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Antelope Audio

Antelope ATMOS Bundle - Orion32+ Gen4

(0)

$3,995 Dólares $4,094 Dólares

-2%

¿TIENES MAC CON M1 A M4?

ENTERATE DANDO CLICK EN EL LOGO

Este ATMOS Bundle incluye:

Interfaz Antelope Orion 32+ Gen 4
Control remoto de monitoreo Antelope MRC
Licencia de expansión ATMOS, para el Antelope control panel.

-------------------------

ANTELOPE ORION32+ Gen4

CONVERSIÓN Y SINCRONIZACIÓN DE ESTÁNDAR DE REFERENCIA
Las interfaces de Antelope Audio son mundialmente conocidas por su conversión y sincronización líderes en la industria, y la Orion 32+ Gen4 te ofrece la última tecnología de Antelope. Sus convertidores A/D y D/A son capaces de alcanzar un rango dinámico de hasta 130 dB, lo que asegura al Gen4 una posición líder entre las interfaces de 1U de rack. La tecnología de sincronización de Antelope de 64 bits enfocada acústicamente alimenta la conversión de alto rendimiento y las dos salidas de wordclock del equipo se encargan de mantener todo tu estudio en línea. Además, la entrada de 10 MHz disponible es compatible con los mejores clocks de Antelope Audio, como los inigualables relojes atómicos 10M y 10MX.

128 CANALES DE AUDIO A TRAVÉS DE THUNDERBOLT Y MADI
El Orion 32+ Gen4 puede transmitir el doble de canales que su predecesor a través de Thunderbolt y tiene el doble de conectividad MADI, ahora con 128 canales para ambos. Estas actualizaciones significativas permiten conectar hasta cuatro unidades en cadena para tener 128 canales de A/D y D/A a través de una única conexión de computadora. Esto convierte a la unidad en la opción principal para grabaciones grandes, aplicaciones de sonido en vivo, configuraciones de postproducción complejas y instalaciones de transmisión. Es el compañero preferido de grandes consolas de mezcla, cadenas de procesamiento de efectos de hardware, cajas de suma analógicas, configuraciones de bobinas a bobina, sintetizadores de hardware y prácticamente cualquier otro equipo que necesites utilizar.

ABRAZA EL FUTURO DE LA PRODUCCIÓN DE AUDIO
La Orion 32+ Gen4 es compatible con el último sistema de monitoreo de audio envolvente e inmersivo Atmos de Antelope Audio MRC. La plataforma integrada admite más de 23 formatos de audio, desde estéreo hasta Dolby Atmos 9.1.6, y ofrece herramientas de calibración precisa de altavoces y habitaciones. Los controles de monitoreo intuitivos y la funcionalidad de recuperación de preajustes rápidos están diseñados para aumentar la productividad. Está disponible como una mejora opcional para el Orion 32+ Gen4. Como extensión física del sistema, el controlador de hardware MRC de Antelope compatible proporciona controles táctiles optimizados y fundamentales para un monitoreo avanzado y sin esfuerzo.

CARACTERÍSTICAS ORION32+ Gen4:

32x32 canales de E/S analógica DC acoplada, más salida de monitor estéreo dedicada
128 canales de E/S a través de Thunderbolt 3 o 32 canales vía USB, con una frecuencia de muestreo de hasta 192 kHz
128 canales de E/S a través de MADI óptico, con una frecuencia de muestreo de hasta 48 kHz
Conversión de alto rendimiento con un rango dinámico de hasta 130 dB
Sincronización y manejo de jitter aclamados de 4ª generación AFC de 64 bits
Sistema de calibración de monitoreo opcional de varios canales listo para Atmos
Panel de control de software con potente sistema de preajustes, widget desplegable de monitoreo y matriz de ruteo de señal personalizable
Conectividad adicional a través de ADAT y S/PDIF
Compatible con macOS y Windows a través de Thunderbolt y USB.

------------------------------------------------
ANTELOPE MRC

AMPLIA FUNCIONALIDAD CON UN DISEÑO INTUITIVO
El diseño y los botones de la MRC reflejan todos los controles principales de monitoreo del sistema, admitiendo más de 23 formatos, desde estéreo hasta Dolby Atmos 9.1.6. Proporciona acceso físico al control de volumen tanto en la salida multicanal calibrada como en la salida de monitor estéreo dedicada de la interfaz. La MRC también ofrece función de solo y silencio para cada altavoz en todos los formatos admitidos, además de un sistema de preset personalizable para cambiar rápidamente entre fuentes de señal, salidas, formatos de audio y mucho más. Diseñado cuidadosamente para un flujo de trabajo de monitoreo sin problemas, el controlador cuenta con botones con respuesta táctil y LED indicadores para eliminar cualquier tipo de conjetura.
También es compatible plug-and-play con interfaces Antelope Audio preparadas para Atmos mediante una única conexión USB a la computadora.

CONSTRUIDA PARA DURAR
Construida para resistir las exigencias de cualquier estudio, la MRC cuenta con una construcción compacta y rígida que se adapta cómodamente en cualquier escritorio. El exterior de metal con acabado de aluminio cepillado en negro proporciona resistencia y un aspecto elegante. Diseñado y fabricado en Europa, este es un controlador de alta calidad que está hecho para durar.

