Studio Quality for home recording, remote working, podcasting & gaming

Sounds like life.

When sound matters, Earthworks is the choice. For over two decades, Earthworks Audio has sculpted the sounds of your favorite concert halls and performances.

The USB Mic for Professionals

Perfect sound every time.

Simplicity & Elegance

This is the last USB microphone you’ll ever want.

Looks As Good As It Sounds

This is the microphone that belongs on camera with you — reflecting your style and brand. After all, you’re on screen for a reason.

Captures Studio Quality Audio

Ultra fast capsule rise time speed of 14 microseconds.

Custom Triad-Orbit Desktop Stand

The stand is sleek yet robust enough to hold and balance the stainless-steel microphone.

Specifications

DK7
Drum Mic Kit

Smart design. Sonic brilliance. Built tough.
Explore the Earthworks DK7.
A revolution in drum miking.

The drum kit – it’s not just a collection of drums and cymbals. It’s an instrument, and magic happens when you master both the details and the big picture. Each microphone in the Earthworks DK7 kit is a best-in-class drum miking all-star single-handedly capable of elevating your drum sound. All together they create magic.

Your Sound Delivered
Your drums. Your sound. The DK7 makes whatever drum kit you’re miking sound like just that―you. Whatever you put in front of the microphones comes back to you without hyping or hiding anything. Just a crystal clear translation of your sound.

Bring It All Together
A perfect sonic image of your whole kit from above. A matched pair of Earthworks SR25s bring transparency, clarity, and attack to your drum sound.

Punch Through the Mix
Don’t be fooled by its small size. The SR20LS won’t miss a beat on your bass drum. With handling capabilities of 150dB S.P.L  and a cardioid condenser capsule that captures the full spectrum of sound all the way down to 20Hz, the Earthworks SR20LS beautifully captures all of the deep, rich lows and crisp, natural highs you’re after.

Isolation Like Never Before
Massive rear rejection and a polar pattern that’s consistent across the entire frequency range means any off-axis leakage fades smoothly into the background in the mix.

Lightning Fast
Nothing compares to the lightning speed of the DM20. No smearing. No reflections. No unwanted coloration. Just a refreshingly crisp sound with every detail, every nuance, and every texture flawlessly intact that make your drums come to life.

Electrifying Onstage
Most live sound microphones sacrifice sound quality with big heavy dynamic capsules that move too slowly to capture the subtle high frequency details in the attack of a drum. Not the mics in the DK7. A small diaphragm capsule coupled with a proprietary Class A amplifier circuit delivers an incredible transient response that’s meant for drums.

Lively Recordings
From the rich, mid lows to the crisp, airy highs, sacrifices are a thing of the past with the DK7. Record sound from a live show that leaves you wanting for nothing. Or dive into the studio with the DK7 and make every mix come to life in a way you’ve never experienced before.

Goes Where You Want…
…And Stays There
A right angle microphone head lets you easily and precisely position the microphone to get your best drum sound. Once you’ve found that sweet spot? No need to worry about the microphone creeping out of place when you start hitting the drums. Even the hardest playing won’t budge the DM20’s rugged gooseneck.

Above and beyond
The DM20 can handle whatever you throw at it…and then some. With a staggering max acoustic input of 150dB S.P.L, even the loudest drummer won’t overload these mics.

Goodbye Mic Stands
Keep your setup streamlined and uncluttered. Included with the DM20 is an RM1 RimMount™ for mounting the microphone directly on the rim of a snare or toms.

Career Spanning Durability
Precision machining sculpts stainless steel into a work of art. As rugged as it is beautiful, the microphones in the DK7 were designed from the ground up to stand the test of time.

What’s Included?

4 DM20s
2 SR25s
1 SR20LS
1 Carrying Case
7 Windscreens
4 RM1 RimMounts
3 Microphone Clips

El Earthworks M30 G2 es un micrófono de referencia de campo libre de alto rendimiento, diseñado para aplicaciones de medición acústica como la sintonización de sistemas de sonido, la acústica de salas, el diseño de altavoces y la medición de SPL. Su excepcional rendimiento de audio, su construcción de acero inoxidable apta para circular y su salida XLR han convertido a los micrófonos Earthworks Serie M en la referencia ideal para el sector del audio profesional desde 1995. Cada micrófono incluye su propia tabla de calibración que muestra la curva de respuesta en frecuencia y la sensibilidad a 1 kHz y 250 Hz.

