Interfaces

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Avid

(0)

$4,199 Dólares

A NEW BREED OF AUDIO INTERFACE FOR MUSIC PRODUCTION

Built to capture brilliance. And ready for yours.

With superior sound quality and intelligent software integration, Pro Tools | Carbon removes barriers to creativity, so you can bring out the best in your performance and capture it beautifully.

PERFORMANCE

Power and simplicity that drive your creative spark.

With HDX DSP acceleration under the hood and deep Pro Tools integration, Carbon has the power to keep pace with your imagination. Create in the moment, free from technical hassles. And focus on the music you’re making—not what you’re making it with.

Epic performance eliminates latency.

Carbon is cut from the same cloth as our flagship Pro Tools systems used in the world’s most acclaimed studios. Its custom-designed FPGA and eight HDX DSPs achieve remarkable sub-1 ms recording latency and free up your computer to run big, plugin-heavy sessions smoothly.

Fast, intuitive, and fully integrated.

Move effortlessly between tracking and mixing—without messing with buffer settings. The magic is in the Hybrid Engine, which lets you toggle tracks in and out of DSP Mode at the touch of a button. Record naturally through real-time AAX DSP plugins, without distracting latency. Then mix with the same plugins in Native Mode, without taxing Carbon’s onboard DSP.

PRODUCTION

Turn your music into records.

From idea to final mix, Pro Tools is the heartbeat of your studio. And with Carbon turbocharging the experience, as well as a suite of hit-making AAX plugins at your fingertips, you can act on inspiration the instant it strikes.

Plug into an inspired sonic palette.

Shape your sound with a full range of AAX plugins—from warm, dimensional analog emulations, to cutting edge processors that define modern music making. In addition to the 116 plugins that come with Pro Tools, Carbon includes a premium collection to get you started from the biggest brands in the business.

Converters and preamps. Musical and transparent.

With four ADCs per channel and pristine 32-bit precision throughout its gain structure, Carbon captures clean, natural-sounding audio without coloration. And with Variable Z built in, you can optimize or alter the tone of any microphone or instrument by simply adjusting input impedance.

High-resolution clocking. Flawless sound.

Precision clocking is crucial for distortionless, artifact-free audio. That’s why we designed a double resolution implementation of the JetPLL™ jitter elimination technology to ensure the best sound quality for your music. It runs twice as fast as typical JetPLL clocks—and it’s twice as accurate.

I/O

Connect the whole band.

Whether you’re a solo artist or part of a band, Carbon has your I/O needs covered. With 25 x 34 simultaneous I/O—including eight mic pres and four headphone outs—you can record your entire band. With plenty of creative possibilities for miking, cue mixing, and expansion to meet your needs.

SYSTEM REQUIREMENTS

Avid-qualified Ethernet or Thunderbolt-equipped Mac computer

INPUTS

Combo Mic/Line Inputs

8 balanced XLR/TRS with Variable Z (impedance) on inputs 5–8

DB25 Line Inputs

8 balanced via 25-pin D-sub

Instrument (Variable Z) Inputs

2 unbalanced ¼-inch TS

Digital Inputs

ADAT: 16 channels @ 44.1–48 kHz

ADAT: 8 channels @ 88.2–96 kHz

ADAT: 4 channels @ 176.4–192 kHz

A/D CONVERSION

Mic Preamps

Dynamic Range: 126 dB (A-weighted)

THD+N: -105 dB (0.00056%)

Frequency Response: 20 Hz–20 kHz, ±0.1 dB

EIN: -129 dB (A-weighted)

Line Inputs

Dynamic Range: 125 dB (A-weighted)

THD+N: -106 dB (0.0005%)

Frequency Response: 20 Hz–20 kHz, ±0.1 dB

Line Inputs (True Bypass)

Dynamic Range: 126 dB (A-weighted)

THD+N: -113 dB (0.00022%)

Frequency Response: 20 Hz–20 kHz, ±0.1 dB

Instrument Inputs

Dynamic Range: 125 dB (A-weighted)

THD+N: -103 dB (0.0007%)

Frequency Response: 20 Hz–20 kHz, ±0.1 dB

OUTPUTS

DB25 Line Outputs

8 balanced via 25-pin D-sub

Monitor Outputs

2 balanced ¼-inch TRS

Headphone Outputs

4 stereo ¼-inch TRS

Digital Outputs

ADAT: 16 channels @ 44.1–48 kHz

ADAT: 8 channels @ 88.2–96 kHz

ADAT: 4 channels @ 176.4–192 kHz

D/A CONVERSION

Line Outputs

Dynamic Range: 120 dB (A-weighted)

THD+N: -110 dB (0.0003%)

Frequency Response: 20 Hz–20 kHz, ±0.1 dB

Monitor Outputs

Dynamic Range: 120 dB (A-weighted)

THD+N: -110 dB (0.0003%)

Frequency Response: 20 Hz–20 kHz, ±0.1 dB

Headphone Outputs

Power: 100 mW into 300 ohm; 200 mW into 32 ohm

Dynamic Range: 116 dB (A-weighted)

THD+N (32 ohm): -87 dB (0.0045%)

THD+N (300 ohm): -100 dB (0.001%)

Frequency Response: 20 Hz–20 kHz, ±0.1 dB

DSP ACCELERATION

HDX DSP

8 HDX DSP processors

(2.8 GHz aggregated processing)

WHAT’S INCLUDED

Pro Tools | Carbon audio interface

Pro Tools software

1-year subscription with a Pro Tools perpetual parachute*

116 AAX plugins (over 70 AAX DSP plugins), including UVI Falcon, Celemony Melodyne 5 essential, the Avid Complete Plugin Bundle, and HEAT

3 free months of Antares Auto-Tune Unlimited, including Auto-Tune Hybrid

5.4 GB sound library

Standard support

Included premium plugins

Arturia Rev PLATE-140

Brainworx bx_console N

Brainworx bx_rockrack

Brainworx bx_masterdesk

Brainworx bx_Purple Audio MC77

Embody Immerse Virtual Studio

McDSP 6050 Ultimate Channel Strip HD

Native Instruments Vintage Organs

UVI Model D

Accessories

Power cable

Ethernet cable

Rackmount screws and desktop feet

Registration card

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Avid

Avid MTRX Studio

(0)

$4,999 Dólares

Your studio centerpiece
Bring creative efficiency to your studio with powerful I/O, monitoring, and routing capabilities in an all-in-one audio interface. Pro Tools | MTRX Studio simplifies your signal flow, providing connections to all your gear. Route any input to any output. Customize monitor profiles with integrated speaker tuning. Outfit any room in your facility for Dolby Atmos mixing. And get ultra-low latency monitoring when tracking and mixing with Pro Tools | HDX or HD Native.