CARACTERÍSTICAS MRC:

Admite más de 23 formatos, desde estéreo hasta Dolby Atmos 9.1.6
Sistema completo y personalizable de recuperación de presets para cambiar rápidamente entre fuentes de entrada, salidas y mucho más
Funcionalidad de silencio y solo individual para cada altavoz en todos los formatos admitidos
Codificador rotatorio para control de volumen tanto en la salida multicanal calibrada como en la salida de monitor estéreo dedicada
Funcionalidad de silencio y atenuación para la salida actualmente seleccionada
Compatibilidad plug-and-play con interfaces Antelope Audio preparadas para Atmos, mediante una única conexión USB a la computadora
Alimentado a través de la conexión USB
Diseñado para un flujo de trabajo de monitoreo sin problemas, con una respuesta táctil
Botones cuidadosamente predefinidos con indicación LED para evitar dobles interpretaciones
Tamaño compacto, listo para adaptarse cómodamente en cualquier escritorio
Caja de metal con acabado de aluminio cepillado en negro proporciona resistencia y un aspecto elegante
Diseñado y fabricado en la UE

-------------------------------

SOFTWARE Dolby® ATMOS

Codificación avanzada de objetos para absoluto control de la mezcla inmersiva.

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Antelope Audio

Antelope Audio 10MX Atomic Clock

(0)

$7,395 Dólares

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Antelope Audio

Antelope Audio Pure2 - 2-Channel Mastering Converter

(0)

$2,695 Dólares

Creating Premium Audio Easily

Antelope Audio’s Pure2 is a mastering grade 2-channel converter and master clock that builds off the successful model of the Eclipse 384. Delivering simply stunning audio via an A/D converter, D/A converter and a master clock featuring Antelopes signature Acoustically Focused Clocking technology, the Pure2 makes the world of mastering a process that anyone can attain in their own studio.

The Make Up Of Mastering

The conversion and AFC technology in the Pure2 is highly impactful and gives it a pristine sound. Additionally, the system also features masterful analog circuitry driven by a multi-stage power supply. Packed with Antelope Audio’s dual-DAC technology, with different chips for both the right and left channels, the Pure2 is able to gain exceptional imaging and separation. The system’s relay-based attenuator provides first-class transparency, which offers an exceptional audio experience when listening back on all types of monitors.

Clocking In: The Right Way

Featuring several Word Clock outputs, the Pure2 instantly adds an impressive master clock to your studio setup. Additionally, the system can be run with Antelope’s 10M Atomic Clock to provide your space with an even more stable method of clocking. With zero jitter and 100% accuracy, this combination of clocking will ensure that your projects have all the dynamic separation and clarity that you’ve always wanted.

Features:

Pure2 includes five high-performance components:
- A/D converter with optimized overload handling
- D/A converter with dual-DAC architecture
- High-end headphone amp with dedicated D/A converter
- Relay-based analog volume control for accurate monitoring
- Master clock with 4th-generation Antelope AFC jitter management
Connections for S/PDIF, TOSlink, AES, and USB
Includes intuitive control panel software for Mac and Windows

Specification

Analog Inputs
1 x Combo Balanced Analog (XLR / 1/4 TRS) factory calibrated to +20dBu

Digital Outputs
1 x AES/EBU on XLR (32kHz to 192kHz) @ 110 Ohms terminated
1 x S/PDIF on RCA (32kHz to 192kHz) @ 75 Ohms terminated
1 x TOSLINK on optical fiber: up to 96kHz

Word Clock Input
1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz

Analog Outputs
1 x Stereo pair of Balanced XLR Outputs from D/A Converter (Main Output) is factory calibrated to 20dBu and user adjustable from 8dBu to 26dBu
1 x Stereo pair Balanced Outputs for monitors (2 x 1/4 TRS)
1 x 1/4 TRS Front Headphones 20dBu

Digital Outputs
1 x AES/EBU on XLR (32kHz to 192kHz) @ 110 Ohms terminated
1 x S/PDIF on RCA (32kHz to 192kHz) @ 75 Ohms terminated
1 x TOSLINK on optical fiber: up to 96kHz

Word Clock Outputs
8 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz

USB I/O
USB 2.0 Hi-Speed; Data stream up to 480Mbits/192kHz,
4 channels I/O playback/record, Type B

External Reference Clock
1 x 10M Atomic Clock Input @ 75 Ohms 1Vpp on BNC
1 x Word Clock Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz

A/D Converter
Dynamic Range: 122dB
THD+N: -105dB

D/A Converters
Main DAC Dynamic Range 127dB; THD+N -107dB
Monitor DAC Dynamic Range 120dB; THD+N -103dB
Headphones DAC Dynamic Range 120dB; THD+N -100dB

Clock Specifications
<+/-0.02 PPM, oven controlled at 64.5°C/ 148.1°F

Clock Aging
< 1 ppm per year

Clock Calibration
< +/-0.001 ppm

Atomic Clock Input
10MHz @ 1Vpp, BNC

Sample Rates (kHz)
32, 44.1, 48, 88.2, 96, 176.4, 192

Operating Temperature

0-50°C, 32-122°F

Weight

3 kg, 6.6 lb approx.

Dimensions (Approx)
483mm(W) x 44mm(H) x 220mm (D)
19”(W) x 1.75”(H) x 8.66”(D)

Power Supply
~110VAC 60Hz/ ~220VAC 50Hz selectable

Atomic Clock Input
1 x 10M Input @ 75 Ohms 1Vpp on BNC

Fuses
2 x 0.8A 250VAC 5mm x 20mm Type T (or Time delay)

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Antelope Audio

Antelope Audio Trinity Master Clock

(0)

$3,595 Dólares

In the fickle world of Audio & Video formats, the new Antelope Audio Trinity will be the Master Clock that stands out from the crowd for years to come, with the kind of features that other manufacturers can only aspire to. With dedicated functions and controls, the new Trinity is the best sounding and most versatile Master Clock available anywhere. There are unique features that are only available on the Trinity - such as Audio up to 384kHz, Varispeed, Nine completely independent generators, and a Triple display! Of course, all of this comes in an intuitive menu-free user interface, just as you would expect from Antelope.