MEJORAS DE G2

El consumo de corriente de la alimentación fantasma de 48 voltios (P48) ahora es de 7,2 mA (reducido de los 10 mA de la Gen 1). Esto aumenta la duración de la batería del transmisor inalámbrico y mejora la compatibilidad con ciertas interfaces de audio, especialmente cuando se utiliza una gran cantidad de micrófonos. La sensibilidad de 1 kHz se ha reducido a -40 dBV/Pa (10 mV/Pa) para una mejor compatibilidad con algunas interfaces de audio de uso común que no admiten niveles de señal de entrada superiores a 10 dBV. Esto es importante para la medición y monitorización de SPL, donde toda la cadena de señal de entrada (micrófono, preamplificador, interfaz) debe ser capaz de gestionar 140 dBSPL sin saturación.

El M30 G2 es un poco más de 4 cm (una pulgada y media) más corto que el Gen 1, lo que lo hace más compacto y ligero. El icónico y probado diseño de punta cónica se mantiene igual que el Gen 1, con la sección del cuerpo reducida. Los micrófonos M30 G2 se entregan con un estuche de transporte apto para circular y un paravientos OMW2.

ALIMENTACIÓN FANTASMA

Los micrófonos Earthworks tienen electrónica activa y requieren alimentación phantom para funcionar. El voltaje más común de alimentación phantom es de 48 V (conocido como P48). Usar P48 permite al M30 G2 capturar audio nítidamente hasta 140 dBSPL. Algunos dispositivos, como los transmisores inalámbricos, también pueden suministrar voltajes más bajos, como 12 V (conocido como P12). Esto puede ser una buena manera de prolongar la duración de la batería del transmisor inalámbrico, especialmente al usar baterías alcalinas. A 12 V, el SPL máximo del M30 G2 se reduce a 133 dBSPL, pero el rendimiento del audio no se ve afectado.

RANGO DE FRECUENCIA EXTENDIDO Y PLANITUD

Los micrófonos de la Serie M están sintonizados individualmente para lograr la respuesta de frecuencia más plana posible. La porción plana nominal (±1 dB) del rango de frecuencia del M30 G2 es extremadamente amplia, abarcando desde 5 Hz hasta 30 kHz. Por encima y por debajo de la porción plana, la respuesta del micrófono comienza a disminuir.

Puedes esperar lo siguiente:

• El corte de baja frecuencia de -3 dB será de 3 Hz o menos
• El corte de alta frecuencia de -3 dB será de al menos 40 kHz

SENSIBILIDAD DE 1 KHZ

La sensibilidad se refiere al nivel de la señal de salida de un micrófono en presencia de un nivel de presión sonora (SPL) específico. La sensibilidad de un micrófono se mide típicamente con una onda sinusoidal de 1 kHz o 250 Hz a 94 dBSPL. Dado que 94 dBSPL equivalen a 1 pascal de presión de aire, la sensibilidad de un micrófono se suele especificar en dBV/Pa (o mV/Pa). La sensibilidad a 1 kHz del M30 G2 se especifica en -40 dBV/Pa (10 mV/Pa), con una tolerancia de ±2 dB. La sensibilidad real medida del micrófono M30 G2 se incluye en su tabla de calibración.

RESPUESTA POLAR

Los micrófonos Earthworks Serie M cuentan con un patrón polar omnidireccional excepcionalmente consistente en todo el rango de frecuencias. Esto resulta especialmente beneficioso para mediciones precisas de la acústica de salas, donde el sonido llega al micrófono desde todas las direcciones.

RESPUESTA AL IMPULSO

Cada aspecto de un micrófono Earthworks Serie M, desde su diafragma pequeño y ligero hasta el diseño físico y acústico de la punta y el cuerpo, y su electrónica interna, está diseñado y optimizado para una respuesta de impulso lo más rápida y nítida posible. Esto hace que los micrófonos Serie M sean especialmente adecuados para mediciones en el dominio del tiempo, como la alineación de altavoces y sistemas de megafonía, y la identificación y localización de eventos de audio. Además, proporciona un nivel de precisión y realismo inigualables en grabaciones de audio.

CARACTERÍSTICAS DEL MOVIMIENTO DE TIERRA M30 G2:

• Micrófono de referencia de campo libre de alto rendimiento
• Consumo de energía de 7,2 mA reducido respecto de los 10 mA de Gen 1
• La sensibilidad de 1 kHz se ha reducido a -40 dBV/Pa (10 mV/Pa) para una mejor compatibilidad con algunas interfaces de audio de uso común.
• Un poco más de una pulgada y media más corto que el Gen 1
• Ajustado individualmente para obtener la respuesta de frecuencia más plana posible
• Patrón polar omnidireccional que es excepcionalmente consistente en todo el rango de frecuencia

Tom & Snare Microphone

Intelligent design. Sonic accuracy. Robust build. Explore the Earthworks DM20.
A bold new approach to miking toms and snare.
The Earthworks DM20 eliminates the gap between form and functionality, sparking new levels of performance. From the rich, mid lows to the crisp, airy highs, sacrifices in sound are a thing of the past with the DM20 condenser. And crafted out of stainless steel, its rugged build means it is equally at home on the road as it is in a studio.

