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Neumann M 150

(0)

$7,199 Dólares $7,999 Dólares

-10%

Desde la década de 1950, el Neumann M 50 se ha considerado el micrófono ideal para grabaciones orquestales y orquestación de cuerdas. Con su fenomenal respuesta transitoria y su característica direccional única, este micrófono clásico ha conquistado a numerosos aficionados, tanto en la sala de control como en el estudio de sonido.

El nuevo Neumann M 150 Tube retoma muchas de las características del M 50 original y las incorpora en un micrófono muy moderno. Con bajo ruido propio, membrana y cápsula de titanio, amplificador de válvulas sin transformador y una sofisticada fuente de alimentación, el M 150 Tube no es una reedición, sino un micrófono completamente nuevo.

Características acústicas:
El diafragma de titanio de la cápsula de presión tiene 12 mm de diámetro y es extremadamente delgado. Si bien el titanio es conocido desde hace tiempo por sus características únicas y deseables, hasta hace muy poco era muy difícil conseguirlo con la calidad necesaria para su uso en un micrófono de este tipo.

La rejilla del cabezal tiene la misma forma que la del M 50 original, a petición de varios ingenieros de renombre de la industria discográfica. Gracias al montaje de la cápsula de presión con el diafragma a ras de la superficie de una pequeña esfera (40 mm), la característica direccional del M 150 Tube es completamente única.

En las frecuencias más bajas, este sistema es un transductor de omnipresión puro con un patrón polar perfectamente circular. Sin embargo, en las frecuencias medias y altas, el patrón de captación se vuelve más estrecho. El M 150 Tube es un micrófono ideal para cualquier grabación estéreo, envolvente 5.1 o 7.1, especialmente la técnica DECCA Tree.

Características eléctricas:
El rango dinámico del M 150 Tube es de 119 dB, lo que permite la reproducción de la expresión musical completa, sin restricciones.

Con un bajo ruido propio de 15 dB-A, se puede utilizar más ganancia sin riesgo de añadir ruido al producto final. El circuito de salida sin transformador de este micrófono permite una reproducción extremadamente fina de señales pequeñas e información de baja frecuencia. Además, se pueden utilizar cables largos sin pérdida de calidad de la señal.

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Neumann

Neumann TLM 102 Studio Set - Black

(0)

$809 Dólares $899 Dólares

-10%

The TLM 102 defines a new generation of Neumann studio microphones. This applies not only to the design of the microphone but also to the price.

The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention.

The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.

Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.

The TLM 102 is available in black and nickel; a stand mount is included.

*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features

Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer)
Compact, characteristic but smaller-scale Neumann design
Very high maximum sound pressure level
Slight presence boost above 6 kHz
Transformerless circuitry

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Vocals and speech
In particular, pickup of especially loud instruments: Drums, percussion, wind instruments and amps
Home recording, project and broadcasting studios

Technical Data

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Cardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	11 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	21 dB
Equivalent noise level, A-weighted¹⁾	12 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	73 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	82 dB
Maximum S.P.L for THD 0.5%²⁾	144 dB
Maximum output voltage	13 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3.5 mA
Matching connector	XLR3F
Weight	approx. 210 g
Diameter	52 mm
Length	116 mm

Última Pieza

Neumann

Neumann TLM 102 Studio Set - Nickel

(1)

$809 Dólares $899 Dólares

-10%

The TLM 102 defines a new generation of Neumann studio microphones. This applies not only to the design of the microphone but also to the price.

The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention.

The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.

Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.

The TLM 102 is available in black and nickel; a stand mount is included.

*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features

Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer)
Compact, characteristic but smaller-scale Neumann design
Very high maximum sound pressure level
Slight presence boost above 6 kHz
Transformerless circuitry

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Vocals and speech
In particular, pickup of especially loud instruments: Drums, percussion, wind instruments and amps
Home recording, project and broadcasting studios

Technical Data

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Cardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	11 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	21 dB
Equivalent noise level, A-weighted¹⁾	12 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	73 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	82 dB
Maximum S.P.L for THD 0.5%²⁾	144 dB
Maximum output voltage	13 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3.5 mA
Matching connector	XLR3F
Weight	approx. 210 g
Diameter	52 mm
Length	116 mm

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Neumann

Neumann M 50 V

(0)

$11,249 Dólares $12,499 Dólares

-10%

Presentado en 1951, el M 50 se convirtió en el referente de la grabación clásica y fue fundamental en el desarrollo de la técnica Decca Tree, gracias a su excepcional respuesta transitoria y su patrón polar único. Si bien es omnidireccional en bajas frecuencias, el M 50 se vuelve gradualmente más direccional en altas frecuencias. El Neumann M 50 V es una reedición fiel según las especificaciones originales, utilizando documentación del archivo Neumann.

DISEÑO LEGENDARIO

Desarrollado en estrecha colaboración con la Nordwestdeutscher Rundfunk (Radiodifusión del Noroeste de Alemania), el M 50 fue la contraparte del no menos legendario M 49. Si bien este último era un micrófono multiusos de alta calidad para diversos entornos acústicos, el M 50 fue diseñado como el micrófono con transductor de presión definitivo para salas de conciertos y espacios de grabación especializados.

En la práctica, esto significó que el M 50 se usara principalmente para grabar orquestas, por ejemplo, como la pastilla principal en diversas configuraciones omnidireccionales espaciadas. En la década de 1950, cuando el sello discográfico Decca experimentó con técnicas de microfonía estéreo, se probaron diversas configuraciones, micrófonos y patrones de captación. Finalmente, se seleccionó el Neumann M 50 como la opción perfecta para lo que ahora se conoce como configuración Decca Tree, es decir, tres micrófonos montados en triángulo con los micrófonos exteriores orientados hacia afuera. Hasta el día de hoy, una configuración Decca Tree, a menudo ampliada con estabilizadores adicionales, que utiliza micrófonos Neumann M 50 sigue siendo la opción preferida por ingenieros experimentados en música clásica y bandas sonoras. La vívida imagen de esta configuración, combinada con la excelente resolución del M 50, produce resultados incomparables. Hoy en día, se utilizan versiones ampliadas de esta técnica para grabaciones envolventes e inmersivas. Por supuesto, el M 50 también ha producido excelentes resultados en otras aplicaciones, por ejemplo, grabaciones de piano o como micrófono puntual para secciones de cuerda y solistas. En contextos pop, el M 50 se ha utilizado para microfonear conjuntos o secciones de metales y como micrófono de sala, por ejemplo en baterías.

PROPIEDADES ÚNICAS

El M 50 V es una fiel reedición de los históricos micrófonos M 50, producidos por Neumann entre 1951 y 1971. Utiliza el mismo concepto acústico con una cápsula omnidireccional de diafragma pequeño, empotrada en una esfera acrílica de 40 mm. Este diseño produce un patrón polar único, omnidireccional a bajas frecuencias y gradualmente más direccional por encima de los 1000 Hz. Al mismo tiempo, la respuesta en frecuencia muestra un ascenso suave hacia las frecuencias más altas, compensando la pérdida de agudos en el campo difuso y otorgando al micrófono un mayor alcance. Al ser un auténtico transductor de presión, el M 50 ofrece una potente respuesta de graves hasta frecuencias subsónicas, sin efecto de proximidad. Asimismo, su creciente directividad a altas frecuencias ofrece una imagen óptima en configuraciones estéreo, envolventes e inmersivas.

COMPARADO CON SUS PREDECESORES

El M 50 V combina la sonoridad original con una estabilidad térmica y a largo plazo mejorada. El M 50 V utiliza el mismo circuito que la última versión, el M 50 c, que ofrecía mejoras considerables en el rendimiento acústico y el rango dinámico. Solo el tubo Telefunken AC701k, ya no disponible, ha sido reemplazado por uno con un ruido aún más bajo, también en formato subminiatura. En lugar de la cápsula K 83 presente en los micrófonos M 50 b y c posteriores, el M 50 V emplea la K 33 Ti, que representa un retorno al diseño acústico original con un diafragma metálico ultrafino que ofrece una respuesta transitoria excepcional. En comparación con las antiguas cápsulas K 53, la K 33 Ti ofrece una estabilidad térmica y a largo plazo mejorada, ya que toda la cápsula, incluida su membrana ultrafina, está hecha de titanio.

CARACTERÍSTICAS DEL NEUMANN M 50 V:

Reedición del legendario M 50 con mejoras de detalles
Cápsula omnidireccional única montada en una esfera de 40 mm
Circuito clásico de válvulas con transformador de salida
La mejor opción para grabaciones orquestales, especialmente Decca Tree
Fabricado según especificaciones originales utilizando documentación archivada
La nueva fuente de alimentación se adapta automáticamente a la tensión de red
Hecho a mano y soldado a mano en Alemania.

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Neumann

Neumann KH 805 II

(0)

$2,609 Dólares $2,899 Dólares

-10%

El KH 805 II es el subwoofer perfecto para salas de tamaño mediano, ya que ofrece una amplificación de graves con la precisión de Neumann. Incluye un gestor de graves único y flexible para sistemas estéreo y también puede utilizarse en configuraciones envolventes e inmersivas para reproducción LFE o con gestión de graves externa. Las entradas y salidas analógicas y digitales permiten una conectividad flexible.

Subwoofer de próxima generación

El KH 805 II mejora a su predecesor en rendimiento acústico y añade nuevas características. Gracias a un novedoso woofer de 10" de largo alcance con tecnología ELFF™ (Factor de Fuerza Extremadamente Lineal) y limitadores de protección inteligentes, el KH 805 II garantiza una distorsión excepcionalmente baja incluso con niveles de presión sonora máximos.

El KH 805 II extiende la reproducción de bajas frecuencias hasta 16 Hz y ofrece aproximadamente el doble de potencia que el DSP del KH 750. Esto lo convierte en el complemento perfecto para altavoces de tamaño mediano como el KH 150 y el KH 310.

