Micrófonos

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Warm Audio

Warm Audio WA-47jr

(2)

$299 Dólares

Like Father. Like Son.
El WA-47jr es una versión FET sin transformador del reconocido micrófono clásico del 47 que se ha utilizado en innumerables discos de éxito durante los últimos 50 años.  El WA-47jr es totalmente discreto, tiene 3 patrones polares y está diseñado para aplicaciones de estudio profesional, estudio en casa, en vivo y de transmisión.  El WA-47jr suena genial en voces, guitarras acústicas/eléctricas, bajos acústicos/eléctricos, batería, piano, cuerdas, instrumentos de viento de madera/metal y una variedad de otras fuentes.

El WA-47jr utiliza con orgullo una reproducción de cápsula estilo k47 personalizada, diseñada con el mismo patrón de orificios y respuesta de frecuencia que el diseño antiguo.  Nuestra versión de esta cápsula (modelo # WA-47-B-80v) está cuidadosamente fabricada por un fabricante de cápsulas australiano con cuidadosa precisión y repetibilidad que permite que la pieza sonora más importante del micrófono clásico se escuche e influya en el Tono y firma del WA-47jr. La ruta de señal discreta y de bajo ruido del WA47jr, cuando se combina con esta excelente cápsula de verdadero estilo '47, le permite obtener un tono muy similar al micrófono clásico '47, pero a un precio mucho más bajo. El WA-47jr utiliza la misma cápsula estilo k47 que se encuentra en nuestro micrófono de condensador de tubo insignia WA-47.

El circuito WA-47jr utiliza condensadores de película Wima, FET Toshiba y condensadores electrolíticos Panasonic de alta calidad. El circuito está modernizado y es más simple que el clásico micrófono de válvulas del 47, pero los componentes y los circuitos son de primera categoría y tienen una calidad de sonido y un tono que supera con creces cualquier cosa que hayamos escuchado en este rango de precios.

En Warm Audio estamos muy emocionados de traer al mercado este micrófono de condensador FET estilo '47 y tono clásico a un precio tan asequible.  Estamos seguros de que disfrutará toda una vida de hermosas grabaciones con el WA-47jr. Los componentes de calidad hacen un mejor micrófono.El WA-47jr utiliza con orgullo una reproducción de cápsula de estilo k47 personalizada, diseñada con el El mismo patrón de agujeros y respuesta de frecuencia que la parte antigua. Nuestra versión de esta cápsula (modelo # WA-47-B-80v) está cuidadosamente fabricada por un fabricante australiano de cápsulas con cuidadosa precisión y repetibilidad. La ruta de señal discreta y de bajo ruido del WA47jr, combinada con una excelente cápsula de verdadero estilo '47, permite que este micrófono obtenga un tono muy similar al micrófono clásico '47 a un precio mucho más bajo.

La cápsula Warm Audio WA-47-B-80v también se utiliza en nuestro micrófono de condensador de tubo insignia WA-47.

El paquete incluye micrófono, soporte antigolpes, soporte rígido y bolsa de almacenamiento con cremallera. 3 patrones polares cardioide, figura de ocho y amp; Omnidireccional
Filtro de paso altoHay disponible un filtro de paso alto de 70 Hz para reducir los ruidos y otra información subsónica.
-10dB PadUn interruptor de pad de -10dB está disponible en el WA-47jr. La almohadilla existe internamente dentro del circuito activo.

Specifications

Micrófono de condensador estilo '47 sin transformador FET.
Reproducción personalizada de cápsula del 47 (estilo k47): modelo n.º WA-47-B-80v.
Composición de la cápsula: pulverización de oro, diafragma doble grande, placa posterior única, mylar NOS de 6 micrones (película de PET).
Ruta de señal totalmente discreta, FET de Toshiba, condensadores de película Wima, condensadores electrolíticos Panasonic.
Patrones polares: cardioide, en forma de ocho y omnidireccional.
Filtro de paso alto: 70 Hz
Almohadilla: -10 dB• Ruido propio: 9 dBA
Rango dinámico: 138dBA
S.P.L máximo: 147/157 dB (@1kHz 1kOhms 0,5% THD, 0/-10dB)
Rango de frecuencia: 20 Hz ~ 20 kHz
Sensibilidad: 10 mV/Pa o -40 dB
Impedancia de salida: 100 ohmios
Impedancia de carga nominal: ≥1kOhms
Salida máxima: 16 dBu a 1 kHz, 1 kOhmios, 0,5 % THD
Relación señal/ruido: 85 dBA (IEC651)
Ruido equivalente: 9 dBA (IEC651)
Rango dinámico: 138 dBA (IEC651)
Alimentación fantasma de 48 V• XLR chapado en oro de 3 pines
Incluye: soporte antigolpes, soporte rígido y bolsa de almacenamiento con cremallera
Niquelado• Peso: 1,1 libras
Diámetro: 52 mm
Longitud: 210 mm

En Bodega

Sennheiser

Sennheiser MD421-II

(0)

$449 Dólares

En Bodega

Neumann

Neumann TLM 103 Nickel

(0)

$1,295 Dólares

The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise.

The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box.

Applications

Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern

The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.

Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features

With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety

The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration.

Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features:

Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

A universal cardioid mic
Vocalist recording
Announcer's mic for broadcasting/voice over
Due to minimal self-noise: on-air mic for radio/broadcast, very low amplitude signals, radio drama, sampling, foley/sound effects
Home recording and project studios
Spot mic for: wind instruments, strings, percussion, guitar amps, drum overhead

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Cardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	23 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	17.5 dB
Equivalent noise level, A-weighted¹⁾	7 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	76.5 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	87 dB
Maximum .S.P.L for THD 0.5%²⁾	138 dB
Maximum output voltage	13 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3 mA
Matching connector	XLR3F
Weight	approx. 450 g
Diameter	60 mm
Length	132 mm

______________________________________________
¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

Última Pieza

Neumann

Neumann TLM 102 Nickel

(1)

$799 Dólares

The TLM 102 defines a new generation of Neumann studio microphones. This applies not only to the design of the microphone but also to the price.

The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention.

The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.

Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.

The TLM 102 is available in black and nickel; a stand mount is included.

*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features

Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer)
Compact, characteristic but smaller-scale Neumann design
Very high maximum sound pressure level
Slight presence boost above 6 kHz
Transformerless circuitry

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Vocals and speech
In particular, pickup of especially loud instruments: Drums, percussion, wind instruments and amps
Home recording, project and broadcasting studios

Technical Data

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Cardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	11 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	21 dB
Equivalent noise level, A-weighted¹⁾	12 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	73 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	82 dB
Maximum S.P.L for THD 0.5%²⁾	144 dB
Maximum output voltage	13 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3.5 mA
Matching connector	XLR3F
Weight	approx. 210 g
Diameter	52 mm
Length	116 mm

En Bodega

Shure

Shure SM7B

(1)

$449 Dólares

Vocal Microphone
Popular radio and TV mic features excellent shielding against electromagnetic hum. Plus mounting bracket.
The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices.
The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications.