Specifications
Frequency Response: 20Hz – 20kHz
Polar Pattern: Cardioid
Sensitivity: 3mV/Pa (-50dBV/Pa)
Power Requirements: 24-48V Phantom, 10mA
Max Acoustic Input:150dB S.P.L
Signal-to-Noise Ratio: 74dB A-weighted
Output: XLR (pin 2+)
Output Impedance: 200Ω balanced (between pins 2 & 3)
Min Output Load: 1000Ω between pins 2 & 3
Noise: 20dB S.P.L equivalent (A weighted)
Dimensions (L x D): 282mm x 22mm (11.12 x .860 inches)
Gooseneck Length: 121mm (4.75 inches)
Weight: .55 lb. (.25kg)

El Earthworks M23 G2 es un micrófono de referencia de campo libre de alto rendimiento, diseñado para aplicaciones de medición acústica como la sintonización de sistemas de sonido, la acústica de salas, el diseño de altavoces y la medición de SPL. Su excepcional rendimiento de audio, su construcción de acero inoxidable apta para circular y su salida XLR han convertido a los micrófonos Earthworks Serie M en la referencia ideal para el sector del audio profesional desde 1995. Cada micrófono incluye su propia tabla de calibración, que muestra la curva de respuesta en frecuencia y la sensibilidad a 1 kHz y 250 Hz.

MEJORAS DE G2

El consumo de corriente de la alimentación fantasma de 48 voltios (P48) ahora es de 7,2 mA (reducido de los 10 mA de la Gen 1). Esto aumenta la duración de la batería del transmisor inalámbrico y mejora la compatibilidad con ciertas interfaces de audio, especialmente cuando se utiliza una gran cantidad de micrófonos. La sensibilidad de 1 kHz se ha reducido a -40 dBV/Pa (10 mV/Pa) para una mejor compatibilidad con algunas interfaces de audio de uso común que no admiten niveles de señal de entrada superiores a 10 dBV. Esto es importante para la medición y monitorización de SPL, donde toda la cadena de señal de entrada (micrófono, preamplificador, interfaz) debe ser capaz de gestionar 140 dBSPL sin saturación.

El M23 G2 es un poco más de 4 cm (una pulgada y media) más corto que el Gen 1, lo que lo hace más compacto y ligero. El icónico y probado diseño de punta cónica se mantiene igual que el Gen 1, con la sección del cuerpo reducida. Los micrófonos M23 G2 se entregan con un estuche de transporte apto para circular y un paravientos OMW2.

ALIMENTACIÓN FANTASMA

Los micrófonos Earthworks tienen electrónica activa y requieren alimentación phantom para funcionar. El voltaje más común de alimentación phantom es de 48 V (conocido como P48). Usar P48 permite al M23 G2 capturar audio nítidamente hasta 140 dBSPL. Algunos dispositivos, como los transmisores inalámbricos, también pueden suministrar voltajes más bajos, como 12 V (conocido como P12). Esto puede ser una buena manera de prolongar la duración de la batería del transmisor inalámbrico, especialmente al usar baterías alcalinas. A 12 V, el SPL máximo del M23 G2 se reduce a 133 dBSPL, pero el rendimiento del audio no se ve afectado.

RANGO DE FRECUENCIA EXTENDIDO Y PLANITUD

Los micrófonos de la Serie M están sintonizados individualmente para lograr la respuesta de frecuencia más plana posible. La porción plana nominal (±1 dB) del rango de frecuencia del M23 G2 es extremadamente amplia, abarcando desde 5 Hz hasta 23 kHz. Por encima y por debajo de la porción plana, la respuesta del micrófono comienza a disminuir.

Puedes esperar lo siguiente:

• El corte de baja frecuencia de -3 dB será de 3 Hz o menos
• El corte de alta frecuencia de -3 dB será de al menos 40 kHz

SENSIBILIDAD DE 1 KHZ

La sensibilidad se refiere al nivel de la señal de salida de un micrófono en presencia de un nivel de presión sonora (SPL) específico. La sensibilidad de un micrófono se mide típicamente con una onda sinusoidal de 1 kHz o 250 Hz a 94 dBSPL. Dado que 94 dBSPL equivalen a 1 pascal de presión de aire, la sensibilidad de un micrófono se suele especificar en dBV/Pa (o mV/Pa). La sensibilidad a 1 kHz del M23 G2 se especifica en -40 dBV/Pa (10 mV/Pa), con una tolerancia de ±2 dB. La sensibilidad real medida del micrófono M23 G2 se incluye en su tabla de calibración.