Get premium sound, built in partnership with DAD
With Digital Audio Denmark’s precision audio converters and mic preamps, you can capture and hear every vocal, instrument, and sound performance in great detail. Plus, get ultra-low latency when tracking with Pro Tools | HDX or HD Native, enabling artists to perform at their best.
Take full monitor control
No need for a separate monitor controller. MTRX Studio covers this and your signal routing needs. Create monitor profiles and fold-downs to speed up your workflow. And toggle between multiple speaker sets directly from the included DADman software or your Avid control surface.
Optimize your monitoring environment
With speaker calibration built directly into the interface—the same SPQ speaker processing technology available as an option for Pro Tools | MTRX—you can tune your room for any session format. Easily transition between music and audio post production—from mono to immersive audio.

Features:

Compact 1RU chassis
Computer Connection: 2 Digilink ports
Mic/Inst Inputs: 2 x 1/4", 2 x XLR
Analog I/O: 16 x 16 (DB-25) + 2 x 1/4""
Dante I/O: 64 channels
ADAT I/O: 16 x 16
Monitor Profiles
Monitor Groups, Fold Downs, Group Formats
Integrated Speaker Processing
256 filters on 16 channels
Routing Matrix: 512 x 512
Sample Rate: 44.1kHz–192kHz

Take full monitor control
No need for a separate monitor controller. MTRX Studio covers this and your signal routing needs. Create monitor profiles and fold-downs to speed up your workflow. And toggle between multiple speaker sets directly from the included DADman software or your Avid control surface.
Optimize your monitoring environment
With speaker calibration built directly into the interface—the same SPQ speaker processing technology available as an option for Pro Tools | MTRX—you can tune your room for any session format. Easily transition between music and audio post production—from mono to immersive audio.

Mix and monitor Dolby Atmos in any room
Have the I/O channels, speaker processing, and monitoring control you need to support 7.1.4 and larger setups for Dolby Atmos mixing. Quickly calibrate speakers and tune any size and shape room to ensure an accurate monitoring environment, so you can mix with confidence.

Route audio extensively
With 64 channels of Dante, plus the 512 x 512 matrix in DADman, you can route any MTRX Studio input to any output, expanding your workflow possibilities. Create easy cue mixes over Dante. Route between connectivity formats. Even send audio to multiple devices simultaneously.
Take remote control of the interface
MTRX Studio is EUCON-enabled and delivers tight integration with Pro Tools | Ultimate, enabling you to control all audio sources, monitoring, and routing directly from any Avid control surface. It eliminates manual tasks and physical patching, keeping you in your creative flow—and in your seat.

SYSTEM REQUIREMENTS
Pro Tools | HDX or Pro Tools | HD Native system running Pro Tools | Ultimate 2019.12 or later and DADman 5.4.1 or later.

SPECIFICATIONS

Type: Pro Tools HD/HDX Interface
Computer Connectivity: Ethernet, DigiLink
Form Factor: Rackmount
Simultaneous I/O: 64 x 64 (Dante), 16 x 16 (analog, ADAT)
A/D Resolution: 24-bit/192kHz
Built In DSP/FX: SPQ Speaker Processing, Channel Delay Management
Number of Preamps: 2
Phantom Power: Yes
Analog Inputs: 2 x 1/4" (Hi-Z), 2 x XLR (mic), 2 x DB-25 (line)
Analog Outputs: 2 x DB-25 (line), 2 x 1/4" (monitor)
Digital Inputs: Ethernet (Dante), Mini-DigiLink, 2 x Optical Toslink (ADAT)
Digital Outputs: Ethernet (Dante), Mini-DigiLink, 2 x Optical Toslink (ADAT)
Headphones: 2 x 1/4"
Clock I/O: Word Clock In/Out, Loop Sync In/Out
Data I/O: 2 x Ethernet, 2 x Mini-DigiLink
Software: HD/HDX Compatible, EUCON support
Power Supply: Standard IEC AC cable
Rack Spaces: 1U
Width: 19"

Última Pieza

Antelope Audio

Antelope Audio Galaxy 64

(0)

$9,995 Dólares

¿TIENES MAC CON M1 A M4?

ENTERATE DANDO CLICK EN EL LOGO

ANTELOPE AUDIO GALAXY 64 DANTE/HDX/THUNDERBOLT 3 INTERFACE & 64-CHANNEL AD/DA

WORLD'S FIRST

Antelope Audio’s first Dante interface is also the world’s first 64-channel AD/DA converter. Featuring all industry-standard analog and digital connections in 2U of rack space, including, 64 channels of analog I/O, Thunderbolt 3, Dante, AES/EBU, HDX and MADI, Galaxy 64 is equipped to handle all audio going in and out of your production facility or live event.

SYNERGY CORE

Galaxy 64 is a Synergy Core interface that runs ARM DSP + FPGA chips in custom configurations to process tens of input/output audio streams and hundreds of low-latency studio effects without burdening your computer. With 12x ARM DSP + 2x FPGA units on-board, a single Galaxy 64 can handle large sessions with hundreds of FX instances applied per each individual channel.

TRULY UNIVERSAL

Designed for recording, post-production, live events, broadcast, large-scale scoring recordings, and the enterprise sector, Galaxy 64 fits 64 channels of all-encompassing connectivity, cutting-edge signal processing and rock-solid reliability inside a single 2U rackmount unit.

MADE FOR CRITICAL LISTENING

Galaxy 64 employs high-quality converters providing the lowest Total Harmonic Distortion and Signal-To-Noise ratio in units of its kind. It also boasts a generous 124dB of dynamic range on the AD stage, 128dB at the DA stage and 130dB at the monitor outputs. The converters achieve precise and transparent conversion with accurate transient reproduction. The Galaxy 64 does not require external converters for monitoring and facilitates critical listening without added coloration by virtue of its mastering-grade monitor outputs.

PRODUCT SPECIFICATIONS

CONDITION	New
CHASSIS	19-inch Rack-mount
RACK SPACES	2u
CHANNELS	64-Channel
COMPUTER CONNECTION	Thunderbolt 3
DIGITAL FORMAT	ADAT, Dante, MADI

En Bodega

Antelope Audio

Antelope Zen Tour 8x8 Synergy Core

(3)

$1,995 Dólares $2,150 Dólares

-7%

More powerful version of the Zen Tour desktop Thunderbolt/USB audio recording interface with 2x DSP plus 2x FPGA Synergy Core low-latency effects and audio engine processors and improved AD/DA conversion

Our professional desktop audio interface grows even more powerful. Without getting much bigger. Zen Tour Synergy Core brings the following upgrades from the original Zen Tour:

• 4x DSP + 2x FPGA Synergy Core low-latency effects and audio engine processors

• Improved AD/DA conversion – up to 130dB DNR, on par with Orion Studio Synergy Core

• 2x increase in channel count (32 channels at sample rates up to 192kHz)

• Thunderbolt™ 3 & USB 2.0 cross-platform connectivity for Mac / Windows

• Support for new Synergy Core-exclusive effects like Auto-Tune Synergy, Opto-2A, MES-432C, Comp-4K-Bus and others

• 8 DC-coupled line outputs for CV applications like controlling modular synthesizers

• Discrete ultra – linear microphone preamps

Antelope Audio Synergy Core interfaces employ ARM DSP + FPGA chips in custom configurations to process tens of input/output audio streams and hundreds of low-latency studio effects without burdening your computer. With 4x DSP + 2x FPGA processors, Zen Tour Synergy Core achieves a new standard for real-time audio effects in its category.

