciones, controles remotos y parlantes estándar de referencia.



Features

• Dimensions: 6 1/2w x 6 1/2"h x 6"d
• Frequency Response:  75-15,000 Hz
• Impedance:  8 OHMS
• Driver: 4 1/2" Full Range
• S.P.L /Sensitivity:  90 DB @ 1w/1m
• Cabinet:  Sealed 5/8" MDF
• Wattage: 25 Watt RMS/50 Watt Peak
• Made in the USA

Samson Servo 120A

¡El último diseño de amplificador de Samson! El Servo 120A incorpora topología de potencia discreta y funciones de monitoreo mejoradas. El Servo 120A es perfecto para usar con monitores de campo cercano o como amplificador de auriculares. El Servo 120A proporciona audio confiable de referencia en un paquete compacto.

 Features:

• 1U Rackmount Servo controlled power amplifier
• 60 Watts per side @ 4 ohms
• 120 watts into 8 ohms (bridged mono)
• 1/4. Balanced Phone Jack and RCA inputs
• Bi-polar design and toroidal transformer power supply
• Individual left and right Level controls
• 5-segment, 3-color LED meters
• Convection-cooled design
• Headphone Jack

The Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound at its price.

The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.

Our goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.  
Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.

Specifications

• Utilizes premium grade CineMag USA Transformers
• 71db of gain
• Transformer selection provides both Steel and 50% Nickel CineMag output transformers for varying character
• Transformer bypass switch allows for removal of the output transformer from the circuit
• Discrete Opamp selection allows for choosing between a 1731(vintage) and 918(cleaner) style opamp.  These are socketed/swappable with your choice of 2520 6 pin footprint opamps.
• Impedance switch labeled TONE to switch between 150 and 600 ohms input impedance.  Changes the Tone of all inputs (Mic, Line and Hi-Z.)
• 2 Meg Ohm True HI-Z input on front panel sends instrument signal through entire circuit including both Cinemag Transformers and the discrete operational amplifier. Great for guitars, bass, keyboards and other instruments that have a 1/4″ output jack.
• Capacitor selection between Tantalum and Electrolytic for different characters
• 80hz hipass filter
• Polarity Reverse
• +48V phantom power
• Output attenuation allowing for saturation flexibility of both the opamps and transformers
• ¼" insert for the use of inline compressors, eq's etc..
• Balanced XLR mic, balanced TRS line, and ¼" instrument inputs
• -20db Pad
• LED VU Meter
• Compatible with standard 500 series racks

The Maag Audio EQ4M™ is a 6-Band Dual Channel Mastering EQ with AIR BAND® (shelf boost from 2.5 to 40kHz), a true in/out bypass, a transparent INPUT ATTN (attenuator), and stepped (detent) controls.
In 1993, Cliff Maag first introduced the AIR BAND® to the audio world in the NTI EQ3. The EQ3 was a dual channel 6-band EQ powered in a 19 inch rack and to this day is hailed as one of the most musical equalizers ever made. Over two decades later, Maag Audio has captured the spirit of the EQ3 in the EQ4M™ by providing More Power, More Headroom, and More Control than ever before.
More Power
The EQ4M™ rides on extremely clean +-18v rails without the need of any supporting chassis or power source. Just plug it in and make music.
More Headroom
More power, means more headroom. The EQ4M™ has an extra 2v compared to the EQ4® and boosts headroom to +29 dBu.
More Control
The EQ4M™ offers more control with its true in/out bypass, a transparent INPUT ATTN (attenuator), and an extra 15 kHz selection on the AIR BAND®. All controls are stepped (detented).

Specifications

• Frequency Response: -2 dB points, 10Hz & 75kHz
• Nominal Input Impedance XLR): 48 K Ohms, balanced
• Nominal Output Impedance (XLR): 50 Ohms, balanced
• Headroom: +29 dBu @ 10 K Ohms, +28.5 dBu @ 600 Ohms



After lengthy testing and remanufacturing our driver, Auratone were finally able to achieve the purest sound equalling the sound of the original 5C Super Sound Cube.  All components of the Auratone 5C Super Sound Cube driver are made of the highest quality materials in the United States. The cabinet is built with black laminate and quality craftsmanship.