RESPUESTA POLAR

Los micrófonos Earthworks Serie M cuentan con un patrón polar omnidireccional excepcionalmente consistente en todo el rango de frecuencias. Esto resulta especialmente beneficioso para mediciones precisas de la acústica de salas, donde el sonido llega al micrófono desde todas las direcciones.

RESPUESTA AL IMPULSO

Cada aspecto de un micrófono Earthworks Serie M, desde su diafragma pequeño y ligero hasta el diseño físico y acústico de la punta y el cuerpo, y su electrónica interna, está diseñado y optimizado para una respuesta de impulso lo más rápida y nítida posible. Esto hace que los micrófonos Serie M sean especialmente adecuados para mediciones en el dominio del tiempo, como la alineación de altavoces y sistemas de megafonía, y la identificación y localización de eventos de audio. Además, proporciona un nivel de precisión y realismo inigualables en grabaciones de audio.

CARACTERÍSTICAS DEL MOVIMIENTO DE TIERRA M23 G2:

• Micrófono de referencia de campo libre de alto rendimiento
• Consumo de energía de 7,2 mA reducido respecto de los 10 mA de Gen 1
• La sensibilidad de 1 kHz se ha reducido a -40 dBV/Pa (10 mV/Pa) para una mejor compatibilidad con algunas interfaces de audio de uso común.
• Un poco más de una pulgada y media más corto que el Gen 1
• Ajustado individualmente para obtener la respuesta de frecuencia más plana posible
• Patrón polar omnidireccional que es excepcionalmente consistente en todo el rango de frecuencia

El kit de micrófonos para batería de 7 piezas Earthworks DK7 incluye micrófonos para bombo, caja, toms y overheads. Incluye 4 DM20 Gen 2, 1 SR25mp Gen 2 y 1 DM6.

Elegiste los mejores platillos, elegiste tus tonos de madera favoritos, te obsesionaste con el sonido de tu caja, la afinación de tu batería es perfecta y tu equipo está inmaculado. Entonces, ¿por qué pensarías en algo que no sea un Earthworks DK7? Y ahora, con los DM20 de segunda generación y los overheads SR25, el nuevo DK7 de segunda generación es aún más lujoso. Incluso si solo estás grabando tus sesiones de práctica en casa, tu batería merece este nivel de calidad y artesanía.

NUEVA ELECTRÓNICA ACTIVA

Earthworks ha reforzado la electrónica interna para que consuma menos energía fantasma y hemos incorporado funciones de protección adicionales para evitar cambios accidentales en caliente. Todos sabemos que no se debe enchufar un micrófono de condensador con la alimentación encendida, pero también sabemos que es algo que a veces es inevitable en el campo. Estos nuevos cambios acumulados hacen que el DK7 Gen 2 sea más robusto, más compatible y más fácil de usar.

NUEVO SISTEMA DE MONTAJE DE LLANTAS

Todo en el DK7 Gen 2 está diseñado para la velocidad, y eso incluye la velocidad de montaje y desmontaje. La nueva y mejorada solución de montaje en el aro para los tambores tom y redoblante ahorra una enorme cantidad de tiempo y ofrece una experiencia de usuario mucho mejor. Y es compatible con aún más kits e instrumentos de percusión.

CAJA MÁS PEQUEÑA Y MÁS FUERTE

El nuevo maletín de viaje SKB es más resistente, más duradero y más fácil de embalar, cargar y enviar.

CARACTERÍSTICAS:

• Diseñado para kits de batería
• Diseñado para presentaciones en vivo, pero funciona igualmente bien para producciones televisadas, cultos y grabaciones de estudio.
• Nuevo aspecto mecanizado
• Aún más claridad y presencia que el DK7 Gen 1
• El cuello de cisne DM20 Gen 2 permite un posicionamiento ultrafino
• El soporte de borde RM2 incluido proporciona una colocación segura en la mayoría de los tambores del mercado.
• Un alto nivel de presión sonora evita el recorte incluso de los bateristas más ruidosos
• Diseñado para una ganancia muy alta antes de la retroalimentación.
• Patrón polar estrecho
• Sonido equilibrado, vibrante y natural desde el primer momento.
• Respuesta de frecuencia de 20 Hz a 25 kHz
• Diseñado, ajustado y ensamblado en EE. UU.