Lead benefits

• Offload the bulk of your signal processing to the audio interface with hundreds of FX instances (at sample rates up to 192kHz) • Record, monitor, mix and master without perceived latency • Free up CPU for large sessions and resource-intensive virtual instruments

• Explore a growing library of vintage gear emulations and creative effects • Avoid latency stacking in complex effects chains • Improve system stability by lightening CPU load and optimising audio I/O

36 Synergy Core FX Included

Zen Tour Synergy Core comes with 36 Synergy Core FX included:

• 2 Preamps

• 4 Equalizers

• 5 Compressors

• 22 Guitar Amps & Cabs

• 2 Utility FX

• 1 Reverb Giving your projects a flying start, Zen Tour Synergy Core includes a compelling library of 36 meticulously modeled real-time studio effects. It’s all happening inside your audio interface with the lowest possible latency – thanks to FPGA’s massive parallel computing capabilities, DSP processing, and fast Thunderbolt™ connectivity. The included library can be expanded to include any effects you choose from our web store.

Auto-Tune Synergy

Built from the ground-up for the Synergy Core platform, Auto-Tune Synergy adds live pitch correction to the Antelope Audio experience.

Industry-leading pitch correction anytime you need it – live, during recording, and at mixdown

Fully adjustable Retune Speed, Flex-Tune, and Humanize parameters with Auto-Key automatic key and scale detection

Real-time, low latency performance with the Edge Go modeling microphone and any Antelope Audio Synergy Core interface

‘Classic’ mode pays homage to the legendary “Auto-Tune 5 sound” heard on countless hit records

Make Connections

Small footprint, big connectivity! Zen Tour Synergy Core offers a choice of 4 Instrument/Line inputs, 4 Mic/Line Ins, 8 Line Outs, 2 Monitor Outs, 2 Headphone Outs and 2 Re-Amp Outs, totalling 8 analog inputs and 14 outputs.

4 Discrete Microphone Preamps

A proprietary design that honors the best of audio engineering practices, our fully discrete, ultra-linear microphone preamps have sound quality comparable to that of a great mixing desk.

Industry-leading Clocking

The pioneer of atomic clocking in pro audio, Antelope Audio incorporates 20+ years of expertise in its audio interfaces. Our proprietary 64-bit Acoustically Focused Clocking technology & Jitter Management algorithm helps deliver the kind of artifact-free audio once accessible only to the most prestigious studios.

Full Speed Ahead

Record and monitor with maxed-out effects chains at high sample rates and low buffer sizes without taxing your CPU! You can enjoy Latency-Free Direct Monitoring over 4 independent internal mixers with 32 assignable inputs and stereo outputs.

Center Command

Zen Tour Synergy Core has modern touchscreen controls giving immediate access to metering, level controls, presets and settings.

Pack Light

Zen Tour Synergy Core is our desktop-sized answer to professional rackmount equipment.The Synergy Core architecture lets you run processing-heavy projects without carrying external equipment like DSP accelerators, FX processors, and authorization dongles.

Route Any Audio

Built inside the software Control Panel, a comprehensive Routing Matrix houses a full-fledged digital patch bay to freely route audio between the interface’s analog and digital inputs and outputs.

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Antelope Audio

Antelope AMARI

(0)

$3,395 Dólares

Reference-grade USB AD/DA converter and headphone amplifier

A REFERENCE-GRADE EXPERIENCE.

FULLY-EQUIPPED

For home audio users who seek high-end sound quality suitable for archiving, AMÁRI is a reference grade AD/DA converter, that delivers 24-bit 384 kHz conversion and DSD256 support, an easy-to-use interface and trademark Antelope clocking. Unlike other audiophile converters AMÁRI has 2 headphone outputs with user-selectable output resistance, which works as headphone membrane weight compensation.

384 KHZ, 24-BIT CONVERSION

This mastering-grade converter offers the industry-acclaimed Antelope Audio 64-bit Acoustically Focused Clocking (AFC) jitter management technology & up to 384 kHz, 24-bit conversion.

MULTI DAC TOPOLOGY

AMÁRI offers top of its class D/A converter performance by implementing an unique 8 × DAC architecture (4 × CS43198 chips per channel). This enhances the stereo image, expands depth perception and unveils all the musical details with its 138 dB dynamic range. Apart from the main DAC, the headphone outs feature dual DAC architecture for maximum performance, just like the main A/D converter – using one AK5578 chip per channel, boosting the dynamic range up to 128dB.

EXPLORING NEGATIVE IMPEDANCE

Unique headphone membrane weight compensation system with user-selectable output resistance.

17 STEPS OF HEADPHONE IMPEDANCE CONTROL

AMÁRI’s 2 high-power stereo headphone outputs (on XLR connectors) feature individual volume controls (capped at 20dBu max), with digital trim and selectable output impedance – from -4.6 to 85.3 Ohm, available in 17 control steps. These options let you configure AMÁRI for ideal compatibility with your favorite headphones, matching their impedance for best performance. AMÁRI’s high-fidelity headphone driver chip offers fully differential input (per amplifier). It is a dual-amp design, optimized to eliminate possible temperature drifts and deliver differential signal quality. The headphone outs also feature dual DAC architecture for maximum performance.

REVISIT YOUR DSD COLLECTION

This mastering-grade converter offers Antelope Audio’s industry acclaimed 4th generation of Acoustically Focused Clocking (AFC) technology up to 384 kHz at 24-bits.

SYSTEM REQUIREMENTS

WINDOWS

OS: Windows 10
Disk Space: Minimum 512 MB available disk space
USB: 1x USB 2.0/3.0 Port
CPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency
Memory (RAM): 4GB Minimum (8GB or more Recommended)

MAC

OS X: 10.11 and above (High Sierra recommended)
Disk Space: Minimum 512 MB available disk space
USB: 1x USB 2.0/3.0 Port

FEATURES:

High-End 24-bit 384 kHz for play back and recording
A/D – Dual AK5578 ADC chips - dynamic Range 128 dB
D/A -Eight CS43198 DAC chips - dynamic range of 138 dB
DSD64, DSD128 and DSD256 formats supported (DSD over PCM a.k.a. DoP) playback
2 headphone outputs with dedicated volume control for each output with user-selectable output resistance (a.k.a. headphone membrane weight compensation) that can be switched to balanced mode
Standard and Balanced mode for Headphones
4th Generation 64-Bit Acoustically Focused Clocking
10M Atomic Clock Input and Word Clock Input for better system integration and improved audio clarity
2 pairs of Analog Ins on combo XLR and RCA
2 pairs of Analog Outs on combo XLR and TRS
AES/EBU, S/PDIF and TOSLINK I/O.
Large touchscreen display to ease the advanced functions control and visualization
USB 3.1 Connection for playback and recording
Software Control Panel for flexibility and advanced functionality both on MAC and PC
Stunning design

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Prism Sound

Prism Sound Titan

(0)

Desde $4,724 Dólares

El Prism Sound Titan es una interfaz de audio USB multicanal para grabación personal y producción de sonido, diseñada tanto para músicos profesionales, compositores, ingenieros y productores, como para estudios de grabación, instalaciones de postproducción y escenarios de grabación. El Titan es ideal para grabación de música y sonido, multi-pistas, overdubbing, mastering basado en pistas individuales, mezcla analógica y aplicaciones de escucha crítica.