El KH 805 II está controlado por DSP para un rendimiento sonoro superior y una integración perfecta mediante la alineación automática de monitores MA 1 (se vende por separado). Al combinarse con monitores de estudio analógicos Neumann como el KH 120 A (descatalogado), el KH 310 o el KH 420, ofrece suficiente potencia DSP para alinear todo el sistema estéreo mediante MA 1, optimizando no solo la respuesta en frecuencia, sino también la fase. Por lo tanto, el KH 805 II es... Una mejora significativa para los sistemas existentes. Por supuesto, el KH 805 II también es el complemento perfecto para los monitores de estudio con DSP de Neumann.

Precisión en cada detalle

Dado que los subwoofers suelen colocarse en el suelo, una robusta rejilla protege el altavoz de daños accidentales. El gabinete rígido cuenta con un sistema bass reflex de alta eficiencia, cuidadosamente diseñado y ajustado para una reproducción de graves nítida, con un ruido de puerto inaudible.

Las dos entradas XLR analógicas están balanceadas electrónicamente, al igual que las dos salidas XLR analógicas. La entrada digital (BNC) de hasta 192 kHz / 24 bits acepta señales AES3 y S/P-DIF. El subwoofer cuenta con una función de espera automática, que se puede desactivar mediante un interruptor en la placa trasera.

El KH 805 II destaca en estudios de música, radiodifusión y postproducción para grabación, mezcla y masterización.

Beneficios

Ampliación de graves del sistema de monitorización hasta 16 Hz
Aumentar el SPL máximo de todo el sistema
Disminución de la distorsión armónica y de intermodulación de los altavoces
MA 1 Ready para una alineación perfecta de todo el sistema y una integración perfecta del subwoofer. Para configuraciones multicanal, ofrecemos la opción de extensión multicanal MA 1.
MA 1 integración de altavoces analógicos KH Line, suficiente potencia DSP para un sistema estéreo completo.

Última Pieza

Neumann

Neumann KM 184 Black Par

(0)

$1,575 Dólares $1,750 Dólares

-10%

The KM 184 (cardioid) in particular has become the classic high-quality miniature microphone. Now also available in attractive stereo sets, with cardioid, hypercardioid or omni directional characteristics. The "Series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications.

Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "Series 180" is predestined for economy-minded production and home recording studios.

The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

Applications

Their slender shapes and the transmission characteristics described below make the "Series 180" especially suitable for a very wide range of tasks in the radio and television sector.

Acoustic features

The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.
The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.

Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.
This difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances.
The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°.

Electrical features

The "Series 180" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications:
Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB.
The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders.
The output of the "Series 180", as in all Neumann microphones, is balanced and phantom (48V) powered.

Economy

The "Series 180" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range.
The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the "Series 180" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.

Features:

Three different miniature microphones for all typical studio applications
Successor of the worldwide successful KM 83/84
Transformerless circuitry

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.
As XY and ORTF stereo pair
Announcer’s mic for broadcasting
Spot mic, overhead
Close miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps

	KM 183 / 184 / 185
Acoustical operating principle	Pressure/Pressure gradient transducer
Directional pattern	omnidirectional/cardioid/hypercardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	12/15/10 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	24/22/24 dB
Equivalent noise level, A-weighted¹⁾	13/13/15 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	70/72/70 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	81/81/79 dB
Maximum S.P.L for THD 0.5%²⁾	140/138/142 dB
Maximum output voltage	10 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3.2 mA
Matching connectors	XLR 3F
Weight	approx. 80 g
Diameter	22 mm
Length	107 mm

_________________________________________________

¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

Última Pieza

Neumann

Neumann KM 184 Par

(0)

$1,575 Dólares $1,750 Dólares

-10%

The KM 184 (cardioid) in particular has become the classic high-quality miniature microphone. Now also available in attractive stereo sets, with cardioid, hypercardioid or omni directional characteristics. The "Series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications.

Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "Series 180" is predestined for economy-minded production and home recording studios.

The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

Applications

Their slender shapes and the transmission characteristics described below make the "Series 180" especially suitable for a very wide range of tasks in the radio and television sector.

Acoustic features

The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.
The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.

Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.
This difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances.
The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°.

Electrical features

The "Series 180" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications:
Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB.
The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders.
The output of the "Series 180", as in all Neumann microphones, is balanced and phantom (48V) powered.

Economy

The "Series 180" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range.
The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the "Series 180" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.

Features:

Three different miniature microphones for all typical studio applications
Successor of the worldwide successful KM 83/84
Transformerless circuitry

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.
As XY and ORTF stereo pair
Announcer’s mic for broadcasting
Spot mic, overhead
Close miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps

	KM 183 / 184 / 185
Acoustical operating principle	Pressure/Pressure gradient transducer
Directional pattern	omnidirectional/cardioid/hypercardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	12/15/10 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	24/22/24 dB
Equivalent noise level, A-weighted¹⁾	13/13/15 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	70/72/70 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	81/81/79 dB
Maximum S.P.L for THD 0.5%²⁾	140/138/142 dB
Maximum output voltage	10 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3.2 mA
Matching connectors	XLR 3F
Weight	approx. 80 g
Diameter	22 mm
Length	107 mm

_________________________________________________

¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

En Bodega

Neumann

Neumann KM 184 Black

(0)

$809 Dólares $899 Dólares

-10%

The KM 184 (cardioid) in particular has become the classic high-quality miniature microphone. Now also available in attractive stereo sets, with cardioid, hypercardioid or omni directional characteristics. The "Series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications.

Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "Series 180" is predestined for economy-minded production and home recording studios.

The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

Applications

Their slender shapes and the transmission characteristics described below make the "Series 180" especially suitable for a very wide range of tasks in the radio and television sector.

Acoustic features

The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone.
The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.

Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.
This difference was achieved with just a slight change of the capsule’s rear opening, and is not due to resonances.
The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°.

Electrical features

The "Series 180" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications:
Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB.
The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders.
The output of the "Series 180", as in all Neumann microphones, is balanced and phantom (48V) powered.

Economy

The "Series 180" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range.
The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the "Series 180" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.

Features:

Three different miniature microphones for all typical studio applications
Successor of the worldwide successful KM 83/84
Transformerless circuitry

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.
As XY and ORTF stereo pair
Announcer’s mic for broadcasting
Spot mic, overhead
Close miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps

	KM 183 / 184 / 185
Acoustical operating principle	Pressure/Pressure gradient transducer
Directional pattern	omnidirectional/cardioid/hypercardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	12/15/10 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	24/22/24 dB
Equivalent noise level, A-weighted¹⁾	13/13/15 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	70/72/70 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	81/81/79 dB
Maximum S.P.L for THD 0.5%²⁾	140/138/142 dB
Maximum output voltage	10 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3.2 mA
Matching connectors	XLR 3F
Weight	approx. 80 g
Diameter	22 mm
Length	107 mm

_________________________________________________

¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

En Bodega

Neumann

Neumann U87 Ai Set Z Matte Black

(0)

$3,596 Dólares $3,995 Dólares

-10%

In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications.

The Neumann U 87 Ai - voted as THE best microphone

The readers of the SOUND ON SOUND magazine have voted: U 87 Ai - the BEST MICROPHONE, announced during the Winter NAMM show 2012 in Anaheim, California.

The SOS award went to products, that "have made our lives in the studio all the more enjoyable". It is a further evidence for the reputation of the U 87 Ai as the world famous, professional standard studio condenser microphone. Until today the U 87 sets the mark in the microphone industry by which all others are measured.

The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television.

The U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.

A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.

Furthermore, the low frequency response can be reduced to compensate for proximity effect.

Applications

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.

Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.

Acoustic features

The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.

Polar patterns

The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.

Electrical features

The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.

The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

Filter and attenuation

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.

This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.

Features:

Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation
Ideal as main and as support microphone in the most differing recording situations

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

For universal use
The classical studio mic for vocalists (soloists and background vocalists)
Announcer's mic for broadcasting, dubbing, voice-over
Overhead
Spot mic for wind instruments, strings (especially cello and double bass), piano, percussion
Note: To record instruments with very high sound pressure levels we recommend our mics with TLM circuitry

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Omnidirectional, cardioid, figure-8 plus
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	20/28/22 mV/Pa¹⁾
Rated impedance	200 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR²⁾	26/23/25 dB¹⁾
Equivalent noise level, A-weighted²⁾	15/12/14 dB-A¹⁾
Signal-to-noise ratio, CCIR²⁾ (rel. 94 dB S.P.L)	68/71/69 dB¹⁾
Signal-to-noise ratio, A-weighted²⁾ (rel. 94 dB S.P.L)	79/82/80 dB¹⁾
Maximum S.P.L for THD 0.5%³⁾	117 dB (cardioid)
Maximum S.P.L for THD 0.5% with preattenuation³⁾	127 dB
Maximum output voltage	390 mV
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	0.8 mA
Matching connectors	XLR3F
Weight	500 g
Diameter	56 mm
Length	200 mm

____________________________________________________

¹⁾Omnidirectional / cardioid / figure-8
²⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
³⁾ measured as equivalent el. input signal

Última Pieza

Neumann

Neumann TLM 103 Mono Studio Set - Matte Black

(0)

$1,436 Dólares $1,595 Dólares

-10%

Pocas piezas en existencia, reserve la suya. a la brevedad.

The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise.

The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box.

Applications

Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern

The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.

Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features

With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety

The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration.

Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features:

Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

A universal cardioid mic
Vocalist recording
Announcer's mic for broadcasting/voice over
Due to minimal self-noise: on-air mic for radio/broadcast, very low amplitude signals, radio drama, sampling, foley/sound effects
Home recording and project studios
Spot mic for: wind instruments, strings, percussion, guitar amps, drum overhead

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Cardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	23 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	17.5 dB
Equivalent noise level, A-weighted¹⁾	7 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	76.5 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	87 dB
Maximum S.P.L for THD 0.5%²⁾	138 dB
Maximum output voltage	13 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3 mA
Matching connector	XLR3F
Weight	approx. 450 g
Diameter	60 mm
Length	132 mm

______________________________________________
¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

Última Pieza

Neumann

Neumann TLM 103 Stereo Pair - Matte Black

(0)

$2,606 Dólares $2,895 Dólares

-10%

Pocas piezas en existencia, reserve la suya. a la brevedad.

The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise.

The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box.

Applications

Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern

The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.

Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features

With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety

The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration.

Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features:

Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

A universal cardioid mic
Vocalist recording
Announcer's mic for broadcasting/voice over
Due to minimal self-noise: on-air mic for radio/broadcast, very low amplitude signals, radio drama, sampling, foley/sound effects
Home recording and project studios
Spot mic for: wind instruments, strings, percussion, guitar amps, drum overhead

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Cardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	23 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	17.5 dB
Equivalent noise level, A-weighted¹⁾	7 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	76.5 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	87 dB
Maximum S.P.L for THD 0.5%²⁾	138 dB
Maximum output voltage	13 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3 mA
Matching connector	XLR3F
Weight	approx. 450 g
Diameter	60 mm
Length	132 mm

______________________________________________
¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

En Bodega

Neumann

Neumann TLM 103 Stereo Pair - Nickel

(0)

$2,606 Dólares $2,895 Dólares

-10%

Pocas piezas en existencia, reserve la suya. a la brevedad.

The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise.

The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box.

Applications

Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern

The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.

Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features

With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety

The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration.

Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features:

Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

A universal cardioid mic
Vocalist recording
Announcer's mic for broadcasting/voice over
Due to minimal self-noise: on-air mic for radio/broadcast, very low amplitude signals, radio drama, sampling, foley/sound effects
Home recording and project studios
Spot mic for: wind instruments, strings, percussion, guitar amps, drum overhead

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Cardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	23 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	17.5 dB
Equivalent noise level, A-weighted¹⁾	7 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	76.5 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	87 dB
Maximum S.P.L for THD 0.5%²⁾	138 dB
Maximum output voltage	13 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3 mA
Matching connector	XLR3F
Weight	approx. 450 g
Diameter	60 mm
Length	132 mm

______________________________________________
¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

Última Pieza

Neumann

Neumann TLM 103 Negro Matte

(0)

$1,166 Dólares $1,295 Dólares

-10%

The new standard for home recording and the music industry. The mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise.

The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box.

Applications

Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

Polar pattern

The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern – used in most recording situations – the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.

Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features

With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety

The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration.

Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended.

*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.

Features:

Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

A universal cardioid mic
Vocalist recording
Announcer's mic for broadcasting/voice over
Due to minimal self-noise: on-air mic for radio/broadcast, very low amplitude signals, radio drama, sampling, foley/sound effects
Home recording and project studios
Spot mic for: wind instruments, strings, percussion, guitar amps, drum overhead

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Cardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	23 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	17.5 dB
Equivalent noise level, A-weighted¹⁾	7 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	76.5 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	87 dB
Maximum .S.P.L for THD 0.5%²⁾	138 dB
Maximum output voltage	13 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3 mA
Matching connector	XLR3F
Weight	approx. 450 g
Diameter	60 mm
Length	132 mm

______________________________________________
¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

En Bodega

Neumann

Neumann KH 120 II Blanco

(0)

Desde $854 Dólares $949 Dólares

-10%

Monitoreo de próxima generación

El KH 120 II se basa en el mismo concepto que su aclamado predecesor, pero completamente rediseñado para mejorar el rendimiento en todos los parámetros: graves más profundos, mayor capacidad de SPL y una resolución aún mejor. La potencia del DSP interno permite cruces lineales de fase y alineación adaptable a la sala a través de la revolucionaria alineación automática MA 1 de Neumann.

Aun mejor

Cuando Neumann lanzó el KH 120 A en 2010, fue el comienzo de una historia de éxito continua. Desde entonces, los monitores Neumann se han convertido en la referencia elegida en innumerables estudios de todo el mundo. El KH 120 II sigue la misma filosofía que su predecesor y, de hecho, todos los monitores de estudio Neumann: máxima linealidad, mínima distorsión, sin coloración y perfecta adaptabilidad a cualquier entorno acústico. Gracias a un rendimiento mejorado en todos los parámetros y a un potente motor DSP, el KH 120 II le permite escuchar sus pistas con una claridad aún mayor y trabajar de forma más eficiente. Cree mezclas que se traduzcan de forma óptima a todos los sistemas de reproducción. Con facilidad.

Sonido perfecto en un espacio reducido

El KH 120 II tiene una respuesta de frecuencia excepcionalmente lineal de 44 Hz a 21 kHz (±3 dB). No solo eso: ¡también linealiza la respuesta de fase! Lo que se traduce en medios claros con una transparencia asombrosa, así como una precisión extrema en el dominio del tiempo: reproducción precisa de impulsos y reverberaciones de resolución fina. Esto es posible gracias a la electrónica controlada por DSP que permite sofisticados crossovers que evitan la distorsión de fase causada por los filtros analógicos. El DSP interno también establece nuevos estándares en consistencia tonal. ¡El KH 120 II está fabricado con tolerancias extremadamente bajas de no más de ±0,5 dB! Y también se puede escuchar: la imagen estéreo es extremadamente nítida.

El KH 120 II está diseñado para aplicaciones de campo cercano con una distancia de escucha recomendada de 1 a 2 metros (3 a 6 pies). Por lo tanto, es ideal para salas más pequeñas, como estudios domésticos y de proyectos, así como salas de mezcla y edición o como altavoz envolvente en grandes aplicaciones multicanal. Gracias a su excelente linealidad en un formato portátil, el KH 120 II también es una excelente opción para crear una sala de control improvisada de calidad profesional cuando se trabaja en exteriores (por ejemplo, orquesta/coro, grabación en vivo, cine, transmisión).

Listo para tu habitación

Incluso el mejor altavoz sólo suena tan bien como lo permite el entorno acústico. La guía de ondas Mathematically Modelled Dispersion™ (MMD™) de Neumann garantiza un amplio punto óptimo y minimiza las reflexiones en la mesa. Pero el KH 120 II va mucho más allá: su DSP interno permite la calibración de la sala a través de la revolucionaria alineación automática de monitores de Neumann. MA 1 (se vende por separado) garantiza que sus monitores alimentados por DSP se adapten de manera óptima al carácter de su sala y estén perfectamente alineados con su posición de escucha. Incluso en salas con tratamiento acústico, esto da como resultado una mejora significativa.

La compatibilidad tonal con otros monitores de estudio de la línea KH permite utilizar el KH 120 II en configuraciones mixtas, por ejemplo, en configuraciones inmersivas. Para una conectividad flexible, el KH 120 II cuenta con entradas analógicas y S/PDIF.

AES 67 – Audio sobre IP

Además, la variante del modelo KH 120 II AES67 ofrece puertos de red de audio AES67 redundantes integrados que son totalmente compatibles con estándares de transmisión como ST 2110, redundancia ST 2022-7 y RAVENNA. Al mismo tiempo, el KH 120 II AES67 es compatible con transmisiones de red AES67 generadas por DANTE®.

Energía eficiente

Los ingenieros de Neumann se han esforzado mucho en desarrollar una tecnología de amplificación (patente en trámite) que combina un rendimiento de audio superior con la eficiencia energética de la clase D. Aunque los amplificadores de potencia del KH 120 II entregan hasta 145 W al woofer de 5,25” y 100 W al tweeter de 1”, solo consumen 17 W en reposo. El modo de espera automático reduce el consumo de energía a 0,3 W cuando el KH 120 II no se ha utilizado durante un tiempo, pero se puede desactivar.

El KH 120 II está disponible en dos opciones de color, antracita y blanco.

Controladores de alta precisión, guía de ondas Mathematically Modelled Dispersion™ (MMD™)
Respuesta de frecuencia lineal 44 Hz … 21 kHz (±3 dB)
Respuesta de fase lineal 120 Hz … 16 kHz (±45°) con latencia <2,6 ms
El DSP interno permite una alineación adaptable a la sala a través del MA 1 de Neumann
Imágenes de gran nitidez gracias a tolerancias extremadamente bajas (±0,5 dB)
Se puede combinar con otros altavoces de la línea KH en configuraciones envolventes o inmersivas.

Features

Product Feature

Benefit to the Customer


	Powerful titanium fabric dome

Low-distortion high-frequency reproduction


	Elliptical Mathematically Modelled Dispersion™ (MMD™) waveguide

Smoother off-axis response,
More forgiving of diverse acoustical environments


	Composite sandwich cone

Damping of break-up modes


	Long throw bass driver

Low distortions at high sound levels


	Two-color + dimmable Neumann logo

Displays operation status and activation of the extensive protection system


	Robust metal grille

Protects against mechanical damage


	Large front panel ports

Reduced bass compression and easier to mount in tight spaces such as OB vans


	Compact aluminum cabinet (magnetically shielded)

Minimizes resonances, better heat dissipation, long life


	Wide horizontal dispersion

Freedom of movement across the mixing console


	Narrow vertical dispersion

Reduces reflections off the mixing console


	One-piece front panel with no discontinuities

Reduced diffraction and smoother frequency response


	Powerful analog amplifiers with large headroom

Improved transient response


	Production consistency

Any KH 120 is “pair-matched” to any other KH 120


	4-position bass, low-mid and treble acoustical controls

More control in diverse acoustical environments


	Wide range input gain and output level controls

Easier interfacing with signal sources


	New mounting hardware options

More flexibility in mounting cabinets in more diverse locations


	Display dimmer

For low lighting level conditions or behind the screen applications


	Ground lift

Reduced noise in electrically noisy environments and over-comes ground loops


	Universal switched-mode power supply (100 … 240 V)

One version works in any country and robust to poor quality mains supply


	Separate woofer and tweeter electronic peak limiters and thermal-protection circuitry

High reliabi

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Neumann

Neumann KH 80 DSP Blanco

(1)

Desde $539 Dólares $599 Dólares

-10%

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Neumann

Neumann U 89i

(0)

$2,966 Dólares $3,295 Dólares

-10%

El Neumann U 89 i lleva el sonido clásico del Neumann U 87 a nuevas alturas. Con una claridad mejorada, una linealidad mejorada y un tamaño compacto, este versátil condensador de diafragma grande es la combinación perfecta de ambiente vintage e innovación moderna. Equipado con cinco patrones polares, filtro de corte bajo seleccionable y pad conmutable, el U 89 i ofrece una versatilidad incomparable. Saluda al nuevo estándar de oro de los micrófonos de estudio.