EARTHWORKS ETHOS XLR BROADCASTING MICROPHONE

Voice-over quality XLR condenser broadcast microphone with supercardioid polar pattern featuring a natural, smooth sibilance, with a generous sweet spot and gentle proximity effect

Earthworks has built a reputation for delivering impact through authentic presence and clarity — and while those attributes alone might make for a compelling broadcast mic — the Earthworks ETHOS XLR Broadcast Microphone pushes further with intimacy and warmth that manages to feel as though it is responding to the charisma of each voice while simultaneously anticipating the needs of engineers.

THE SOUND OF YOUR VOICE

In audio, our perception of what feels real and natural is incredibly sensitive to resolution in the time domain. In particular, the level of detail present in the initial transient is responsible for much of our sense of content, meaning, and frequency balance. This includes defining attributes like “timbre”, “texture”, and “air”. Earthworks’ blazingly fast technology at the core of ETHOS ensures that every performance sounds like life.

CUTTING EDGE PLOSIVE & WIND NOISE PROTECTION

ETHOS is equipped with a windscreen stack that raises the bar for plosive and wind noise protection. It is easy to clean or to replace and the foam, mesh, and steel combination makes it unlikely to require additional aftermarket augmentation for even the most zealous vocal personalities.

MINIMAL HANDLING NOISE

ETHOS is naturally resistant to handling noise and thumps thanks to internal dampening and robust stainless steel construction. The included Triad-Orbit M2-R ball joint mic adaptor allows precise placement and adjustments and is ideally suited to pair with a heavy mic arm or stand for optimal results.

FEATURES:

• Plays well with all voices, and offers the flavor of broadcast with the clarity of Earthworks Audio
• Reduced listener fatigue through superior intelligibility and natural sound
• Designed, tuned, & assembled in the USA
• Enhanced time domain accuracy, with an ultra-fast 11.67 microsecond rise time
• Extended flat frequency response from 20 Hz to 30 kHz
• Exceptional plosive and noise protection from unwanted audio artifacts
• Tight supercardioid polar pattern
• Natural, smooth sibilance, with a generous sweet spot and gentle proximity effect
• Compact and elegant - easy to mount, position, and clean
• Replaceable foam

SPECIFICATIONS

Studio Quality for home recording, remote working, podcasting & gaming

Sounds like life.

When sound matters, Earthworks is the choice. For over two decades, Earthworks Audio has sculpted the sounds of your favorite concert halls and performances.

The USB Mic for Professionals

Perfect sound every time.

Simplicity & Elegance

This is the last USB microphone you’ll ever want.

Looks As Good As It Sounds

This is the microphone that belongs on camera with you — reflecting your style and brand. After all, you’re on screen for a reason.

Captures Studio Quality Audio

Ultra fast capsule rise time speed of 14 microseconds.

Custom Triad-Orbit Desktop Stand

The stand is sleek yet robust enough to hold and balance the stainless-steel microphone.

Specifications

DK25/R DrumKit™
Drum Microphone Kit for Recording


The DK25/R is for recording and has two TC25 omnis for overheads, an SR25 cardioid for kick drum, a KickPad™ and a windscreen. This model is ideal for use in an enclosed acoustic environment or in a drum room/booth.
Drum microphones for recording

Includes 2 TC25 microphones, 1, SR25 microphone, 1 KP1 KickPad™, 3 microphone clips and rugged carrying case

TC25 overhead microphones handle up to 150dB S.P.L without distortion


The Earthworks DK25/R DrumKit™ is 3 microphone kit for recording comprised of 2-TC25 omnis for miking overheads and 1-SR25 cardioid for miking kick drum with the inline EQ KickPad™.

Performance
Its polar pattern is consistent across all frequencies, simplifying mic placement, virtually eliminating phasing issues and ensuring more gain before feedback. The microphones in the DK25/R have a transient response that is lightning fast, handling sharp attacks with ease, while still picking up all of the subtle nuances and softest dynamics of your playing. Even the loudest drummer cannot overload the DK25/R DrumKit™, which can handle high sound pressure levels.  

With an extended ruler-flat frequency response, the result is a more accurate representation of the original sound. Each microphone’s transient response is ultra fast, handling sharp attacks with ease, while still picking up all of the subtle nuances and softest dynamics of your playing.

With a whopping S.P.L rating of 150dB the TC25s have plenty of headroom for miking overheads, so there is no need to worry about distortion, even with the loudest drummers. And there is no proximity effect, so you can get the TC25 as close as you want to the sound source.

A good kick drum microphone needs to be designed and optimized for that specific purpose. This means the microphone is great for kick drum and nothing else. Therefore we designed the kick drum optimization in an external XLR package – the KickPad™. Just plug the KickPad™ into the mic line going to the SR25 microphone for incredible results. With the KickPad™ removed, you can use the same SR25 for most anything.