Titan ofrece el renombrado rendimiento, calidad de sonido y tecnología de reloj de Prism Sound en una unidad dedicada compatible tanto con Windows (Vista, 7 y 8, 32 y 64 bits, ASIO) como con MAC OS X 10.4.11 y versiones posteriores (Intel). Una vez configurado con una computadora, la Titan también puede funcionar de forma independiente utilizando sus conexiones S/PDIF o AES3.

La colección Prism Sound Ultimate incluida te brinda acceso a una gran cantidad de herramientas de audio creativas, innovadoras y líderes en la industria. La Ultimate Collection de Prism Sound tiene un valor superior a los $4000 y cuenta con una variedad de instrumentos premium, efectos de plug-ins contemporáneos, un DAW enfocado en la producción musical galardonado y una suite de edición y masterización líder en la industria.

RELOJ INSUPERABLE Y RECHAZO DE JITTER
La experiencia de Prism Sound en el desarrollo de equipos de prueba y medición para la industria del audio ha permitido a sus ingenieros adquirir un profundo conocimiento sobre la sincronización digital y los problemas asociados.

MEZCLADOR DIGITAL CON MONITORIZACIÓN FLEXIBLE
El Titan cuenta con un potente mezclador digital integrado que se puede configurar para proporcionar una multitud de feeds de baja latencia, incluyendo envío de escucha a los músicos, salidas estéreo y envolvente.

I/O FLEXIBLES
El Titan tiene una capacidad máxima de 18 canales de entrada y salida simultáneos, ofreciendo 8 canales de grabación analógica, 8 salidas de monitorización, entrada y salida digital estéreo a través de un conector phono, además de puertos de I/O digital óptica simultáneos.

CONEXIÓN DE ÚLTIMA GENERACIÓN
Con una conexión USB estándar, el Titan puede conectarse a la mayor cantidad posible de ordenadores de hoy en día y en el futuro cercano. Además, existe la opción de añadir módulos ProTools HDX y Dante para obtener una solución flexible y profesional.

SOFTWARE DENTRO DEL ULTIMATE COLLECTION (opcional)

DAWs: WAVEFORM PRO, SADIE 6
Sintetizadores: F.’EM, WAVERAZOR, ABYSS, HYPERION, SPACECRAFT, RETROMOD INSTRUMENTS
Samplers: BIOTEK 2
Efectos: DAW ESSENTIALS COLLECTION (Bundle de 16 efectos de procesamiento)

CARACTERÍSTICAS

Calidad de audio Prism Sound
Interfaz USB dedicada
Controladores ASIO para Windows VISTA, 7 y 8 (32 y 64 bits)
Compatible directamente con CORE AUDIO en Mac OS X 10.4+
Ocho canales AD y DA de alta calidad "Prism Sound"
Operación simultánea de puertos ADAT y conmutables S/PDIF o AES3
Cuatro preamplificadores de micrófono integrados de alta gama (EIN típico de -130dBu), con phantom switcheable
Procesamiento de matriz MS en las entradas de micrófono
Dos entradas de instrumento
Ecualización RIAA en las entradas 1 y 2
"Overkillers" Prism Sound en cada canal analógico para controlar sobrecargas transitorias
Arquitectura totalmente equilibrada y flotante (aislada) para un óptimo rechazo de ruido
Configuraciones de entrada mono o estéreo
Salidas seleccionables entre el bus de la estación de trabajo o el mezclador Titan
Mezclador digital de baja latencia de "calidad de consola" para monitorización de retorno
Fader, panorámica, corte, solo en cada canal del mezclador
Dos salidas de auriculares, cada una con su propio control de volumen en el panel frontal
Control de volumen maestro en el panel frontal, asignable a canales seleccionados
Configurable para monitorización estéreo, 5.1 o 7.1 o surround
Conversión de frecuencia de muestreo (SRC) incorporada en las entradas y salidas S/PDIF
Modelado de ruido SNS de 4 curvas Prism Sound en las salidas digitales
Reloj de última generación con híbrido de DPLL de 2 etapas

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Bricasti Design

Bricasti MC1 Dual Mono Master DAC

(0)

$8,595 Dólares

The M1 digital to analog converter is a dual mono design; there are two completely isolated channels, each with its own dedicated linear power supply, D/A converter, DDS clocking, and analog circuitry. This design ensures that analog crosstalk is virtually nonexistent, that the necessary power requirements for each channel are well met and isolated from each other and the digital processing is isolated, having its own power supply. With our twin DAC design, the dynamic range for each channel is optimized by using the stereo ADI 1955 D/A converter in a mono configuration. The M1 also includes Bricasti's own proprietary filter technology, further opening new territory with what is achievable in a modern D/A reference.

Network Player Option
First incorporated for the M12 Dual Mono Source Controller, The Bricasti network interface and media renderer option allows any M1 to be seen as a DNLA device on an audio network and server as an audio device to play or stream to through a wired connection on your network. Now you can run wired data longer distances without loss in quality so your network server can go anywhere you choose.