Features:

Fourth generation of acoustically focused clocking employing 64 bit DSP leads to a new level in detailed & focused sound
Oven Controlled Crystal Oscillator or Atomic input for supremely low jitter
Factory calibrated to better than +/- 0.001 ppm accuracy
A wealth of rear panel connectivity for tremendous flexibility
Comprehensive audio gear boxing for anything in, anything out
Atomic input for ultimate performance
Three independent & simultaneous audio generators up to 384kHz, and varispeed control +/- 200 cents
Three independent & simultaneous HD generators, covering 16 formats
Three independent & simultaneous SD generators, simultaneously offering PAL & NTSC.
Full Euro and USA pull-ups / pull-downs for SD and HD video
USB connection via PC & Mac allowing full remote control, loading/saving presets and firmware upgrades
Dual redundant power supply with automatic switchover for added reliability

Oven Control
The crystal oscillators in the Isochrone Trinity are housed in a temperature controlled oven, as commonly used in military and satellite communication. This keeps the oscillator at a constant temperature making the Isochrone 100x more stable than similar products.

Atomic Clock
The Isochrone Trinity can be locked to the most accurate clock on Earth: the Atomic clock. A studio can truly achieve perfect stability with the power of Atomic Clock, and only Isochrone clocks are capable of locking to this unprecedented technology.

Brand New 64 Bit Design
Trinity is the culmination of many years of clocking know how from the designers at Antelope, and is a brand new design with more design integration which leads to an even tighter and more focused sound quality. The fourth generation of Acoustically Focused Clocking with 64 bit DDS plays a major role in why Trinity makes your converters sound even better than ever.

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Antelope Audio

Antelope Axino Synergy Core

(0)

$419 Dólares

All-in-one recording system in a USB microphone

Recording like the pros no longer requires an entire rack of expensive gear. The Axino Synergy Core combines the best of several devices in one recording system, that needs just a USB cable connected to a computer to achieve studio sound. It delivers high-resolution audio capture and allows you to record and stream with iconic microphone models and studio effects, as well as popular favorites like Antares’ Auto-Tune.

HIGH-RESOLUTION SOUND
64-BIT CLOCKING
18 EMULATIONS INCLUDED
10 REAL-TIME FX INCLUDED
METICULOUS MODELING
LOOPBACK FOR STREAMING
MAC OS & WINDOWS COMPATIBILITY
PERFECT FOR ANY SOURCE

Minimal setup, maximum fidelity

The road to greatness starts with a sound path that is used in the best studios worldwide. Our way is to cover all basis – from the beginning phase of capturing the first acoustic guitar tone to the moment it hits your ears through the headphones. Each Axino Synergy Core is built using custom electronics, so it can help you on that road to greatness.

PRECISE SOUND CAPTURE

The gold-sputtered diaphragm ensures accurate representation of the original sound by keeping the frequency response as flat as possible.

STUDIO-GRADE CONVERSION AND CLOCKING

The high-resolution converters and award-winning 64-bit AFC™ clocking capture sound that is true to the source.

INTEGRATED DISCRETE PREAMP

The hybrid preamp design features our renowned Discrete circuitry achieving a transparent, uncolored sound.

AUDIOPHILE-GRADE D/A CONVERTER

The HP output is backed by an audiophile-grade converter with 124dB of headroom ensuring high-fidelity audio playback.

FREQUENCY RANGE: 20Hz - 20kHz

AD/DA CONVERSION: 192kHz

DYNAMIC RANGE UP TO: 124

Limitless possibilities to shape your sound

Get your ideas down with a single device for all your vocal and instrument recording, streaming, podcasting. With Axino Synergy Core you can set up for a session in an instant, whether you are at home or on the road. Similar to any fully stocked studio, it has the tools to not only improve your workflow but also your end product.

Take control via a simple mixer

Create a stereo mix using the signal captured by the mic and any audio from computer media and games, while processing with near zero latency. You also have fast access to intuitive controls so you can decide which channels you’d like to listen to and which to record or stream.

Record with effects

Shape your sound on the fly by loading up to four effects on the main recording channel as well as the two computer audio channels, and monitor in real-time. The available presets can make your signal sound professional with just a single click.

Loopback audio, easily

Combine the audio from multiple applications on your computer quickly and without hassle. Then, capture the audio using the loopback feature and add your voice when streaming and presenting via video conferencing applications.

10 Synergy Core effects included

The Axino Synergy Core comes bundled with 10 effects specially chosen to enrich any recording. Within the bundle you get compressors, EQs, preamps and dynamic processors that were modeled after iconic studio gear, making them perfect for achieving the ultimate radio-ready sound.

At any time, you can expand your collection by purchasing more analog-modeled effects such as Grove Hill’s Liverpool, and 3rd party effects like Antares’ Auto-Tune.

Synergy Core

Processes effects in real-time with imperceptible latency while monitoring, tracking, streaming or mixing.

Offloads all processing to the interface thus saving your host computer CPU & memory.

18 microphone emulations included

The Axino Synergy Core uses Antelope Audio’s microphone Modeling Engine, which allows you to record with virtual recreations of classic microphones. It comes with 18 emulations of dynamic, tube, and FET condenser microphones to record and monitor in real-time. This system grants flexible workflow and the opportunity to experiment with different mic emulations to find the perfect sound.