All three high quality Earthworks microphones in the DK25/R DrumKit™ will provide stunning results on a wide variety of instruments and vocals. As an added bonus, the KickPad™ will improve the sound of other popular microphones used for kick drum.

Includes

• (2) TC25 omni microphones
• (1) SR25 cardioid microphone
• (1) KP1 KickPad™
• (3) SRW3 foam windscreens
• (1) DK25-C Aluminum case

Features

• Improved impulse response for faster and more accurate transients
• Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier loud attacks
• Extended frequency response to 25kHz to capture a crisper and more realistic image
• Near perfect polar patterns that remain even across all frequencies and at any position within the pattern
• More cohesive and unified drum sound
• Hear more attack and subtle detail
• Increased detail and dynamic range
• Versatile, multi-use mics
• Mics are protected in a high impact case
• Ideal three-mic choice for live performance or recording in less than ideal acoustic environments
• Fast setup and teardown
• Comes with 3 SR25s (two for overheads and one for kick drum), 1 KickPad™, 1 windscreen
• The patented cardioid pattern on the SR25 provides a more uniform off-axis response and has less susceptibility to acoustic feedback

Specifications

• SR25 Specifications
• Frequency Response: 20Hz to 25kHz
• Polar Pattern: Cardioid
• Sensitivity: 10mV/Pa (-40dBV/Pa)
• Power Requirements: 24 – 48V Phantom, 10mA
• Max Acoustic Input: 145dB S.P.L
• Output: XLR (pin 2+)
• Output Impedance: 65Ω balanced (between pins 2 & 3)
• Min Output Load: 600Ω between pins 2 & 3
• Noise: 20dB S.P.L equivalent (A weighted)
• TC25 Specifications
• Frequency Response: 9Hz to 25kHz
• Polar Pattern: Omnidirectional
• Sensitivity: 8mV/Pa (-42dBV/Pa)
• Power Requirements: 24 – 48V Phantom, 10mA
• Max Acoustic Input: 150dB S.P.L
• Output: XLR (pin 2+)
• Output Impedance: 65Ω balanced (between pins 2 & 3)
• Min Output Load: 600Ω between pins 2 & 3
• Noise: 26dB S.P.L equivalent (A weighted)

Drum Microphone Kit for Live Performance


The DK25/L is for live performance and has three SR25s: two for overheads and one for kick drum, a KickPad™ and a windscreen. The patented cardioid pattern on the SR25 provides a more uniform off-axis response and has less susceptibility to acoustic feedback.
Drum microphones for live sound and recording

Includes 3 SR25 microphones, 1 KP1 KickPad™, 3 microphone clips and rugged carrying case

Handles up to 145dB S.P.L without distortion


The Earthworks DK25/L DrumKit™ is 3 microphone kit for live performance comprised of 2-SR25 cardioids for miking overheads and 1-SR25 cardioid for miking kick drum with the inline EQ KickPad™.

Performance
When looking for that larger than life sound from drums, the DK25/L delivers. Sonic timbre and frequency response stay uniform across the entire front of the microphone capsule, helping you capture the true sound of your drums.
Its polar pattern is consistent across all frequencies, simplifying mic placement, virtually eliminating phasing issues and ensuring more gain before feedback. The microphones in the DK25/L have a transient response that is lightning fast, handling sharp attacks with ease, while still picking up all of the subtle nuances and softest dynamics of your playing. Even the loudest drummer cannot overload the DK25/L DrumKit™, which can handle high sound pressure levels.  

With an extended frequency response, the result is a more accurate representation of the original sound. The SR25’s transient response is ultra fast, handling sharp attacks with ease, while still picking up all of the subtle nuances and softest dynamics of your playing.
With a whopping S.P.L rating of 145dB the SR25s have plenty of headroom for miking overheads, so there is no need to worry about distortion, even with the loudest drummers. And there is no proximity effect, so you can get the SR25 as close as you want to the sound source.

A good kick drum microphone needs to be designed and optimized for that specific purpose. This means the microphone is great for kick drum and nothing else. Therefore we designed the kick drum optimization in an external XLR package – the KickPad™. Just plug the KickPad™ into the mic line going to the SR25 microphone for incredible results. With the KickPad™ removed, you can use the same SR25 for most anything.

All three high quality Earthworks microphones in the DK25/L DrumKit™ will provide stunning results on a wide variety of instruments and vocals. As an added bonus, the KickPad™ will improve the sound of other popular microphones used for kick drum.