Product Highlights

DSD, DSD64 and DSD128 playback.
Features the latest generation asynchronous USB interface.
Dedicated dual mono design.
Highly acclaimed, proprietary filter technology.
Extremely low jitter @ 6 picoseconds.
Supports sample rates of up to 352.8kHz and 24 bits.
Minimum and linear phase filters

Digital Inputs

Connectors:

USB: USB-2

XLR: AES/EBU 24 bit Single Wire

RCA: SPDIF

Toslink: Fiber Optic

Sample Rates:

USB: 44.1 kHz - 384 kHz, DSD 64x, DSD 128x

AES, SPDIF: 44.1 kHz - 192kHz

Toslink: 44.1 kHz - 96 kHz

Frequency Response Dig I/O:

DC to 24 kHz @ 48 kHz

DC to 96 kHz @ 192 kHz

Balanced Analog Outputs

Connectors: XLR balanced (pin 2 hot)

Impedance: 40 ohm

Max output level:+22 dbm

Min output level:+8 dbm

D/A Conversion:24 bit delta sigma 8x oversampling

Frequency Response @44.1k:10 hz- 20 kHz +0dB, -.2 dB

Dynamic Range:>120dB A-Weighted

THD+N @ 1k: .0006% @ 0dbfs / .0004% @-30dbfs

Unbalanced Analog Outputs

Connectors:RCA

Impedance:40 ohm

Output level: +8 dbm (2V RMS)

D/A Conversion: 24 bit delta sigma 8x oversampling

Frequency Response @ 44.1k: 10 hz- 20 kHz -.2 dB

Dynamic Range: >120dB A-Weighted

THD+N @ 1k: .0006% @ 0dbfs / .0004% @-30dbfs

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Avid

Avid MTRX

(0)

Desde $4,499 Dólares

Get the most pristine sound quality possible—and extensive monitoring and routing capabilities—in the most versatile audio interface available for Pro Tools | HDX, HD Native, and other pro audio applications. With Pro Tools | MTRX, you gain the superior sonic quality of DAD’s legendary AD/DA converters, plus flexible routing and monitor control when used standalone or with Avid Pro Mixing surfaces. And because the interface can be customized with the analog and digital I/O you need, you can take on the most demanding music and post-production challenges. Effortlessly.
Achieve exceptional sound

Digital Audio Denmark’s (DAD’s) AD and DA converters are renowned for delivering the cleanest, most transparent, and highly detailed sound. Pro Tools | MTRX is no exception, enabling you to get the best sound quality possible from your Pro Tools | HD system—up to super-high-resolution 384 kHz DSD. And because it does double duty as both an audio I/O and monitor interface, it offers exceptional versatility too.

Expand your monitor control

Take full remote control of all sources, monitors, and speaker sets directly from Pro Tools | S6, other EUCON-enabled control surfaces, and the included DADman software. Pro Tools | MTRX includes Pro | Mon 2, putting complete monitoring, talkback, summing, and fold-down control at your fingertips, whether you’re mixing in mono, stereo, 5.1, 7.1, 9.1, or even a 64-channel immersive audio mix.

Get the I/O you need

Pro Tools | MTRX is fully modular, so you can customize it with a wide variety of I/O and interface options. From analog inputs, outputs, and high-quality mic pres, to Dante, MADI, AES3, 3G-SDI, and more, you have the interface versatility you need to connect with any type of gear and route any signal between the various I/O formats.

Route audio with abandon

Using DADman software, you can route, split, and patch audio quickly, flexibly, and extensively, with a matrix capacity of up to 1,500 x 1,500 cross points. You can feed any input to any output, or even send audio to multiple outputs simultaneously, giving you unlimited workflow possibilities.

SYSTEM REQUIREMENTS
Pro Tools | HDX or Pro Tools | HD Native system running Pro Tools | HD 12 or higher software
SPECIFICATIONS
PRO TOOLS | MTRX BASE UNIT (BUILT INTO THE CHASSIS)

AES/EBU I/O: Eight AES pairs (16 mono) via two D25 connectors
MADI I/O: Coaxial interface with 64 I/O channels via BNC connectors
Option card slots: Eight available for I/O customization (see options below); up to six slots can be used to mix and match analog (AD/DA) cards, providing up to 48 analog channels per MTRX interface
System sync: Word Clock/video black burst (VBB) I/O via BNC connectors; AES11 input
Pro Tools interface: Two 32-channel DigiLink Mini connectors (64 channels total)
Sample rate: Supports 44.1 kHz–384 kHz, as well as DSD 64/DSD 128 with high precision internal clock and PLL
Power: Dual power supplies (internal)
Chassis: 2U 19-inch rack-mountable unit (482.6 mm)

OPTION CARDS
Analog I/O (up to six analog cards can be installed)
Pro Tools | MTRX 8 Line Pristine AD Card (8 analog inputs)
Pro Tools | MTRX 2 Mic/Line Pristine AD Card (2 analog inputs with mic pres)
Pro Tools | MTRX 8 Mic/Line Pristine AD Card (8 analog inputs with mic pres)
Pro Tools | MTRX 8 Pristine DA Card (8 analog outputs)
Digital I/O
Pro Tools | MTRX 8 AES3 I/O Card (8 channels)
Pro Tools | MTRX Dual SDI/HD/3G Card
Pro Tools | MTRX 64-Channel IP Audio Dante Module
Pro Tools | MTRX Dual MADI I/O Card
Pro Tools | MTRX MADI Module for Base Unit

Pro Tools | MTRX 8 Line Pristine AD Option Card
ANALOG INPUTS - 8 LINE-LEVEL
Input gain - Adjustable from -18 to +70 dB, in steps of 0.1 dB, ± 0.25 dB accuracy
Max input level - Adjustable from 9 dBu to 30 dBu in steps of 0.1 dB
Sampling, resolution - 5-bit sigma/delta @ 5.645 or 6.144 MHz, 24-bit PCM
DSD sample rates - 2.8224 and 5.6448 Mhz (64 and 128 fs)
THD+N (A) - < -117 dB @ -3 dB FS / 0.00014%
Crosstalk - < -120 dB
Input Impedance - > 10 k Ohm

Pro Tools | MTRX 2 Mic/Line Pristine AD Option Card
ANALOG INPUTS - 2 LINE-LEVEL
Mix preamps - 2
Input gain - Adjustable from -18 to +70 dB, in steps of 0.1 dB, ± 0.25 dB accuracy
Max input level - Adjustable from 9 dBu to 30 dBu in steps of 0.1 dB
Mic equivalent input noise (A) - < -133 dB
Sampling, resolution - 5-bit sigma/delta @ 5.645 or 6.144 MHz, 24-bit PCM
DSD sample rates - 2.8224 and 5.6448 Mhz (64 and 128 fs)
THD+N (A) - < -117 dB @ -3 dB FS / 0.00014%
Crosstalk - < -120 dB
Input Impedance - > 10 k Ohm

Pro Tools | MTRX 8 Mic/Line Pristine AD Option Card
ANALOG INPUTS - 8 MIC/LINE
Mix preamps - 8
Input gain - Adjustable from -18 to +70 dB, in steps of 0.1 dB, ± 0.25 dB accuracy
Max input level - Adjustable from 9 dBu to 30 dBu in steps of 0.1 dB
Mic equivalent input noise (A) - < -133 dB
Sampling, resolution - 5-bit sigma/delta @ 5.645 or 6.144 MHz, 24-bit PCM
DSD sample rates - 2.8224 and 5.6448 Mhz (64 and 128 fs)
THD+N (A) - < -117 dB @ -3 dB FS / 0.00014%
Crosstalk - < -120 dB
Input Impedance - > 10 k Ohm

Pro Tools | MTRX 8 Pristine DA Option Card
ANALOG OUTPUTS - 8 LINE-LEVEL
Modulator resolution, format - 32x oversampling, 1-bit DSD, 24-bit PCM
PCM (DXD) sample rates - 44.1, 48, 88.2, 96, 174.4, 192, 352.8, 384 kHz
DSD sample rates - 2.8224 and 5.6448 Mhz (64 and 128 fs)
Dynamic range (A) - > 128 dB
THD+N (A) - < -110 dB @ -3dB FS
Crosstalk - < -120 dB
Max output level - Adjustable from -60 dBu to 24 dBu in steps of 0.1 dB

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Antelope Audio

Antelope Audio Pure2 - 2-Channel Mastering Converter

(0)

$2,695 Dólares

Creating Premium Audio Easily

Antelope Audio’s Pure2 is a mastering grade 2-channel converter and master clock that builds off the successful model of the Eclipse 384. Delivering simply stunning audio via an A/D converter, D/A converter and a master clock featuring Antelopes signature Acoustically Focused Clocking technology, the Pure2 makes the world of mastering a process that anyone can attain in their own studio.