Specifications

CAPSULE

Capsule: Single Capsule
Diaphragm: Large diaphragm with gold-sputtered membrane
Diaphragm diameter: 34mm
Polar Pattern: Cardioid

SOUND

Freq. response: 20HZ ~ 20kHZ
Self-noise: 17 dBA
Max. S.P.L: 140dB (<1% THD @ 1kHz)
Sensitivity: 34±3DB(at 1kHz 0dB=1v/pa)
Headphone output DAC: High-Performance DAC with 124dB dynamic range
Microphone ADC: 117dB dynamic range

HARDWARE

Power Requirements: 5.0/500mA (USB Bus powered)
USB connector: USB Type-B (USB 2.0 compatible)
Headphone output: 1/8” (3.5 mm) stereo jack
Color: Black matte
Weight (mic body): 0.96 lbs (435 grams)
Dimensions (mic body): 1.9″ x 2.2″ x 7.4″ (50mm х 56mm х 188mm)

IN THE BOX

Axino Synergy Core
Table stand
Shockmount
USB cable
Quick start guide

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Antelope Audio

Antelope Isochrone OCX HD

(0)

$1,895 Dólares

¿TIENES MAC CON M1 A M4?

ENTERATE DANDO CLICK EN EL LOGO

The Antelope Isochrone OCX HD Master Clock delivers sample rate support of up to 768 kHz, Antelope’s best-in-class 4th generation Acoustically Focused Clocking (AFC) jitter management algorithm and oven-controlled crystal oscillator. OCX HD Master Clock offers a great variety of clocking options – 10 configurable in pairs Word Clock Outputs on BNC, four AES/EBU Outputs and two more on S/PDIF. This vast assortment of connectivity makes the OCX HD the most versatile audio master clock on the market, while proven,proprietary clocking technology delivers the most musical and reliable audio sync generation on the market.

Additionally, OCX HD offers two Word Clock Inputs and a Video Sync Input, which can resolve to a huge variety of SD and HD formats, as well as clock distribution with gear-boxing, and pull-up and pull-down rates, as featured in the triple clock powerhouse, Trinity Master Clock. A 10 MHz Input allows for syncing with Antelope's 10MX Atomic Clock.

The OCX HD benefits from flexible firmware update functionality, as featured in all new-generation Antelope products, allowing for fast and easy firmware updates on the user-friendly software control panel, available for both OS X and Windows. The desktop app provides convenient remote control to simplify project workflow. The device is also easily configurable from an elegant front panel, which will add a futuristic aesthetic to any gear rack.

Features

4th generation Acoustically Focused Clocking (AFC) jitter management algorithm
Sample rate support of up to 768 kHz over WC
Multipliers/dividers enabling the output of 5 different sample rates
4x AES/EBU and 2x S/PDIF clocking outputs up to 192kHz for additional connectivity
Comprehensive audio gear-boxing
Universal Video Input on BNC
Atomic clock input for optimum accuracy and calibration
3 recallable presets
Rate lock from Control Panel to avoid settings change during session
Ergonomic front panel control
Software Control Panel, allowing remote control and firmware updates via USB

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Antelope Audio

Antelope Orion 32+ Gen 4

(0)

$3,295 Dólares $3,695 Dólares

-11%

¿TIENES MAC CON M1 A M4?

ENTERATE DANDO CLICK EN EL LOGO

Durante más de una década, la línea de interfaces Orion 32 ha estado revolucionando el mundo de la grabación y producción de audio profesional. La última revisión de este icónico centro de estudio de 1RU lleva el juego al siguiente nivel al tomar lo mejor de sus predecesores y adaptarlo a las necesidades y estándares cada vez mayores de la industria. La Antelope Audio Orion 32+ Gen4 incorpora la última tecnología de Antelope, mejorando drásticamente el potencial de la unidad.

MEJORAS IMPORTANTES EN EL RENDIMIENTO DE CONVERSIÓN:

Convertidor de monitorización D/A: rango dinámico de 130 dB, THD + N de -115 dB
Convertidores D/A: rango dinámico de 130 dB, THD + N de -115 dB, acoplamiento de corriente continua
Convertidores A/D: rango dinámico de 122 dB, THD + N de -116 dB, acoplamiento de corriente continua
Niveles de entrada/salida de línea: máximo de 24 dBU

CONVERSIÓN Y SINCRONIZACIÓN DE ESTÁNDAR DE REFERENCIA
Las interfaces de Antelope Audio son mundialmente conocidas por su conversión y sincronización líderes en la industria, y la Orion 32+ Gen4 te ofrece la última tecnología de Antelope. Sus convertidores A/D y D/A son capaces de alcanzar un rango dinámico de hasta 130 dB, lo que asegura al Gen4 una posición líder entre las interfaces de 1U de rack. La tecnología de sincronización de Antelope de 64 bits enfocada acústicamente alimenta la conversión de alto rendimiento y las dos salidas de wordclock del equipo se encargan de mantener todo tu estudio en línea. Además, la entrada de 10 MHz disponible es compatible con los mejores clocks de Antelope Audio, como los inigualables relojes atómicos 10M y 10MX.

128 CANALES DE AUDIO A TRAVÉS DE THUNDERBOLT Y MADI
El Orion 32+ Gen4 puede transmitir el doble de canales que su predecesor a través de Thunderbolt y tiene el doble de conectividad MADI, ahora con 128 canales para ambos. Estas actualizaciones significativas permiten conectar hasta cuatro unidades en cadena para tener 128 canales de A/D y D/A a través de una única conexión de computadora. Esto convierte a la unidad en la opción principal para grabaciones grandes, aplicaciones de sonido en vivo, configuraciones de postproducción complejas y instalaciones de transmisión. Es el compañero preferido de grandes consolas de mezcla, cadenas de procesamiento de efectos de hardware, cajas de suma analógicas, configuraciones de bobinas a bobina, sintetizadores de hardware y prácticamente cualquier otro equipo que necesites utilizar.