Features

• Improved impulse response for faster and more accurate transients
• Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier loud attacks
• Extended frequency response to 25 kHz to capture a crisper and more realistic image
• Near perfect polar patterns that remain even across all frequencies and at any position within the pattern
• More cohesive and unified drum sound
• Hear more attack and subtle detail
• Increased detail and dynamic range
• Versatile, multi-use mics
• Mics are protected in a high impact case
• Ideal three-mic choice for live performance or recording in less than ideal acoustic environments
• Fast setup and teardown
• Comes with 3 SR25s (two for overheads and one for kick drum), 1 KickPad™, 1 windscreen
• The patented cardioid pattern on the SR25 provides a more uniform off-axis response and has less susceptibility to acoustic feedback

Specifications

• Frequency Response: 20Hz to 25kHz
• Polar Pattern: Cardioid
• Sensitivity: 20mV/Pa (-34dBV/Pa)
• Power Requirements: 24 – 48V Phantom, 10mA
• Max Acoustic Input: 145dB S.P.L
• Output: XLR (pin 2+)
• Output Impedance: 65Ω balanced (between pins 2 & 3)
• Min Output Load: 600Ω between pins 2 & 3
• Noise: 20dB S.P.L equivalent (A weighted)

3-Microphone DrumKit™
Vivid sound. Striking clarity.
Explore the Earthworks DK3.

The core of your drum sound.
Overheads and kick are a wide-angle lens capturing the full picture of your drum kit. The vividness, realism and lifelikeness in that picture depend on two factors: the quality of the sounds captured by the individual microphones, and how seamlessly the sounds from those microphones blend together. The three-microphone DK3 kit redefines what’s possible in drum miking.
Picture Perfect
A perfect sonic image of your whole kit from above.

A pair of Earthworks SR25 cardioids bring transparency, clarity, and attack to your drum sound.

Punch Through the Mix
Don’t be fooled by its size. The SR20LS is a revolution in bass drum miking. A small diaphragm condenser that goes all the way down to 20Hz and handles 150dB S.P.L, the SR20LS missing nothing and single handedly does a job that often requires two mics or more.

Your Sound
Your drums are your voice, and details matter. Laser-focused on delivering your sound, each microphone in the DK3 is engineered with razor-flat, extended frequency response and time coherence. Every detail, every nuance, and every texture flawlessly intact, making your drum sound come to life.

Speed Where You Need It
Most live performance microphones sacrifice sound quality with big heavy dynamic capsules that move too slowly to capture the subtle details in the attack and texture of drums and cymbals. Not the mics in the DK3. Small diaphragm condenser capsule coupled with a proprietary Class A amplifier circuit delivers sound that deeply connects the audience to the stage.

Build a Legacy
Precision machined from stainless steel, each microphone in the DK3 is a stunning instrument designed for your whole career, on the road and in the studio.

30kHz Hypercardioid Instrument Microphone

Precision engineered hypercardioid condenser designed for acoustic string instruments, brass, woodwinds, piano, vocals and drums

• 30kHz frequency response

• Hypercardioid polar pattern

• Handles up to 139dB S.P.L without distortion


The Earthworks SR30/HC is a multi-purpose hypercardioid condenser microphone designed for instrument miking in live performance and studio recording environments.

Performance
A natural performer, the SR30/HC delivers a transparent, true to life sound no matter what the instrument.

Sonic timbre and frequency response stay uniform across the entire front of the microphone capsule, helping capture the true character of your instrument.

Its near-perfect hypercardioid polar pattern is consistent across all frequencies, simplifying mic placement and ensuring more gain before feedback. With over 30dB of off-axis rejection, the SR30/HC is ideally suited for capturing audio in highly ambient environments and near monitor speakers.

With a lighting fast transient response, the SR30/HC handles sharp attacks with ease, while still capture all of the subtle nuances and softest dynamics of your playing. With an S.P.L rating of 139dB, the SR30/HC delivers exceptional reproduction of without distortion.
Ideal for acoustic string instruments, brass, woodwinds, piano and drums.

Features

• Extended frequency response to 30kHz
• Multi-purpose directional microphone
• More gain before feedback than other microphones
• Less leakage
• Provides excellent results for both live performance and recording applications
• Extreme accuracy in the time domain for faithful reproduction and no smearing or distortion
• Transparent sound quality
• Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier louder attacks

Specifications

• Frequency Response: 20Hz to 30kHz
• Polar Pattern: Hypercardioid
• Sensitivity: 20mV/Pa (-34dBV/Pa)
• Power Requirements: 24-48V Phantom, 10mA
• Max Acoustic Input: 139dB S.P.L
• Output: XLR (pin 2+)
• Output Impedance: 65Ω balanced (between pins 2 & 3)
• Min Output Load: 600Ω between pins 2 & 3

20kHz Multi-Purpose Instrument & Vocal Microphone

Cardioid condenser microphone with clean, natural on-axis pick up and smooth uncolored off-axis rejection, making it a superb choice for a wide range of applications, including reinforcement and recording of vocals, guitar, drums, piano, horns, strings and woodwinds

• 20kHz frequency response
• Cardioid polar pattern
• Handles up to 139dB S.P.L without distortion


The Earthworks SR20 is a multi-purpose vocal & instrument microphone designed for live performance and studio recording environments.