The Make Up Of Mastering

The conversion and AFC technology in the Pure2 is highly impactful and gives it a pristine sound. Additionally, the system also features masterful analog circuitry driven by a multi-stage power supply. Packed with Antelope Audio’s dual-DAC technology, with different chips for both the right and left channels, the Pure2 is able to gain exceptional imaging and separation. The system’s relay-based attenuator provides first-class transparency, which offers an exceptional audio experience when listening back on all types of monitors.

Clocking In: The Right Way

Featuring several Word Clock outputs, the Pure2 instantly adds an impressive master clock to your studio setup. Additionally, the system can be run with Antelope’s 10M Atomic Clock to provide your space with an even more stable method of clocking. With zero jitter and 100% accuracy, this combination of clocking will ensure that your projects have all the dynamic separation and clarity that you’ve always wanted.

Features:

Pure2 includes five high-performance components:
- A/D converter with optimized overload handling
- D/A converter with dual-DAC architecture
- High-end headphone amp with dedicated D/A converter
- Relay-based analog volume control for accurate monitoring
- Master clock with 4th-generation Antelope AFC jitter management
Connections for S/PDIF, TOSlink, AES, and USB
Includes intuitive control panel software for Mac and Windows

Specification

Analog Inputs
1 x Combo Balanced Analog (XLR / 1/4 TRS) factory calibrated to +20dBu

Digital Outputs
1 x AES/EBU on XLR (32kHz to 192kHz) @ 110 Ohms terminated
1 x S/PDIF on RCA (32kHz to 192kHz) @ 75 Ohms terminated
1 x TOSLINK on optical fiber: up to 96kHz

Word Clock Input
1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz

Analog Outputs
1 x Stereo pair of Balanced XLR Outputs from D/A Converter (Main Output) is factory calibrated to 20dBu and user adjustable from 8dBu to 26dBu
1 x Stereo pair Balanced Outputs for monitors (2 x 1/4 TRS)
1 x 1/4 TRS Front Headphones 20dBu

Digital Outputs
1 x AES/EBU on XLR (32kHz to 192kHz) @ 110 Ohms terminated
1 x S/PDIF on RCA (32kHz to 192kHz) @ 75 Ohms terminated
1 x TOSLINK on optical fiber: up to 96kHz

Word Clock Outputs
8 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz

USB I/O
USB 2.0 Hi-Speed; Data stream up to 480Mbits/192kHz,
4 channels I/O playback/record, Type B

External Reference Clock
1 x 10M Atomic Clock Input @ 75 Ohms 1Vpp on BNC
1 x Word Clock Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz

A/D Converter
Dynamic Range: 122dB
THD+N: -105dB

D/A Converters
Main DAC Dynamic Range 127dB; THD+N -107dB
Monitor DAC Dynamic Range 120dB; THD+N -103dB
Headphones DAC Dynamic Range 120dB; THD+N -100dB

Clock Specifications
<+/-0.02 PPM, oven controlled at 64.5°C/ 148.1°F

Clock Aging
< 1 ppm per year

Clock Calibration
< +/-0.001 ppm

Atomic Clock Input
10MHz @ 1Vpp, BNC

Sample Rates (kHz)
32, 44.1, 48, 88.2, 96, 176.4, 192

Operating Temperature

0-50°C, 32-122°F

Weight

3 kg, 6.6 lb approx.

Dimensions (Approx)
483mm(W) x 44mm(H) x 220mm (D)
19”(W) x 1.75”(H) x 8.66”(D)

Power Supply
~110VAC 60Hz/ ~220VAC 50Hz selectable

Atomic Clock Input
1 x 10M Input @ 75 Ohms 1Vpp on BNC

Fuses
2 x 0.8A 250VAC 5mm x 20mm Type T (or Time delay)

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Avid

Avid Interfaz HD MADI - Liquidación Final

(0)

$1,999 Dólares $4,499 Dólares

-56%

Última Pieza

Lynx Studio Technology

Lynx Hilo

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Desde $2,999 Dólares

The Lynx Studio Technology Hilo Reference AD/DA Converter

System re-engineers and redefines the concept and functionality of the two-channel converter. Essentially three units in one: A/D converter;D/A converter; and headphone amplifier, Hilo offers connectivity, performance and control never before available. Newly designed differential analog stages and bi-linear converter topology provide industry-leading noise and distortion specifications and unprecedented transparency. Digital I/O is extremely versatile with support for AES/EBU, S/PDIF (via coax or optical) or ADAT. The Lynx LT-USB is standard, allowing additional USB I/O and computer connectivity.  Hilo is also the first professional converter with touchscreen operation and monitoring. All controls and signal routing is set up using easy to use menus. The setup page shows two stereo input meters and three stereo output meters. Optional screens show two selectable meter setsand even old-style analog VU meters. Future screens (updatable in the FPGA via download) will include further metering options, diagnostic operations and personalization.  The internal 32-channel mixer allows any input to be routed to any output. In fact there are three stereo analog output options. Line-out that supports eight standard trim settings, monitor-out with a volume control, and a headphone output, also with a volume control. In fact the headphone output has its own dedicated D/A converter with the option of a different mix than the line and monitor outputs.

  Features:

Full-featured, ultra high performance AD/DA converter
12 inputs and 16 outputs
Control and monitoring via 480 x 272 LCD touchscreen
Three in one pro-level unit: A/D converter; D/A converter; headphone amplifier
Latest FPGA technology allows future enhancements and ability touse LCD technology for added metering, diagnostic, measurement functions
Utilizes Lynx Studio Technology’s proprietary SynchroLock™ technology to virtually eliminate jitter
Analog, AES/EBU, S/PDIF (via coax or TOSLINK), ADAT, USB inputs and outputs
Ships with LT-USB
RoHS compliant
Designed and manufactured in the USA by Lynx Studio Technology, Inc.

