Phoenix DRS Mic Preamp/DIs
A Versatile, Modern Class-A Mic Preamp/DI
Available in mono (1/2RU or 500-series), stereo (1RU) or in 8-channels (2RU), the Phoenix DRS Mic Preamp/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique DRS circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the DRS Preamp/DI a top-tier choice for engineers around the world and a modern day classic.



Hi-Fi Transformerless Mic Input Stage


Our exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the DRS delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between.

Legendary Transformer-Balanced Output Stage
Our custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones. 

Ultra-High Impedance DI Circuit
The DRS-1, DRS-2, DRS-8 and DRS1R-500 include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the DRS's DI.



Easy and Intuitive In The Studio


Because you're working with a clean, robust, electronically-balanced input signal, the DRS Mic Preamp/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the DRS Mic Preamp/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.



Features of DRS Mic Preamp/DI

• Phoenix Audio's unique Class A, transformerless, true-balanced mic input stage
• Phoenix Audio's transformer-balanced DSOP-2 Class-A discrete output stage with custom wound DB694 output transformer
• Wired with PTFE silver plated military grade cable
• -30dB input pad
• High Pass Filter: -6dB per octave @ 120Hz
• LED Gain Metering
• Push buttons: Hi-Pass, 48v, Phase Reverse, Switchable 48V phantom power on push-button switch
• High Pass Filter on Push-button Switch (Roll-off -6dB per octave @ 80Hz)
• Phase Reverse on Push-Button Switch
• Mic Pre Gain Range: -30 to -70 in 5dB steps With 10dB more available on the ouput fader.
• Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.
• Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
• Frequency response Class A (DSOP-2) output stage: 20Hz to 20kHz +- 0.5dB, Maximum            

                        Channels         Format         DI         Hi-Pass Filter


DRS-1                     1               1/2RU         yes                 yes


DRS1R-500             1                 API           yes                 yes


DRS-2                     2                 1RU          yes                 yes


DRS-8 MKII             8                 2RU          yes                 yes

Specifications

• 1U half rack space unit: With 240V/110V mains voltage input selector switch
• Class A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.
• Output connections: XLR’s and TRS 1/4″ Jack on rear
• Phoenix Audio’s unique Class A, transformerless, True balanced Mic input stage. Microphone inputs: XLR’s on Front and Rear Panels
• Phoenix Audio’s unique Class A, transformerless, True balanced Mic input stage. Microphone inputs: XLR’s on Front and Rear Panels
• Individual Earth Lift: Push-button Switches
• Gain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the fader.
• Gain reduction: -30dB push-button Mic/Line switch (Mic input)
• High Input Impedance DI: Mono 1/4″ Jack on front panel
• Gain Meter: LED Metering. (Green = 0dB, Red= +8dB, corresponding to “4” and “6” on a PPM Meter).
• Phantom Power: Switchable phantom on Push-button Switche
• High Pass Filter: on Push-button Switch
• Phase Reverse: on Push-button Switch
• Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
• Frequency Response: DI Input Stage: -0.3dB @ 40Hz, – 0.5dB @ 25kHz
• Typical Headroom: +26dB on Mic-Pre stage
• DI Stage gain: Maximum of 30dB
• All units are wired with PTFE silver plated military grade cable

Phoenix DRS Mic Preamp/DIs
A Versatile, Modern Class-A Mic Preamp/DI
Available in mono (1/2RU or 500-series), stereo (1RU) or in 8-channels (2RU), the Phoenix DRS Mic Preamp/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique DRS circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the DRS Preamp/DI a top-tier choice for engineers around the world and a modern day classic.



Hi-Fi Transformerless Mic Input Stage


Our exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the DRS delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between.



Legendary Transformer-Balanced Output Stage


Our custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones. 

Ultra-High Impedance DI Circuit
The DRS-1, DRS-2, DRS-8 and DRS1R-500 include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the DRS's DI.



Easy and Intuitive In The Studio


Because you're working with a clean, robust, electronically-balanced input signal, the DRS Mic Preamp/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the DRS Mic Preamp/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.



Features of DRS Mic Preamp/DI

• Phoenix Audio's unique Class A, transformerless, true-balanced mic input stage
• Phoenix Audio's transformer-balanced DSOP-2 Class-A discrete output stage with custom wound DB694 output transformer
• Wired with PTFE silver plated military grade cable
• -30dB input pad
• High Pass Filter: -6dB per octave @ 120Hz
• LED Gain Metering
• Push buttons: Hi-Pass, 48v, Phase Reverse, Switchable 48V phantom power on push-button switch
• High Pass Filter on Push-button Switch (Roll-off -6dB per octave @ 80Hz)
• Phase Reverse on Push-Button Switch
• Mic Pre Gain Range: -30 to -70 in 5dB steps With 10dB more available on the ouput fader.
• Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.
• Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
• Frequency response Class A (DSOP-2) output stage: 20Hz to 20kHz +- 0.5dB, Maximum


                         Channels         Format         DI         Hi-Pass Filter


DRS-1                     1                1/2RU         yes                 yes


DRS1R-500            1                   API           yes                 yes


DRS-2                     2                  1RU          yes                 yes


DRS-8 MKII             8                  2RU          yes                 yes
 
 
Phoenix DRS Gyrator EQs
An EQ As Versatile As It Is Unique
Phoenix Audio's DRS Gyrator EQ (as found in the DRSQ4M mk2) is one of today's most unique and musical EQs, allowing an incredible variety of sounds useful for everything from clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class-A circuit saturation. Available either as a mono 500-series module (running at 24v) or coupled to two of our remarkable Class-A DRS Mic Preamp/DIs in a stereo 1RU unit, the DRS Gyrator EQ is as powerful as it is fun to use.