DISEÑO DE CLASE MUNDIAL

Lanzado originalmente en 1980, el U 89 i fue diseñado como una versión más pequeña, liviana y modernizada del mundialmente famoso Neumann U 87. Capaz de manejar niveles de presión sonora mucho más altos, el U 89 i es ideal para grabar bateristas contundentes, rugientes amplificadores de guitarra y más. El robusto filtro de corte de graves presenta tres configuraciones, perfectas para eliminar los ruidos y compensar el efecto de proximidad al microfonear de cerca.

Además de los tradicionales patrones polares omni, cardioide y figura de 8, el U 89 i ofrece dos posiciones adicionales para ajustar el ambiente de sus grabaciones: cardioide amplio e hipercardioide. Estos nuevos patrones polares son perfectos para capturar grabaciones con sonido natural en entornos reverberantes.

Equipado con la cápsula de condensador de doble diafragma K89, el U 89 i ofrece una respuesta de frecuencia extendida muy suave en todos los patrones polares. Ya sea que esté dentro o fuera del eje, el U 89 captura un sonido claro, equilibrado y sin color.

EL MICRÓFONO VOCAL DEFINITIVO

El U 89 i combina la precisión sonora y la linealidad de un micrófono de condensador de diafragma pequeño de última generación con la suavidad y flexibilidad de un micrófono de diafragma grande. Este equilibrio tonal único hace del U 89 i una excelente elección en casi cualquier situación.

Si bien el U 89 se ha ganado la reputación de ser un micrófono vocal de clase mundial, suena muy bien tanto en instrumentos acústicos como en grabaciones orquestales. En pocas palabras, es perfecto para capturar la belleza natural de cualquier actuación.

CARACTERÍSTICAS:

micrófono universal de estudio
Cinco características direccionales
Alta linealidad para todos los patrones polares.
Respuesta fuera del eje sin color
Tamaño compacto
Pad conmutable y corte bajo de dos etapas.

MÁS INFORMACIÓN

CONDICIÓN	Nuevo
CONTENIDOS DEL PAQUETE	U 89 i Micrófono y caja de madera
LONGITUD	185 milímetros
DIÁMETRO	46mm
UNIDAD DE PESO	400 gramos
TUBO O ESTADO SÓLIDO	De Estado sólido
TIPO DE TRANSDUCTOR	Condensador
PATRÓN POLAR	Bidireccional/figura de ocho, cardioide, hipercardioide, omnidireccional, cardioide ancho
NÚMERO DE MICRÓFONOS	Micrófono único
FANTASMA REQUERIDO	Sí
IMPEDANCIA	Clasificado: 150 ohmios / Carga nominal: 1 kOhm
RANGO DE FRECUENCIA	20 Hz - 20 kHz
TECLADO_ENTRADA	-8dB
SENSIBILIDAD	-41,9 dBV/Pa (8 mV)
MÁX. S.P.L	134dB; 140 dB con almohadilla

Contáctenos para disponibilidad

Neumann

Neumann U 89i

(0)

$2,966 Dólares $3,295 Dólares

-10%

El Neumann U 89 i lleva el sonido clásico del Neumann U 87 a nuevas alturas. Con una claridad mejorada, una linealidad mejorada y un tamaño compacto, este versátil condensador de diafragma grande es la combinación perfecta de ambiente vintage e innovación moderna. Equipado con cinco patrones polares, filtro de corte bajo seleccionable y pad conmutable, el U 89 i ofrece una versatilidad incomparable. Saluda al nuevo estándar de oro de los micrófonos de estudio.

DISEÑO DE CLASE MUNDIAL

Lanzado originalmente en 1980, el U 89 i fue diseñado como una versión más pequeña, liviana y modernizada del mundialmente famoso Neumann U 87. Capaz de manejar niveles de presión sonora mucho más altos, el U 89 i es ideal para grabar bateristas contundentes, rugientes amplificadores de guitarra y más. El robusto filtro de corte de graves presenta tres configuraciones, perfectas para eliminar los ruidos y compensar el efecto de proximidad al microfonear de cerca.

Además de los tradicionales patrones polares omni, cardioide y figura de 8, el U 89 i ofrece dos posiciones adicionales para ajustar el ambiente de sus grabaciones: cardioide amplio e hipercardioide. Estos nuevos patrones polares son perfectos para capturar grabaciones con sonido natural en entornos reverberantes.

Equipado con la cápsula de condensador de doble diafragma K89, el U 89 i ofrece una respuesta de frecuencia extendida muy suave en todos los patrones polares. Ya sea que esté dentro o fuera del eje, el U 89 captura un sonido claro, equilibrado y sin color.

EL MICRÓFONO VOCAL DEFINITIVO

El U 89 i combina la precisión sonora y la linealidad de un micrófono de condensador de diafragma pequeño de última generación con la suavidad y flexibilidad de un micrófono de diafragma grande. Este equilibrio tonal único hace del U 89 i una excelente elección en casi cualquier situación.

Si bien el U 89 se ha ganado la reputación de ser un micrófono vocal de clase mundial, suena muy bien tanto en instrumentos acústicos como en grabaciones orquestales. En pocas palabras, es perfecto para capturar la belleza natural de cualquier actuación.

CARACTERÍSTICAS:

Micrófono de estudio universal
Cinco características direccionales
Alta linealidad para todos los patrones polares.
Respuesta fuera del eje sin color
Tamaño compacto
Pad conmutable y corte bajo de dos etapas.

MÁS INFORMACIÓN

CONDICIÓN	Nuevo
CONTENIDOS DEL PAQUETE	U 89 i Micrófono y caja de madera
LONGITUD	185 milímetros
DIÁMETRO	46 milímetros
UNIDAD DE PESO	400 gramos
TUBO O ESTADO SÓLIDO	De Estado sólido
TIPO DE TRANSDUCTOR	Condensador
PATRÓN POLAR	Bidireccional/figura de ocho, cardioide, hipercardioide, omnidireccional, cardioide ancho
NÚMERO DE MICRÓFONOS	Micrófono único
FANTASMA REQUERIDO	Sí
IMPEDANCIA	Clasificado: 150 ohmios / Carga nominal: 1 kOhm
RANGO DE FRECUENCIA	20 Hz - 20 kHz
TECLADO_ENTRADA	-8dB
SENSIBILIDAD	-41,9 dBV/Pa (8mV)
MÁX. S.P.L	134dB; 140 dB con almohadilla

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Neumann

Neumann TLM 107 SET

(0)

$1,526 Dólares $1,695 Dólares

-10%

Multi-faceted versatility, no-compromise sound and innovative operation: With five directional characteristics and a novel operating concept, the TLM 107 provides sound without any coloration. Featuring equally impressive level handling and low self-noise, it captures everything from the softest whisper to thundering drums.

Classic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.

Neumann Engineering

The newly developed sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical “s” sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity.

No-Compromise Sound Design

Transformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level handling. The maximum sound pressure level of 141 dB S.P.L can be increased to 153 dB S.P.L via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).

Innovative Operating Concept

For the first time, all of the microphone switch functions are controlled intuitively via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers, the switch and display are located on the back of the microphone. After ten seconds, the displays are turned off automatically.

Feautures:

Multipattern large diaphragm microphone with 5 polar patterns (omni, wide cardioid, cardioid, hypercardioid, figure-eight)
Navigation switch with LED illuminated display for polar pattern, PAD and low cut
Sound characteristics: transparent, natural reproduction of human voice, outstanding transient response
Balanced sound in all 5 polar pattern settings

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Vocals and speech with optimized handling of sibilant sound
Main microphone in orchestral recordings or spot microphone particularly suggested for string, woodwind and brass instruments
Recording of extreme S.P.L.s (drum and percussion, guitar amp etc.)
Broadcast (radio drama, ADR), film & game sound production, professional recording studios,
home recording

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Omni, wide angle cardioid, cardioid, hypercardioid, figure-8
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohms	11 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1000 ohms
Equivalent noise level, CCIR¹⁾	22 dB
Equivalent noise level, A-weighted¹⁾	10 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	72 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	84 dB
Maximum S.P.L for THD < 0.5%²⁾	141 dB
Maximum S.P.L for THD < 0.5%²⁾ with pre-attenuation -6 dB	147 dB
Maximum S.P.L for THD < 0.5%²⁾ with pre-attenuation -12 dB	153 dB
Maximum output voltage	10 dBu
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	3.2 mA
Matching connectors	XLR3F
Weight	445 g
Diameter	64 mm
Length	145 mm

_________________________________________________________________

¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

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Neumann

Neumann KH 420

(0)

$5,039 Dólares $5,599 Dólares

-10%

THE GOLD STANDARD IN THE MIDFIELD RANGE

The KH 420 is designed for a working distance of 1.5 to 3 m (5’ to 9’). It handles this space effortlessly thanks to great power reserves and precisely concentrated dispersion. Even in diverse acoustical environments the KH 420 remains neutral and clear in every detail down to the subtlest nuances. No subtlety is lost; every sound element can be localized.