Performance
The ultimate workhorse microphone, the SR20 is designed to seamlessly transition from tracking vocals in the studio to miking acoustic guitar onstage and everything in between.
The SR20’s near-perfect cardioid polar pattern is consistent across all frequencies, simplifying mic placement, ensuring more gain before feedback and virtually eliminating phasing issues when using multiple microphones.

It handles transients with ease, reproducing every detail no matter how sharp or subtle. Capable of handling sound pressure levels of up to 139dB without distortion, the SR20 can handle nearly any instrument.

Featuring a screw-on metal mesh windscreen, the SR20 is a world-class vocal microphone that captures the subtle details of your performance. Its clean on-axis response provides maximum intelligibility of vocals up to 90 degrees off-axis, while rejecting off-axis noise and feedback from ambiance, surrounding instruments and nearby stage monitors thanks to its massive rear rejection.

This performance also makes the SR20 a stellar choice for presentations, press conferences, meeting halls and more. When every word counts, the SR20 will deliver.
Unscrewing the SR20’s windscreen reveals an instrument microphone that is equally at home miking acoustic guitar, brass, woodwinds, drums, guitar amp, and more.

Features:

• Will accurately capture a voice with the same precision and quality up to 90 degrees off-axis, providing the same pristine sound quality at the front and side of the microphone
• Up close the SR20 is warm, not boomy, while its unique windscreen assembly eliminates the popping of P’s
• Patented design and uniform polar response provide more gain before feedback than other microphones
• Unscrewing the windscreen of the SR20 allows it to become an instrument mic for piano, guitar, drums, brass, woodwinds and other instruments
• Textbook perfect cardioid polar pattern with natural on and off-axis performance
• Provides excellent results for both live performance and recording applications
• Extreme accuracy in the time domain for faithful reproduction and no smearing or distortion
• No “smearing” of low-level signals

Specifications

• Frequency Response: 20Hz to 20kHz
• Polar Pattern: Cardioid
• Sensitivity: 20mV/Pa (-34dBV/Pa)
• Power Requirements: 24-48V Phantom, 10mA
• Max Acoustic Input: 139dB S.P.L
• Output: XLR (pin 2+)
• Output Impedance: 65Ω, balanced between pins 2 & 3
• Min Output Load: 600Ω between pins 2 & 3
• Noise: 16dB S.P.L equivalent (A weighted)
• Dimensions L x D: 212mm x x 22mm (8.4 x .860 inches)
238mm x 22mm (with windscreen)
• Weight: .3 lb (135g)

Applications:

• Acoustic String Instruments
• Bass Amp
• Brass/Woodwinds
• Choir
• Drums/Percussion
• Guitar Amp
• Live Vocals
• Piano
• Studio Vocals
• Theater

Punch through the mix.
Don’t be fooled by its small size. The SR20LS won’t miss a beat on your bass drum. With handling capabilities of 150dB S.P.L and a cardioid condenser capsule that captures the full spectrum of sound all the way down to 20Hz, the Earthworks SR20LS beautifully captures all of the deep, rich lows and crisp, natural highs you’re after.

The SR20LS is a revolution in bass drum miking, on stage and in the studio. Get full, deep low frequency response extending all the way down to 20Hz, with an extremely gentle proximity that never becomes boomy. Couple that with a totally natural high frequency response that captures every detail in the attack of your drum.

• Handles 150dB S.P.L without distortion
• 20Hz to 20kHz flat frequency response
• Fastest impulse response of any bass drum microphone on the market
• Machined from solid stainless steel for bulletproof reliability

Specifications

• Frequency Response: 20Hz -20kHz
• Polar Pattern: Cardioid
• Sensitivity: 3mV/Pa (-50dBV/Pa)
• Power Requirements: 24-48V Phantom, 10mA
• Max Acoustic Input: 150dB S.P.L
• Output: XLR (pin 2+)
• Output Impedance: 200Ω balanced (between pins 2 & 3)
• Min Output Load: 1000Ω between pins 2 & 3
• Noise: 20dB S.P.L equivalent (A weighted)
• Dimensions (L x D): 192mm x 22mm (7.57 x .860 inches)
• Weight: .36 lb (164g)
• Charts