Features

Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speech
Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting
Improved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitors
Internal "air suspension" shock isolation virtually eliminates mechanical noise transmission
Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration
Now shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocals
Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position
Classic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis sound
Rugged construction and excellent cartridge protection for outstanding reliability
Replacement cartridge: RPM106

Applications

Bass Amp
Podcast/Voiceover
Studio Vocals
Video / Broadcast / ENG

Microphone Type

Dynamic
Polar Pattern
Cardioid

Frequency Response

Adjustable

Form Factor

Mountable

Model Line

SM

Available Options

SM7B - Includes foam windscreen, close-talk windscreen, locking yoke mount.

SPECIFICATION

Type: Dynamic
Frequency Response: 50 to 20,000 Hz
Polar Pattern: Cardioid (unidirectional)
Output Level: Open Circuit Voltage*: -59.0 dB (1.12 mV) *0 dB = 1 volt per Pascal

Additional specifications are available in the user guide.

Accesorio para micrófono*

Cloud - The Cloudlifter® CL-1

*Se vende por separado

En Bodega

Telefunken Elektroakustik

Telefunken M80

(0)

$299 Dólares

Promising condenser-like performance, the Telefunken M80 dynamic microphone lets you set a new standard for high-quality live performances. Unlike the midrange-heavy tone of many popular handheld mics, the M80 employs a low-mass capsule and ultra-thin membrane to capture every nuance of your performance with amazing balance and detail. And you'll get great results anywhere you go thanks to the custom-wound impedance-matching transformer. You don't need an expensive condenser mic to get studio-quality sound on stage - you need the Telefunken M80.

Specially-designed capsule gives the mic a wide, balanced response

Telefunken designed the M80's head and capsule to reduce the proximity effect created by the supercardioid polar pattern. That means your vocals won't get boomy or indistinct, yet you still get the feedback-fighting characteristics of a directional microphone.

Remarkably consistent sound no matter what you're plugging into

If you're a live performer, you know that it's tough to get a consistent sound every night when you're plugging into a different mixing board each time. Different microphone preamplifiers can operate at different impedance levels, and that affects the sound of your microphone. The Telefunken M80 sports an American made, custom wound transformer that automatically matches impedance, and that means your vocal sound will be consistent no matter what you're plugging into.

Clear, detailed sound is perfect for vocals or instruments

The diaphragm on the Telefunken M80 is super thin, which gives it a fast, un-colored response that captures your sound with incredible detail. Because it's not a midrange-heavy mic like some dynamic mics, it's not just for vocals. You can get great results with the M80 in front of a guitar amp, over a snare drum, or virtually any other instrument that needs a detailed, well-balanced microphone.

Features:

Dynamic supercardioid microphone vocals, instruments, or percussion
Black finish, black grille
Wide-ranging 50Hz-18kHz frequency response is perfect for both instruments and vocals
Low-mass capsule and diaphragm responds quickly to sound for clear, detailed reproduction
Capsule design reduces proximity effect so your sound doesn't become muddy or indistinct
Includes microphone clip and carrying bag

En Bodega

Warm Audio

Warm Audio WA-14

(1)

$399 Dólares

En Bodega

Warm Audio

Warm Audio WA-47

(1)

$999 Dólares

Blast from the past
The WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years. The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones every made. The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire.

Designing the WA-47 to sound like the classic ‘47 was no easy task, especially considering that some of the vintage components are no longer available. We compared and listened to 2 different vintage ‘47 mics and found that they both sounded amazing but also sounded a little different from each other. These comparison tests became the benchmark for tailoring our WA-47 sonics to sit right in with these 2 vintage ‘47 mics. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. We are also proud to mention that the WA-47 sounds legitimately indistinguishable to the vintage ‘47’s we auditioned on several sources.

As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible. The WA-47 is packed with top end components that are carefully sourced from many of the top pro audio component suppliers in the world.

A look inside
The Capsule The WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer who's precision and repeatability allows us to nail the vintage sonics of the most important sonic piece of this classic style of microphone.

The Tube A Slovak Republic JJ 5751 vacuum tube is a lower gain, low noise tube that forces much of the sonics of the capsule and transformer to be heard more significantly than some higher gain tubes might allow. We auditioned 4 different tube brands and fell in love with the JJ 5751. The frequency response of the JJ 5751 and the way it contributes to the circuit is tonally smooth and vintage in nature.

The Transformer The WA-47 utilizes an American made TAB-Funkenwerk (AMI) USA transformer with large core imported German laminations. This transformer helps provide the creamy smooth top end, and the LARGER THAN LIFE bottom end one would expect from a '47 style condenser microphone.

The Capacitors The WA-47 uses a polystyrene coupling capacitor for uncompressed top-end response from the capsule, wima film capacitors throughout, and an imported Solen French capacitor on its output driving the TAB-Funkenwerk (AMI) USA output transformer.

Specifications

Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80v

Capsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film) 
TAB-Funkenwerk (AMI) USA output transformer 
JJ Slovak 5751 vacuum tube • Gotham 5 meter GAC-7, 7-pin tube microphone cable 
Wima, Solen French, and Polystyrene capacitors 
Polar Patterns: 9 patterns - Cardioid, Omni, figure-of-eight + 6 mixed patterns
Self-noise: 11dBA 
Dynamic range: 130dBA 
Maximum S.P.L: 140dB (<0.5% THD) 
Frequency Range: 20 Hz~20 kHz 
Output Impedance: 200 ohms 
Rated Load Impedance: ≥2kOhms 
S/N Ratio: 82dBA • Equivalent Noise: 10dBA (IEC651)
External IEC grounded PSU
Includes: Microphone, Wood box, PSU, Shockmount, Gotham 7 pin GAC-7 cable, IEC power cable
Total Weight - 9 lbs • Mic Diameter: 90mm • Mic Length: 254mm

Última Pieza

Neumann

Neumann MA1

(1)

$299 Dólares

The Beginning of a New Era in Monitoring

Calibration algorithms jointly developed with Fraunhofer IIS
For stereo setups with KH 80 DSP and all pairs of analog (non DSP-based) Neumann monitors using the KH 750 DSP subwoofer
Individually calibrated measurement microphone
Room adaptive target curve
Phase and amplitude optimization for analog Neumann monitors
For Mac and PC

YOUR DIGITAL EXPERT FOR PROFESSIONAL MONITORING QUALITY

Neumann’s Automatic Monitor Alignment MA 1 ensures the best possible sound quality in any room – from home studios to professional control rooms. Using the individually calibrated measurement microphone your acoustic environment is analyzed in a guided process. Advanced calibration algorithms, jointly developed with the world's leading institute in audio processing, Fraunhofer IIS, guarantee an optimally adapted amplitude and phase correction for exact and reliable monitoring.