The KH 420 is a three-way tri-amplified monitor with thermally protected Class AB amplifiers (330 W and two times 140 W). Just like the drivers, its Mathematically Modeled Dispersion™ (MMD™) waveguide is engineered for optimum precision. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections, for example from a desk or mixing console. The dispersion of the KH 420 is deliberately designed to be narrower, to guarantee reference sound at longer working distances.

BEST WORKING ENVIRONMENT: CLOSE TO PROFESSIONAL EARS

The KH 420 is designed for midfield applications and as main monitor in project, music, broadcast and post-production studios for recording, mixing and mastering. And in a multi-channel system, it can also be freely combined with all other Neumann studio monitors.

PORTS AND HIGH DYNAMICS: NO LONGER A CONTRADICTION

With its tri-channel amplifiers the KH 420 also realizes sound pressures of up to 122.4 dB. And it thereby retains high-resolution and neutral representation across the entire frequency response. This also includes an exceptional bass response down to 26 Hz. Despite using ports, there is no “overhang” or audible resonance in the low frequency range and the transient response is precisely controlled at all times.

The computer modeled chassis is constructed of LRIM™ materials which eliminates standing wave resonances and suppresses intermodulation distortion, especially in the midrange.

For demanding treble, our own specially developed, powerful alloy fabric dome ensures distortion-free reproduction. The fabric dome captures the midrange with utmost precision. Its ultralight material and the powerful neodymium magnet enable a significantly better transient response with considerably less distortion than comparable midrange drivers.

DIGITAL INPUT AND DELAY OPTION

The Digital Input Module DIM 1 expands the loudspeaker electronics by a digital XLR input, a digital BNC input and a digital BNC output (192 kHz/24 Bit) for flexible digital signal links. With the delay function (adjustment range 0 - 400 ms) of the DIM 1, the audio signal can be delayed to ensure audio-visual synchronization (lip sync). In addition, the high resolution of the delays (0.1 ms) allows equalization of the propagation delays. The delay can be added to both inputs (digital and analog). The KH 420 can be retrofitted with a DIM 1.

HUNDREDS OF GOOD REASONS FROM THE NEUMANN PHILOSOPHY

The KH 420 has also been developed true to the Neumann philosophy for monitor loudspeakers. Every component, every shape, every signal and every wave motion is a consequence of this philosophy. No form or component is there without reason. There are hundreds of tangible reasons built into the KH 420, which all stand for exceptionally pure and neutral sound. These include, for example, curvatures of the housing that reduce edge diffraction. Also included is the pistonic output of the bass driver which does not give rise to harmonic distortions, even with the highest sound peaks. Some of these reasons are obvious in the KH 420. Others Neumann prefers to keep to itself. But together, each can be heard – sound professionals in both large and small studios all around the world can testify to this. You can read more about the Neumann philosophy for studio monitors here.

(1) In-house simulated tweeter with alloy fabric dome and robust metal grille

Latest modeling techniques used to minimize non-linear (harmonic and intermodulation) distortion
Low-distortion high frequency reproduction
Grille protects against mechanical damage

(2) Rotatable elliptical Mathematically Modelled Dispersion™ (MMD™) waveguide

Smoother off -axis response
More forgiving of diverse acoustical environments

Wide horizontal dispersion

Freedom of movement across the mixing console

Narrow vertical dispersion

Reduces reflections off the mixing console

(3) Two-color + dimmable Neumann logo

Displays operation status and activation of the extensive protection system
Dimmable for low lighting level conditions or behind the screen applications

(4) In-house simulated, neodymium magnet, fabric dome, midrange driver with optimized low stray magnetic field

Dedicated driver reproduces important midrange frequencies, which is especially important for speech and vocals
Latest modeling techniques used to minimize non-linear (harmonic and intermodulation) distortion
Low-distortion midrange reproduction
Light-weight dome has better transient response and less breakup modes than cone designs
High power magnet reduces harmonic and intermodulation distortion

(5) In-house modelled long-throw composite sandwich cone bass driver with Extremely Linear Force Factor™ (ELFF™), magnetic shielding and flow optimized die cast basket

Damping of break up modes brings low distortion at high sound levels
Linear pistonic motor gives a very low harmonic distortion even at high excursions
Reduced air noise and improved rocking modes

(6) Large high-capacity flow-optimized bass reflex ports with pipe resonance damping

Fast bass transient response
Reduced bass compression at high output levels
No coloration from organ pipe resonance
Can be flush mounted

(7) Computer mechanically modeled three-way cabinet design using Low resonance Integral Molding™ (LRIM™) materials

No standing wave resonances inside cabinet
Reduced intermodulation distortion in midrange for a more transparent sound
Reduced cabinet resonances

(8) 4-position bass, low-mid and treble acoustical controls

More control in diverse acoustical environments
Repeatable acoustical settings after moving loudspeakers

(9) Parametric equalizer

More control in diverse acoustical environments
Bypassable if not needed
Three frequency ranges gives very fine control of equalization

(10) Wide range input gain and output level controls

Easier interfacing with signal sources

(11) Display dimmer

For low lighting level conditions or behind the screen applications

(12) XLR electronically balanced analogue input with ground lift

Standard interfacing to professional equipment
Reduced noise in electrically noisy environments and over-comes ground loops

(13) Universal dual (bass and mid/treble) switched-mode power supplies (100 … 240 V)

One version works in any country and robust to poor quality mains supply
Dual supply improves transient response

(14) Fully documented extensive mounting hardware range

More flexibility in mounting cabinets in more diverse locations and backwards compatible to previous products
Easy advanced planning for installations

(15) Electronics panel with generously dimensioned integrated Accelerated Heat Tunneling™ (AHT™) heat sink

Improved heat dissipation leading to increased electronics reliability

Installation flexibility

Remoteable electronics (REK 4) for ease of installation, less cabling, and convenience of use

(16) Powerful amplifiers with large headroom and overheat limiting

Improved transient response
Assured reliability and safety

Separate fast acting thermo limiters for woofer, midrange and tweeter to protect the voice coils and power amplifiers

Woofer soft clip and excursion limiters
Increases system reliability
Allows extraction of the maximum performance from the system

MORE FEATURES

Production consistency due to individual hand alignment in final testing

Any KH 420 is “pair matched” to any other KH 420

Optional robust metal grille

Can be used, if required, to protect the drivers

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Neumann

Neumann NDH 30 Black Edition

(0)

$699 Dólares

PERFECT MONITORING IN NEUMANN QUALITY – EVERYWHERE

The NDH 30 was developed with the aim of making the reference sound of a Neumann studio monitor setup, perfectly calibrated via MA 1, available everywhere in the form of an easily transportable headphone. At the same time, the NDH 30 forms its own sound reference in terms of headphone reproduction, which has become a key to success with the consumer. Its superior sound characteristics make the NDH 30 the first choice for mixing and mastering. Thanks to its high long-term comfort, it is just as excellently suited to high-precision editing.

Its high-quality construction of spring steel and aluminum as well as its pleasant handling properties are largely the same as those of the NDH 20. However, the NDH 30 is an open-back headphone, which means that its dynamic 38 mm transducers work as acoustic dipoles. This allows their highly refined sound characteristics to unfold optimally: extremely fast transient response, dry bass, uncolored mids and transparent highs. In other words, the NDH 30 has no sound coloration, but reproduces the signal 1:1.

UNCOMPROMISING PRECISION

The NDH 30 owes its superior linearity, among other things, to frequency-selective absorbers that eliminate the overemphasis in the high frequencies that leads to incorrect mixing decisions in many other headphones. For example, the NDH 30 will accurately reveal whether a voice sounds muffled or needs a de-esser.

The spatial resolution is impressive. The NDH 30 allows razor-sharp localization in the stereo panorama and makes the depth of the mix evident. To minimize channel crosstalk, the NDH 30 is supplied with a high-quality, cloth covered cable that is internally balanced.

PART OF A SUCCESSFUL FAMILY

With its high linearity and detail resolution, the NDH 30 is perfectly compatible with a loudspeaker system that has been optimally calibrated using Neumann Automatic Monitor Alignment. Mixes begun at home or on the road using the NDH 30 can be seamlessly continued in the studio using KH-Line loudspeakers – and vice versa. At the same time, the NDH 30 is recommended as a headphone sound reference; headphones, after all, have long become the dominant playback system among consumers. The NDH 30 is ideal for checking headphone compatibility and creating binaural mixes of immersive content (including VR and gaming). As consistency and reliability are essential in mixing and mastering, the NDH 30 is manufactured to extremely tight tolerances so each headphone sounds exactly the same.

FEATURES

Outstanding linearity and transient response
High spatial resolution
Sound and mix compatibility with KH-Line speakers
High long-term comfort
Internally balanced, cloth covered cable (detachable)
Foldable for easy transport

Última Pieza

Neumann

Neumann NDH 20 Black Edition

(0)

$599 Dólares

Audífonos de estudio cerrados de calidad premium para monitoreo, edición y mezcla.

Equilibrio de sonido lineal, como los aclamados monitores de estudio de Neumann.
Excelente aislamiento que permite trabajar en entornos ruidosos.
Sonido transparente con alta resolución.
Alta comodidad a largo plazo, fácil de transportar.
Monitoreo de calidad de estudio - donde quiera que vayas

Los Neumann NDH 20 son audífonos cerrados que combina un excelente aislamiento con una imagen de sonido cuidadosamente equilibrada y una resolución excepcional que se espera de un producto Neumann. El NDH 20 es ideal para tareas de monitoreo y mezcla, incluso en entornos ruidosos. Las almohadillas de memoria de espuma circumaural ofrecen una alta comodidad a largo plazo.