4-Bands of Gyration


The Gyrator EQ was first developed during what most consider the golden age of solid-state analog audio design: the 1970s. Originally designed to emulate the characteristics of an active inductor EQ (think Neve, API), the Gyrator EQ uses a rather clever combination of an amplifier, resistors and capacitors to accomplish incredibly smooth and musical frequency modifications. The modern-day Phoenix DRS Gyrator EQ gives you High, High-Mid, Low-Mid and Low frequency bands, each notched to proven frequencies from a shimmering 15kHz on down to a thumping 40Hz. There's also a high pass filter at 80Hz, which can eliminate rumble or be used "against" low-end boosts for an extra range of unique EQ curves (think: Pultec). Even at extreme boosts and cuts, the DRS Gyrator EQ's uniquely musical filters maintain the core quality of your original signal, allowing you to make bold, gut-level EQ moves that won't sound harsh, slurred or out of phase. Used more subtly, these four filters are capable of highly coherent tone shaping suitable for full mixes and mastering.



Driving the Output Circuit for More Tone Shaping


Phoenix Audio's renown DSOP-2 output amplifier, with its custom-wound transformer, is able to deliver everything from ultra-clean signals with abundant headroom to fat, fully saturated tones. By lowering the input attenuator and boosting the output signal, one can drive the DSOP-2 output stage for a wide variety of lush, Class-A saturation. Or, do the opposite—back off on the output while boosting the input—and you'll get huge, clean, hi-fi tones. Many engineers even use the DRS Gyrator EQ completely flat in order to simply add the musicality of our proprietary amplifier circuits.



Versatile And Effortless, Day After Day


The DRS Gyrator EQ is a powerfully versatile, high-quality studio tool. Unlike many Class-A EQs that just do "their thing" due to inherent distortion characteristics, the DRS Gyrator EQ keeps the input signal clean, making it possible for the engineer to keep tones transparent or saturate them to taste. Importantly, doing so is effortless and intuitive due to the DRS Gyrator's straight-forward design and unerring musicality. Those who own this EQ tell us that it quickly becomes their "go to EQ"—used effortlessly every day across a vast variety of instruments, voices and full mixes.
 
Features

• 3 formats

• DRS-EQ/500 Gyrator EQ 500: mono 500 series without Preamp/DI (operates at 24v)
• DRSQ4 MKII Gyrator EQ with Preamp/DI: Stereo 1RU with our DRS Series Preamp/DI.
• DRSQ4M MKII Gyrator EQ with Preamp/DI: Mono 1/2RU with our DRS Series Preamp/DI.

• 4 Bands of Gyrator EQ + High-Pass Filter

• High – 15K, 10K
• Hi Mid – 6K, 3K, 1K6
• Low Mid – 800Hz, 400Hz, 200Hz
• Low – 130Hz, 80Hz, 40Hz
• High Pass Filter at 80Hz, 12dB/octave

• EQ Cut/Boost Levels

• 16dB Cut/Boost Per Band
• all EQ bands are stepped/detented to 21 positions for easy recall & stereo operations for mastering or the mix bus.

• DRS-EQ/500 has an overall output level with +15db of additional gain even while the EQ is in bypass, allowing the output fader to be used to drive the output stage & transformer to colour & saturate your sound, again even when the EQ is in bypass. (How can we not say "output" 3 times in the same sentence)?
• Phoenix Audio's Class-A DSOP-2 Output Amplifier with custom-wound transformer.

Specifications

• 1U half rack space unit: With 240V/110V mains voltage input selector switch
• Class A (DSOP-2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB,
• Maximum Output Level: +26dBu @ 1kHz
• Noise: -90dB @ 20Hz to 20kHz.
• Output connections: XLR and TSR 1/4″ Jack on rear
• Phoenix Audio’s unique Class A, transformer-less, True balanced Mic input stage.
• Phoenix Audio’s custom wound output transformer.
• Microphone/Line input: XLR on Rear Panel
• DI inputs: ¼” TS Jack on Front Panel
• Individual Earth Lift: Push-button Switches
• Gain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the fader.
• Gain reduction: -30dB push-button Mic/Line switch (Mic input)
• High Input Impedance DI: Mono 1/4″ Jack on front panel (no FETs)
• Gain Meter: LED Metering. (Green = 0dB, Yellow = +8dB, corresponding to “4” and “6” on a PPM Meter).
• Phantom Power: Switchable phantom on Push-button Switch
• High Pass Filter: Roll-off starts at 120Hz @ 12dB per Octave.
• Phase Reverse: on Push-button Switch
• Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
• Frequency Response: DI Input Stage: -0.3dB @ 40Hz, – 0.5dB @ 25kHz
• Typical Headroom: +26dB on Mic-Pre stage
• Gyratory-based EQ Frequency Centres: (4 Bands) High – 15K, 10K, Hi Mid – 6K, 3K, 1K6, Low Mid – 800Hz, 400Hz, 200Hz, Low – 130Hz, 80Hz, 40Hz
• EQ Cut/Boost Levels: 16dB Cut/Boost Per Band
• EQ is stepped/dentented to 21 positions for easy recall settings
• DI Stage gain: Maximum of 30dB
• All units are wired with PTFE silver plated military grade cable