RELIABLE MONITORING ANYWHERE

Neumann’s Automatic Alignment is a dedicated tool for stereo sets of KH 80 DSP monitors with or without the KH 750 DSP as well as two non DSP-based KH-Line monitors connected to the analog outputs of a KH 750 DSP subwoofer. Unlike conventional correction software it is an integrated solution with novel algorithms, jointly developed with the Fraunhofer Institute for Integrated Circuits (IIS) specifically for Neumann studio monitors. No plug-in or special audio driver is required: Alignment data is stored and processed within the DSP-powered monitors themselves. As a unique benefit, the software not only optimizes the amplitude response but also optimizes the phase. This provides highest accuracy in terms of tonality and impulse reproduction.

HOW IT WORKS

In a first step, acoustic data of the listening environment is gathered in a guided process. No special acoustic knowledge is required. Simply connect your Neumann monitors to the outputs of your audio interface or monitor controller. Additionally, your DSP-based KH-line monitors must also be connected to your computer’s ethernet port. For multiple connections, a standard ethernet switch will do.

Now plug the measurement microphone into your microphone input. This microphone was specifically developed for this software and is individually calibrated by it. The software will guide you through the measurement process.

From the measured data, the software ascertains the room’s acoustic properties. The individual correction parameters are generated according to a room-specific target curve calculated by the software. Neumann's decades of experience in calibrating monitoring systems in studio control rooms has been incorporated into this process. Of course, you can modify the target curve to your needs.

Additionally, the alignment process ensures an optimal summation in the low frequencies when a subwoofer is used.

All resulting correction parameters are stored and processed in the DSP-powered monitors. So there is nothing to worry about anymore, no plug-ins, no driver issues. And no additional cables, either: Once the alignment process is completed, the ethernet connections are not required anymore.

Using the KH 750 DSP subwoofer, stereo sets of analog KH-Line monitors, too, can be used with the Automatic Monitor Alignment Software. The KH 750 DSP has enough processing power to align the entire system including the two analog loudspeakers connected to its outputs. Additionally, KH 120, KH 310, and KH 420 loudspeakers profit from phase linearization of their built-in crossover filters! The result is increased clarity, a dry bass, and a time-correct, more accurate depiction of reverbs and acoustic spaces.

For the market launch we are offering attractive kits consisting of KH Line Monitors and the MA 1 package (see order info).

THE FUTURE

The MA 1 Automatic Monitor Alignment is the beginning of a new era in monitoring. Starting with the current version, which delivers outstanding acoustic results for stereo setups, the range of software functions will be expanded step by step with updates.

HARDWARE REQUIREMENTS

1 pair of KH DSP loudspeakers or 1 KH 750 DSP subwoofer in combination with a pair of analog (non-DSP based) KH loudspeakers
Neumann MA 1 measurement microphone
Computer (Windows 10 64 Bit and macOS 10.13, 10.14 or 10.15)
Audio interface with balanced analog input with 48 V phantom power and 2 balanced analog outputs or digital AES3 output (only with KH 750 DSP)
Network switch
Screen resolution of 1280×720 px or higher

SOFTWARE REQUIREMENTS

Operating system: Windows 10 64 Bit and macOS 10.13, 10.14 or 10.15
Neumann Automatic Monitor Alignment software
ASIO driver (for Windows)

DSP LOUDSPEAKERS (NETWORK-ENABLED)

The following loudspeakers and subwoofers are network-enabled and can be controlled directly by the software:

KH 80 DSP
KH 750 DSP

ANALOG LOUDSPEAKERS (NOT NETWORK-ENABLED)

The following loudspeakers are not network-enabled and need to be connected via a network-

enabled subwoofer in order to be included in the system setup.

KH 120 A
KH 120 D
KH 310 A
KH 310 D
KH 420/KH 420 + DIM 1

IMPORTANT INFORMATION

PLEASE NOTE:

After the alignment process, the MA 1 software stores the correction data in the monitors or in the subwoofer; not in the software application. Therefore, no Ethernet connection to the computer is required for further operation of the aligned system. Currently, the data stored in the loudspeaker(s) cannot be recalled or changed, once the software is closed. The calibration procedure must be started from the beginning and repeated.
The following currently applies: If the loudspeakers were previously adjusted using the Neumann.Control iPad® app, their correction data will be overwritten by an alignment with the MA 1 software. If you open the Neumann.Control iPad® app again, the last data stored in the app is sent to the loudspeakers, thus overwriting the correction data generated by the MA 1.
Alignment settings are made via the MA 1 software. Other parameters (e.g. mute, volume, logo brightness, delay ...) cannot currently be controlled by the MA 1 software.
The MA 1 software does not include Guided Alignment or Manual Alignment like on the Neumann.Control iPad® app.

En Bodega

JZ Microphones

JZ Pop Filter

(0)

$149 Dólares

En Bodega

Warm Audio

Warm Audio WA-251

(0)

$899 Dólares

Sound Like A Legend

The WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own.

The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.

All Brass Capsule

The WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule.

The Transformer

The WA-251 utilizes an American made CineMag USA transformer. This transformer helps provide the present top end and the LARGE bottom end one would hope to get from a 251-style condenser microphone.

The Capacitors

The WA-251 proudly uses polystyrene coupling capacitors, wima film capacitors throughout, and an imported Solen French capacitor on its output.

Tech Specs

Microphone Type:Tube Condenser
Mono/Stereo:Mono
Polar Pattern:Cardioid, Omnidirectional, Figure-8
Diaphragm Size:Large diaphragm
Frequency Response:20Hz-20kHz
Max S.P.L:132dB S.P.L
Output Impedance:200 ohms
Signal to Noise Ratio:80dB (A weighted)
Self Noise:12dB (A weighted)
Tube:JJ Slovak 12AY7
Power Source:External Power Supply
Features:Custom CineMag USA transformer
Connector:7-pin (mic), XLR (power supply)
Dimensions:9.72" x 1.81"
Included Accessories:Power Supply, Shockmount, Gotham Cable, Wood box
Manufacturer Part Number:WA-251

[ Warm Audio ] Elle Sera "Beautiful Girl" - WA-251 Tube Condenser Microphone QNk

Contáctenos para disponibilidad

Telefunken Elektroakustik

Telefunken TF51

(1)

$1,995 Dólares

Última Pieza

Townsend Labs

Townsend Labs Sphere L22

(0)

$1,499 Dólares

*Por la escasez global de componentes electrónicos, tenemos pocas piezas en bodega. Es recomendable contactarnos si desea confirmar disponibilidad inmediata*

The Sphere L22™ microphone system from Townsend Labs models the characteristics of the most sought-after large-diaphragm condenser microphones with amazing accuracy, and allows selection of different mics and patterns even after tracking.

The Sphere™ system consists of a high precision dual channel microphone, which when paired with the included Sphere DSP plug-in (UAD, VST, AU, AAX Native) accurately models the response of a wide range of mics, including transient response, harmonics, proximity effect and three-dimensional polar response.