ABRAZA EL FUTURO DE LA PRODUCCIÓN DE AUDIO
La Orion 32+ Gen4 es compatible con el último sistema de monitoreo de audio envolvente e inmersivo Atmos de Antelope Audio MRC. La plataforma integrada admite más de 23 formatos de audio, desde estéreo hasta Dolby Atmos 9.1.6, y ofrece herramientas de calibración precisa de altavoces y habitaciones. Los controles de monitoreo intuitivos y la funcionalidad de recuperación de preajustes rápidos están diseñados para aumentar la productividad. Está disponible como una mejora opcional para el Orion 32+ Gen4. Como extensión física del sistema, el controlador de hardware MRC de Antelope compatible proporciona controles táctiles optimizados y fundamentales para un monitoreo avanzado y sin esfuerzo.

FLUJO DE TRABAJO REDISEÑADO PARA MEJORAR LA PRODUCTIVIDAD
La Orion 32+ Gen4 no solo presenta un aspecto actualizado y un hardware mejorado drásticamente, sino también un panel de control de software rediseñado para un flujo de trabajo aún más suave. Ahora cuenta con un potente sistema de recall de preajustes completo con ruteo de señal, ajustes de nivel, configuraciones de mezcla y controles de monitoreo, entre otros. Se ha introducido un práctico widget emergente de monitoreo para un control de nivel de salida y recuperación de preajustes prácticos, con una función de "siempre visible". La matriz de ruteo de señal de la unidad ahora es completamente personalizable con la idea de facilitar el enrutamiento y con menos complejidad en mente.

FÁCIL INTEGRACIÓN EN CUALQUIER CONFIGURACIÓN
La Orion 32+ Gen4 es más que generoso cuando se trata de opciones de conectividad disponibles. La unidad está diseñada para una integración rápida y sin esfuerzo en una variedad de configuraciones de estudio, ya sea a través de Thunderbolt o USB. La interfaz es compatible tanto con sistemas Windows como macOS, y con opciones adicionales como su puerto ADAT, está garantizado que se adapte a todas las aplicaciones posibles, desde grabación, mezcla, interfaz y conversión, hasta su uso como una avanzada matriz de conexiones o controlador de monitores. La Orion 32+ Gen4 también está listo para ser el mejor amigo de tu sintetizador modular, ya que cuenta con E/S acopladas en corriente continua que te permiten enviar señales CV desde tu DAW directamente a tus instrumentos de hardware.

CARACTERÍSTICAS:

32x32 canales de E/S analógica DC acoplada, más salida de monitor estéreo dedicada
128 canales de E/S a través de Thunderbolt 3 o 32 canales vía USB, con una frecuencia de muestreo de hasta 192 kHz
128 canales de E/S a través de MADI óptico, con una frecuencia de muestreo de hasta 48 kHz
Conversión de alto rendimiento con un rango dinámico de hasta 130 dB
Sincronización y manejo de jitter aclamados de 4ª generación AFC de 64 bits
Sistema de calibración de monitoreo opcional de varios canales listo para Atmos
Panel de control de software con potente sistema de preajustes, widget desplegable de monitoreo y matriz de ruteo de señal personalizable
Conectividad adicional a través de ADAT y S/PDIF
Compatible con macOS y Windows a través de Thunderbolt y USB.

Última Pieza

Antelope Audio

Antelope Verge ¡¡ULTIMA PIEZA!!

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$129 Dólares

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Avid

Avid Pro Tools Dock

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$1,195 Dólares

En Bodega

Avid

Avid S1

(0)

$1,495 Dólares

Mix big in any space
Get the unparalleled speed, rich visual feedback, and software integration of Avid’s high-end consoles in a slimline surface that’s an easy fit for any space or budget. Avid S1 gives you deep hands-on control of your favorite audio and video software. Together with the free Avid Control app on your iPad or Android tablet, it provides great ergonomic efficiency, easy touch workflows, and Avid S6-style metering and processing views, so you can mix more intuitively and turn around better sounding mixes fast.

Get massive power in a mini surface
While Avid S1 fits easily between your display and keyboard, it packs a lot of mixing power into its small surface. From motorized faders and knobs that respond to your touch, to fast-access touchscreen workflows and Soft Keys that enable you to perform complex tasks with a single press, S1 provides the speed and versatility to accelerate any music, audio post, or video project.

Get unmatched software integration
S1 is powered by EUCON, Avid’s high-speed Ethernet control protocol that delivers deep hardware/software integration, giving you full touch and tactile access to a host of Avid and third-party software functions and controls. You can even switch between multiple applications—and workstations—at the touch of a button, providing the most fluid editing and mixing experience

Gain extensive insight into your mix
hardware/software integration, giving you full touch and tactile access to a host of Avid and third-party software functions and controls. You can even switch between multiple applications—and workstations—at the touch of a button, providing the most fluid editing and mixing experience.
S1 not only features high-resolution OLED displays, it integrates with the free Avid Control app on your tablet, providing rich visual feedback to enhance your workflow. From track names, parameter values, and automation, to S6-style monitoring, metering, and channel processing views, you get the comprehensive feedback of a high-end console in a versatile surface for the budget-minded.