Thunderbolt
The Lynx Studio Technology Hilo Reference AD/DA Converter System re-engineers and redefines the concept and functionality of the two-channel converter. Essentially three units in one: A/D converter; D/A converter; and headphone amplifier, Hilo offers connectivity, performance and control never before available. Newly designed differential analog stages and bi-linear converter topology provide industry-leading noise and distortion specifications and unprecedented transparency. Digital I/O is extremely versatile with support for AES/EBU, S/PDIF (via coax or optical) or ADAT. Includes the Lynx LT-TB, allowing additional Thunderbolt I/O and computer connectivity.  Hilo is also the first professional converter with touchscreen operation and monitoring. All controls and signal routing is set up using easy to use menus. The setup page shows two stereo input meters and three stereo output meters. Optional screens show two selectable meter setsand even old-style analog VU meters. Future screens (updatable in the FPGA via download) will include further metering options, diagnostic operations and personalization.  The internal 32-channel mixer allows any input to be routed to any output. In fact there are three stereo analog output options. Line-out that supports eight standard trim settings, monitor-out with a volume control, and a headphone output, also with a volume control. In fact the headphone output has its own dedicated D/A converter with the option of a different mix than the line and monitor outputs.

  Features:

Full-featured, ultra high performance AD/DA converter
12 inputs and 16 outputs
Control and monitoring via 480 x 272 LCD touchscreen
Three in one pro-level unit: A/D converter; D/A converter; headphone amplifier
Latest FPGA technology allows future enhancements and ability touse LCD technology for added metering, diagnostic, measurement functions
Utilizes Lynx Studio Technology’s proprietary SynchroLock™ technology to virtually eliminate jitter
Analog, AES/EBU, S/PDIF (via coax or TOSLINK), ADAT, Thunderbolt inputs and outputs
Ships with LT-TB
RoHS compliant
Designed and manufactured in the USA by Lynx Studio Technology, Inc.

The Lynx Studio Technology Hilo- Dante reference AD/DA Converter

System with Dante connectivity re-engineers and redefines the concept and functionality of the two-channel converter. Essentially three units in one: A/D converter; D/A converter; and headphone amplifier, Hilo offers connectivity, performance and control never before available. Newly designed differential analog stages and bi-linear converter topology provide industry-leading noise and distortion specifications and unprecedented transparency. Digital I/O is extremely versatile with support for AES/EBU, S/PDIF (via coax or optical) or ADAT. The Lynx LT-USB is standard, allowing additional USB I/O and computer connectivity.
Hilo is also the first professional converter with touchscreen operation and monitoring. All controls and signal routing is set up using easy to use menus. The setup page shows two stereo input meters and three stereo output meters. Optional screens show two selectable meter sets and even old-style analog VU meters. Future screens (updatable in the FPGA via download) will include further metering options, diagnostic operations and personalization.
The internal 32-channel mixer allows any input to be routed to any output. In fact there are three stereo analog output options. Line-out that supports eight standard trim settings, monitor-out with a volume control, and a headphone output, also with a volume control. In fact the headphone output has its own dedicated D/A converter with the option of a different mix than the line and monitor outputs.

Features:

Full-featured, ultra high performance AD/DA converter
12 inputs and 16 outputs
Control and monitoring via 480 x 272 LCD touchscreen
Three in one pro-level unit: A/D converter; D/A converter; headphone amplifier
Latest FPGA technology allows future enhancements and ability touse LCD technology for added metering, diagnostic, measurement functions
Utilizes Lynx Studio Technology’s proprietary SynchroLock™ technology to virtually eliminate jitter
Analog, AES/EBU, S/PDIF (via coax or TOSLINK), ADAT, USB inputs and outputs
Ships with LT-USB
RoHS compliant
Designed and manufactured in the USA by Lynx Studio Technology, Inc.

LT-DANTE
The LT-DANTE LSlot interface for Aurora and Hilo converters. The LT-DANTE is a two-port expansion card that supports the Dante audio networking standard adopted by a multitude of audio manufacturers for use in live, studio, broadcast and commercial installation applications.
The LT-DANTE LSlot card can be installed into any existing Hilo or Aurora with an easy and free firmware update. In addition, Lynx is making Dante-equipped Aurora and Hilo models available at the same time. These models are:
The LT-DANTE enables connectivity for the Aurora and the Hilo to Dante audio networks. Dante is a multi-channel audio networking solution developed by Audinate. The world’s leading professional audio manufacturers have adopted Dante, making it the standard for digital audio networking for recording, live, broadcast and commercial installations.
Dante audio networking utilizes standard IP networks to transmit high-quality, uncompressed audio with near-zero latency. It is the most economical, versatile, and easy-to-use audio networking solution and is scalable from simple installations to large-capacity networks running thousands of audio channels. The Hilo and Aurora are an obvious choice among integrators as their uncolored audio conversion provides the uncompressed high quality audio that Dante transmits over the network.
Dante allows users to replace multiple analog or multi-core cables with a single affordable Ethernet cable for transmitting high-quality multi-channel audio safely and reliably. Standard Gigabit routers can distribute signals throughout a facility. With Dante software, the network can be easily expanded and reconfigured with just a few mouse clicks. Hundreds of Dante-enabled audio products are currently available. The Lynx Aurora and Hilo converters have a proven track record in thousands of professional studios and audio production facilities around the world. Lynx has long been the leader in offering options in connectivity, computer platform choice and proactive customer support. The LT-DANTE card adds to this legacy.

Features:

Dante expansion card for Aurora and Hilo converters
Allows for easy connectivity to a Dante audio network
Extremely low latency
Uses standard and affordable CAT 5 and CAT 6 cables
RoHS compliant
Designed and manufactured in the USA by Lynx Studio Technology
Available in 100V, 115V and 230V models

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Crane Song

Crane Song HEDD Quantum AD/DA

(0)

$5,449 Dólares

**Aunque normalmente hacemos price match, contra calquier competidor, el hecho de que esta pieza es de producción limitada, la elimina de nuestra Garantía del Precio Más Bajo**

CRANE SONG HEDD QUANTUM

A/D and D/A converter featuring six word clock outputs for master clock functionality, Toslink I/O, and DSP emulation of Triode and Pentode tubes

The Crane Song HEDD Quantum applies sub-picosecond jitter clocking to the A/D and D/A converters to provide the purest sound possible, wide three dimensional image of your recordings, and highly detailed transient response. HEDD Quantum features the same sub-picosecond jitter clocking found in the Avocet IIA DAC. For those who use Toslink connectivity, optical in and outs have been added for a more flexible setup.

The HEDD Quantum can be used as a master clock at the same time as applying A/D D/A conversion through its six word clock outputs, which can also run at multiple sample rates. Three styles of DSP emulation are still utilized; Triode, Pentode and Tape Emulation.

Choose between two different operations modes, DIGI and ANA. In DIGI mode, the HEDD will accept the digital in from one of the three sources then send the output of all three digital inputs and analog connections simultaneously. ANA is an analog mode, which takes the input in as pure analog, then outputs all three digital and analog outputs at the same time.