Now You Can:

Record with the sound of microphones many have only dreamt about
Change mic type, polar pattern, and other microphone characteristics, even after tracking!
Audition the sound of different microphones without tiring the vocalist
Reduce bleed, undesirable room coloration, and other common issues using Off-Axis Correction™
Record in stereo from a single microphone

Specifications and System Requirements

Polar Meter
The Sphere plug-in features a visually informative (and very cool) Polar Meter that dynamically displays the direction and level of sound being picked up by the microphone, as well as the currently selected polar pattern.

Sphere L22™ Microphone

Equivalent Noise Level: 7 dB-A
Max SPL at 0.5% THD: 140dB (with -20dB pad engaged)
Pad Attenuation: -10db and -20dB
Sensitivity: 22 mV/Pa
Output Connector: 5-pin male XLR
Breakout Cable: 10’ (3m) 5-pin female XLR to dual 3-pin male XLR
Weight (mic only): 1.7 lbs. (770 grams)
Dimensions (mic only): 8.9" x 2.5" (225mm x 63mm)
Output Impedance: 200 Ohms
Recommended Load Impedance: >1000 Ohms
Phantom Power

Voltage: 44 to 52 V per channel

Current: 5 mA per channel typical, 8 mA at max SPL

Sphere™ DSP Plug-In
Supported Plug-in Formats:

UAD
AAX Native
VST2
VST3
Audio Units (Mac only)

Supported Operating Systems:

Native (AAX, VST and AU):

Mac OSX 10.8.5 and above

Windows 7 and above

Apollo Interfaces and UAD-2 hardware (AAX, VST, AU, and RTAS)

Mac OSX 10.9.5 and above

Windows 7 and above

System Requirements:

4 GB of RAM
200 MB free disk space
1024 x 768 display resolution
Internet connection to download software
Two microphone preamplifiers with phantom power
Compatible plug-in host application (DAW) software supporting AAX, VST2, VST3, AU or UAD.

Current Microphone Models:

LD-47
LD-49
LD-67
LD-87
LD-12
LD-251
LD-800
SD-451
RB-4038
DN-57
Sphere Linear

Bundled Accessories

10 Foot (3 Meter) Breakout Cable
Shock Mount
Swivel Mount
Hard Carrying Case
Plush Dust Cover

Última Pieza

Neumann

Neumann KM 184

(0)

$899 Dólares

The KM 184 (cardioid) in particular has become the classic high-quality miniature microphone. Now also available in attractive stereo sets, with cardioid, hypercardioid or omni directional characteristics. The "Series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications.

Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "Series 180" is predestined for economy-minded production and home recording studios.

The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

Applications

Their slender shapes and the transmission characteristics described below make the "Series 180" especially suitable for a very wide range of tasks in the radio and television sector.

Acoustic features

The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.
The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.

Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.
This difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances.
The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°.

Electrical features

The "Series 180" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications:
Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB.
The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders.
The output of the "Series 180", as in all Neumann microphones, is balanced and phantom (48V) powered.

Economy

The "Series 180" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range.
The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the "Series 180" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.

Features:

Three different miniature microphones for all typical studio applications
Successor of the worldwide successful KM 83/84
Transformerless circuitry

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.
As XY and ORTF stereo pair
Announcer’s mic for broadcasting
Spot mic, overhead
Close miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps

	KM 183 / 184 / 185
Acoustical operating principle	Pressure/Pressure gradient transducer
Directional pattern	omnidirectional/cardioid/hypercardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	12/15/10 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	24/22/24 dB
Equivalent noise level, A-weighted¹⁾	13/13/15 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	70/72/70 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	81/81/79 dB
Maximum S.P.L for THD 0.5%²⁾	140/138/142 dB
Maximum output voltage	10 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3.2 mA
Matching connectors	XLR 3F
Weight	approx. 80 g
Diameter	22 mm
Length	107 mm

_________________________________________________

¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

En Bodega

Neumann

Neumann U87 Ai Set Z

(0)

$3,995 Dólares

In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications.

The Neumann U 87 Ai - voted as THE best microphone

The readers of the SOUND ON SOUND magazine have voted: U 87 Ai - the BEST MICROPHONE, announced during the Winter NAMM show 2012 in Anaheim, California.

The SOS award went to products, that "have made our lives in the studio all the more enjoyable". It is a further evidence for the reputation of the U 87 Ai as the world famous, professional standard studio condenser microphone. Until today the U 87 sets the mark in the microphone industry by which all others are measured.

The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television.

The U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.

A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.

Furthermore, the low frequency response can be reduced to compensate for proximity effect.

Applications

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.

Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.

Acoustic features

The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.

Polar patterns

The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.

Electrical features

The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.

The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

Filter and attenuation

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.

This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.

Features:

Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation
Ideal as main and as support microphone in the most differing recording situations

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

For universal use
The classical studio mic for vocalists (soloists and background vocalists)
Announcer's mic for broadcasting, dubbing, voice-over
Overhead
Spot mic for wind instruments, strings (especially cello and double bass), piano, percussion
Note: To record instruments with very high sound pressure levels we recommend our mics with TLM circuitry

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Omnidirectional, cardioid, figure-8 plus
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	20/28/22 mV/Pa¹⁾
Rated impedance	200 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR²⁾	26/23/25 dB¹⁾
Equivalent noise level, A-weighted²⁾	15/12/14 dB-A¹⁾
Signal-to-noise ratio, CCIR²⁾ (rel. 94 dB S.P.L)	68/71/69 dB¹⁾
Signal-to-noise ratio, A-weighted²⁾ (rel. 94 dB S.P.L)	79/82/80 dB¹⁾
Maximum S.P.L for THD 0.5%³⁾	117 dB (cardioid)
Maximum S.P.L for THD 0.5% with preattenuation³⁾	127 dB
Maximum output voltage	390 mV
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	0.8 mA
Matching connectors	XLR3F
Weight	500 g
Diameter	56 mm
Length	200 mm

____________________________________________________

¹⁾Omnidirectional / cardioid / figure-8
²⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
³⁾ measured as equivalent el. input signal

Contáctenos para disponibilidad

Warm Audio

Warm Audio WA-14SP (Stereo Pair)

(1)

$799 Dólares

Contáctenos para disponibilidad

Royer Ribbon Microphones

Royer R-10

(0)

Desde $649 Dólares

Suave, aterciopelado y de alta fidelidad.

El diseño R-10 utiliza varias innovaciones de Royer, incluyendo un transductor de cinta internamente amortiguado y una pantalla anti-vientos de varias capas.

El montaje con amortiguación del R-10 aísla efectivamente el elemento de cinta de la vibración y aumenta la durabilidad de la cinta. La pantalla anti-vientos de varias capas proporciona una excelente protección contra los golpes de aire, reduciendo el efecto de proximidad para que pueda grabar fuentes de sonido de cerca sin una acumulación excesiva de graves. La respuesta de frecuencia suave del micrófono, la linealidad de fase y la falta de auto-distorsión son un perfecto antídoto para la naturaleza inflexible de la grabación digital moderna. Y su reproducción suave, aterciopelada y de alta fidelidad de instrumentos y voces es un verdadero placer para los oídos.