Escucha crítica y mezcla: en el estudio, en casa, en la carretera

Si bien muchos otros auriculares cerrados están afectados por resonancias desagradables en la banda media, lo que dificulta la toma de decisiones de mezcla fiables, los NDH ofrecen una imagen de sonido sorprendentemente detallada y bien equilibrada, similar a los aclamados monitores de estudio Neumann. La calidad sonora superior junto con las grandes almohadillas de espuma de memoria hacen que los NDH 20 sean un placer de usar durante largos períodos, sin fatiga.

Los NDH 20 utilizan drivers recientemente diseñados (38 mm / 1,5 ") con imanes de neodimio para garantizar una alta sensibilidad y una distorsión mínima, lo que permite al usuario escuchar la señal de audio pura sin coloración no deseada. La construcción mecánica también cumple con los más altos estándares. La diadema ajustable está hecha de acero flexible, mientras que cubiertas de las copas de las orejas están mecanizadas con aluminio ligero. Para facilitar su transporte, los auriculares se pueden plegar y guardar en la bolsa de tela suave suministrada. También se incluyen dos cables desmontables (uno recto, uno enroscado) y un adaptador de 6,3 mm (1/4").

Aplicaciones
Los NDH 20 son adecuados para cualquier aplicación que requiera un alto aislamiento de sonido, como el monitoreo para músicos e ingenieros en la sala de grabación, así como para trabajar en FOH. También es una excelente opción para la escucha crítica, sin perturbaciones del mundo exterior y, viceversa, sin causar perturbaciones a las personas cercanas debido a la fuga de sonido. Gracias a su respuesta de frecuencia extendida que varía de 5 Hz a 30 kHz, el NDH 20 es particularmente útil para verificar los extremos superiores e inferiores de la banda de audio.

A diferencia de la mayoría de los auriculares cerrados, el Neumann NDH 20 también es adecuado para fines de mezcla. Una respuesta de frecuencia inusualmente uniforme y una imagen estéreo natural permiten mezclar con confianza y garantizar la compatibilidad con todos los sistemas de reproducción. El NDH 20 es, por lo tanto, una herramienta indispensable para trabajar en la cartera. Por supuesto, también es un excelente auricular para entretenimiento de alta calidad.

Características

Sonido de calidad de estudio con resolución excepcional.
Aislamiento acústico de alta calidad en entornos ruidosos.
Excelente comodidad para sesiones de escucha extendidas.
Construcción de metal de alta calidad.
Diseño plegable para facilitar el transporte.
Dos cables desmontables (recto / enroscado).

Última Pieza

Neumann

Neumann KH - ATMOS Bundle 7.1.4

(0)

$8,599 Dólares $9,378 Dólares

-8%

⭐ BUNDLE ⭐

Otra promoción espectacular de Neumann para armar tu setup de mezcla ATMOS 7.1.4 totalmente calibrado!!

Incluye:

⭐ 3 monitores #KH120 II
⭐ 8 monitores #KH80 DSP
⭐ 1 Sub #KH750 DSP
⭐ 1 #MA1 Calibration System

Precios en Dólares, antes de IVA y/o Costo Compartido de Importación, cuando aplique.

KH120
The KH 120 A studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. The KH 120 A represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. It has a Mathematically Modeled Dispersion waveguide (MMD (TM), flexible acoustical controls, analog class-AB amplifiers, a large headroom analog input and an extensive mounting hardware range. All of this provides the user with the maximum versatility over a wide variety of acoustic conditions, source equipment, and physical locations.

KH80

Top-shelf Neumann speaker technology in an affordable nearfield monitor
Tried-and-true 4" x 1" nearfield speaker configuration is ideal for mixing suites and small studios
Network-accessible DSP-regulated bi-amplification lets you configure your system from a central controller
Manage multiple monitors from Mac, Windows, iOS, or Android platforms
Mathematically Modeled Dispersion Waveguide (MMD) provides superior dispersion
Premium analog technology ensures top-quality imaging and audio handling

KH750

The compact KH 750 DSP is the ideal choice for smaller rooms and smaller studio monitors. It has a unique and flexible Bass Manager (2.0/0.1), analog and digital inputs, four routing modes and adaptable acoustical controls to be used in many different configurations.

The optional Neumann.Control iPad® app gives access to many additional functions. This includes the possibility of aligning Neumann monitors, that are connected to the subwoofer, to the room using the patented "Guided Alignment" and controlling the entire stereo system. This also includes analog* monitors. Detailed information can be found below.

MA1

Neumann’s Automatic Monitor Alignment MA 1 ensures the best possible sound quality in any room – from home studios to professional control rooms. Using the individually calibrated measurement microphone your acoustic environment is analyzed in a guided process. Advanced calibration algorithms, jointly developed with the world's leading institute in audio processing, Fraunhofer IIS, guarantee an optimally adapted amplitude and phase correction for exact and reliable monitoring.

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Neumann

Neumann TLM 49

(0)

$1,796 Dólares $1,995 Dólares

-10%

CLASSIC SOUND FOR TODAY’S ENGINEERS

The TLM 49 brings back the vintage tone of Neumann’s post-war classics. The TLM 49 uses the same K 47 capsule and the iconic large headgrille design of Neumann’s legendary M 49, but instead of electron tubes the TLM 49 relies on trouble free FET circuitry with a special sound design for smooth vocals and acoustic instruments with timeless elegance.

VINTAGE SOUND WITH NEW TECHNOLOGY

Many engineers, these days, long for the smooth sound of classic tube microphones of the 1950s. Unfortunately, vintage originals come at staggering prices and are often in need of maintenance. But for those who want a recording tool rather than a collector’s item, Neumann has developed an elegant solution: The TLM 49 combines the sonic excellence of Neumann’s legendary U 47 and M 49 microphones with the convenience and high reliability of a modern phantom powered microphone. Its looks are classic, too!

As the model number implies, the TLM 49 is inspired by its famous precursor, the legendary Neumann M 49, a microphone associated with countless jazz and pop recordings of the 1950s and 60s. The TLM 49 shares the same large, acoustically open headgrille and the same large diaphragm condenser capsule design. This classic K 47 capsule, renowned for its unsurpassed sonic elegance, was also used in the Neumann U 47, the vocal mic of choice for Frank Sinatra, the Beatles, and scores of famous artists up to the present day.

RE-ENGINEERING THE PAST

The main difference between the TLM 49 and its famous predecessors lies in its electronic circuit. Instead of electron tubes, the TLM 49’s head amplifier uses reliable transformerless solid state technology – yet with a special sound design that closely reproduces the sonics of tube circuits. For instance, the TLM 49 intentionally produces soft saturation at higher sound pressure levels, resulting in a seemingly low max S.P.L figure of 110 dB for 0.5% THD, rising slowly to 5% at 129 dB S.P.L. The TLM 49 thus captures the sound and dynamic behavior of its legendary precursors without the inconvenience of an external PSU or expensive tube replacements, yet with a substantially improved self-noise figure of only 12 dB-A.

APPLICATIONS

The TLM 49 has a fixed cardioid pattern and is designed mainly as a microphone for vocalists, but its clear bass and superb midrange with a gentle presence boost above 2 kHz will produce excellent results with various instruments, too, such as acoustic guitar and upright bass.

Same capsule as legendary Neumann U 47 and M 49 microphones
Cardioid pattern
Classic sound for silky vocals
Large, acoustically open headgrille
Transformerless solid state circuit with tube sound characteristics
Very low self-noise

FEATURES

Acoustical operating principle. Pressure gradient transducer

Directional Pattern Cardioid

Frequency Range. 20 Hz ... 20 kHz

Sensitivity at 1 kHz into 1 kohm 13 mV/Pa = –38 dBV ± 1 dB

Rated Impedance. 50 ohms

Rated load impedance. 1 kohms

Equivalent noise level, CCIR¹⁾. 23 dB

Equivalent noise level, A-weighted¹⁾. 12 dB-A

Maximum S.P.L for THD 0.5%²⁾. 110 dB

Signal-to-noise ratio, CCIR (re. 94 dB S.P.L)¹⁾. 71 dB

Signal-to-noise ratio, A-weighted (re. 94 dB S.P.L)¹⁾. 82 dB

Maximum output voltage. -1 dBu

Supply voltage (P48, IEC 61938). 48 V ± 4 V

Current consumption (P48, IEC 61938). 3.2 mA

Matching connector. XLR 3 F

Weight. 825 g

Diameter. 78 mm

Length. 165 mm

1) according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS

2) measured as equivalent el. input signal

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Neumann MT 48 U USB-C/Dante Audio Interface

Neumann

Neumann MT 48 U USB-C/Dante Audio Interface

(0)

$1,995 Dólares

DESCRIPCIÓN:

La nueva interfaz de audio Neumann MT 48 introduce los impecables estándares de calidad de Neumann al flujo de trabajo digital.
Es la primera interfaz de audio de su clase diseñada para capturar el rango dinámico completo de los legendarios micrófonos de estudio de Neumann. Además, está optimizado para su uso con la línea de monitores de estudio KH de Neumann y audífonos Neumann.
¡Esta es la pieza que une su cadena de señal asegurando una calidad de audio sin compromisos desde que la señal llega al diafragma del micrófono hasta que se escucha en su mezcla!

PRECISIÓN SUIZA POR DENTRO

La MT 48 fue desarrollada en estrecha colaboración con el fabricante suizo Merging Technologies, cuyos convertidores AD de alta precisión ofrecen un impresionante rango dinámico de 136 dB. Esto le da al MT 48 cuatro veces la resolución de interfaces de audio de calidad similar.