A Versatile, Modern Class-A Mic Preamp/DI


Available in mono (1/2RU or 500-series), stereo (1RU) or in 8-channels (2RU), the Phoenix DRS Mic Preamp/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique DRS circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the DRS Preamp/DI a top-tier choice for engineers around the world and a modern day classic.



Hi-Fi Transformerless Mic Input Stage


Our exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the DRS delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between.



Legendary Transformer-Balanced Output Stage


Our custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones. 

Ultra-High Impedance DI Circuit
The DRS-1, DRS-2, DRS-8 and DRS1R-500 include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the DRS's DI.



Easy and Intuitive In The Studio


Because you're working with a clean, robust, electronically-balanced input signal, the DRS Mic Preamp/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the DRS Mic Preamp/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.



Features of DRS Mic Preamp/DI

• Phoenix Audio's unique Class A, transformerless, true-balanced mic input stage
• Phoenix Audio's transformer-balanced DSOP-2 Class-A discrete output stage with custom wound DB694 output transformer
• Wired with PTFE silver plated military grade cable
• -30dB input pad
• High Pass Filter: -6dB per octave @ 120Hz
• LED Gain Metering
• Push buttons: Hi-Pass, 48v, Phase Reverse, Switchable 48V phantom power on push-button switch
• High Pass Filter on Push-button Switch (Roll-off -6dB per octave @ 80Hz)
• Phase Reverse on Push-Button Switch
• Mic Pre Gain Range: -30 to -70 in 5dB steps With 10dB more available on the ouput fader.
• Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.
• Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
• Frequency response Class A (DSOP-2) output stage: 20Hz to 20kHz +- 0.5dB, Maximum
• 24v built PSU so you can feel the sound of the 'true' unit and not be limited by the limitions of running at 16v which is the standard Lunchbox voltage.


                         Channels         Format         DI         Hi-Pass Filter


DRS-1                       1              1/2RU        yes                yes


DRS1R-500              1                 API          yes                 yes


DRS-2                       2                1RU         yes                 yes


DRS-8 MKII              8                 2RU         yes                 yes

Specifications

• Class A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.
• Output connections: XLR’s on rear panel of API rack
• Phoenix Audio’s unique Class A, transformerless, True balanced Mic input stage.
• Custom wound Phoenix output transformer.
• Microphone input: XLR’s  Rear Panels of API rack
• Gain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the output fader.
• Gain reduction: -30dB push-button Mic/Line switch (Mic input)
• High Input Impedance DI: Mono 1/4″ Jack on front panel
• Gain Meter: LED Metering. (Green = -2dbu, +4dbu & 0dBu, Yellow = +13dbu Red= +16dBu)
• Phantom Power: Switchable phantom on Push-button Switch
• High Pass Filter: on Push-button Switch, 120hz 6db per octave
• Phase Reverse: on Push-button Switch
• Mute : on Push-button Switch
• Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
• Frequency Response: DI Input Stage: -0.3dB @ 40Hz, – 0.5dB @ 25kHz
• Typical Headroom: +26dB on Mic-Pre stage
• DI Stage gain: Maximum of 30dB
• 24v built PSU

Phoenix DRS Mic Preamp/DIs
A Versatile, Modern Class-A Mic Preamp/DI
Available in mono (1/2RU or 500-series), stereo (1RU) or in 8-channels (2RU), the Phoenix DRS Mic Preamp/DIs take a modern approach to Class-A circuit design that delivers a wide range of tones without sacrificing the beloved vibe of true Class-A design. The unique DRS circuit can go from ultra-clean sounds suitable for audiophile recordings all the way to the warm, saturated tones reminiscent of the UK's most heralded vintage designs. Versatility and superior sound have made the DRS Preamp/DI a top-tier choice for engineers around the world and a modern day classic.



Hi-Fi Transformerless Mic Input Stage


Our exclusive electronically-balanced, transformerless mic input circuit delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love Class-A mic preamps. Boldly outperforming transformer-based designs in both the frequency response and slew rate, the DRS delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between.



Legendary Transformer-Balanced Output Stage


Our custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones. 

Ultra-High Impedance DI Circuit
The DRS-1, DRS-2, DRS-8 and DRS1R-500 include very high input impedance DI circuits (10Mohm)—remarkably featuring no FETs—on every channel. This design means that guitar and bass pickups are not loaded, allowing the natural sound of both modern and vintage instruments to shine and actually enhancing the sound, sparkle and growl as if they were plugged into your favorite amp. Synths, drum machines, and even laptops can likewise be sweetened by the DRS's DI.