Tecnología de cinta Royer de última generación

El R-10 utiliza la tecnología patentada de cinta desplazada de Royer y un elemento de cinta de aluminio de baja masa. El transformador de impedancia diseñado específicamente para el micrófono minimiza la saturación, y su diseño de rejilla abierta minimiza las ondas estacionarias y sus efectos de filtración de peine asociados. El diseño del marco de flujo del transductor y los imanes de neodimio de tierra rara crean un potente campo magnético que aumenta la sensibilidad y reduce la radiación magnética extraviada. Todo esto se suma a un micrófono de cinta moderno superior que ningún estudio de grabación o equipo en vivo debería prescindir. Y dado el precio agradablemente asequible del R-10, podemos agregar que tener un par de ellos es extremadamente útil.

Adelante: captura de cerca esa fuente de sonido fuerte!

Un amplificador de guitarra de alta ganancia ridículamente ruidoso que dispara a quemarropa a tu valioso micrófono de cinta delicado: la pesadilla de un ingeniero. Es posible que hayas escuchado historias sobre micrófonos de cinta antiguos cruelmente cortados a pedazos por S.P.L altos, o incluso sufriendo daños de una brisa rígida.
Es cierto: las cintas del pasado eran notoriamente frágiles. Pero a fines de la década de 1990, David Royer básicamente reinventó el micrófono de cinta como una herramienta de grabación moderna y resistente. La clasificación máxima de S.P.L del Royer R-10 (medida en 1 kHz) es impresionante: 160 dB.

En términos prácticos, esto significa que puedes colocar tu R-10 directamente frente a un amplificador a todo volumen sin distorsión en el micrófono o dañar la cinta. No recomendamos intentarlo con otros micrófonos de cinta, pero el Royer R-10 puede soportarlo.
Con eso dicho, aconsejamos precaución con respecto a ráfagas de aire directas y fuertes, como las de un agujero cortado en una batería. Puedes lograr un sonido de bombo moderno pero potente usando un micrófono dinámico en el agujero, combinado con un R-10 a un pie o dos de distancia y angulado hacia abajo.

Características del micrófono de cinta Royer R10:

Manejo de S.P.L alto: perfecto para la captura de cerca de guitarra eléctrica, brass y otros instrumentos
Pantalla múltiple para el viento proporciona protección efectiva para el elemento de la cinta
Transductor de cinta con amortiguador interno para mayor durabilidad
Circuito pasivo con transformador personalizado minimiza la sobrecarga de alta S.P.L
Ruido residual vanishingly bajo.

En Bodega

Warm Audio

Warm Audio WA-47jr Black

(2)

$299 Dólares

Like Father. Like Son.
The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.

The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr. The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag. The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone.

The WA-47jr circuit uses high quality Toshiba FET’s, Wima film capacitors and Panasonic electrolytic capacitors. The circuit is modernized and more simple than the classic ‘47 tube microphone, but the components and circuitry are top-notch, and have a sound quality and tone that punches far above anything we’ve ever heard in this price range.

We at Warm Audio are very excited to bring this ‘47 style FET condenser microphone and classic tone to the market at such an affordable price. We feel confident that you will enjoy a lifetime of beautiful recordings with the WA-47jr.
Quality components make a better mic.
The WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability. The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag.

The Warm Audio WA-47-B-80v capsule is also used in our flagship WA-47 tube condenser microphone.
Package Includes Microphone, Shockmount, Hardmount, Zipper storage pouch.  3 Polar Patterns
Cardiod, Figure-Of-Eight & Omnidirectional

High Pass Filter A 70hz high pass filter is available for reducing rumble and other subsonic information.

-10dB Pad A -10dB pad switch is available on the WA-47jr. The pad exists internally within the active circuitry.

Specifications

FET transformerless '47 style condenser microphone. 
Custom true '47 capsule reproduction (k47 style) - Model# WA-47-B-80v.
Capsule makeup: Gold sputtered, dual large diaphragm, single backplate, 6 microns NOS mylar (PET film). 
Fully discrete signal path, Toshiba FET’s, Wima film capacitors, Panasonic electrolytic capacitors. 
Polar Patterns: Cardioid, figure-of-eight, and omnidirectional.
High-pass filter: 70Hz 
Pad: -10db • Self-noise: 9dBA
Dynamic range: 138dBA 
Maximum S.P.L: 147/157dB (@1kHz 1kOhms 0.5% THD, 0/-10dB) 
Frequency Range: 20 Hz~20 kHz
Sensitivity: 10mV/Pa or -40dB 
Output Impedance: 100 ohms
Rated Load Impedance: ≥1kOhms
Maximum output: 16dBu @1kHz, 1kOhms, 0.5% THD
S/N Ratio: 85dBA (IEC651) 
Equivalent Noise: 9dBA (IEC651) 
Dynamic Range: 138dBA (IEC651) 
48v phantom powered • 3-Pin Gold-Plated XLR
Includes: Shockmount, hardmount, zipper storage pouch
Nickel Plated • Weight: 1.1 lbs 
Diameter: 52mm 
Length: 210mm

En Bodega

Telefunken Elektroakustik

Telefunken TF11

(0)

$895 Dólares

Blending an Austrian-inspired voicing similar to the legendary C12 with modern FET high performance, the phantom-powered TF11 exhibits a beautifully open and detailed frequency response with exceptionally fast transient response, high S.P.L handling, and low self-noise. The compact, cardioid only TF11 is versatile, portable, and dependable for all recording environments from home to studio to stage.

Circuit Design
The TF11 features a unique combination of circuit elements shared with other TELEFUNKEN Elektroakustik designs. The CK12-style edge terminated capsule is a single membrane version of the capsule featured in the TF51. The amplifier is a unique proprietary take on the classic FET microphone amplifier similar to the M60, coupled with a custom large format nickel-iron core transformer made in the UK by OEP/Carnhill. Premium through-hole components include UK-made polystyrene film capacitors, Nichicon Fine Gold electrolytic capacitors, and a high-performance, ultra-low-noise JFET amplifier.

Features

Cardioid polar pattern
Compact travel and budget friendly design
Open and detailed tone with fast transient response
Designed and assembled by hand in the USA
High S.P.L handling, low noise phantom-powered FET amplifier
CK12-style capsule and UK-made OEP/Carnhill transformer

Applications

Live Sound: Drums, Piano, Acoustic Instruments
Vocals: Pop, Rock
Drums: Overheads
Acoustic Guitar
Cello, Upright Bass
Percussion

Accessories
Every TF11 FET microphone system comes with a MC11 Microphone Case, M 703 Shock Mount, M 782 Stand Mount, and Microphone Sleeve.