Scale the surface to your needs
your tablet, providing rich visual feedback to enhance your workflow. From track names, parameter values, and automation, to S6-style monitoring, metering, and channel processing views, you get the comprehensive feedback of a high-end console in a versatile surface for the budget-minded.
Need more faders? Connect multiple S1 units together to create an extended, fully integrated control surface that provides more tactile control to handle larger mixes. You can even seamlessly connect Avid Dock to S1 to have dedicated transport controls, a jog wheel, focus fader, and more at your fingertips.

Features

Accelerate your workflow
From muting and soloing tracks, editing plugins, and routing signals, to writing surround panning automation and triggering macros, S1 provides total hands-on access to your audio or video project, giving you greater speed and precision than mixing with a mouse and keyboard alone.

Navigate large sessions fast
With Avid Control on your connected iPad or Android tablet, you can get to where you need to go instantly. Jump to a track by selecting it in Tracks View. Or swipe through multiple channels in Mix View, eliminating tedious software click-throughs.

Get pro-level hands-on control
From its motorized, touch-sensitive faders and touch-sensitive knobs, to support for VCA spill, monitor control, and custom layouts, S1 goes far beyond what you can do with a MIDI-based controller. Plus, its customizable Soft Keys speed up tedious tasks, enabling you to trigger functions with a simple tap.

View your mix in great detail
From track names, parameter values, and high-res S6-style metering (including gain reduction), to 7.1.2 surround panning, automation status, and channel processing graphs, S1 gives you great insight into your mix. You get the visual feedback you need to make better creative decisions.

Work with your favorite creative tools
S1 offers deep integration with Pro Tools and Media Composer, plus native support for a variety of third-party audio and video applications, including Logic Pro, Cubase, Premiere Pro, and more, to dramatically speed up editing and mixing tasks.

Get S6-style monitoring control
Easily control EUCON-enabled monitoring right from the surface. With the Monitoring View in Avid Control, you can quickly assign and manage source selections, cue mixes, talkback, listenback, speaker cuts, and more to speed up your workflow.

Specifications

SYSTEM REQUIREMENTS

Avid-qualified Mac or Windows-based computer

HARDWARE SPECIFICATIONS

Faders: Eight motorized, touch-sensitive, 100 mm long-throw faders
Knobs: Eight push-top, touch-sensitive rotary encoders
Additional controls: Assorted hardware buttons/keys for various functions and mode selections, including Mute, Solo, Record-enable, Bank, Nudge, and more
Software interface: Supports the free Avid Control app running on iPad or Android tablet (tablet not included)
Displays: Eight high-resolution OLED displays, plus multiple status LEDs and multicolor track buttons; channel metering, monitoring, processing, track status, automation modes, and other views provided by Avid Control on your tablet
Height (front, rear): 1.2 inches, 3.8 inches (29 mm, 97 mm)
Width: 12.3 inches (312 mm)
Depth: 14.9 inches (377 mm)
Scalability: Connect up to four S1 controllers together, plus Avid Dock, to create an extended, fully integrated surface

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Avid

Avid S4

(0)

Desde $23,995 Dólares

Customizable semi-modular control surface harnessing the mixing power of the award-winning Avid S6 in a smaller, more affordable package - includes one Channel Strip Module, one Master Touch Module, and one Master Automation Module in a 3-foot base

The Avid S4 Control Surface is a customizable semi-modular control surface that harnesses the mixing power of the award-winning Avid S6 in a smaller, more affordable package. With an intuitive interface, an ergonomic design and hands-on control over your favorite DAW, the S4 is the perfect fit for any workflow. The S4—8-fader, 3-foot base configuration is the most compact surface in the S4 series, making it ideal for independent mixers, small music studios and audio post production facilities.

UNMATCHED HANDS-ON CONTROL
All S4 configurations include the Master Touch Module, which offers quick access to your mix and control parameters using the built-in touchscreen and familiar console controls. The built-in Automation Module features a full transport control section with a shuttle wheel, a focus fader, automation control, a numeric keypad and more. The S4—8-fader, 3-foot base configuration includes the new Channel Strip Module, which offers eight channel faders and 32 rotary encoders for controlling track levels, plugins and more.

FLEXIBLE SEMI-MODULAR DESIGN
The Avid S4’s semi-modular design can be customized to suit your workflow. The S4—8-fader, 3-foot base configuration supports up to four Display Modules for unparalleled visual insight into your mix. Or choose up to two additional Attention Knob Modules with 32 assignable top-lit knobs each for fine-tuning your mix.
Outfit the S4—8-fader, 3-foot base configuration for post production with the optional Joystick Module, which features dual touch-sensitive joysticks with TFT and OLED displays for precise placement. The optional Post Module offers two rows of PEC/DIRECT paddles to quickly A/B multiple sound sources.

TAKE COMMAND OF MULTIPLE DAWS
S4 is EUCON-enabled and offers intelligent control over Pro Tools, Nuendo, Pyramix, Logic Pro, Cubase, and other audio software for faster, more efficient mixing. You can even mix tracks from two different DAWs simultaneously. And with advanced metering capabilities and visual feedback for Pro Tools waveforms, you can rest assured you’re making well-informed mix decisions.

Includes:

One Channel Strip Module
One Master Touch Module
One Master Automation Module
Filler panels/plates

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Avid

Avid S6 M40

(0)

Desde $61,830 Dólares

Customize your surface
Design the perfect mixing surface for your workflow. Choose a preconfigured system or build your own with an accompaniment of Fader, Knob, Process, and Display Modules. Add optional modules for surround and post mixing. Personalize it further with a variety of accessories, from keyboard and script trays to speaker mounts. And because it can be scaled horizontally and vertically, you can configure S6 with the modules you need now to fit your budget, with room to expand in the future as your needs grow.