Easy and Intuitive In The Studio


Because you're working with a clean, robust, electronically-balanced input signal, the DRS Mic Preamp/DI makes dialing in your exact sound easy, intuitive and quick. By working the familiar stepped input gain control (up to 70db alone) and the -15dB pad against the variable output fader (which provides an additional 10dB of gain), you can dial in your preferred tones without having to consider an overly complex gain architecture. It's all about driving the versatile DSOP-2 output stage to your exacting tastes, whatever they may be in any given moment. Like so many other engineers, you'll find yourself reaching for the DRS Mic Preamp/DI over and over again to reliably deliver a vast array of outstanding sounds for any instrument or voice you're recording.



Features of DRS Mic Preamp/DI

• Phoenix Audio's unique Class A, transformerless, true-balanced mic input stage
• Phoenix Audio's transformer-balanced DSOP-2 Class-A discrete output stage with custom wound DB694 output transformer
• Wired with PTFE silver military grade cable
• -15dB input pad
• High Pass Filter: -6dB per octave @ 80Hz
• LED Gain Metering
• Push buttons: Hi-Pass, 48v, Phase Reverse, Switchable 48V phantom power on push-button switch
• High Pass Filter on Push-button Switch (Roll-off -6dB per octave @ 80Hz)
• Phase Reverse on Push-Button Switch
• Mic Pre Gain Range: -30 to -70 in 5dB steps With 10dB more available on the ouput fader.
• Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.
• Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
• Frequency response Class A (DSOP-2) output stage: 20Hz to 20kHz +- 0.5dB, Maximum


                         Channels         Format         DI         Hi-Pass Filter


DRS-1                       1              1/2RU         yes                yes


DRS1R-500               1                 API          yes                yes


DRS-2                       2                1RU          yes                yes


DRS-8 MKII               8                2RU          yes                yes

Specifications

• 8 Channel 2U – 19” Rack-mount unit: With 240V/110V mains voltage input selector switch Inputs
• Connections: Neutrik Combo XLR/1/4” XLR sockets on Rear Panel for Mic inputs & line inputs and switched jacks for DI inputs
• Output connections: XLR’s on rear panel
• Additional outputs: 25 pin “D” style connector on the rear panel (wired “Tascam” Standard)
• Gain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the fader.
• Gain Meter: LED Metering. 5 LED Meter on each channel (with hysteresis)
• Phantom Power: Switchable 48V phantom on Push-button switch
• High Pass Filter: on Push-button Switch (Roll-off -6dB per octave @ 80Hz)
• Phase Reverse: on Push-button Switch
• Mute: On Push-button switch.
• Pad Push-button switch: Enables Flexibility for input levels, pad is set at 15db.
• Detented output control for recall, 21 positions.
• Phoenix Audio’s unique Class A, transformerless, True balanced Mic input stage.
• Transformer-balanced Output on each channel: Driven by the Phoenix Audio Class A DSOP-2 fully discrete output stage, each transformer is custom wound.
• Class A (DSOP-2) Output specs . Frequency response: 20Hz to 20kHz +- 0.5dB, Maximum
• Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz.
• Frequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz
• All units are wired with PTFE silver military grade cable

An EQ As Versatile As It Is Unique
Phoenix Audio's Gyrator EQ  is one of today's most unique and musical EQs, allowing an incredible variety of sounds useful for everything from clean high-headroom mix buss tone shaping to deep frequency carving to smooth Class-A circuit saturation. Available either as a mono 500-series module (running at 24v) or coupled to two of our remarkable Class-A Ascent Mic Preamp/DIs in a stereo 1RU unit, the Gyrator EQ is as powerful as it is fun to use.

4-Bands of Gyration
The Gyrator EQ was first developed during what most consider the golden age of solid-state analog audio design: the 1970s. Originally designed to emulate the characteristics of an active inductor EQ (think Neve, API), the Gyrator EQ uses a rather clever combination of an amplifier, resistors and capacitors to accomplish incredibly smooth and musical frequency modifications. The modern-day Phoenix DRS Gyrator EQ gives you High, High-Mid, Low-Mid and Low frequency bands, each notched to proven frequencies from a shimmering 15kHz on down to a thumping 40Hz. There's also a high pass filter at 80Hz, which can eliminate rumble or be used "against" low-end boosts for an extra range of unique EQ curves (think: Pultec). Even at extreme boosts and cuts, the Gyrator EQ's uniquely musical filters maintain the core quality of your original signal, allowing you to make bold, gut-level EQ moves that won't sound harsh, slurred or out of phase. Used more subtly, these four filters are capable of highly coherent tone shaping suitable for full mixes and mastering.

Driving the Output Circuit for More Tone Shaping
Phoenix Audio's renown DSOP-2 output amplifier, with its custom-wound transformer, is able to deliver everything from ultra-clean signals with abundant headroom to fat, fully saturated tones. By driving the output attenuator, one can drive the DSOP-2 output stage for a wide variety of lush, Class-A saturation. Many engineers even use the Gyrator EQ completely flat in order to simply add the musicality of our proprietary amplifier circuits.