Select between 16 or 20 bit fully analog dithering, the A/D D/A and ASRC chips are made with the highest quality AKM 32-bit components, all processed with proprietary analog filtering and clocking for an uncompromising final product.

Tech Specs

Type:AD/DA Converter
Channels:Stereo
A to D:Yes
D to A:Yes
Sample Rate:192kHz
Bit Depth:24-bit
Analog Inputs:2 x XLR
Analog Outputs:2 x XLR
Digital Inputs:1 x Coax (S/PDIF), 1 x Optical Toslink (S/PDIF), 1 x XLR (AES/EBU)
Digital Outputs:1 x Coax (S/PDIF), 1 x Optical Toslink (S/PDIF), 1 x XLR (AES/EBU)
Clock Inputs:1 x Word Clock
Clock Outputs:6 x Word Clock
Rack Spaces:1U
Power Source:Standard IEC AC cable
Manufacturer Part Number:HEDD-Quantum

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Dangerous Music

Dangerous CONVERT-8

(0)

$3,849 Dólares

Whether you’re tracking, mixing or mastering, the Dangerous CONVERT-8 will deliver powerful low-end, articulate mids and transcendent highs to every channel in your analog rig. Patched into one of our award-winning analog summing units like the 2-BUS+ or the D-BOX – or to your favorite analog console – the CONVERT-8 will empower you to create the spacious, three-dimensional soundscapes that only real analog summing can deliver. Compatible with all of today’s digital signals (including the ubiquitous ADAT format) the CONVERT-8 is ready to take on any mixing or monitoring job from standard stereo and 2.1 to 5.1 and the increasingly popular 7.1 surround format. Recognizing the needs of those who don’t need more analog inputs, the CONVERT-8 brings today’s very best digital-to-analog conversion within reach of any studio.

It’s All About Implementation

While in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter’s components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart – for better or worse. The Dangerous CONVERT-2 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.

Fine Tuning The Analog Side

A legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 80s, and via Dangerous his designs have become essential components in the best modern DAW-based mixing and mastering studios. When Dangerous set out to develop a new dedicated stereo DAC, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT’s analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.

Perfecting The Digital Side

Dangerous brought in digital guru Paul Messick to make sure the digital side of the CONVERT-2 would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT’s JetPLL ultra-low jitter clocking technology until it surpassed the JET’s stated specs, resulting in the virtual elimination of jitter throughout the audio band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-2’s superbly implemented digital technology delivers such a natural, open and non-irritating sound that you’ll forget you’re even listening to converted 0s and 1s.

Detailed Information & Delightful Inspiration

Reaching beyond transparency and accuracy, the sound of the CONVERT-2 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they’ve ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated stereo DAC, you’re choosing the unit you’ll trust to make all your sonic judgments, from choosing a mic to deciding how much limiting to use in mastering. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration.

Features

Instant Input Calibration
Automatic Sample Rate Detection
On The Fly Input Switching
Essential 8-Channel Metering
Monitor ST Connectivity

Specifications

Note: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers derived from data sheets published by chip manufacturers.

Signal to Noise Ratio A-weighted, 20Hz to 20KHz: < 114dB
Signal to Noise Ratio unweighted, 20Hz to 20KHz: < 113dB
Dynamic Range A-weighted, 20Hz to 20KHz: < 114dB
Dynamic Range unweighted, 20Hz to 20KHz: < 113dB
THD+N:
- THD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: < 94.5dB (0.00188%)
- THD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: < 106.5dB (0.00048%)
Frequency Response @ 96KHz sample rate:
- DC to 20KHz: +0, -0.25dB
- DC to 30KHz: +0, -0.5dB
- DC to 40KHz: +0, -1.0dB
Jitter: 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)
Crosstalk rejection: > 114dBu @ 1kHz
Replacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240V

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Dangerous Music

Dangerous CONVERT-2

(0)

$3,299 Dólares

Dangerous has been building award-winning, standard-setting converters since 2002 when the Dangerous Monitor’s onboard digital-to-analog converter (DAC) swiftly became the industry reference. They’ve been asked over the years to build a stand alone DAC, and it's finally here in the CONVERT series. Eager to embrace the opportunity to develop a new and better DAC, we designed the CONVERT series converters from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers their signature sound: open, articulate and powerful from top to bottom. Loaded with innovative and useful features accessed from an intuitive front panel, the Dangerous CONVERT-2 tops an elite class of dedicated stereo digital-to-analog converters in both sound and ease of use. The CONVERT-2 goes beyond transparency – you won't just hear everything, you’ll hear it beautifully.

It’s All About Implementation

While in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter’s components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart – for better or worse. The Dangerous CONVERT-2 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.

Fine Tuning The Analog Side

A legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 80s, and via Dangerous his designs have become essential components in the best modern DAW-based mixing and mastering studios. When Dangerous set out to develop a new dedicated stereo DAC, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT’s analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.

Perfecting The Digital Side

Dangerous brought in digital guru Paul Messick to make sure the digital side of the CONVERT-2 would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT’s JetPLL ultra-low jitter clocking technology until it surpassed the JET’s stated specs, resulting in the virtual elimination of jitter throughout the audio band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-2’s superbly implemented digital technology delivers such a natural, open and non-irritating sound that you’ll forget you’re even listening to converted 0s and 1s.

Detailed Information & Delightful Inspiration

Reaching beyond transparency and accuracy, the sound of the CONVERT-2 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they’ve ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated stereo DAC, you’re choosing the unit you’ll trust to make all your sonic judgments, from choosing a mic to deciding how much limiting to use in mastering. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration.

Features

Dedicated Volume Control With Hard-Bypass
Instant Input Calibration
Automatic Sample Rate Detection
On The Fly Input Switching
Five digital inputs: USB, AES/SPDIF-1, AES/SPDIF-2, ADAT and Optical SPDIF (TOSLINK)
USB Uplink
Custom Metering
Use The CONVERT As Your Master Clock
Monitor ST Connectivity

Specifications

Note: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers derived from data sheets published by chip manufacturers.

Signal to Noise Ratio A-weighted, 20Hz to 20KHz: < 114dB
Signal to Noise Ratio unweighted, 20Hz to 20KHz: < 113dB
Dynamic Range A-weighted, 20Hz to 20KHz: < 114dB
Dynamic Range unweighted, 20Hz to 20KHz: < 113dB
THD+N:
- THD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu out: < 94.5dB (0.00188%)
- THD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu out: < 106.5dB (0.00048%)
Frequency Response @ 96KHz sample rate:
- DC to 20KHz: +0, -0.25dB
- DC to 30KHz: +0, -0.5dB
- DC to 40KHz: +0, -1.0dB
Jitter: 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)
Crosstalk rejection: > 114dBu @ 1kHz
Replacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240V

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