Get intelligent touch control
The Master Touch Module serves as the engine of your entire surface and central hub of operation. With its 12.1-inch tilting multipoint touchscreen, knobs, and other controls, you can quickly access and control different aspects of your mix and system. Navigate and edit tracks and plug-ins fast. Select, mute, solo, and record-enable channels. View metering and parameter statuses. Monitor and route signals. Configure and manage your S6 setup. And much more.

Work with what you want
You have a lot of choices when it comes to the tools you use to create music, sound for picture, or videos. So why not use a control surface that respects the choices you make? Pro Tools | S6 does. That’s because it features EUCON, a high-speed Ethernet-based technology that enables the hardware to communicate directly with any EUCON-enabled application—and vice-versa. And because it's application-aware, you can switch from a Pro Tools project to Logic Pro, Cubase, and other audio software in seconds.

Features

Immerse yourself in Dolby Atmos®

Today’s moviegoers have high expectations, demanding more bang for their buck. That’s why Dolby Atmos is the hottest thing in cinema and home theater, delivering bigger, more immersive audio experiences to viewers. And now you can get hands-on access to the most efficient Dolby Atmos mixing workflows in the industry—right from any Pro Tools | S6 surface and in Pro Tools | HD.

Gain flexibility with the modular design

S6 is built to grow and change with you at every stage of your business. With a first-of-its-kind modular design, you can customize/modify the surface at any time with the modules, options, and accessories you need to match your current workflow for the greatest cost efficiency. Then scale the surface—horizontally and vertically—as your business grows in the future.

Work faster with superior ergonomics

S6 acts and feels like a physical extension of your software, providing a truly immersive experience. Turn around projects fast with efficient editing and mixing control. Quickly navigate hundreds of tracks and access and edit plug-ins, pans, and more with the touchscreen. Position sounds exactly where you want or move them around through time with tactile precision. And see every mix detail with unprecedented visual feedback, including Pro Tools waveform scrolling.

Expand control across your network
Through EUCON, S6 communicates directly with Pro Tools and other DAWs on your network. Simultaneously control up to eight audio workstations with an M40 Master Touch Module-based surface, or two workstations with an M10-based surface. Even workstations in other rooms across your facility with incredible responsiveness. All from one control surface.

Control your entire studio
In addition to Pro Tools, you can mix tracks from Logic, Cubase, and other DAWs. And not just one DAW at a time. You can mix and match channels from different DAWs—side by side—on the surface. Create up to 96 custom layouts using multiple tracks from different systems, and instantly recall them from the touchscreen.

Get extensive visual feedback
Get the critical visual insight you need to mix with confidence and speed. Note channel modes from the top-lit, multicolor knobs. View tracks, meters, panning, and other visuals on the master touchscreen.

Mix intuitively with proven technology
S6 delivers incredible workflow acceleration, highly responsive handling, and deep DAW integration.

Take intelligent control of Pro Tools
Pair S6 with Pro Tools and get extended visual feedback and unique features to accelerate your efficiency every step of the way.

Automate tracks and edit plug-ins.Access parameters quickly by expanding plug-ins across knob modules. Access all channels in a VCA Master by “spilling” them across multiple channel strips. View gain reduction and scrolling waveforms (on S6 M40 surfaces with a Display Module only). You can even edit clips directly from a channel strip.

Build your own—speak with our experts

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Bricasti Design

Bricasti MC1 Dual Mono Master DAC

(0)

$8,595 Dólares

The M1 digital to analog converter is a dual mono design; there are two completely isolated channels, each with its own dedicated linear power supply, D/A converter, DDS clocking, and analog circuitry. This design ensures that analog crosstalk is virtually nonexistent, that the necessary power requirements for each channel are well met and isolated from each other and the digital processing is isolated, having its own power supply. With our twin DAC design, the dynamic range for each channel is optimized by using the stereo ADI 1955 D/A converter in a mono configuration. The M1 also includes Bricasti's own proprietary filter technology, further opening new territory with what is achievable in a modern D/A reference.

Network Player Option
First incorporated for the M12 Dual Mono Source Controller, The Bricasti network interface and media renderer option allows any M1 to be seen as a DNLA device on an audio network and server as an audio device to play or stream to through a wired connection on your network. Now you can run wired data longer distances without loss in quality so your network server can go anywhere you choose.

Product Highlights

DSD, DSD64 and DSD128 playback.
Features the latest generation asynchronous USB interface.
Dedicated dual mono design.
Highly acclaimed, proprietary filter technology.
Extremely low jitter @ 6 picoseconds.
Supports sample rates of up to 352.8kHz and 24 bits.
Minimum and linear phase filters

Digital Inputs

Connectors:

USB: USB-2

XLR: AES/EBU 24 bit Single Wire

RCA: SPDIF

Toslink: Fiber Optic

Sample Rates:

USB: 44.1 kHz - 384 kHz, DSD 64x, DSD 128x

AES, SPDIF: 44.1 kHz - 192kHz

Toslink: 44.1 kHz - 96 kHz

Frequency Response Dig I/O:

DC to 24 kHz @ 48 kHz

DC to 96 kHz @ 192 kHz

Balanced Analog Outputs

Connectors: XLR balanced (pin 2 hot)

Impedance: 40 ohm

Max output level:+22 dbm

Min output level:+8 dbm

D/A Conversion:24 bit delta sigma 8x oversampling

Frequency Response @44.1k:10 hz- 20 kHz +0dB, -.2 dB

Dynamic Range:>120dB A-Weighted

THD+N @ 1k: .0006% @ 0dbfs / .0004% @-30dbfs

Unbalanced Analog Outputs

Connectors:RCA

Impedance:40 ohm

Output level: +8 dbm (2V RMS)