The 5C, which became famous in the 1970's and 80's and has been used in virtually every major recording studio worldwide, is still the undisputed industry standard for "real world" referencing in the recording studio.

Durability, flat full-range response, amazing power handling and portability have made AURATONES the Recording, Broadcasting, and Motion Picture industries favorite “mixdown monitors.” . . . for comparison and final mixes, auditioning, remotes, and reference standard speakers.



Features

• Dimensions: 6 1/2w x 6 1/2"h x 6"d
• Frequency Response:  75-15,000 Hz
• Impedance:  8 OHMS
• Driver: 4 1/2" Full Range
• SPL/Sensitivity:  90 DB @ 1w/1m
• Cabinet:  Sealed 5/8" MDF
• Wattage: 25 Watt RMS/50 Watt Peak
• Made in the USA

On Board Bettermaker Amp

Samson's latest amplifier design! The amp incorporates Discreet Power Topology and improved monitoring features. The amp is perfect for use with near-field monitors or as a headphone amp. The amp provides reliable reference-class audio in a compact package.

 Features:

• Servo controlled power amplifier
• 60 Watts per side @ 4 ohms
• 120 watts into 8 ohms (bridged mono)
• 1/4. Balanced Phone Jack and RCA inputs
• Bi-polar design and toroidal transformer power supply
• Individual left and right Level controls
• 5-segment, 3-color LED meters
• Convection-cooled design
• Headphone Jack

The next evolution of the Hear Back 8-channel personal monitoring system has arrived – introducing Hear Back OCTO.
With improved audio quality, system performance, and overall ease of use, it revolutionizes monitor mixing on stage or in the studio. Imagine getting your mix exactly the way you want it. With the Hear Back OCTO, you save time and get the sound just right, the first time. This affordable system is perfect for headphones, wired and wireless in-ear monitors, and/or conventional floor monitors.
System Standouts

• Virtually unlimited system size
• Affordable solution
• Excellent audio fidelity
• Very long digital cables possible without loss of audio quality
• Audio inputs ADAT, analog, and the HearBus are switch selectable from the front panel
• Local control of up to 10 channels of audio (eight inputs plus a stereo AUX input). Master Volume controls the level of headphones, line outs, and AUX input.
• Headphone amplifier fault indicator: In case of overheating or a short, the red LED illuminates to alert the user of a problem
• Bus Status Indicator: Confirms proper connection to the Hub
• Link Indicators: Whenever two pairs of mono inputs are linked for stereo operation, the link LED is illuminated
• Standard CAT5e power and signal connection - a cost effective, simple, unobtrusive way to connect eight channels of audio. The cable is held in place with a built-in cable strain relief.
• Balanced line-outs, mono/stereo

Stereo AUX In

• Mixer has a built-in mic stand mount for attaching to a standard mic stand or clipping onto a stand extension bar or clip
• High power - low distortion headphone amplifiers

System Features
Hear Back OCTO Mixer Features

• The Hear Back Mixer is equipped to mount to any standard mic or desk stand using the built-in 5/8" threaded socket located on the back of the mixer.
• Local control up to 10 channels of audio
• Master volume
• Built-in standard mic stand mount
• 24-bit D/A converters
• Bus status indicator
• Headphone amplifier fault indicator
• Mono/stereo link indicators
• Balanced line outs, mono/stereo
• Stereo AUX in:

• Expand numbers of mixers
• Drum module/metronome input

Hear Back OCTO Hub Features
A single Hub supplies signal and power to a maximum of eight Mixers. To expand your system, the Hubs can be daisy-chained using the HearBus In/Out for virtually unlimited system size. The Hub accepts analog input signals from an audio mixer such as auxiliaries, matrix outs, sub outs, monitor outs, and/or direct outputs. The ADAT input can come from digital audio workstations, digital recorders, or digital mixers.