Versatile And Effortless, Day After Day
The Gyrator EQ is a powerfully versatile, high-quality studio tool. Unlike many Class-A EQs that just do "their thing" due to inherent distortion characteristics, the  Gyrator EQ keeps the input signal clean, making it possible for the engineer to keep tones transparent or saturate them to taste. Importantly, doing so is effortless and intuitive due to the DRS Gyrator's straight-forward design and unerring musicality. Those who own this EQ tell us that it quickly becomes their "go to EQ"—used effortlessly every day across a vast variety of instruments, voices and full mixes.

Sheen Control

Sheen control adds a beautiful breath and presense  to vocals and instruments which need to come to life, with 16db control this gives great flexibility & power to really boost this or to cut if unwanted HF is present.

Features

• 2 formats
  • Gyrator/500 Gyrator EQ 500: mono 500 series without Preamp/DI (operates at 24v)
  • Ascent Two EQ Gyrator EQ with Preamp/DI: Stereo 1RU with our Ascent Series Preamp/DI.
  • Ascent One EQ Gyrator EQ with Preamp/DI: Mono 1/2RU with our Ascent Series Preamp/DI.
• 4 Bands of Gyrator EQ + High-Pass Filter
  • High – 25K (sheen) 15K, 10K, (shelving EQ)
  • Hi Mid – 6K, 3K, 1K6 (Bell curve EQ)
  • Low Mid – 800Hz, 400Hz, 200Hz (Bell curve EQ)
  • Low – 130Hz, 80Hz, 40Hz (shelving EQ)
  • High Pass Filter at 80Hz, 12dB/octave
• EQ Cut/Boost Levels
  • 16dB Cut/Boost Per Band
  • all EQ bands are stepped/detented to 21 positions for easy recall & stereo operations for mastering or the mix bus.
• Gyrator-EQ/500 has an overall stepped output level with +15db of additional gain even while the EQ is in bypass, allowing the output fader to be used to drive the output stage & transformer to colour & saturate your sound, again even when the EQ is in bypass. (How can we not say "output" 3 times in the same sentence)?
• Phoenix Audio's Class-A DSOP-2 Output Amplifier with custom-wound transformer.
• 24v built PSU so you can feel the sound of the 'true' unit and not be limited by the limitions of running at 16v which is the standard Lunchbox voltage

Today's Music Demands More and Better DIs


The Phoenix Audio pure Class-A DI was so popular in our DRS Series Mic Preamps that we've made it available in two stand alone versions: the 2-channel (1/2RU) Nice DIand the 8-channel N8 (1RU). Over the past decade or so, the need for more DIs has skyrocketed as instrumentation has incorporated more and more electronic elements. From elaborate analog synth rigs, to multiple laptops, to loop-stations and more, getting excellent tone from multiple DIs is more important today than ever. With their unique gain architecture, Phoenix's Nice DIs intuitively offer up a wide array of tones, such that working with a direct signal takes on the artistry we tend to associate only with working with mic'd signals.



Pure Class-A Tone at Input


The Nice DIs are built around a fully discrete Class-A circuit design, all hand-wired with military-grade silver connections into rugged and portable steel boxes. Our transformerless, ultra-high impedance (10Mohm) input stage assures that your signals are delivered into the circuit in their full glory. No treble roll off, or sluggish bass response as is rampant with so many DIs. Instead, you'll hear the full-bodied, punchy sounds necessary for delivering the powerful, often bombastic and complex, signals of modern music. Guitars and basses will sing; lush synths will swarm; hard-hitting drum machines will thump and crack—each sound rendered with its transients and full frequency spectrum in tact.



Versatile Transformer-Balanced Output


The output stage of the Nice DIs uses Phoenix Audio's renown DSOP-2, an all discrete output amp based on head-designer Dave Rees's infamous TF1 amp (which he developed for use in vintage Neve modules). With its custom-wound DB694 transformer and enormous headroom, the DSOP-2 can be driven to taste. Deliver more gain to achieve a beautifully saturated sound, back off for a cleaner, hi-fi sound, or choose any flavor in-between. And because these DIs can accept unbalanced line level or levels up to 0db you can use the N8, for example, anywhere a line-amp is necessary: along side your console, in a live setting, or simply in any patch to pick up that Class-A tone. With an easily recalled stepped gain control on every channel, dialing in your exact sound is a breeze. You'll find these to be the most musical, intuitive and versatile DIs you've ever used, capable of breathing new life into any direct injected signal.