La MT 48 viene totalmente equipada para el estudio personal: dos preamplificadores de micrófono/línea con nivel de ruido extremadamente bajo y con hasta 78 dB de ganancia, dos entradas de línea/instrumento, cuatro salidas de monitor/línea y dos excelentes salidas de audífonos, cada una con convertidores AD/DA de última generación. La conectividad del MT 48 se puede expandir a través de ADAT, S/PDIF y AES67; También se integra una interfaz MIDI.
Cuatro mezclas de monitor separadas se pueden controlar directamente en la unidad a través de la pantalla táctil. El procesamiento a bordo incluye un ecualizador paramétrico de 4 bandas y un procesador de dinámicos de 3 vías (gate/compresor/limitador) por canal, así como una reverberación de alta calidad.
Por lo tanto, los músicos obtienen un sonido inspirador para obtener un excelente rendimiento. Y todavía hay mucha potencia de DSP para desarrollos futuros.

GRABE CON O SIN EFECTOS

La MT 48 es una interfaz de audio y una consola de mezcla digital en uno. Puede usar su procesamiento DSP sólo para monitoreo o puede imprimir los efectos mientras graba. ¡O ambos al mismo tiempo! Gracias a la tecnología única de doble salida, las señales procesadas y limpias se pueden grabar simultáneamente a través de canales de controlador separados. Entonces, si es necesario, puede recurrir a una copia de seguridad sin procesar.

UNA NUEVA EXPERIENCIA DE USUARIO

A pesar de su enorme cantidad de características, la MT 48 siempre sigue siendo fácil de operar. Todas las configuraciones se pueden hacer en el dispositivo mismo a través de la pantalla táctil incorporada.
¡La mezcla de monitor perfecta está al alcance de su mano! Simplemente use sus dedos para ajustar los pots de pan, los faders de canal y mucho más, sin tener que cambiar a un software de mezclador en su computadora. El MT 48 incluso se puede operar de manera independiente como una consola de mezcla.

La MT 48 no deja nada que desear: calidad de audio al más alto nivel, procesamiento DSP incorporado, gran expansibilidad y operación conveniente a través de la pantalla táctil. La MT 48 es el eslabón perdido en el universo Neumann, conectando micrófonos, monitores y audífonos para crear el estudio perfecto.

CARACTERÍSTICAS:

Resolución incomparable del convertidor AD con un rango dinámico de 136 dB
2 preamplificadores de micrófono/línea de calidad premium, 2 entradas de línea/instrumento prístinas
4 salidas de línea/monitor
2 salidas de auriculares de ultra baja impedancia con crosstalk ajustable
Entradas/salidas ópticas ADAT/S/PDIF, AES67, MIDI/GPIO
Dos salidas de controlador por canal de entrada para grabación pre-FX y/o post-FX
Interfaz de usuario intuitiva de pantalla táctil

ESPECIFICACIONES DEL PRODUCTO:

CONDICIÓN Nuevo
CONTENIDO DEL PAQUETE: Interfaz de audio MT 48, estuche suave, fuente de alimentación de EE. UU. Que incluye cable de conexión USB-C, cable de datos USB-A, cable de datos USB-C y guía rápida de seguridad
ANCHO: 20.06 cm
PROFUNDIDAD: 12.7 cm
ALTURA: 4.06 cm
PESO DE UNIDAD: 953 g
CHASIS: Escritorio
NÚMERO DE ENTRADAS: 4
CONECTORES DE ENTRADA: Ethernet, Óptico, 1/4 pulgada TRS, XLR analógico
CONECTORES DE SALIDA: Ethernet, Óptico, 1/4 pulgada TRS, XLR analógico
CONEXIÓN DE COMPUTADORA: USB-C
NÚMERO DE PREAMPS: 2 (micrófono); 2 (instrumento)
CONEXIONES MIDI: Entrada, Salida
FRECUENCIA DE MUESTREO MÁXIMA: 192 kHz
FORMATO DIGITAL: ADAT, S/PDIF

Última Pieza

Neumann

Neumann NDH 30

(11)

$699 Dólares

PERFECT MONITORING IN NEUMANN QUALITY – EVERYWHERE

The NDH 30 was developed with the aim of making the reference sound of a Neumann studio monitor setup, perfectly calibrated via MA 1, available everywhere in the form of an easily transportable headphone. At the same time, the NDH 30 forms its own sound reference in terms of headphone reproduction, which has become a key to success with the consumer. Its superior sound characteristics make the NDH 30 the first choice for mixing and mastering. Thanks to its high long-term comfort, it is just as excellently suited to high-precision editing.

Its high-quality construction of spring steel and aluminum as well as its pleasant handling properties are largely the same as those of the NDH 20. However, the NDH 30 is an open-back headphone, which means that its dynamic 38 mm transducers work as acoustic dipoles. This allows their highly refined sound characteristics to unfold optimally: extremely fast transient response, dry bass, uncolored mids and transparent highs. In other words, the NDH 30 has no sound coloration, but reproduces the signal 1:1.

UNCOMPROMISING PRECISION

The NDH 30 owes its superior linearity, among other things, to frequency-selective absorbers that eliminate the overemphasis in the high frequencies that leads to incorrect mixing decisions in many other headphones. For example, the NDH 30 will accurately reveal whether a voice sounds muffled or needs a de-esser.

The spatial resolution is impressive. The NDH 30 allows razor-sharp localization in the stereo panorama and makes the depth of the mix evident. To minimize channel crosstalk, the NDH 30 is supplied with a high-quality, cloth covered cable that is internally balanced.

PART OF A SUCCESSFUL FAMILY

With its high linearity and detail resolution, the NDH 30 is perfectly compatible with a loudspeaker system that has been optimally calibrated using Neumann Automatic Monitor Alignment. Mixes begun at home or on the road using the NDH 30 can be seamlessly continued in the studio using KH-Line loudspeakers – and vice versa. At the same time, the NDH 30 is recommended as a headphone sound reference; headphones, after all, have long become the dominant playback system among consumers. The NDH 30 is ideal for checking headphone compatibility and creating binaural mixes of immersive content (including VR and gaming). As consistency and reliability are essential in mixing and mastering, the NDH 30 is manufactured to extremely tight tolerances so each headphone sounds exactly the same.

FEATURES

Outstanding linearity and transient response
High spatial resolution
Sound and mix compatibility with KH-Line speakers
High long-term comfort
Internally balanced, cloth covered cable (detachable)
Foldable for easy transport

En Bodega

Neumann

Neumann KH 150

(0)

$1,529 Dólares $1,699 Dólares

-10%

Two Way Nearfield Monitor

DSP-powered, bi-amplified studio monitor with deep bass response and outstanding resolution.

Linear frequency and phase response
DSP engine for improved performance and automatic room alignment
Deep low end down to 39 Hz and high S.P.L capability
Analog and S/PDIF connectivity

NEUMANN ACCURACY, SERIOUS BASS AND POWER TO SPARE

The KH 150 is a powerful bi-amplified studio monitor with reference-class performance. Its 6.5” woofer in a bass reflex cabinet provides stunning low end and high S.P.L capability with undiminished clarity. DSP controlled electronics ensure linear phase response and allow for room-adaptive calibration via Neumann’s revolutionary MA 1 Automatic Monitor Alignment.

WHAT YOU HEAR IS WHAT YOU GET

The KH 150 follows the same philosophy as all Neumann studio monitors: highest linearity, lowest distortion, no coloration, and perfect adaptability to any acoustic environment. It allows you to hear every nuance of your tracks. Mixing becomes so much faster and easier, once the guesswork is over. And more creative, too: Sounds genius, but can I get away with that? Is that vocal bright or sibilant? Is it too much bass? The KH 150 will tell you. Honestly.

ONE BIGGER

What differentiates the KH 150 from its smaller siblings is its deeper bass response down to 39 Hz. That’s almost as low as the larger KH 310, thanks to the KH 150’s novel 6.5” high-precision woofer in a carefully designed bass reflex cabinet. The KH 150 is thus ideally suited to urban music, EDM, film scoring, and all styles that require extended low end and/or elevated listening levels. Thanks to powerful amplifiers (145 W/100 W) and sophisticated protection limiters, no clarity is lost even at high S.P.L.s. But, being a true universalist, the KH 150 works just as well for everything from rock to classical music, broadcast applications and voice-over work.

The KH 150 has an exceptionally linear frequency response from 39 Hz to 21 kHz (±3 dB). Not only that: It also linearizes the phase response! Which translates to clear mids with astonishing transparency as well as extreme accuracy in the time domain: precise impulse reproduction and finely resolved reverbs. This is made possible by DSP controlled electronics which allow for sophisticated crossovers avoiding the phase distortion caused by analog filters. The internal DSP also realizes new standards in tonal consistency. The KH 150 is made to extremely low tolerances of no more than ± 0.8 dB! And you can hear it, too: Stereo imaging is razor-sharp.

READY FOR YOUR ROOM

Even the best loudspeaker only sounds as good as the acoustic environment allows. Neumann’s Mathematically Modelled Dispersion™ (MMD™) waveguide guarantees a wide sweet spot and minimizes desk reflections. But the KH 150 goes much further: Its internal DSP allows for room calibration via Neumann’s revolutionary Automatic Monitor Alignment. MA 1 (sold separately) makes sure your DSP powered monitors are optimally adapted to the character of your room and perfectly calibrated for your listening position. Even in acoustically treated rooms, this results in a huge improvement.

Tonal compatibility with other KH line studio monitors makes it possible to use the KH 150 in mixed setups e.g. in surround/immersive setups. For flexible connectivity the KH 150 features both analog and digital inputs.

AES 67 – AUDIO OVER IP

Additionally, the KH 150 AES67 model variant offers integrated redundant AES67 audio network ports that are fully compliant with broadcast standards such as ST 2110, ST 2022-7 redundancy, and RAVENNA. At the same time, the KH 150 AES67 is compatible with DANTE®-generated AES67 network streams.