• Three switch selectable input sources:

• ADAT® Optical
• Analog
• HearBus

• 24-bit A/D converters
• 44.1KHz and 48KHz sample rates
• Multi-color, four-level metering
• Daisy-chain for expanded systems
• Internal universal input power supply
• 1 RU chassis

Mixer Aux Input
Line Input Configuration / Impedance: Stereo, unbalanced, 10 Kohms typical
Line Input Level: +4 dBu optimal, +22 dBu max

Mixer Headphone Power (Per Channel)

Mixer Line Output
Freq Response:
20 Hz to 20 KHz, +/-0.16 dB
THD+N:

• 0.004% typical at 1 kHz, +18 dBu
• 0.008% typical, 20 Hz - 20 kHz, +4 dBu

IMD: 0.02% typical at +4 dBu, 60 Hz / 7 kHz
Crosstalk: Less than -85 dB @ 1 kHz
Latency: Less than 1.5 mSec

System Noise Performance
Noise, A-Weighted: -94 dBu @ analog, -97 dBu optical
Dynamic Range: 122 dB typical

System I/O
Hub Line In, Analog: 8 Balanced inputs on DB-25 female (DA-88 pinout)
Hub Max Input Level, Analog: +18 dBu
Hub Light Pipe In: Industry standard fiber optic connector, shuttered
Hub HearBus In, Out: 2x 8-pin RJ45 jack
Mixer Headphone Out: 1x TRS 1/8" and 1x 1/4" unbalanced stereo
Mixer Line Out: 2x TRS 1/4" balanced (left/mono or stereo)
Mixer Max Output Level, Analog: +28 dBu (mixed output)
Mixer Aux Input: TRS 1/8" unbalanced stereo

Physical, Mixer
Size:
5.1" H x 9.3” W x 2.519" D (12.95 cm H x 23.62 cm W x 6.40 cm D)
Unit Weight:
15.8 oz. (0.45 kg)
Mounting:
Standard mic stand (5/8" 27 threads per inch) or desk mounted
Physical, Hub
Size:
1.75" H x 19.0" W x 5.0" D (4.45 cm H x 48.26 cm W x 12.7 cm D)
Unit Weight:
3.9375 lb. (1.79 kg)
Mounting:
Standard rack mount, 1 RU

Power
Hub Power Requirements:
~100-240VAC 125W 50/60Hz
Note: 0 dBu = 0.775 Vrms. Specifications and features subject to change without notice.

With one foot firmly planted in the historic British preamp sound that makes up some of the worlds favorite recordings of all time, the Aurora Audio GTQ2 is also equally capable of capturing the best modern tones of today.

Geoff Tanner’s design incorporates balanced transformer input and output. Our transformers are made to Geoff’s exacting specifications by the old Marinair crew in the United Kingdom. This results in the warm yet extremely punchy sound that only great iron can provide.

The adjustable input impedance coupled with 80dB of available gain makes the GTQ2 ideal for cleanly amplifying everything: low power ribbon mics, classic dynamic mics, and high output condensers. You don’t always have to stay clean though. Turn up the gain on the GTQ2 and hear the classic harmonics and overtones that made the Class A British sound so sought after.

The GTQ2 EQ is made to be engineer and musician friendly. This 3 band small wonder is an incredibly powerful tone shaping tool. Geoff saw the opportunity to simplify the EQ section by focusing on the most musical frequencies so you can spend your time recording and not twiddling knobs. The Hi end shelving at 12K provides air and sheen while never getting thin or shrill. The Low end shelving at 80hz gives you enough power to fill out an anemic sound or cut to get rid of any offending rumble. The Midrange control at 400Hz, 1.6K, and 3.2K can help you get rid of mud and get tracks to cut though your dense mix.

When is a DI not just a DI? When it’s the GTQ2 DI! The 10 Megohm DI input allows for a full frequency experience. You will hear Bass and Keyboards with a whole new sense of clarity and fullness. For those recording instruments “in the box” like electric guitars, amp and room simulations will sound more real than ever since the GTQ2 provides an unparalleled source material for the modeling program to react to.

The GTQ2 is truly an all-purpose mic pre. Ideal for any instrument, vocal, or sound effect, the GTQ2 is being used around the world by professionals in Music, Film, and TV.