Features :

• Phoenix's famous Class A, discrete, transformerless input stage, offering ultra-high impedance (10Mohm) inputs
• Our proven and loved Class A, discrete DSOP-2 output with custom-wound  DB694 transformer
• Stepped output pots for each channel with huge gain range
• Pad on every channel (15db) with illuminated switch
• Phase reverse on every channel with illuminated switch
• Earth ground lift on every channel with illuminated switch
• Inputs: 1/4″ jack (TS) input on the front panel
• Inputs: 1/4″ jack (TS) through on the front panel
• N8
• 8 channels of DI
• Will accept unbalanced line level for processing of unbalanced signals or signals up to 0dbu
• 1U chassis rack space, perfect for studio and live applications
• 8 x Balanced main outputs on D-sub (Tascam DA88 wired)
• 8 x Balanced monitor outputs on D-sub (Tascam DA88 wired)
• External 24v PSU with lockable connector
• Inputs: 1/4″ jack (TS) input on the front panel
• Inputs: 1/4″ jack (TS) through on the front panel

Specifications

• Gain range : 30dB
• Frequency Response: 20Hz to 20Khz +/- 0.5dB
• Maximum Output: +26dBu @ 1Khz
• Noise: –90dB @ 22Hz to 22KHz

A Truly Musical Compressor/Gate


In a world now crowded with compressors—most of them emulating vintage designs, with the rest, it seems, dead set on destroying dynamics—the Phoenix Audio N90-DRC/500 stands out as a decidedly musical compressor with a refreshingly unique design. Phoenix Audio's lead designer Dave Rees (the "DR" in DRC) developed this circuit over 20 years ago, and his thoughtful design reflects the subtler, more tasteful approach to compression from that bygone era. Though the N90 can be pushed to offer up wonderful sonic artifacts, it truly excels at the delicate (and increasingly rare) craft of transparent, musical dynamic control and gating.



A Forgiving and Intuitive Class-A Circuit


The N90's 100% Class-A circuit is built around our wide-open sounding transfomerless input stage and beloved DSOP-2 output amplifier with our custom-wound DB694 output transformer. While appearing quite elaborate, using the compressor/gate functions of the N90 is a forgiving and intuitive experience—especially given that this is a solid-state compressor. The ease of use is due to the gradual and progressive behavior of the N90's unique control circuit. Gain reduction begins well below, and continues beyond, the threshold, so you'll never hear a sudden "grabby" change in dynamics. Instead, you'll easily dial in fluid dynamic control while simultaneously picking up the rich, lush tone of the N90's discrete Class-A circuit.



But You Can Still Push It


With ratios ranging from 2:1 to 8:1, the N90 is clearly designed for mellow, transparent compression. However, the higher ratios do offer up a fair amount of "limiter style" artifacts, especially when you switch the attack to "fast" and begin to manually manipulate the compressor's release time. Further, by driving more signal into the N90, a wide range of tones can be derived from the DSOP-2 output stage—from crystal clean to warm, pure Class-A analog saturation. Perhaps most importantly, the N90 makes a smooth transition from transparent to more obvious compression andoutput stage saturation, meaning that it's never a fussy or sensitive task to dial in your desired sound. From the subtlest gain control to lush Class-A artifacts—not to mention the flexible gate circuit—the N90-DRC/500 is one of the most versatile dynamic control units ever produced.



A Gate You'll Actually Use


With the advent of digital's nearly inaudible noise floor, gating is something of a lost art. However, having been designed just before the industry largely abandoned analog tape, the N90 houses one of the most advanced, musical analog gates ever conceived. Similar to the compressor section, the N90's gate is intended to be subtle and musical. Its release function is actually a combination of a "hold time" followed by a "fade time," making the N90's gate adept at everything from standard noise gating to even more subtle control of ambience levels relative to main signal. There is also an external key input, allowing you to trigger the gate with an external signal. With the N90's gate at your fingertips, you'll discover (or perhaps rediscover) the subtle art of analog gating.

Link Up To 8 Units
Up to eight N90-DRC/500s can be linked together, allowing the compressor and gate functions to be controlled from just one of the units. This link functionality opens up a whole world of possibilities, from simpler stereo set-ups to far more elaborate scenarios where multiple channels are triggered by external key inputs. Almost anything you can dream up can be done with multiple N90s on hand.



Compressor Functions at a Glance

• Threshold — from +10 to -30, this is an intuitive and predictable threshold setting that never grabs your signal suddenly
• Ratio — from a mere 1.5:1 up to 8:1, the ratios are mellow and widely variable.
• Release — either gain-dependent auto setting or variable release from ultra-fast 0.1 sec up to 3 sec.
• Fast — toggles the attack time from normal (15ms) to fast (1ms)
• Make-Up Gain — up to +15dB of make-up gain is available (post-gate)


Gate Functions at a Glance

• Threshold — from +10 to -40
• Key: switches between input signal and an external "key" signal to trigger the gate detector
• Release: from 0.1 seconds to 2 seconds with unique hold-then-fade topology
• 24v built PSU so you can feel the sound of the 'true' unit and not be limited by the limitions of running at 16v which is the standard Lunchbox voltage.