D/A Conversion: 24 bit delta sigma 8x oversampling

Frequency Response @ 44.1k: 10 hz- 20 kHz -.2 dB

Dynamic Range: >120dB A-Weighted

THD+N @ 1k: .0006% @ 0dbfs / .0004% @-30dbfs

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Hear Technologies

Hear Back Pro 4 Pack

(0)

$5,995 Dólares

The Hear Back Pro 4-pack from Hear Technologies makes quality personal monitoring effortless. Modular and expandable, the Hear Back Pro system consists of a hub and up to 32 personal mixers. The hub supplies signal and power to the mixers, and features four configurable card slots to meet your exact I/O needs. The mixers connect to the hub via Cat 5e/6 cable. This package includes the hub, which is loaded with a network card and two 8-channel analog input cards, and four mixers. This package also boasts all the necessary cables, so you can get up and running fast. The easy-to-use Hear Back Pro 4-pack is a simple path to effective personal monitoring.

Hear Technologies Hear Back Pro 4-pack at a Glance:

Hear Back Pro hub powers up to 32 mixers
Hear Back mixer creates your own personal monitor mix

Hear Back Pro hub powers up to 32 mixers

A single hub supplies signal and power to a maximum of 32 mixers - this bundle includes four mixers. That's one for you and three more for other members in the band! You can always purchase more mixers (again, up to 32) if the need arises. If that's not enough, hubs can be daisy-chained using the HBus In/Out port for virtually unlimited system size. The Hub supports 16 channels of ADAT lightpipe or analog via DB-25 input. It couldn't be any easier!

Hear Back mixer creates your own personal monitor mix

The Hear Back Pro mixer is your personal control surface that creates YOUR OWN monitor mix - live! The mixer offers control over 18 input channels (16 mono channels + AUX IN + Intercom IN), as well as monitor volume, panning, and stereo link. Also, for convenient onstage or studio use, the mixer offers a built-in standard threaded mic stand mount! Each mixer is connected to the hub via affordable and easily available Cat 5e/6 cables. Total control of your own mix - that's the Hear Back system.

Hear Technologies Hear Back Pro 4-pack Features:

Personal monitor package with hub, 4 mixers, 4 50' Cat 6 cables, and 2 analog DA-88-style cables
Hub is loaded with a network card and 2 8-channel analog input cards
Analog input cards accept signals from the mixers via auxiliary, matrix, monitor, and/or direct outputs
Remaining card slot can be configured to meet your exact I/O needs
Built-in HBus In/Out ports for daisy-chaining hubs into a larger system
Modular and expandable up to 32 mixers

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Hear Technologies

Hear Back Pro Mixer

(0)

$649 Dólares

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Hear Technologies

Hear Mix Back

(0)

$926 Dólares

The Hear Technologies Mix Back is an affordable 16-in monitor mixer with 12 mono and two stereo outputs for live or studio cue use. The 11-rackspace unit can be cascaded for more inputs. An optional talkback remote instantly connects the engineer with any (or all) of the musicians.

Hear Technologies Mix Back Monitor Mixer at a Glance:

16-input mixer with analog and digital outputs
High-quality mic/line inputs with inserts, highpass filter and 4-band EQ
Master section with effects returns, aux return with level control, and talkback mc preamp

16-input mixer with analog and digital outputs

It's easy to configure the perfect monitor mix setup with the Hear Technologies Mix Back. Assign any of the 16 inputs to one of 12 mono outputs and two stereo mix outputs to route signal to individual monitor stations. In addition, the Mix Back includes two ADAT optical outputs for digital connections, plus two HearBus outs for connection to other Hear Technologies gear.

High-quality mic/line inputs with inserts, highpass filter and 4-band EQ

The Mix Back's input section features 16 high-quality mic/line inputs (with passive splitters). Each input features a channel insert, a signal/clip LED, a 100Hz highpass filter, and an independent gain control. In addition, the Mix Back input channels each have 4-band EQ with separate controls for sweep and boost/cut on the mid bands.

Master section

The Mix Back master section offers two stereo and 12 mono TRS outputs with switch-selectable meter/headphone monitoring. Two stereo TRS balanced effect returns are augmented by switch-assignable FX1/FX2 returns to the 12 mono masters. A stereo aux return with level controls can be routed to both stereo busses - great for a FOH mix or the studio "two mix." The Mix Back's talkback mic preamp is assignable to stereo masters 1 & 2, mono outputs 1-12, and the balanced Intercom output. A 16-button talkback remote connects using standard Cat 5e cable. In addition, the Mix Back provides 16 channels of ADAT and HearBus output.

Hear Technologies Mix Back Monitor Mixer Features:

16 x 12 x 2 X 2 monitor mixer
Two stereo outputs, 12 mono outputs
Two ADAT optical outs and two HearBus outputs
16 high-quality mic/line inputs with passive split
Channel inserts
Signal/clip LED indicator
100Hz highpass filter
4-band EQ with separate controls for sweep and cut/boost on mid bands
Two stereo level and pan controls (ST1 & ST2)
Switch-selectable effects 1-2 sends
Two stereo TRS balanced effect returns
Switch-assignable FX1/FX23 returns to the 12 mono masters
Stereo Aux return with level controls to both stereo busses
Bus inputs permit stacking multiple mixers
Talkback mic preamp assignable to stereo masters 1 and 2, mono outputs 1-12, and the balanced Intercom output
16-button talkback remote connects using standard Cat 5e cable
16 channels of ADAT and HearBus output