ENERGY EFFICIENT

Neumann engineers took great care to develop a patent pending amplifier technology which combines superior audio performance with the energy efficiency of Class D. Although the KH 150’s amplifiers deliver up to 145 W to the 6.5” woofer and 100 W to the 1” tweeter, they only consume 17 W at idle. Auto-standby reduces power consumption to 0.3 W when the KH 150 has not been used for a while, but can be deactivated.

MOUNTING OPTIONS

Most of the KH 120 accessories also fit the KH 150, with the exception of the LH 65 table stand, which is available in a slightly larger version in the form of the new LH 66 (Cat. No. 700258). The LH 61 (L bracket) was updated, because the KH 150 is a bit heavier/larger than the KH 120 and the LH 64 (VESA mount) was adjusted to allow access to the controls of the KH 150. The order numbers here are unchanged.

All mounting options can be found in our updated Monitor Mounting Matrix. At a later date we will also update the Monitor Accessory Finder.

The KH 150 is available in two color options, anthracite and white.

FEATURES:

High-precision drivers, Mathematically Modelled Dispersion™ (MMD™) waveguide
Linear frequency response 39 Hz … 21 kHz (±3 dB)
Linear phase response 105 Hz … 16 kHz (± 45°) with latency < 2,6 ms
DSP engine allows for room adaptive calibration via Neumann’s MA 1
Razor-sharp imaging due to extremely low tolerances (± 0.8 dB)
May be combined with other KH line speakers in immersive/surround setups.

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Neumann

Neumann U87 - Stereo Set

(0)

$6,836 Dólares $7,595 Dólares

-10%

El gran U87, considerado por muchos, como el padre de los micrófonos de condensador. En esta versión podrá obtener 2 micrófonos pareados para grabación estereo con sus monturas de suspensión "shock-mount" y un maletín de edición limitada.

In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications.

The Neumann U 87 Ai - voted as THE best microphone

The readers of the SOUND ON SOUND magazine have voted: U 87 Ai - the BEST MICROPHONE, announced during the Winter NAMM show 2012 in Anaheim, California.

The SOS award went to products, that "have made our lives in the studio all the more enjoyable". It is a further evidence for the reputation of the U 87 Ai as the world famous, professional standard studio condenser microphone. Until today the U 87 sets the mark in the microphone industry by which all others are measured.

The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television.

The U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.

A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.

Furthermore, the low frequency response can be reduced to compensate for proximity effect.

Applications

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.

Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.

Acoustic features

The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.

Polar patterns

The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.

Electrical features

The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.

The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

Filter and attenuation

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.

This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.

Features:

Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation
Ideal as main and as support microphone in the most differing recording situations

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

For universal use
The classical studio mic for vocalists (soloists and background vocalists)
Announcer's mic for broadcasting, dubbing, voice-over
Overhead
Spot mic for wind instruments, strings (especially cello and double bass), piano, percussion
Note: To record instruments with very high sound pressure levels we recommend our mics with TLM circuitry

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Omnidirectional, cardioid, figure-8 plus
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	20/28/22 mV/Pa¹⁾
Rated impedance	200 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR²⁾	26/23/25 dB¹⁾
Equivalent noise level, A-weighted²⁾	15/12/14 dB-A¹⁾
Signal-to-noise ratio, CCIR²⁾ (rel. 94 dB S.P.L)	68/71/69 dB¹⁾
Signal-to-noise ratio, A-weighted²⁾ (rel. 94 dB S.P.L)	79/82/80 dB¹⁾
Maximum S.P.L for THD 0.5%³⁾	117 dB (cardioid)
Maximum S.P.L for THD 0.5% with preattenuation³⁾	127 dB
Maximum output voltage	390 mV
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	0.8 mA
Matching connectors	XLR3F
Weight	500 g
Diameter	56 mm
Length	200 mm

____________________________________________________

¹⁾Omnidirectional / cardioid / figure-8
²⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
³⁾ measured as equivalent el. input signal

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Neumann

Neumann KMS 104

(0)

$764 Dólares $849 Dólares

-10%

Esta es la versión "cardioide" del afamado micrófono vocal, de mano.

Acts as reference on the stages of the world. For demanding singers, the microphone for a lifetime!

The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage.
The KMS series has become the internationally acknowledged standard for first-class stage microphones.
The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.
Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.
The KMS 104 and the KMS 104 plus have a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The KMS 104 plus features, compared to KMS 104, a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.
The user can thus select the version that is optimally suited to the specific application.

Acoustic features

The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.
In KMS microphones, carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds.
In spite of excellent pop protection, sibilants and “S” sounds are transmitted with their natural accentuation, as is possible only with condenser microphones. Furthermore, the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104/104 plus and KMS 105 vocal microphones when they are used with a stage sound system.

Electrical features

Since vocal microphones are typically addressed at close range, for the bass frequency response of the microphones, electronic compensation is used for the proximity effect in the respective capsules.
In addition, the microphone has an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz (–3 dB, measured in a free sound field). The maximum sound pressure level of the KMS microphones is 150 dB.
The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances, the microphones thus operate with a high signal-to-noise ratio, facilitating the freedom of movement and creativity that are important to the artist.
Due to the transformerless output circuit, the microphone signals can be transmitted even through long cables without loss of sound.

Mechanical features

Microphones designed for use on stage require a particularly robust construction. The KMS 104/104 plus and KMS 105 therefore have thick-walled metal housings, which also provide effective protection against handling noise.
The microphone headgrilles are made of hardened steel. If required, they can easily be unscrewed to permit cleaning of the interior acoustic filters.

Delivery Range

The KMS 104/104 plus and KMS 105 microphones, with a matching stand clamp, are supplied in an attractive padded nylon bag that is sufficiently durable for touring.

Features:

Neumann sound on stage
Excellent transparency for vocals/speech
Cardioid/Supercardioid polar pattern with excellent feedback rejection
Without off-axis coloration
Transformerless output
Effective pop shielding without any side effects
Set includes stand clamp

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

Vocals and speech on stage
Announcer’s mic for broadcasting/dubbing
Especially suited for in-ear-monitoring
For feedback-prone environment

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Cardioid/cardioid/supercardioid
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	4.5 mV/Pa
Rated impedance	50 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR¹⁾	28 dB
Equivalent noise level, A-weighted¹⁾	18 dB-A
Signal-to-noise ratio, CCIR¹⁾ (rel. 94 dB S.P.L)	66 dB
Signal-to-noise ratio, A-weighted¹⁾ (rel. 94 dB S.P.L)	76 dB
Maximum S.P.L for THD 0.5%²⁾	150 dB
Maximum output voltage	12 dBu
Supply voltage (P48, IEC 1938)	48 V ± 4 V
Current consumption (P48, IEC 1938)	3.5 mA
Matching connector	XLR3F
Weight	approx. 300 g
Diameter	48 mm
Length	180 mm

___________________________________________________

¹⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
²⁾ measured as equivalent el. input signal

Última Pieza

Neumann

Neumann U87 Ai Set Z

(0)

$3,596 Dólares $3,995 Dólares

-10%

In a word: The Neumann classic. Three directional characteristics and switchable pre-attenuation ensure suitability for a wide range of applications.

The Neumann U 87 Ai - voted as THE best microphone

The readers of the SOUND ON SOUND magazine have voted: U 87 Ai - the BEST MICROPHONE, announced during the Winter NAMM show 2012 in Anaheim, California.

The SOS award went to products, that "have made our lives in the studio all the more enjoyable". It is a further evidence for the reputation of the U 87 Ai as the world famous, professional standard studio condenser microphone. Until today the U 87 sets the mark in the microphone industry by which all others are measured.

The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Our users are recognising the microphone immediately by its distinctive design. Well-known for its warm and well balanced characteristics - your perfect choice as vocal microphone for all types of music and speech. The usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone - in studios, for broadcasting, film and television.

The U 87* is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.

A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.

Furthermore, the low frequency response can be reduced to compensate for proximity effect.

Applications

The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.

Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.

Acoustic features

The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.

Polar patterns

The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.

Electrical features

The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.

The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

Filter and attenuation

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.

This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.

Features:

Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation
Ideal as main and as support microphone in the most differing recording situations

These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.

For universal use
The classical studio mic for vocalists (soloists and background vocalists)
Announcer's mic for broadcasting, dubbing, voice-over
Overhead
Spot mic for wind instruments, strings (especially cello and double bass), piano, percussion
Note: To record instruments with very high sound pressure levels we recommend our mics with TLM circuitry

Acoustical operating principle	Pressure gradient transducer
Directional pattern	Omnidirectional, cardioid, figure-8 plus
Frequency range	20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm	20/28/22 mV/Pa¹⁾
Rated impedance	200 ohms
Rated load impedance	1 kohms
Equivalent noise level, CCIR²⁾	26/23/25 dB¹⁾
Equivalent noise level, A-weighted²⁾	15/12/14 dB-A¹⁾
Signal-to-noise ratio, CCIR²⁾ (rel. 94 dB S.P.L)	68/71/69 dB¹⁾
Signal-to-noise ratio, A-weighted²⁾ (rel. 94 dB S.P.L)	79/82/80 dB¹⁾
Maximum S.P.L for THD 0.5%³⁾	117 dB (cardioid)
Maximum S.P.L for THD 0.5% with preattenuation³⁾	127 dB
Maximum output voltage	390 mV
Supply voltage (P48, IEC 61938)	48 V ± 4 V
Current consumption (P48, IEC 61938)	0.8 mA
Matching connectors	XLR3F
Weight	500 g
Diameter	56 mm
Length	200 mm

____________________________________________________

¹⁾Omnidirectional / cardioid / figure-8
²⁾ according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
³⁾ measured as equivalent el. input signal

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