 
Specifications

• Unique design allows unit to run at 24v for true-to-form Class-A operation.
• Phoenix Audio’s unique Class A, transformerless, electronically balanced buffer amp input stage.
• Class-A, DSOP-2 output stage with custom-wound transformer. Frequency response: 20Hz to 20kHz +- 0.5dB.
• Maximum Output gain = +15dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz, maximum
• Typical Max Headroom: +26dB on output stage
• Input connections: XLR input on rear of API compatible rack
• Ability to link multiple modules (up to 8)
• External input for gate section on TT Bantam connector
• Compression Meter: LED Metering. (Green = -3dbu, -6dbu -10dbu & -14dBu, Red= -20dBu and doubles as the Gate Active LED)
• 24v built PSU

Today's Music Demands More and Better DIs


The Phoenix Audio pure Class-A DI was so popular in our DRS Series Mic Preamps that we've made it available in two stand alone versions: the 2-channel (1/2RU) Nice DIand the 8-channel N8 (1RU). Over the past decade or so, the need for more DIs has skyrocketed as instrumentation has incorporated more and more electronic elements. From elaborate analog synth rigs, to multiple laptops, to loop-stations and more, getting excellent tone from multiple DIs is more important today than ever. With their unique gain architecture, Phoenix's Nice DIs intuitively offer up a wide array of tones, such that working with a direct signal takes on the artistry we tend to associate only with working with mic'd signals.



Pure Class-A Tone at Input


The Nice DIs are built around a fully discrete Class-A circuit design, all hand-wired with military-grade silver connections into rugged and portable steel boxes. Our transformerless, electronically balanced, ultra-high impedance (10Mohm) input stage assures that your signals are delivered into the circuit in their full glory. No treble roll off, or sluggish bass response as is rampant with so many DIs. Instead, you'll hear the full-bodied, punchy sounds necessary for delivering the powerful, often bombastic and complex, signals of modern music. Guitars and basses will sing; lush synths will swarm; hard-hitting drum machines will thump and crack—each sound rendered with its transients and full frequency spectrum in tact.



Versatile Transformer-Balanced Output


The output stage of the Nice DIs uses Phoenix Audio's renown DSOP-2, an all discrete output amp based on head-designer Dave Rees's infamous TF1 amp (which he developed for use in vintage Neve modules). With its custom-wound DB694 transformer and enormous headroom, the DSOP-2 can be driven to taste. Deliver more gain to achieve a beautifully saturated sound, back off for a cleaner, hi-fi sound, or choose any flavor in-between. And because these DIs can accept line level, you can use the N8, for example, anywhere a line-amp is necessary: along side your console, in a live setting, or simply in any patch to pick up that Class-A tone. With an easily recalled stepped gain control on every channel, dialing in your exact sound is a breeze. You'll find these to be the most musical, intuitive and versatile DIs you've ever used, capable of breathing new life into any direct injected signal.


Features :

• Phoenix's famous Class A, discrete, transformerless input stage, offering ultra-high impedance (10Mohm) inputs
• Our proven and loved Class A, discrete DSOP-2 output with custom-wound  DB694 transformer
• Output pots for each channel with huge gain range
• Outputs XLR on rear panel
• Outputs 1/4″ jack (TS) input on the rear panel
• Inputs: 1/4″ jack (TS) input on the front panel
• Inputs: 1/4″ jack (TS) through on the front panel

Specifications

• Class A Stereo DI Output specs.
• Gain range : 30dB
• Frequency Response: 20Hz to 20Khz +/- 0.5dB
• Maximum Output: +26dBu @ 1Khz
• Noise: –90dB @ 22Hz to 22KHz
• Advantages: The Class A DI has a very high input impedance (10Mohm), without the use of FET’s. This means that the guitar pickups are not loaded as with a lower impedance input, and so allows every transient to be reproduced, making even a cheap guitar sound exceptional.
• Inputs: 1/4″ jack (TS) input on the front panel
• Output configuration: Transformer isolated, balanced output (XLR) on the rear panel and a 1/4″ jack (TS) unbalanced output on the front panel.
• Other features: Stereo Unit with independent gain control, mains operated, switchable input voltage (110/220Vac)
• All units are wired with PTFE insulated, silver-plated military grade cable

The Nicerizer 16 mk2 is our beloved 16 channel Class A discrete summing mixer :
Hi-Fi Transformerless Balanced Buffer Input Stage
Our exclusive electronically-balanced, transformerless balanced buffer input circuit (one for each of the 16 channels) delivers fast transients and the full frequency spectrum (from sub-bass to the highest air band), while still delivering the full, warm and smooth characteristics that make engineers love our sound. The +8db switch allows the user to ‘hit the input’ buffer amp harder delivering a more saturated and fuller sound with extended bass.
Boldly outperforming transformer-based designs in both the frequency response and slew rate, the Nicerizer delivers articulate, punchy and full-bodied input signals, allowing you to drive the output stage for a vast range of pure Class-A tones—from bold clarity to vintage warmth, and everything in-between. The ability to bring to life cold digital mixes, into a broader pallette of colour, the Nicerizer is never subtle but also never overpowering with the flexibility to work excellently on all types of music from classical through pop & r&b to heavy rock, ther Nicerizer can deliver analogue colour to all your mixes.

Legendary Transformer-Balanced Output Stage
Our custom-wound  DB694 output transformer is coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is a direct descendent of the venerable TF1 amp which Phoenix's head-designer, David Rees, developed as an upgrade for vintage Neve modules. Going beyond the TF1, the DSOP2 is the pinnacle of Class-A output circuit design, offering up a smooth transition from ultra-clean to beautifully saturated tones.
Stereo width for extra control and mixing fun !
Our stereo width is an excellent effect which neatly allows the mix to have a narrow effect or a 25% wider effect, employing elements of M&S, phase cancellation and our secret design, the stereo width effect has the opportunity to add sparkle to a mix.