Specifications

Type: FET Condenser
Polar Pattern: Cardioid
Frequency Range: 20 Hz – 20 kHz, ±3 dB
Power Source: +48V Phantom Power
Capsule: TK51S - Edge Terminated Large Diaphragm, Single Membrane
Tube: n/a
Transformer: OEP/Carnhill T218
Sensitivity: 14 mV/Pa, ±1 dB
THD at 1kHZ at 1Pa (Amplifier): < 0.01%
Output Impedance: 110 Ω
Maximum S.P.L (for 1% THD): > 135 dB
S/N Ratio: 90 dBA
Self Noise (Amplifier): 4 dBA
Dimensions: 175 mm L x 46 mm Dia
Weight: 545 g
Included Accessories: Shock Mount, Stand Mount, Mic Sleeve, Mic Case

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Shure

Shure SM57

(0)

$115 Dólares

En Bodega

Warm Audio

Warm Audio WA-67

(0)

$999 Dólares

WA-67: Another Legend Reborn

The original ’67 became one of the most sought-after and widely-used studio microphones of its time, recording a massive collection of some of the most memorable songs of the last 50 years - we’re talking about classic tracks from artists as varied as The Beatles, Led Zeppelin, The Temptations and Nirvana! The original mics are still sought after, but they can command upwards of $8000 for a pristine unit, putting them far out of reach for most recordists.

Thankfully, Warm Audio has now changed that scenario with the release of the new WA-67! Based around an EF86 pentode tube and having the same smooth and creamy tone of the original, the WA-67 excels at recording just about anything that you put it in front of, and it may immediately become your go-to choice for vocals, guitars, drum toms and overheads, pianos, brass and strings.

Going All Out

At Warm, we’re passionate about killer studio tools and we take our responsibility to our customers seriously. That means that we don’t make “look-alike” gear that doesn’t deliver, and we take considerable time and effort to get as close as possible to both the heart and the soul of an original design. We went to great lengths to recreate the discrete circuit of the original microphone, using boutique components throughout to ensure that nothing got in the way of pure tube magic. The sound and vibe of the original ’67 is recreated in our WA-67, and we take great pride in being able to make such a high-quality microphone available to everyone at an unheard of price.

The Capsule: The Heart Of A Microphone

Even if you stuff a microphone full of premium components, if the capsule isn’t right, nothing is - it’s that critical. Knowing this we went to great lengths to recreate the capsule from the original ’67, making sure that ours performs the same way, has the same frequency response and contributes to the same chewy character as the original. That meant not only ensuring that the hole pattern was identical, but we also made sure to craft the entire assembly out of brass (including the mounting rings) just like the original design. It takes more time and it’s more expensive than using multiple types of material, but we felt that it was critical to go the extra mile on this microphone. The results speak for themselves - the WA-67 sounds absolutely stellar!

The Guts And The Glory

The EF-86 tube is well-known in the industry for having characteristics that are consistently flattering to audio sources, and it’s one of the reasons why the original ’67 microphone remains sought after (and why some modern audio manufacturers use it in their own hyper-expensive microphones and preamps). We knew that it was critical to get absolutely right in the WA-67, and we’re thrilled with the results.

Going even further, in order to accentuate and complement the custom capsule and EF86 tube, we used top-shelf components to complete our version of the original circuit. We used high-bandwidth polystyrene capacitors, as well as boutique polypropylene caps from Wima and a large output capacitor from Solen. Just as important in a tube design, we also used a custom large-core transformer from Lundahl in Sweden, which plays a significant role in the buttery smooth high frequency response and huge three-dimensional sound of the WA-67. The microphone is also encased in a beautiful nickel-plated brass body and headbasket, which provides strength, additional shielding from extraneous handling noise and the ultimate in audio performance.

Last but not certainly not least, the quality of the 7-pin cable that connects a tube mic to its power supply is also of paramount importance - it carries both audio signals and voltage for the tube on different pins, which means that it plays an integral role in the performance of the microphone. That’s why we’ve partnered with high-end manufacturer Gotham Audio of Switzerland to use their high-end GAC-7 cable with the WA-67. This special cable is integral to the sound and performance of the microphone, and adds the finishing touch to the WA-67 system.

Specifications

FAITHFUL RE-CREATION OF THE CLASSIC ’67-STYLE PENTODE TUBE CIRCUIT

EF86 PENTODE TUBE FOR CREAMY SMOOTH CLARITY AND BRILLIANCE

CUSTOM LARGE-CORE TRANSFORMER FROM LUNDAHL SWEDEN

CUSTOM ALL-BRASS LARGE K67-STYLE VINTAGE CAPSULE RE-CREATION

GOLD-SPUTTERED MYLAR DIAPHRAGM, 6 MICRONS THICK

HIGH-BANDWIDTH POLYSTYRENE CAPACITORS

BOUTIQUE CAPACITORS FROM WIMA AND SOLEN

NICKEL-PLATED BRASS MICROPHONE BODY AND HEADBASKET FOR ULTIMATE ACOUSTIC PERFORMANCE

PREMIUM 7-PIN TUBE CABLE FROM GOTHAM SWITZERLAND

POLAR PATTERNS: CARDIOID, OMNI, FIGURE-OF-EIGHT

SWITCHABLE HI-PASS FILTER

SWITCHABLE -10 DB PAD

FREQUENCY RESPONSE: 20 HZ - 20 KHZ

RATED IMPEDANCE: 200 OHMS

RATED LOAD IMPEDANCE: 1KILOHMS

EQUIVALENT NOISE LEVEL (A-WEIGHTED): 17 DB-A

MAXIMUM S.P.L FOR THD 0.5%: 138 DB

SIGNAL TO NOISE RATIO (A-WEIGHTED): 78 DB

MICROPHONE INCLUDES: WOOD BOX, SHOCKMOUNT, HARDMOUNT, POWER SUPPLY, 7-PIN MIC CABLE

WA-67 Frequency Chart - Cardioid

WA-67 Frequency Chart - Omni

WA-67 Frequency Chart - Figure of Eight

Última Pieza

Shure & Could Microphones

Shure SM7B + The Cloudlifter®

(0)

Desde $579 Dólares

COMPRE EN PAQUETE Y AHORRE!!

SM7B Vocal Microphone
Popular radio and TV mic features excellent shielding against electromagnetic hum. Plus mounting bracket.
The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices.
The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications.

The Cloudlifter® CL-1

Is completely self contained, driven only by the phantom power from your mixer or preamp. Ideal for dynamics and ribbons alike, the CL-1 turns phantom power into the extra gain required for using passive microphones. The immediate dose of extra gain can make even a budget microphone/preamp combination sound clean and professional. For broadcasting and live sound, the active output signal of the CL-1 can prevent added noise over long cable runs. With endless uses, Cloudlifters are quickly becoming a standard workhorse solution for audio and broadcast professionals.

The Cloudlifter® CL-2

Is completely self contained, with two independent channels, driven only by the phantom power from your mixer or preamp. Ideal for dynamics and ribbons alike, the CL-2 turns phantom power into the extra gain required for using passive microphones. The immediate dose of extra gain can make even a budget microphone/preamp combination sound clean and professional. For broadcasting and live sound, the active output signal of the CL-2 can prevent added noise over long cable runs. With endless uses, Cloudlifters are quickly becoming a standard workhorse solution for audio and broadcast professionals.