Specifications

• Input impedance = 1,200 ohms or 300 ohms balanced and floating
• Balanced and floating Output will drive any impedance from 600 ohms upwards
• D.I. Input impedance = 10Megohms
• Frequency response <20Hz to>50KHz + 1dB
• Distortion <0.075% @ 1KHz
• EIN <-125dB @ 80dB gain
• Transformer balanced inputs and outputs
• All Class A discrete transistor circuitry Stepped adjustable in 5dB steps from –10dB to +80dB
• Rear jacks provide an unbalanced output at the same level as balanced. Selectable input impedance on rear panel
• Three band EQ: + 15dB adjustment 80Hz (Bass), 12KHz (Treble) mid frequencies of 400Hz, 1,600Hz and 3,200Hz
• 80Hz 18dB/octave High Pass Filter
• Internal power supply

Reshape the sound of your tracks or entire mix with the elysia nvelope 500. This 500 series Class A audio processor lets you dial in the attack of your track to give it more or less punch in the mix. This is perfect for your drum mixes, guitars, keyboards, and much more. The sustain control increases or decreases the sustain of your track, helping you place it where you want it in the mix. Add the perfect amount of highs or lows with the robust frequency controls.

elysia nvelope 500 Class A Stereo Impulse Shaper at a Glance:

• Three modes of operation
• Dual mono or stereo linked operation
• Stepped pots

Three modes of operation

The functional and flexible elysia nvelope 500 gives you three great modes of operation: full range, dual band, and EQ. Full range mode lets you tweak the attack and sustain of your track. Dual band mode gives you control of the attack and sustain, like full range mode, but adds frequency controls to determine the start and end frequencies that are affected. With EQ mode the nvelope 500 turns into a shelf filter where attack and sustain controls turn into cut/boost controls to dial in your ideal frequencies. You can also mix the channels of the elysia nvelope 500 to have one full range channel and one dual band channel at the same time!

Dual mono or stereo linked operation

With dual mono and stereo functions, the elysia nvelope 500 adds even more flexibility. In dual mono mode, you can process the bass drum and snare on separate channels simultaneously. Tweak your synth track in stereo mode for punch and detail while setting a different EQ on each side. For single tracks to sub-mixes and full mixes, the elysia nvelope 500 lets you sculpt your ideal sonic signature each and every time.

Stepped pots

The elysia nvelope 500 features 41-step pots, to make recalling precise settings, and even experimenting with new settings quick and easy. No more guessing where the knob was exactly set! The nvelope 500 makes it simple.

elysia nvelope 500 Class A Stereo Impulse Shaper Features:

• Reshape the sound of your tracks or mix
• Stepped potentiometers for repeatable results
• Auto-gain feature to control unwanted peaks and gains
• Discrete Class A circuitry
• Compact 500 series processor



After lengthy testing and remanufacturing our driver, Auratone were finally able to achieve the purest sound equalling the sound of the original 5C Super Sound Cube.  All components of the Auratone 5C Super Sound Cube driver are made of the highest quality materials in the United States. The cabinet is built with black laminate and quality craftsmanship.

The 5C, which became famous in the 1970's and 80's and has been used in virtually every major recording studio worldwide, is still the undisputed industry standard for "real world" referencing in the recording studio.

Durability, flat full-range response, amazing power handling and portability have made AURATONES the Recording, Broadcasting, and Motion Picture industries favorite “mixdown monitors.” . . . for comparison and final mixes, auditioning, remotes, and reference standard speakers.



Features

• Dimensions: 6 1/2w x 6 1/2"h x 6"d
• Frequency Response:  75-15,000 Hz
• Impedance:  8 OHMS
• Driver: 4 1/2" Full Range
• SPL/Sensitivity:  90 DB @ 1w/1m
• Cabinet:  Sealed 5/8" MDF
• Wattage: 25 Watt RMS/50 Watt Peak
• Made in the USA

Samson Servo 120A

Samson's latest amplifier design! The Servo 120A incorporates Discreet Power Topology and improved monitoring features. The Servo 120A is perfect for use with near-field monitors or as a headphone amp. The Servo 120A provides reliable reference-class audio in a compact package.

 Features:

• 1U Rackmount Servo controlled power amplifier
• 60 Watts per side @ 4 ohms
• 120 watts into 8 ohms (bridged mono)
• 1/4. Balanced Phone Jack and RCA inputs
• Bi-polar design and toroidal transformer power supply
• Individual left and right Level controls
• 5-segment, 3-color LED meters
• Convection-cooled design
• Headphone Jack