Features

• The Nicerizer 16 is a 16 Channel DAW Summing Mixer
• 2U 19″ rack mountable
• Transformerless Balanced Class A Discrete Line Input Technology
• 16 Channels
• Stereo LED level monitoring
• Transformer Balanced Class A Outputs
• Balanced XLR’s
• Class A characteristics
• 16 x detented Pan pots

Specifications

• 16 channels of our Class A, discrete, truly balanced transformerless input stage.
• Our proven and loved Class A, discrete, transformer balanced output stage (DSOP-2).
• Phoenix custom wired transformers on both outputs.
• Individual detented pan control for each channel (16 x Pan pots)
• 16 x Balanced Input XLR’s. Can accept balanced or unbalanced input with no -6dB loss.
• 2 x mix busses (Stereo Mix Bus)
• 1/4″ TRS unbalanced Insert sends on Busses (L + R Bus Insert points)
• +8dB Boost button on each channel.
• Master mix bus output level control.
• Stereo LED level monitoring.
• Switchable for each channel and Main Output
• Stereo/mono External/Headphone monitoring Output. Switchable to each channel, external input (via 2T Return), Auxiliary and Main output, includes monitoring of the mix bus. (L, R, and Stereo)
• Main Outputs on Balanced XLR’s
• 1/4″ TRS unbalanced Jacks for Auxillary outputs with front panel level control
• 2 Track stereo mono inputs on 1/4″ TRS balanced Jacks
• Class A Stereo Width control with Loss-less Bass. Pannable from mono through to +25% Wider + Width control Bypass switch.
• Maximum Output Level of +26dB.
• Huge headroom available on all channels.
• All units are wired with PTFE silver plated military grade cable.

A Totally Unique EQ


While the Pivot Tone (formely known as Tilt Tone) boasts our ultra-high impedance DI, our bold, electronically-balanced line input stage, and our fully discrete DSOP-2 Class-A output stage, it is the simple and intuitive EQ that makes this unit so uniquely powerful. A pivot EQ is like a sonic see-saw; you choose the center frequency (think: fulcrum), and then simply tilt the entire frequency spectrum (think: wood plank) back and forth to taste. "Brightening" boosts everything above the chosen center frequency while simultaneously attenuating everything below it; "darkening," of course, boosts bass while attenuating treble.



Simple Yet Powerful


The Pivot Tone is one of the easiest and most intuitive EQs ever designed, but don't let its minimalism overshadow its sophisticated circuit design or its natural musicality. Utilizing our fully discrete Class-A circuits, the Pivot Tone delivers world-class, hi-fi sounds that make any line input or DI'd signal sound lush, full and coherent. The EQ section beautifully brightens or darkens your signals in subtle yet powerful ways that more complex EQs simply can not. Center frequencies on the Pivot Tone are 160Hz, 800Hz and 1.6kHz, offering three strategically-placed points for an intuitive, musical user experience. Whether aiming to beef up a DI'd bass (try darkening at 160Hz), add sparkle to an acoustic guitar (try brightening 1.6kHz), or sweeten an entire 2-bus mix (try tilting around 800Hz), you'll find yourself reaching for the Pivot Tone again and again, wondering how you lived without such a simple and musical tool.



More Tone Under The Hood


As with all our equipment containing our ultra-clear input stage and our DSOP-2 output stage, a wide range of tones are available on board, from the clearest of clean tones to the lush, warm saturation that only a Class-A transformer-balanced output stage can provide. The output attenuator on the Pivot Tone makes "driving" the output stage for different tone characteristics simple and fun—just back off on input levels for cleaner tones or drive harder for more warmth and saturation. The 10-segment LED meter will help you set the perfect output level with no fuss.



A World-Class DI


The ultra-high impedance (10Mohm) DI will never roll off highs or slow down bass, and this assures that the EQ section and the output stage see the most robust signal possible from all your DI'd instruments. With one of the very best solid-state DIs on the market, the Pivot Tone's added tone control and saturation possibilities make this DI feel more like using a great amplifier. Even considering tube-based models, it would be hard to find a DI unit that's as lushly musical and intuitively useful as the Pivot Tone.



Features

•  Class-A, discrete input line buffer amp
•  Class-A, discrete DI
•  DSOP-2 Class-A, discrete output amp with custom wound output transformer
•  Unique 3 position pivot point sloping EQ with 3 fixed pivot positions : 160hz, 800hz & 1.6khz
• Dark & bright tone control
• 10 position LED output metering
• Output level control
• 24v built PSU so you can feel the sound of the 'true' unit and not be limited by the limitions of running at 16v which is the standard Lunchbox voltage.

Specifications

• Special design allows 24v operation for true-to-form Class-A operation, a Phoenix Audio innovation.
• Frequency Response: 20Hz to 20Khz +/- 0.5dB
• Maximum Output: +26dBu @ 1Khz
• Noise: 90dB @ 22Hz to 22KHz
• DI Input Impedance 10Mohm
• Inputs: 1/4" jack (TS) input & through input on the front panel
• Transformer isolated balanced output (XLR) on the rear panel

24v built PS