The Cloudlifter® CL-Z

The Cloud® Microphones Cloudlifter® Z Mic Activator® uses phantom power from your preamp to solve an array of common issues with dynamic and ribbon microphones while maximizing your audio quality, making it a must-have box for your studio or live toolset. It’s designed to be a middleman between your mic and preamp, maximizing the signal quality by providing an additional +25dB of ultra-clean gain. This can dramatically improve the sound quality when using preamps that are noisy in their upper gain range, and with long cable runs.

The Cloudlifter® CL-Zi

If you're an instrumentalist or vocalist, we have a product you should know about. Cloud Microphones' Cloudlifter Zi is a DI box and "mic activator" that boosts the clarity and strength of your instrument or microphone signal while lowering the noise floor. It also lets you manipulate impedance to shape your tone in a beautifully musical way. The Cloudlifter Zi is phantom-powered to sidestep many of the common problems that occur with mics and instruments. It delivers up to 25dB of clean gain for lo-Z sources and XLR mics; up to 12dB for 1/4" instruments and hi-Z sources. In typical Cloud fashion, build quality is outstanding. Incorporating top-shelf parts like a Neutrik combo connector and hi-Z to lo-Z Cinemag instrument transformer, the Cloudlifter Zi lives up to Cloud's usual outstanding quality standards.

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Telefunken Elektroakustik

Telefunken M80-WH

(0)

$249 Dólares

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Warm Audio

Warm Audio WA-47jr SE

(2)

$199 Dólares $249 Dólares

-20%

Like Father. Like Son.
El WA-47jr es una versión FET sin transformador del reconocido micrófono clásico del 47 que se ha utilizado en innumerables discos de éxito durante los últimos 50 años.  El WA-47jr es totalmente discreto, tiene 3 patrones polares y está diseñado para aplicaciones de estudio profesional, estudio en casa, en vivo y de transmisión.  El WA-47jr suena genial en voces, guitarras acústicas/eléctricas, bajos acústicos/eléctricos, batería, piano, cuerdas, instrumentos de viento de madera/metal y una variedad de otras fuentes.

El WA-47jr utiliza con orgullo una reproducción de cápsula estilo k47 personalizada, diseñada con el mismo patrón de orificios y respuesta de frecuencia que el diseño antiguo.  Nuestra versión de esta cápsula (modelo # WA-47-B-80v) está cuidadosamente fabricada por un fabricante de cápsulas australiano con cuidadosa precisión y repetibilidad que permite que la pieza sonora más importante del micrófono clásico se escuche e influya en el Tono y firma del WA-47jr. La ruta de señal discreta y de bajo ruido del WA47jr, cuando se combina con esta excelente cápsula de verdadero estilo '47, le permite obtener un tono muy similar al micrófono clásico '47, pero a un precio mucho más bajo. El WA-47jr utiliza la misma cápsula estilo k47 que se encuentra en nuestro micrófono de condensador de tubo insignia WA-47.

El circuito WA-47jr utiliza condensadores de película Wima, FET Toshiba y condensadores electrolíticos Panasonic de alta calidad. El circuito está modernizado y es más simple que el clásico micrófono de válvulas del 47, pero los componentes y los circuitos son de primera categoría y tienen una calidad de sonido y un tono que supera con creces cualquier cosa que hayamos escuchado en este rango de precios.

En Warm Audio estamos muy emocionados de traer al mercado este micrófono de condensador FET estilo '47 y tono clásico a un precio tan asequible.  Estamos seguros de que disfrutará toda una vida de hermosas grabaciones con el WA-47jr. Los componentes de calidad hacen un mejor micrófono.El WA-47jr utiliza con orgullo una reproducción de cápsula de estilo k47 personalizada, diseñada con el El mismo patrón de agujeros y respuesta de frecuencia que la parte antigua. Nuestra versión de esta cápsula (modelo # WA-47-B-80v) está cuidadosamente fabricada por un fabricante australiano de cápsulas con cuidadosa precisión y repetibilidad. La ruta de señal discreta y de bajo ruido del WA47jr, combinada con una excelente cápsula de verdadero estilo '47, permite que este micrófono obtenga un tono muy similar al micrófono clásico '47 a un precio mucho más bajo.

La cápsula Warm Audio WA-47-B-80v también se utiliza en nuestro micrófono de condensador de tubo insignia WA-47.

El paquete incluye micrófono, soporte antigolpes, soporte rígido y bolsa de almacenamiento con cremallera. 3 patrones polares cardioide, figura de ocho y amp; Omnidireccional
Filtro de paso altoHay disponible un filtro de paso alto de 70 Hz para reducir los ruidos y otra información subsónica.
-10dB PadUn interruptor de pad de -10dB está disponible en el WA-47jr. La almohadilla existe internamente dentro del circuito activo.

Specifications

Micrófono de condensador estilo '47 sin transformador FET.
Reproducción personalizada de cápsula del 47 (estilo k47): modelo n.º WA-47-B-80v.
Composición de la cápsula: pulverización de oro, diafragma doble grande, placa posterior única, mylar NOS de 6 micrones (película de PET).
Ruta de señal totalmente discreta, FET de Toshiba, condensadores de película Wima, condensadores electrolíticos Panasonic.
Patrones polares: cardioide, en forma de ocho y omnidireccional.
Filtro de paso alto: 70 Hz
Almohadilla: -10 dB• Ruido propio: 9 dBA
Rango dinámico: 138dBA
S.P.L máximo: 147/157 dB (@1kHz 1kOhms 0,5% THD, 0/-10dB)
Rango de frecuencia: 20 Hz ~ 20 kHz
Sensibilidad: 10 mV/Pa o -40 dB
Impedancia de salida: 100 ohmios
Impedancia de carga nominal: ≥1kOhms
Salida máxima: 16 dBu a 1 kHz, 1 kOhmios, 0,5 % THD
Relación señal/ruido: 85 dBA (IEC651)
Ruido equivalente: 9 dBA (IEC651)
Rango dinámico: 138 dBA (IEC651)
Alimentación fantasma de 48 V• XLR chapado en oro de 3 pines
Incluye: soporte antigolpes, soporte rígido y bolsa de almacenamiento con cremallera
Niquelado• Peso: 1,1 libras
Diámetro: 52 mm
Longitud: 210 mm

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Warm Audio

Warm Audio WA-87 R2

(1)

$699 Dólares

WA-87 R2: Updated And Upgraded

In 2016, we at Warm Audio introduced one of the most talked-about 87-style FET condenser microphones in the industry with the release of the WA-87, and at just $599 USD it made the looks and authentic vintage sonics of this style of mic affordable to customers for the very first time. Simply put, the release of the WA-87 changed the industry’s perception of what could be achieved at an affordable price.

Based on classic 60s circuitry, the WA-87’s rich sound became a favorite of countless producers, engineers, and home recordists everywhere. It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs.

Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). We’ve used everything we’ve learned about recreating vintage microphones in the last five years to bring it even closer to the sound, vibe and performance of the original 60s classic we all know and love. We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better!

A Faithful Reproduction With Top-Shelf Components

The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. We spent countless hours trying to get even closer to the sound of the vintage version than we had with the WA-87, so the new WA-87 R2 uses top-quality components like a NOS Fairchild transistor and high-bandwidth polystyrene and film capacitors from Wima. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. The result is an incredibly accurate sonic replica of arguably the widest-used studio microphone in popular recording history!

The Most Versatile Mic In Your Locker

Just like the vintage microphone, the WA-87 R2 excels at recording virtually anything. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics.

The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker!

Stunning In Sound And Appearance

The WA-87 R2 is now encased in a heavier, stronger and larger nickel-plated brass body, and the new rounded head basket shape adds additional space around the capsule for a more pleasing sonic signature. With authentic vintage warmth and a smooth detailed top end, we truly believe this mic performs on par with microphones costing five times as much or more. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones!

Specification

LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE, WITH A FAITHFUL REPRODUCTION OF THE ORIGINAL VINTAGE 87-STYLE CIRCUIT

ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS

CUSTOM CINEMAG USA OUTPUT TRANSFORMER

WA-87-B-50V CAPSULE—REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR-WIRE TERMINATION) K87 CAPSULE

NICKEL-PLATED BRASS BODY

THREE POLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL

-10DB PAD AND 80HZ HIGH PASS FILTER

FREQUENCY RESPONSE: 20HZ – 20KHZ

S.P.L: .5% THD @ 125DB (WITHOUT PAD), 132DB

DIAPHRAGM: 6-MICRON THICKNESS, GOLD-SPUTTERED MEMBRANE, NOS MYLAR (PET FILM)

NOISE: -117DB

INCLUDED ACCESSORIES: WOODEN STORAGE CASE, HARD MOUNT, AND SHOCK MOUNT. (OPTIONAL FLIGHT CASE AVAILABLE)

WEIGHT (FULLY BOXED): 6.5 LBS / 3 KG

COLOR: AVAILABLE IN NICKEL OR BLACK FINISH

WA-87 R2 Frequency Chart - Cardioid

WA-87 R2 Frequency Chart - Figure Of Eight

WA-87 R2 Frequency Chart - Omni

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Neumann TLM 103 Mono Studio Set - Nickel

Neumann

Neumann TLM 103 Mono Studio Set - Nickel

(0)

$1,595 Dólares

Pocas piezas en existencia, reserve la suya. a la brevedad.

The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise.

The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box.

Applications

Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern

The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.

Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features

With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety

The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration.

Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features:

Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

A universal cardioid mic
Vocalist recording
Announcer's mic for broadcasting/voice over
Due to minimal self-noise: on-air mic for radio/broadcast, very low amplitude signals, radio drama, sampling, foley/sound effects
Home recording and project studios
Spot mic for: wind instruments, strings, percussion, guitar amps, drum overhead

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Cardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	23 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	17.5 dB
Equivalent noise level, A-weighted¹⁾	7 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	76.5 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	87 dB
Maximum S.P.L for THD 0.5%²⁾	138 dB
Maximum output voltage	13 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3 mA
Matching connector	XLR3F
Weight	approx. 450 g
Diameter	60 mm
Length	132 mm

______________________________________________
¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

Última Pieza

Warm Audio

Warm Audio WA-84 Nickel

(0)

$399 Dólares

Sound Like A Legend

The WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass & woodwind instruments, and an array of other sources.

Large Sound, Small Size

The WA-84 has a very LARGE sound for it’s small size and uniquely uses a heavy Nickel CineMag transformer in it’s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it’s it’s crystal clear, yet smooth, LARGE sound.

A Look Inside The WA-84

The Capsule

The WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone.

The Circuit

The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET.

The Transformer

The WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone.

The Capacitors

The WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.

Tech Specs

Microphone Type:Condenser
Polar Pattern:Cardioid
Diaphragm Size:Small Diaphragm
Frequency Range:20Hz-20kHz
Max S.P.L:123dB S.P.L (133dB with pad)
Output Impedance:200 ohms
Sensitivity:11mV/Pa @ 1kHz
Signal to Noise Ratio:78dB (A weighted)
Self Noise:16dB (A weighted)
Pads:-10dB
Color:Black
Connector:XLR
Power Source:48V phantom power
Weight:0.27 lbs.
Included Accessories:Shockmount, Windscreen, Mic Clip, Carrying Case
Manufacturer Part Number:WA84-C-B

En Bodega

Peluso Microphones Lab

Peluso P-87

(0)

$1,349 Dólares

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Neumann

Neumann EA-4

(0)

$169 Dólares

En Bodega

Telefunken Elektroakustik

Telefunken M81

(0)

$299 Dólares

IMPORTANTE - Por dificultades de manufactura de electrónicos, dirante la pandemia, este producto tiene una demora extendida, para su entrega. Por favor contáctenos para obtener mayores informes.

The Telefunken Elektroakustik M81 is the latest installment in their dynamic microphone range. Designed with the goal to develop a microphone that would not only complement the M80, Telefunken Elektroakustik's first dynamic offering, but to also stand out in a universe filled with dynamic microphone options.

When the M80 was first introduced in 2008, it quickly became a favorite in both live and studio environments. Its clear and detailed top end, articulate mid-range, and minimal proximity effect won the hearts (and ears) of thousands of new users, making it a staple for vocal and snare drum applications, as well as the most popular microphone in the Telefunken product line.

Building off many of the strengths of the M80, the Telefunken M81 retains the same minimal proximity effect, superior feedback rejection, and articulate mid-range. However, with the M81, the top end is pulled back a bit, yielding a flatter overall frequency response. This combination results in a microphone with a wealth of body and clarity, making it a great tool for taming brighter vocals and guitar tones and for fattening up percussion, horns and thinner sounding sources.

The Telefunken M81's tailored frequency response makes the microphone exceptional on electric guitars, percussion, rack and floor toms, and brass instruments. This microphone's wide range of uses and rugged reliability make it the workhorse for the new generation.

Finished in the same flint gray body tube and tri-chrome head grill styling as the R-F-T AR-51, the M81 is readily identifiable when reaching for the microphone. The M81 was very much designed with the AR-51 in mind. Great care was taken to tune the M81's overall response to be complimentary to the AR-51 when recording electric guitars.

Basically, the Telefunken M81 is designed to be used on... well, anything and everything! It truly is a "Universal Dynamic Microphone."

Specifications:

Type: Dynamic Moving Coil
Capsule: N/A
Frequency Range: 30Hz / 18kHz
Polar Pattern: Cardioid
Impedance 200 ohms
Size: 7.25" (184mm) length x 1.88" (48mm) diameter
Connector: 3-pin male XLR
Extras: Wooden box, additional black head grille, mic clip

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